file_name,id,title,major_model_version,model_name,status,duration,is_instrumental,tags,gpt_description_prompt,prompt_letras,created_at,play_count,upvote_count,is_public,is_liked,is_trashed,has_hook,has_stem,audio_url,image_url,image_large_url audio/b22e906d-9727-4bae-92df-f6e7bf913b85.mp3,b22e906d-9727-4bae-92df-f6e7bf913b85,DS_psytrance_psybient_chillgressive_zl4v7,v5.5,chirp-fenix,complete,479.4,True,"Psybient slow-build at 120 BPM with a chilled rolling pulse, filtered kick, and soft tribal percussion; intro opens on nature recordings and gauzy pads, midsection layers a subtle bassline and drifting FX sweeps, long breakdown breathes into brighter arps and hand drums, final stretch blooms with wider harmonics and dubby echoes. Wordless textures, warm close-mic ambience, wide psychedelic mix with soft low-end glue., soft, slow, bassline, warm","Chillgressive psybient slow, 120 BPM, soft analog pads, subtle rolling bassline, filtered psytrance kick, slow FX sweeps, soft tribal percussion, nature field recordings, A minor dorian meditative, Israeli chill scene aesthetic, 9 minute warm psychedelic development, instrumental",[Instrumental],2026-05-24T16:23:28.923Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b22e906d-9727-4bae-92df-f6e7bf913b85.mp3,https://cdn2.suno.ai/image_b22e906d-9727-4bae-92df-f6e7bf913b85.jpeg,https://cdn2.suno.ai/image_large_b22e906d-9727-4bae-92df-f6e7bf913b85.jpeg audio/db9ee30c-5f4d-427d-b210-45b2a45e2be5.mp3,db9ee30c-5f4d-427d-b210-45b2a45e2be5,DS_psytrance_psybient_chillgressive_zl4v7,v5.5,chirp-fenix,complete,479.4,True,"Psybient slow-build at 120 BPM with a chilled rolling pulse, filtered kick, and soft tribal percussion; intro opens on nature recordings and gauzy pads, midsection layers a subtle bassline and drifting FX sweeps, long breakdown breathes into brighter arps and hand drums, final stretch blooms with wider harmonics and dubby echoes. Wordless textures, warm close-mic ambience, wide psychedelic mix with soft low-end glue., soft, slow, bassline, warm","Chillgressive psybient slow, 120 BPM, soft analog pads, subtle rolling bassline, filtered psytrance kick, slow FX sweeps, soft tribal percussion, nature field recordings, A minor dorian meditative, Israeli chill scene aesthetic, 9 minute warm psychedelic development, instrumental",[Instrumental],2026-05-24T16:23:28.923Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/db9ee30c-5f4d-427d-b210-45b2a45e2be5.mp3,https://cdn2.suno.ai/image_db9ee30c-5f4d-427d-b210-45b2a45e2be5.jpeg,https://cdn2.suno.ai/image_large_db9ee30c-5f4d-427d-b210-45b2a45e2be5.jpeg audio/df1f8fde-bd57-4a02-80e9-c5be4727433c.mp3,df1f8fde-bd57-4a02-80e9-c5be4727433c,DS_ambient_techno_zk5de,v5.5,chirp-fenix,complete,479.4,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick, deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections unfold gradually with micro-variation, a second layer of arpeggiated dust enters mid-track, then the final movement opens into wider harmony and drifting textures. Breath-like automation, reversed swells, distant room tone, and subtle vinyl haze thread the transitions. Dark, wide, immersive master with a Warp Records 1993 feel., techno, soft, deep, slow, ambient","Ambient techno meditative, 110 BPM, soft analog pads, filtered 909 kick subtle, deep slow sub-bass, field recordings, long tape delay, evolving FX, A minor atmospheric, Warp Records 1993 aesthetic, 10 minute slow development, no vocals instrumental",[Instrumental],2026-05-24T16:22:33.490Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/df1f8fde-bd57-4a02-80e9-c5be4727433c.mp3,https://cdn2.suno.ai/image_df1f8fde-bd57-4a02-80e9-c5be4727433c.jpeg,https://cdn2.suno.ai/image_large_df1f8fde-bd57-4a02-80e9-c5be4727433c.jpeg audio/7437ce46-fc86-4b2c-a37b-bd193c789293.mp3,7437ce46-fc86-4b2c-a37b-bd193c789293,DS_ambient_techno_zk5de,v5.5,chirp-fenix,complete,248.04,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick, deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections unfold gradually with micro-variation, a second layer of arpeggiated dust enters mid-track, then the final movement opens into wider harmony and drifting textures. Breath-like automation, reversed swells, distant room tone, and subtle vinyl haze thread the transitions. Dark, wide, immersive master with a Warp Records 1993 feel., techno, soft, deep, slow, ambient","Ambient techno meditative, 110 BPM, soft analog pads, filtered 909 kick subtle, deep slow sub-bass, field recordings, long tape delay, evolving FX, A minor atmospheric, Warp Records 1993 aesthetic, 10 minute slow development, no vocals instrumental",[Instrumental],2026-05-24T16:22:33.490Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7437ce46-fc86-4b2c-a37b-bd193c789293.mp3,https://cdn2.suno.ai/image_7437ce46-fc86-4b2c-a37b-bd193c789293.jpeg,https://cdn2.suno.ai/image_large_7437ce46-fc86-4b2c-a37b-bd193c789293.jpeg audio/e0a8db07-f7d7-4208-8b05-3fff1abe01a5.mp3,e0a8db07-f7d7-4208-8b05-3fff1abe01a5,DS_dnb_liquid_vocal_zk322,v5.5,chirp-fenix,complete,244.6,False,"Liquid drum and bass with a 174 BPM amen break, rolling sub-bass, lush warm pads, piano chords in A minor, and euphoric string lifts; verse rides tight and intimate over breakbeat and sub, pre-chorus strips to piano, pulse, and rising pads, chorus opens wide with stacked harmonies and soaring lead doubles, then a half-time bridge melts into a final lift. Female alto lead with close-mic verses, airy doubles, delay throws on key lines, and soft gang vocal echoes on the hook. Glowing, polished, and spacious with crisp low-end punch and glossy high-end shimmer., vocal, drum and bass, uplifting, warm, romantic","Liquid drum and bass vocal, 174 BPM, amen break, rolling sub-bass, lush warm pads, piano chords A minor, female alto vocal lead uplifting, string sections, Hospital Records 2024 aesthetic, 5 minute romantic euphoric track","[Verse 1] You found me by the platform gate Rain on your coat, you were running late One small smile, then the world went slow Like a secret only we could know Your hand in mine, I felt it click One beating heart, one perfect drift The train rolled past, I let it fade I knew right then what you had made [Pre-Chorus] Hold me close Don’t let go We’re almost there I already know [Chorus] After the break, we rise After the break, we shine Hold my name tonight We can cross that line After the break, we rise After the break, we shine If the night falls hard You’re my light, my light [Verse 2] Late summer air through the window cracked Your laugh came back and pulled me back I kept your note in my back pocket seam Like a lucky charm in a half-felt dream Now every doubt feels far away When you say stay, I stay One step, one breath, one open door I want this feeling, then I want more [Pre-Chorus] Hold me close Don’t let go We’re almost there I already know [Chorus] After the break, we rise After the break, we shine Hold my name tonight We can cross that line After the break, we rise After the break, we shine If the night falls hard You’re my light, my light [Bridge] If the sky falls down I’ll still find you If the tide turns round I will dive through Take my hand We’ll make it through Nothing left to prove Just me and you [Final Chorus] After the break, we rise After the break, we shine Hold my name tonight We can cross that line After the break, we rise After the break, we shine If the night falls hard You’re my light, my light After the break, we rise After the break, we shine Stay with me tonight We can cross that line",2026-05-24T16:22:30.671Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e0a8db07-f7d7-4208-8b05-3fff1abe01a5.mp3,https://cdn2.suno.ai/image_e0a8db07-f7d7-4208-8b05-3fff1abe01a5.jpeg,https://cdn2.suno.ai/image_large_e0a8db07-f7d7-4208-8b05-3fff1abe01a5.jpeg audio/c87a73a7-fa57-494e-b5ff-b8df389d5e8f.mp3,c87a73a7-fa57-494e-b5ff-b8df389d5e8f,DS_dnb_liquid_vocal_zk322,v5.5,chirp-fenix,complete,237.36,False,"Liquid drum and bass with a 174 BPM amen break, rolling sub-bass, lush warm pads, piano chords in A minor, and euphoric string lifts; verse rides tight and intimate over breakbeat and sub, pre-chorus strips to piano, pulse, and rising pads, chorus opens wide with stacked harmonies and soaring lead doubles, then a half-time bridge melts into a final lift. Female alto lead with close-mic verses, airy doubles, delay throws on key lines, and soft gang vocal echoes on the hook. Glowing, polished, and spacious with crisp low-end punch and glossy high-end shimmer., vocal, drum and bass, uplifting, warm, romantic","Liquid drum and bass vocal, 174 BPM, amen break, rolling sub-bass, lush warm pads, piano chords A minor, female alto vocal lead uplifting, string sections, Hospital Records 2024 aesthetic, 5 minute romantic euphoric track","[Verse 1] You found me by the platform gate Rain on your coat, you were running late One small smile, then the world went slow Like a secret only we could know Your hand in mine, I felt it click One beating heart, one perfect drift The train rolled past, I let it fade I knew right then what you had made [Pre-Chorus] Hold me close Don’t let go We’re almost there I already know [Chorus] After the break, we rise After the break, we shine Hold my name tonight We can cross that line After the break, we rise After the break, we shine If the night falls hard You’re my light, my light [Verse 2] Late summer air through the window cracked Your laugh came back and pulled me back I kept your note in my back pocket seam Like a lucky charm in a half-felt dream Now every doubt feels far away When you say stay, I stay One step, one breath, one open door I want this feeling, then I want more [Pre-Chorus] Hold me close Don’t let go We’re almost there I already know [Chorus] After the break, we rise After the break, we shine Hold my name tonight We can cross that line After the break, we rise After the break, we shine If the night falls hard You’re my light, my light [Bridge] If the sky falls down I’ll still find you If the tide turns round I will dive through Take my hand We’ll make it through Nothing left to prove Just me and you [Final Chorus] After the break, we rise After the break, we shine Hold my name tonight We can cross that line After the break, we rise After the break, we shine If the night falls hard You’re my light, my light After the break, we rise After the break, we shine Stay with me tonight We can cross that line",2026-05-24T16:22:30.671Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c87a73a7-fa57-494e-b5ff-b8df389d5e8f.mp3,https://cdn2.suno.ai/image_c87a73a7-fa57-494e-b5ff-b8df389d5e8f.jpeg,https://cdn2.suno.ai/image_large_c87a73a7-fa57-494e-b5ff-b8df389d5e8f.jpeg audio/a3e5e848-a81e-426a-b66a-6892eba9415f.mp3,a3e5e848-a81e-426a-b66a-6892eba9415f,DS_trap_soul_instrumental_ziyxq,v5.5,chirp-fenix,complete,161.96,True,"Trap soul instrumental at 140 BPM in half-time with tuned 808 bass, triplet hi-hat rolls, punchy trap kick, melancholic Rhodes piano in F minor, chopped soul vocal samples, and cinematic string pads. Intro opens sparse; verse loop leans on Rhodes and hats; midsection widens with string lifts and vocal chops; final section hits harder with sub swells and drum fills. Clean wide mix, glossy and moody, Atlanta 2024 aesthetic., vocal, soul","Trap soul instrumental melodic, 140 BPM half-time, tuned 808 bass, triplet hi-hat rolls, melancholic Rhodes piano F minor, chopped soul vocal samples, punchy trap kick, cinematic string pads, Atlanta 2024 aesthetic, 4 minute introspective instrumental",[Instrumental],2026-05-24T16:21:38.585Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a3e5e848-a81e-426a-b66a-6892eba9415f.mp3,https://cdn2.suno.ai/image_a3e5e848-a81e-426a-b66a-6892eba9415f.jpeg,https://cdn2.suno.ai/image_large_a3e5e848-a81e-426a-b66a-6892eba9415f.jpeg audio/9c2b286f-d53c-4ee2-9010-707bdbd8cf4d.mp3,9c2b286f-d53c-4ee2-9010-707bdbd8cf4d,DS_trap_soul_instrumental_ziyxq,v5.5,chirp-fenix,complete,162.0,True,"Trap soul instrumental at 140 BPM in half-time with tuned 808 bass, triplet hi-hat rolls, punchy trap kick, melancholic Rhodes piano in F minor, chopped soul vocal samples, and cinematic string pads. Intro opens sparse; verse loop leans on Rhodes and hats; midsection widens with string lifts and vocal chops; final section hits harder with sub swells and drum fills. Clean wide mix, glossy and moody, Atlanta 2024 aesthetic., vocal, soul","Trap soul instrumental melodic, 140 BPM half-time, tuned 808 bass, triplet hi-hat rolls, melancholic Rhodes piano F minor, chopped soul vocal samples, punchy trap kick, cinematic string pads, Atlanta 2024 aesthetic, 4 minute introspective instrumental",[Instrumental],2026-05-24T16:21:38.585Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/9c2b286f-d53c-4ee2-9010-707bdbd8cf4d.mp3,https://cdn2.suno.ai/image_9c2b286f-d53c-4ee2-9010-707bdbd8cf4d.jpeg,https://cdn2.suno.ai/image_large_9c2b286f-d53c-4ee2-9010-707bdbd8cf4d.jpeg audio/46762bd2-290f-4d10-8588-eb1c5c7c81bd.mp3,46762bd2-290f-4d10-8588-eb1c5c7c81bd,DS_jazz_hop_instrumental_ziy5u,v5.5,chirp-fenix,complete,147.04,True,"Jazz hop at 90 BPM with sample-chopped swing and dusty boom bap drums, upright bass chops, Rhodes chords in F major, and tenor sax fragments riding the groove. Intro opens with vinyl crackle and a filtered loop; verse section stays lean with drums, bass, and Rhodes; middle break lifts with sax stabs and tape-stop resets; final section widens with extra chops and a half-bar drum fill. Close-mic sample textures, soft room glue, and a warm dusty mix with a 1998 Shibuya feel., jazz, saxophone","Jazz hop instrumental sample-heavy, 90 BPM, chopped jazz samples, dusty boom bap drums, upright bass chops, Rhodes chord progression F major, tenor saxophone samples, vinyl crackle, Shibuya 1998 aesthetic, 4 minute head-nod groove, instrumental",[Instrumental],2026-05-24T16:21:37.944Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/46762bd2-290f-4d10-8588-eb1c5c7c81bd.mp3,https://cdn2.suno.ai/image_46762bd2-290f-4d10-8588-eb1c5c7c81bd.jpeg,https://cdn2.suno.ai/image_large_46762bd2-290f-4d10-8588-eb1c5c7c81bd.jpeg audio/76967248-7de0-48eb-a2b3-9764af0a6a30.mp3,76967248-7de0-48eb-a2b3-9764af0a6a30,DS_jazz_hop_instrumental_ziy5u,v5.5,chirp-fenix,complete,153.44,True,"Jazz hop at 90 BPM with sample-chopped swing and dusty boom bap drums, upright bass chops, Rhodes chords in F major, and tenor sax fragments riding the groove. Intro opens with vinyl crackle and a filtered loop; verse section stays lean with drums, bass, and Rhodes; middle break lifts with sax stabs and tape-stop resets; final section widens with extra chops and a half-bar drum fill. Close-mic sample textures, soft room glue, and a warm dusty mix with a 1998 Shibuya feel., jazz, saxophone","Jazz hop instrumental sample-heavy, 90 BPM, chopped jazz samples, dusty boom bap drums, upright bass chops, Rhodes chord progression F major, tenor saxophone samples, vinyl crackle, Shibuya 1998 aesthetic, 4 minute head-nod groove, instrumental",[Instrumental],2026-05-24T16:21:37.944Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/76967248-7de0-48eb-a2b3-9764af0a6a30.mp3,https://cdn2.suno.ai/image_76967248-7de0-48eb-a2b3-9764af0a6a30.jpeg,https://cdn2.suno.ai/image_large_76967248-7de0-48eb-a2b3-9764af0a6a30.jpeg audio/325d7fea-d523-44bc-b70b-8614e5640ee3.mp3,325d7fea-d523-44bc-b70b-8614e5640ee3,DS_jersey_club_hyperpop_zhmbm,v5.5,chirp-fenix,complete,180.36,False,"Jersey club fused with 5/4 polyrhythms and chopped bed-squeak samples, driving at a frantic dance tempo; verse sections stay skeletal with kick, claps, squeaks, and clipped Dilla-style vocal chops, pre-drop narrows to syncopated percussion and filtered chords, then the drop slams in with big band brass stabs, altered-jazz synth voicings, and callout hits. Bright, punchy, hyper-detailed mix with sharp low-end bounce., big band, jazz, vocal","Jersey club base + bed-squeak samples cruzados con polirritmia 5/4, vocal chops Dilla, voicings jazz altered en sintetizadores, big band stabs en drop, 2:30 min",[Instrumental],2026-05-24T16:20:35.411Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/325d7fea-d523-44bc-b70b-8614e5640ee3.mp3,https://cdn2.suno.ai/image_325d7fea-d523-44bc-b70b-8614e5640ee3.jpeg,https://cdn2.suno.ai/image_large_325d7fea-d523-44bc-b70b-8614e5640ee3.jpeg audio/c3b0f0db-fbec-44b2-839c-66bb7e242360.mp3,c3b0f0db-fbec-44b2-839c-66bb7e242360,DS_jersey_club_hyperpop_zhmbm,v5.5,chirp-fenix,complete,131.88,False,"Jersey club fused with 5/4 polyrhythms and chopped bed-squeak samples, driving at a frantic dance tempo; verse sections stay skeletal with kick, claps, squeaks, and clipped Dilla-style vocal chops, pre-drop narrows to syncopated percussion and filtered chords, then the drop slams in with big band brass stabs, altered-jazz synth voicings, and callout hits. Bright, punchy, hyper-detailed mix with sharp low-end bounce., big band, jazz, vocal","Jersey club base + bed-squeak samples cruzados con polirritmia 5/4, vocal chops Dilla, voicings jazz altered en sintetizadores, big band stabs en drop, 2:30 min",[Instrumental],2026-05-24T16:20:35.411Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c3b0f0db-fbec-44b2-839c-66bb7e242360.mp3,https://cdn2.suno.ai/image_c3b0f0db-fbec-44b2-839c-66bb7e242360.jpeg,https://cdn2.suno.ai/image_large_c3b0f0db-fbec-44b2-839c-66bb7e242360.jpeg audio/17799387-099e-4ee9-ac93-ed40c1256357.mp3,17799387-099e-4ee9-ac93-ed40c1256357,DS_jazz_spiritual_modal_zhkjv,v5.5,chirp-fenix,complete,184.48,True,"Spiritual jazz modal at 105 BPM with soprano sax lead, harp samples, F dorian piano voicings, upright bass pedal, tribal percussion and kalimba textures; verse-like openings breathe around the motif, middle sections thicken with polyrhythmic percussion and clustered piano, then the lead stretches into freer improvisation before returning to a meditative head. Close, warm room sound with vintage Impulse Records 1971 glow, airy tape hiss, rounded low end, and wide natural stereo, transcendent, jazz, saxophone, harp","Spiritual jazz modal accessible, 105 BPM, soprano saxophone modal lead, harp samples, modal piano F dorian, upright bass pedal, tribal percussion, kalimba textures, Impulse Records 1971 aesthetic, 8 minute transcendent modal development, instrumental",[Instrumental],2026-05-24T16:20:33.504Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/17799387-099e-4ee9-ac93-ed40c1256357.mp3,https://cdn2.suno.ai/image_17799387-099e-4ee9-ac93-ed40c1256357.jpeg,https://cdn2.suno.ai/image_large_17799387-099e-4ee9-ac93-ed40c1256357.jpeg audio/49f4f7da-ea91-464a-8974-a9d71cab37c4.mp3,49f4f7da-ea91-464a-8974-a9d71cab37c4,DS_jazz_spiritual_modal_zhkjv,v5.5,chirp-fenix,complete,244.76,True,"Spiritual jazz modal at 105 BPM with soprano sax lead, harp samples, F dorian piano voicings, upright bass pedal, tribal percussion and kalimba textures; verse-like openings breathe around the motif, middle sections thicken with polyrhythmic percussion and clustered piano, then the lead stretches into freer improvisation before returning to a meditative head. Close, warm room sound with vintage Impulse Records 1971 glow, airy tape hiss, rounded low end, and wide natural stereo, transcendent, jazz, saxophone, harp","Spiritual jazz modal accessible, 105 BPM, soprano saxophone modal lead, harp samples, modal piano F dorian, upright bass pedal, tribal percussion, kalimba textures, Impulse Records 1971 aesthetic, 8 minute transcendent modal development, instrumental",[Instrumental],2026-05-24T16:20:33.504Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/49f4f7da-ea91-464a-8974-a9d71cab37c4.mp3,https://cdn2.suno.ai/image_49f4f7da-ea91-464a-8974-a9d71cab37c4.jpeg,https://cdn2.suno.ai/image_large_49f4f7da-ea91-464a-8974-a9d71cab37c4.jpeg audio/01260b84-8501-460a-9c6c-a8de3e826738.mp3,01260b84-8501-460a-9c6c-a8de3e826738,Tape-Sub Lullaby,v5.5,chirp-fenix,complete,241.04,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T16:20:22.937Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/01260b84-8501-460a-9c6c-a8de3e826738.mp3,https://cdn2.suno.ai/image_01260b84-8501-460a-9c6c-a8de3e826738.jpeg,https://cdn2.suno.ai/image_large_01260b84-8501-460a-9c6c-a8de3e826738.jpeg audio/56f0aee6-a03e-41d5-8b00-5e802460ffaa.mp3,56f0aee6-a03e-41d5-8b00-5e802460ffaa,Tape-Sub Lullaby,v5.5,chirp-fenix,complete,294.12,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T16:20:22.937Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/56f0aee6-a03e-41d5-8b00-5e802460ffaa.mp3,https://cdn2.suno.ai/image_56f0aee6-a03e-41d5-8b00-5e802460ffaa.jpeg,https://cdn2.suno.ai/image_large_56f0aee6-a03e-41d5-8b00-5e802460ffaa.jpeg audio/2fff17bb-359e-4c2e-b0cc-377f2f67ef93.mp3,2fff17bb-359e-4c2e-b0cc-377f2f67ef93,DS_vaporwave_chill_zghkg,v5.5,chirp-fenix,complete,194.92,True,"Vaporwave instrumental, 75 BPM with chopped 80s samples stretched into dreamy loops; verse-like sections drift on soft drums and hazy vintage synth pads, the pre-drop strips to vinyl crackle and tape wobble, then the main swell brings in warped bell chords and a slow sidechain pulse. Add reversed swells, cassette hiss, and tiny pitch-bent glitches between phrases. Soft-focused, heavy saturation, nostalgic and airy., soft, nostalgic, vaporwave","Vaporwave chill aesthetic, 75 BPM, chopped 80s samples slowed, soft drums, vintage synth pads, heavy tape saturation, vinyl crackle, C major dreamy nostalgic, internet vaporwave aesthetic, 4 minute slowed aesthetic instrumental",[Instrumental],2026-05-24T16:19:42.713Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2fff17bb-359e-4c2e-b0cc-377f2f67ef93.mp3,https://cdn2.suno.ai/image_2fff17bb-359e-4c2e-b0cc-377f2f67ef93.jpeg,https://cdn2.suno.ai/image_large_2fff17bb-359e-4c2e-b0cc-377f2f67ef93.jpeg audio/a96f25ab-62d6-4e69-9bee-60cd7217ee5f.mp3,a96f25ab-62d6-4e69-9bee-60cd7217ee5f,DS_vaporwave_chill_zghkg,v5.5,chirp-fenix,complete,196.84,True,"Vaporwave instrumental, 75 BPM with chopped 80s samples stretched into dreamy loops; verse-like sections drift on soft drums and hazy vintage synth pads, the pre-drop strips to vinyl crackle and tape wobble, then the main swell brings in warped bell chords and a slow sidechain pulse. Add reversed swells, cassette hiss, and tiny pitch-bent glitches between phrases. Soft-focused, heavy saturation, nostalgic and airy., soft, nostalgic, vaporwave","Vaporwave chill aesthetic, 75 BPM, chopped 80s samples slowed, soft drums, vintage synth pads, heavy tape saturation, vinyl crackle, C major dreamy nostalgic, internet vaporwave aesthetic, 4 minute slowed aesthetic instrumental",[Instrumental],2026-05-24T16:19:42.713Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a96f25ab-62d6-4e69-9bee-60cd7217ee5f.mp3,https://cdn2.suno.ai/image_a96f25ab-62d6-4e69-9bee-60cd7217ee5f.jpeg,https://cdn2.suno.ai/image_large_a96f25ab-62d6-4e69-9bee-60cd7217ee5f.jpeg audio/f79ae3a8-8afe-4bd7-beeb-b783baa44338.mp3,f79ae3a8-8afe-4bd7-beeb-b783baa44338,DS_dnb_jazz_step_zg911,v5.5,chirp-fenix,complete,244.8,True,"Jazz drum and bass at 172 BPM with a rolling amen break, walking upright bass, Rhodes chords in Bb minor dorian, and a smoky tenor sax lead. Intro opens on vinyl hiss and brushed snare ghosts; verses swap bass and Rhodes over tight break edits; middle break blooms into muted trumpet samples and sax improvisation; final section lifts with denser drum chops and ride cymbal shimmer. Wide, warm, late-night London 1996 mix., jazz, saxophone, sophisticated, drum and bass","Jazz step drum and bass instrumental, 172 BPM, amen break, walking upright bass, Rhodes piano chord progression Bb minor dorian, tenor saxophone solo, muted trumpet samples, layered brushed snares, London 1996 aesthetic, 7 minute sophisticated jazz dnb, instrumental",[Instrumental],2026-05-24T16:19:31.697Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f79ae3a8-8afe-4bd7-beeb-b783baa44338.mp3,https://cdn2.suno.ai/image_f79ae3a8-8afe-4bd7-beeb-b783baa44338.jpeg,https://cdn2.suno.ai/image_large_f79ae3a8-8afe-4bd7-beeb-b783baa44338.jpeg audio/e530017e-aa8a-46e9-bac9-c47ef52c6d8f.mp3,e530017e-aa8a-46e9-bac9-c47ef52c6d8f,DS_dnb_jazz_step_zg911,v5.5,chirp-fenix,complete,217.16,True,"Jazz drum and bass at 172 BPM with a rolling amen break, walking upright bass, Rhodes chords in Bb minor dorian, and a smoky tenor sax lead. Intro opens on vinyl hiss and brushed snare ghosts; verses swap bass and Rhodes over tight break edits; middle break blooms into muted trumpet samples and sax improvisation; final section lifts with denser drum chops and ride cymbal shimmer. Wide, warm, late-night London 1996 mix., jazz, saxophone, sophisticated, drum and bass","Jazz step drum and bass instrumental, 172 BPM, amen break, walking upright bass, Rhodes piano chord progression Bb minor dorian, tenor saxophone solo, muted trumpet samples, layered brushed snares, London 1996 aesthetic, 7 minute sophisticated jazz dnb, instrumental",[Instrumental],2026-05-24T16:19:31.697Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e530017e-aa8a-46e9-bac9-c47ef52c6d8f.mp3,https://cdn2.suno.ai/image_e530017e-aa8a-46e9-bac9-c47ef52c6d8f.jpeg,https://cdn2.suno.ai/image_large_e530017e-aa8a-46e9-bac9-c47ef52c6d8f.jpeg audio/30a762cf-b0d0-4fdf-a653-123d34e083d6.mp3,30a762cf-b0d0-4fdf-a653-123d34e083d6,Waxed Livestream,v5.5,chirp-fenix,complete,45.36,False,trap house soul,,no lyrics please,2026-05-24T16:19:28.678Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/30a762cf-b0d0-4fdf-a653-123d34e083d6.mp3,https://cdn2.suno.ai/image_30a762cf-b0d0-4fdf-a653-123d34e083d6.jpeg,https://cdn2.suno.ai/image_large_30a762cf-b0d0-4fdf-a653-123d34e083d6.jpeg audio/eacd4986-c4e0-4338-9c2f-6aeccd9d2613.mp3,eacd4986-c4e0-4338-9c2f-6aeccd9d2613,Waxed Livestream,v5.5,chirp-fenix,complete,48.72,False,trap house soul,,no lyrics please,2026-05-24T16:19:28.678Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/eacd4986-c4e0-4338-9c2f-6aeccd9d2613.mp3,https://cdn2.suno.ai/image_eacd4986-c4e0-4338-9c2f-6aeccd9d2613.jpeg,https://cdn2.suno.ai/image_large_eacd4986-c4e0-4338-9c2f-6aeccd9d2613.jpeg audio/791d13a6-264d-44a7-a279-f8a3ac15c302.mp3,791d13a6-264d-44a7-a279-f8a3ac15c302,DS_jersey_club_hyperpop_z1bwj,v5.5,chirp-fenix,complete,136.92,False,"Jersey club with 5/4 polyrhythmic bounce, bed-squeak sample cross-cuts, and swung kick patterns that tilt the grid. Verse loop stays sparse with clipped synth voicings and filtered chops; the drop opens into big band stabs, horn punches, and Dilla-style vocal chop fragments. Reverse swells, tape-stop flicks, and snare fills bridge sections. Bright, hard-hitting, polished club mix., vocal, jazz, big band","Jersey club base + bed-squeak samples cruzados con polirritmia 5/4, vocal chops Dilla, voicings jazz altered en sintetizadores, big band stabs en drop, 2:30 min",[Instrumental],2026-05-24T16:07:55.605Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/791d13a6-264d-44a7-a279-f8a3ac15c302.mp3,https://cdn2.suno.ai/image_791d13a6-264d-44a7-a279-f8a3ac15c302.jpeg,https://cdn2.suno.ai/image_large_791d13a6-264d-44a7-a279-f8a3ac15c302.jpeg audio/5346503e-e77a-4dd5-933b-c6481d51a752.mp3,5346503e-e77a-4dd5-933b-c6481d51a752,DS_jersey_club_hyperpop_z1bwj,v5.5,chirp-fenix,complete,183.16,False,"Jersey club with 5/4 polyrhythmic bounce, bed-squeak sample cross-cuts, and swung kick patterns that tilt the grid. Verse loop stays sparse with clipped synth voicings and filtered chops; the drop opens into big band stabs, horn punches, and Dilla-style vocal chop fragments. Reverse swells, tape-stop flicks, and snare fills bridge sections. Bright, hard-hitting, polished club mix., vocal, jazz, big band","Jersey club base + bed-squeak samples cruzados con polirritmia 5/4, vocal chops Dilla, voicings jazz altered en sintetizadores, big band stabs en drop, 2:30 min",[Instrumental],2026-05-24T16:07:55.605Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5346503e-e77a-4dd5-933b-c6481d51a752.mp3,https://cdn2.suno.ai/image_5346503e-e77a-4dd5-933b-c6481d51a752.jpeg,https://cdn2.suno.ai/image_large_5346503e-e77a-4dd5-933b-c6481d51a752.jpeg audio/bb493a42-5088-432d-ac95-c9bc0137fe79.mp3,bb493a42-5088-432d-ac95-c9bc0137fe79,DS_boom_bap_dilla_humanized_z0vp6,v5.5,chirp-fenix,complete,142.8,True,"Boom bap with a humanized Detroit swing at 88 BPM, MPC drums playing slightly off-grid, Rhodes chords in F major, warm Moog bass, soul vocal chops, vinyl crackle, and tape saturation. Verse sections stay dusty and restrained; a mid-track break opens the Rhodes with filtered chops and a bass push; final section widens with extra drum ghost notes and lifted keys. Close, intimate mix with soft top-end grit and rich low-end glue., warm, soul, soulful, vocal","Humanized boom bap Detroit beat scene, 88 BPM, MPC drums swung off-grid feel, Rhodes piano chord progression F major, warm Moog bass, soul vocal chops, vinyl crackle, tape saturation, 4 minute soulful instrumental",[Instrumental],2026-05-24T16:07:37.928Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/bb493a42-5088-432d-ac95-c9bc0137fe79.mp3,https://cdn2.suno.ai/image_bb493a42-5088-432d-ac95-c9bc0137fe79.jpeg,https://cdn2.suno.ai/image_large_bb493a42-5088-432d-ac95-c9bc0137fe79.jpeg audio/b37ca20b-ae3a-497d-adef-21216af8a697.mp3,b37ca20b-ae3a-497d-adef-21216af8a697,DS_boom_bap_dilla_humanized_z0vp6,v5.5,chirp-fenix,complete,119.4,True,"Boom bap with a humanized Detroit swing at 88 BPM, MPC drums playing slightly off-grid, Rhodes chords in F major, warm Moog bass, soul vocal chops, vinyl crackle, and tape saturation. Verse sections stay dusty and restrained; a mid-track break opens the Rhodes with filtered chops and a bass push; final section widens with extra drum ghost notes and lifted keys. Close, intimate mix with soft top-end grit and rich low-end glue., warm, soul, soulful, vocal","Humanized boom bap Detroit beat scene, 88 BPM, MPC drums swung off-grid feel, Rhodes piano chord progression F major, warm Moog bass, soul vocal chops, vinyl crackle, tape saturation, 4 minute soulful instrumental",[Instrumental],2026-05-24T16:07:37.928Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b37ca20b-ae3a-497d-adef-21216af8a697.mp3,https://cdn2.suno.ai/image_b37ca20b-ae3a-497d-adef-21216af8a697.jpeg,https://cdn2.suno.ai/image_large_b37ca20b-ae3a-497d-adef-21216af8a697.jpeg audio/c387d722-7231-40be-8868-2bd712c83a2d.mp3,c387d722-7231-40be-8868-2bd712c83a2d,DS_drill_ny_soul_samples_z002f,v5.5,chirp-fenix,complete,185.56,False,"Drill-inflected neo-soul and boom-bap hybrid at a mid-tempo pulse with swung drums, dusty chopped soul samples, jazzy 11th and b9 color tones, and modal interchange. Verse rides sparse SP-style chops and sub weight; pre-chorus opens into big band stabs and filtered lift; chorus lands with a warmer hook layer and tighter drum pocket. Use filtered turntable swells, reverse cymbal breaths, vinyl crackle, and short brass pickups. Mix is gritty, wide, and cinematic with crisp transients and thick low end., big band, jazz, r&b, drill, contemporary, alternative r&b, soul, hip hop","NY drill base + samples soul boom bap J Dilla chopeados, jazz altered chords #11/b9 en stabs, modal interchange Frank Ocean en pre-chorus, big band stabs filtered, 3:00 min",[Instrumental],2026-05-24T16:06:53.859Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c387d722-7231-40be-8868-2bd712c83a2d.mp3,https://cdn2.suno.ai/image_c387d722-7231-40be-8868-2bd712c83a2d.jpeg,https://cdn2.suno.ai/image_large_c387d722-7231-40be-8868-2bd712c83a2d.jpeg audio/cfa9b496-347e-4a6e-beac-2a9aed96c820.mp3,cfa9b496-347e-4a6e-beac-2a9aed96c820,DS_drill_ny_soul_samples_z002f,v5.5,chirp-fenix,complete,180.84,False,"Drill-inflected neo-soul and boom-bap hybrid at a mid-tempo pulse with swung drums, dusty chopped soul samples, jazzy 11th and b9 color tones, and modal interchange. Verse rides sparse SP-style chops and sub weight; pre-chorus opens into big band stabs and filtered lift; chorus lands with a warmer hook layer and tighter drum pocket. Use filtered turntable swells, reverse cymbal breaths, vinyl crackle, and short brass pickups. Mix is gritty, wide, and cinematic with crisp transients and thick low end., big band, jazz, r&b, drill, contemporary, alternative r&b, soul, hip hop","NY drill base + samples soul boom bap J Dilla chopeados, jazz altered chords #11/b9 en stabs, modal interchange Frank Ocean en pre-chorus, big band stabs filtered, 3:00 min",[Instrumental],2026-05-24T16:06:53.859Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cfa9b496-347e-4a6e-beac-2a9aed96c820.mp3,https://cdn2.suno.ai/image_cfa9b496-347e-4a6e-beac-2a9aed96c820.jpeg,https://cdn2.suno.ai/image_large_cfa9b496-347e-4a6e-beac-2a9aed96c820.jpeg audio/57a7e7e8-d85a-4cb4-985e-cdf6f047e674.mp3,57a7e7e8-d85a-4cb4-985e-cdf6f047e674,DS_rap_underground_jazzy_yzt4b,v5.5,chirp-fenix,complete,258.56,False,"Underground boom bap with a swung 90 BPM pocket, dusty drums, chopped jazz loops, upright bass movement, and Rhodes stabs; verse rides sparse drums and bass with intimate mid-tone male delivery, pre-hook opens with filtered sample chops and a sax lick, chorus lands on a head-nod loop with doubled hook lines and subtle crowd ad-libs, bridge strips to bass and vocal fragments before the last verse returns thicker. Ear candy: reverse vinyl swells into transitions, one-bar sax replies, tape-stop accents under line endings. Mix is warm, gritty, and close-mic with wide sample shimmer., jazz, lyrical, rap, underground rap, jazzy, tone, saxophone","Underground rap jazzy boom bap, 90 BPM, dusty boom bap drums, chopped jazz samples, upright bass, Rhodes chords A minor, saxophone samples, thoughtful mid-tone male rap delivery, NYC backpack 2024 aesthetic, 4 minute lyrical","[Verse 1] I stepped off the train with a dent in my cap New notebook clean, but the page still black On the block, old heads talk in code Same stoop, new dreams, same winter cold I want more than a chain and a fake-ass grin I want a line that sticks when the week caves in Coffee in my chest, no sleep in my eyes Just a pulse and a pen and a roof full of sky Shoebox budget, but the mind stay rich Every scratch on the floor got a story in it My man said, ""Slow down, let it cook"" I said, ""I am,"" while I split that look Backpack heavy with the weight of my name Trying to turn all this pressure into flame [Pre-Chorus] Hear that hum in the room? That old soul pull me through Every bruise got a view And I move like I’m supposed to [Chorus] Backpack in Flatbush I been on my job Backpack in Flatbush I don’t need a lot Backpack in Flatbush Still I come alive Backpack in Flatbush Watch me stay inside [Verse 2] Corner deli light hit the bodega glass I seen my own face in the passing pass Tired eyes, but the focus don’t fade I learned how to build from a bed I made No gold records, just a gold chain of thought Every wrong turn taught the road I walked I seen fake love fold when the rent came due Seen real ones split when the pressure hit too So I keep my circle like a beat that snaps Small room, big truth, no extra rap If I talk on pain, better mean what I say If I talk on growth, better show me the way I’m not chasing noise, I’m chasing proof A clean twelve bars and a visible truth [Pre-Chorus] Hear that hum in the room? That old soul pull me through Every bruise got a view And I move like I’m supposed to [Chorus] Backpack in Flatbush I been on my job Backpack in Flatbush I don’t need a lot Backpack in Flatbush Still I come alive Backpack in Flatbush Watch me stay inside [Bridge] Night hit hard, but I still stood tall When the world went vague, I could hear that call From the stairwell steps to the cracked front door I was made from grit, I was built for more (hey) Built for more (hey) Built for more [Verse 3] Now the pad full of pages and the smoke gone thin Not a saint, but I know where I’ve been I keep one eye on the exit sign And one on the path that’s mine, all mine If they ask what it is, it’s a body of work It’s the quiet grind and the daily hurt It’s the laugh in the room when the checks run dry It’s the first real truth that I can’t deny So I lace up slow and I write it clean Let the city breathe through the in-between No grand display, just a measured swing One man, one bar, one honest thing [Chorus] Backpack in Flatbush I been on my job Backpack in Flatbush I don’t need a lot Backpack in Flatbush Still I come alive Backpack in Flatbush Watch me stay inside",2026-05-24T16:06:44.465Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/57a7e7e8-d85a-4cb4-985e-cdf6f047e674.mp3,https://cdn2.suno.ai/image_57a7e7e8-d85a-4cb4-985e-cdf6f047e674.jpeg,https://cdn2.suno.ai/image_large_57a7e7e8-d85a-4cb4-985e-cdf6f047e674.jpeg audio/4e920127-93cd-4c76-9df2-da71411cdf4d.mp3,4e920127-93cd-4c76-9df2-da71411cdf4d,DS_rap_underground_jazzy_yzt4b,v5.5,chirp-fenix,complete,262.96,False,"Underground boom bap with a swung 90 BPM pocket, dusty drums, chopped jazz loops, upright bass movement, and Rhodes stabs; verse rides sparse drums and bass with intimate mid-tone male delivery, pre-hook opens with filtered sample chops and a sax lick, chorus lands on a head-nod loop with doubled hook lines and subtle crowd ad-libs, bridge strips to bass and vocal fragments before the last verse returns thicker. Ear candy: reverse vinyl swells into transitions, one-bar sax replies, tape-stop accents under line endings. Mix is warm, gritty, and close-mic with wide sample shimmer., jazz, lyrical, rap, underground rap, jazzy, tone, saxophone","Underground rap jazzy boom bap, 90 BPM, dusty boom bap drums, chopped jazz samples, upright bass, Rhodes chords A minor, saxophone samples, thoughtful mid-tone male rap delivery, NYC backpack 2024 aesthetic, 4 minute lyrical","[Verse 1] I stepped off the train with a dent in my cap New notebook clean, but the page still black On the block, old heads talk in code Same stoop, new dreams, same winter cold I want more than a chain and a fake-ass grin I want a line that sticks when the week caves in Coffee in my chest, no sleep in my eyes Just a pulse and a pen and a roof full of sky Shoebox budget, but the mind stay rich Every scratch on the floor got a story in it My man said, ""Slow down, let it cook"" I said, ""I am,"" while I split that look Backpack heavy with the weight of my name Trying to turn all this pressure into flame [Pre-Chorus] Hear that hum in the room? That old soul pull me through Every bruise got a view And I move like I’m supposed to [Chorus] Backpack in Flatbush I been on my job Backpack in Flatbush I don’t need a lot Backpack in Flatbush Still I come alive Backpack in Flatbush Watch me stay inside [Verse 2] Corner deli light hit the bodega glass I seen my own face in the passing pass Tired eyes, but the focus don’t fade I learned how to build from a bed I made No gold records, just a gold chain of thought Every wrong turn taught the road I walked I seen fake love fold when the rent came due Seen real ones split when the pressure hit too So I keep my circle like a beat that snaps Small room, big truth, no extra rap If I talk on pain, better mean what I say If I talk on growth, better show me the way I’m not chasing noise, I’m chasing proof A clean twelve bars and a visible truth [Pre-Chorus] Hear that hum in the room? That old soul pull me through Every bruise got a view And I move like I’m supposed to [Chorus] Backpack in Flatbush I been on my job Backpack in Flatbush I don’t need a lot Backpack in Flatbush Still I come alive Backpack in Flatbush Watch me stay inside [Bridge] Night hit hard, but I still stood tall When the world went vague, I could hear that call From the stairwell steps to the cracked front door I was made from grit, I was built for more (hey) Built for more (hey) Built for more [Verse 3] Now the pad full of pages and the smoke gone thin Not a saint, but I know where I’ve been I keep one eye on the exit sign And one on the path that’s mine, all mine If they ask what it is, it’s a body of work It’s the quiet grind and the daily hurt It’s the laugh in the room when the checks run dry It’s the first real truth that I can’t deny So I lace up slow and I write it clean Let the city breathe through the in-between No grand display, just a measured swing One man, one bar, one honest thing [Chorus] Backpack in Flatbush I been on my job Backpack in Flatbush I don’t need a lot Backpack in Flatbush Still I come alive Backpack in Flatbush Watch me stay inside",2026-05-24T16:06:44.465Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4e920127-93cd-4c76-9df2-da71411cdf4d.mp3,https://cdn2.suno.ai/image_4e920127-93cd-4c76-9df2-da71411cdf4d.jpeg,https://cdn2.suno.ai/image_large_4e920127-93cd-4c76-9df2-da71411cdf4d.jpeg audio/182afd6d-ade0-4d43-ae11-43340d5a55b0.mp3,182afd6d-ade0-4d43-ae11-43340d5a55b0,DS_synthwave_dark_outrun_yyo83,v5.5,chirp-fenix,complete,147.88,True,"Darksynth / outrun cyberpunk at 120 BPM with a driving pulse, distorted synth lead, punchy 808s and gated snares, dark G minor arpeggios, deep sub-bass, and metallic FX. Intro opens with filtered arps and engine-like swells; verses throb with the bass and drums; midsection strips to sub and pulse before the lead returns huge. Synthetic, menacing, neon-bright mix with a cold wide stereo image., deep","Darksynth dark outrun cyberpunk, 120 BPM, distorted synth lead, punchy 808 with gated snare, dark arpeggios G minor, deep sub-bass, metallic FX, neon-lit night drive aesthetic, 4 minute menacing instrumental",[Instrumental],2026-05-24T16:05:52.010Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/182afd6d-ade0-4d43-ae11-43340d5a55b0.mp3,https://cdn2.suno.ai/image_182afd6d-ade0-4d43-ae11-43340d5a55b0.jpeg,https://cdn2.suno.ai/image_large_182afd6d-ade0-4d43-ae11-43340d5a55b0.jpeg audio/57e995dc-253e-485d-acfe-868f9482fa65.mp3,57e995dc-253e-485d-acfe-868f9482fa65,DS_synthwave_dark_outrun_yyo83,v5.5,chirp-fenix,complete,162.96,True,"Darksynth / outrun cyberpunk at 120 BPM with a driving pulse, distorted synth lead, punchy 808s and gated snares, dark G minor arpeggios, deep sub-bass, and metallic FX. Intro opens with filtered arps and engine-like swells; verses throb with the bass and drums; midsection strips to sub and pulse before the lead returns huge. Synthetic, menacing, neon-bright mix with a cold wide stereo image., deep","Darksynth dark outrun cyberpunk, 120 BPM, distorted synth lead, punchy 808 with gated snare, dark arpeggios G minor, deep sub-bass, metallic FX, neon-lit night drive aesthetic, 4 minute menacing instrumental",[Instrumental],2026-05-24T16:05:52.010Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/57e995dc-253e-485d-acfe-868f9482fa65.mp3,https://cdn2.suno.ai/image_57e995dc-253e-485d-acfe-868f9482fa65.jpeg,https://cdn2.suno.ai/image_large_57e995dc-253e-485d-acfe-868f9482fa65.jpeg audio/08c2a601-e7ae-4e5b-a635-0a3e87164d8c.mp3,08c2a601-e7ae-4e5b-a635-0a3e87164d8c,DS_samba_jazz_brazilian_yylwr,v5.5,chirp-fenix,complete,207.4,False,"Samba jazz with Brazilian bossa influence at 125 BPM, swung and syncopated; verse rides nylon guitar, upright bass, brushed samba percussion, and sparse F major piano, pre-chorus opens with tenor sax replies, chorus blooms with layered piano voicings and light horn hits. Smooth female vocal with intimate close-mic lead, soft doubles on hook words, airy ad-libs, and short delay throws. Ear candy: brushed pickup fills, reversed cymbal swells into choruses, sax pickup lines between phrases. Mix is warm, polished, and vintage-luxe with a Rio 1965 glow., saxophone, samba, sophisticated, smooth, jazz, vocal","Samba jazz Brazilian bossa-influenced, 125 BPM, nylon guitar, upright bass, samba percussion with brushes, jazz piano F major, tenor saxophone, smooth female vocal Portuguese, Rio 1965 aesthetic, 5 minute sophisticated groove","[Verse 1] Na curva da praia te vi passar cabelo de sol e jeito de mar Teu riso tão leve me fez lembrar um copo de rum na mesa do bar [Pre-Chorus] E eu, sem dizer fui me entregar no balanço do passo do teu caminhar [Chorus] Maré em Copacabana me leva pra você Maré em Copacabana não para de me mover Maré em Copacabana me prende no teu olhar Maré em Copacabana deixa eu ficar [Verse 2] No meio da noite a cidade cantou teu nome baixinho no quarto onde eu tô O samba da rua na janela entrou e tudo que eu tinha em ti se voltou [Pre-Chorus] E eu, sem pudor quis me perder na curva do teu corpo no jeito de ser [Chorus] Maré em Copacabana me leva pra você Maré em Copacabana não para de me mover Maré em Copacabana me prende no teu olhar Maré em Copacabana deixa eu ficar [Bridge] Se o dia nascer me chama de volta mas deixa no peito essa doce revolta Te dou meu silêncio te dou meu lugar se a maré quiser a gente vai navegar [Chorus] Maré em Copacabana me leva pra você Maré em Copacabana não para de me mover Maré em Copacabana me prende no teu olhar Maré em Copacabana deixa eu ficar",2026-05-24T16:05:48.424Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/08c2a601-e7ae-4e5b-a635-0a3e87164d8c.mp3,https://cdn2.suno.ai/image_08c2a601-e7ae-4e5b-a635-0a3e87164d8c.jpeg,https://cdn2.suno.ai/image_large_08c2a601-e7ae-4e5b-a635-0a3e87164d8c.jpeg audio/b7749d7e-ac59-4f4a-84b3-b533b72671ee.mp3,b7749d7e-ac59-4f4a-84b3-b533b72671ee,DS_samba_jazz_brazilian_yylwr,v5.5,chirp-fenix,complete,219.88,False,"Samba jazz with Brazilian bossa influence at 125 BPM, swung and syncopated; verse rides nylon guitar, upright bass, brushed samba percussion, and sparse F major piano, pre-chorus opens with tenor sax replies, chorus blooms with layered piano voicings and light horn hits. Smooth female vocal with intimate close-mic lead, soft doubles on hook words, airy ad-libs, and short delay throws. Ear candy: brushed pickup fills, reversed cymbal swells into choruses, sax pickup lines between phrases. Mix is warm, polished, and vintage-luxe with a Rio 1965 glow., saxophone, samba, sophisticated, smooth, jazz, vocal","Samba jazz Brazilian bossa-influenced, 125 BPM, nylon guitar, upright bass, samba percussion with brushes, jazz piano F major, tenor saxophone, smooth female vocal Portuguese, Rio 1965 aesthetic, 5 minute sophisticated groove","[Verse 1] Na curva da praia te vi passar cabelo de sol e jeito de mar Teu riso tão leve me fez lembrar um copo de rum na mesa do bar [Pre-Chorus] E eu, sem dizer fui me entregar no balanço do passo do teu caminhar [Chorus] Maré em Copacabana me leva pra você Maré em Copacabana não para de me mover Maré em Copacabana me prende no teu olhar Maré em Copacabana deixa eu ficar [Verse 2] No meio da noite a cidade cantou teu nome baixinho no quarto onde eu tô O samba da rua na janela entrou e tudo que eu tinha em ti se voltou [Pre-Chorus] E eu, sem pudor quis me perder na curva do teu corpo no jeito de ser [Chorus] Maré em Copacabana me leva pra você Maré em Copacabana não para de me mover Maré em Copacabana me prende no teu olhar Maré em Copacabana deixa eu ficar [Bridge] Se o dia nascer me chama de volta mas deixa no peito essa doce revolta Te dou meu silêncio te dou meu lugar se a maré quiser a gente vai navegar [Chorus] Maré em Copacabana me leva pra você Maré em Copacabana não para de me mover Maré em Copacabana me prende no teu olhar Maré em Copacabana deixa eu ficar",2026-05-24T16:05:48.423Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b7749d7e-ac59-4f4a-84b3-b533b72671ee.mp3,https://cdn2.suno.ai/image_b7749d7e-ac59-4f4a-84b3-b533b72671ee.jpeg,https://cdn2.suno.ai/image_large_b7749d7e-ac59-4f4a-84b3-b533b72671ee.jpeg audio/73353f8e-7755-4170-92a7-ee72c375788d.mp3,73353f8e-7755-4170-92a7-ee72c375788d,DS_corridos_tumbados_yxrte,v5.5,chirp-fenix,complete,181.44,False,"Corridos-alt R&B hybrid at a laid-back 3/4 feel, with tololoche pulse, trap drums, subtle jazz chords, and ranchera cadences; verses stay intimate and storytelling, pre-choruses open into stacked soul harmonies, chorus lands on a chantable hook with call-and-response doubles, bridge breaks to a bansuri-led pause before the final lift. Close-mic male vocal, airy ad-libs, warm analog mix with polished low-end and smoky mids., soul, r&b, hip hop, ranchera, jazz, contemporary, alternative r&b","Corridos base + tololoche + trap drums subtle, jazz altered chords sobre cadencia ranchera, modal interchange tipo Frank Ocean en pre-choruses, solo de bansuri indostaní en bridge, 3:30 min","[Verse 1] Traigo tierra en la bota y tu nombre en la lengua la noche se me queda pegada a la garganta Yo no vine a prometerte un cielo sin tormenta vine con el pecho abierto y la herida bien despierta [Pre-Chorus] Y si me miras así se me quiebra la razón se me enreda la voz se me acelera el corazón Tú me cambias el pulso me volteas la intención y aunque diga que me voy siempre vuelvo a tu canción [Chorus] Bajo el mezquite, tú y yo bajo el mezquite, mi amor dime si quieres quedarte dime si quieres mi voz Bajo el mezquite, tú y yo ya no me sueltes, por favor que cuando cruzas la puerta todo me sabe mejor [Verse 2] Tengo la suerte gastada pero aún me hace falta una mirada tuya para curarme el alma La calle me dio distancia la pena me dio medida y tú llegaste descalza a desordenar mi vida [Pre-Chorus] Y si me miras así se me quiebra la razón se me enreda la voz se me acelera el corazón Tú me cambias el pulso me volteas la intención y aunque diga que me voy siempre vuelvo a tu canción [Chorus] Bajo el mezquite, tú y yo bajo el mezquite, mi amor dime si quieres quedarte dime si quieres mi voz Bajo el mezquite, tú y yo ya no me sueltes, por favor que cuando cruzas la puerta todo me sabe mejor [Bridge] Toca el aire mi nombre como si fuera otro tiempo yo te espero en silencio con la fe sobre el suelo Y en la vuelta del mundo cuando caiga el velo vas a oírme llamarte desde adentro del cielo [Chorus] Bajo el mezquite, tú y yo bajo el mezquite, mi amor dime si quieres quedarte dime si quieres mi voz Bajo el mezquite, tú y yo ya no me sueltes, por favor que cuando cruzas la puerta todo me sabe mejor",2026-05-24T16:05:09.908Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/73353f8e-7755-4170-92a7-ee72c375788d.mp3,https://cdn2.suno.ai/image_73353f8e-7755-4170-92a7-ee72c375788d.jpeg,https://cdn2.suno.ai/image_large_73353f8e-7755-4170-92a7-ee72c375788d.jpeg audio/3f34eec3-b0d3-4ca6-979a-20eafca9d6ed.mp3,3f34eec3-b0d3-4ca6-979a-20eafca9d6ed,DS_corridos_tumbados_yxrte,v5.5,chirp-fenix,complete,221.08,False,"Corridos-alt R&B hybrid at a laid-back 3/4 feel, with tololoche pulse, trap drums, subtle jazz chords, and ranchera cadences; verses stay intimate and storytelling, pre-choruses open into stacked soul harmonies, chorus lands on a chantable hook with call-and-response doubles, bridge breaks to a bansuri-led pause before the final lift. Close-mic male vocal, airy ad-libs, warm analog mix with polished low-end and smoky mids., soul, r&b, hip hop, ranchera, jazz, contemporary, alternative r&b","Corridos base + tololoche + trap drums subtle, jazz altered chords sobre cadencia ranchera, modal interchange tipo Frank Ocean en pre-choruses, solo de bansuri indostaní en bridge, 3:30 min","[Verse 1] Traigo tierra en la bota y tu nombre en la lengua la noche se me queda pegada a la garganta Yo no vine a prometerte un cielo sin tormenta vine con el pecho abierto y la herida bien despierta [Pre-Chorus] Y si me miras así se me quiebra la razón se me enreda la voz se me acelera el corazón Tú me cambias el pulso me volteas la intención y aunque diga que me voy siempre vuelvo a tu canción [Chorus] Bajo el mezquite, tú y yo bajo el mezquite, mi amor dime si quieres quedarte dime si quieres mi voz Bajo el mezquite, tú y yo ya no me sueltes, por favor que cuando cruzas la puerta todo me sabe mejor [Verse 2] Tengo la suerte gastada pero aún me hace falta una mirada tuya para curarme el alma La calle me dio distancia la pena me dio medida y tú llegaste descalza a desordenar mi vida [Pre-Chorus] Y si me miras así se me quiebra la razón se me enreda la voz se me acelera el corazón Tú me cambias el pulso me volteas la intención y aunque diga que me voy siempre vuelvo a tu canción [Chorus] Bajo el mezquite, tú y yo bajo el mezquite, mi amor dime si quieres quedarte dime si quieres mi voz Bajo el mezquite, tú y yo ya no me sueltes, por favor que cuando cruzas la puerta todo me sabe mejor [Bridge] Toca el aire mi nombre como si fuera otro tiempo yo te espero en silencio con la fe sobre el suelo Y en la vuelta del mundo cuando caiga el velo vas a oírme llamarte desde adentro del cielo [Chorus] Bajo el mezquite, tú y yo bajo el mezquite, mi amor dime si quieres quedarte dime si quieres mi voz Bajo el mezquite, tú y yo ya no me sueltes, por favor que cuando cruzas la puerta todo me sabe mejor",2026-05-24T16:05:09.908Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/3f34eec3-b0d3-4ca6-979a-20eafca9d6ed.mp3,https://cdn2.suno.ai/image_3f34eec3-b0d3-4ca6-979a-20eafca9d6ed.jpeg,https://cdn2.suno.ai/image_large_3f34eec3-b0d3-4ca6-979a-20eafca9d6ed.jpeg audio/4748b9f6-b6a4-4a10-b1a4-1d6863a5057e.mp3,4748b9f6-b6a4-4a10-b1a4-1d6863a5057e,DS_psytrance_goa_oldschool_yxj5o,v5.5,chirp-fenix,complete,234.0,True,"Goa trance, 140 BPM, oldschool 1996 pulse with rolling analog arpeggios in a Roland JX vein, raw resonant 303 bassline, tribal toms, ethnic flute samples, and long mystic modulation in E dorian minor. Verse-like sections deepen the groove; mid-builds thin to toms and filter haze; peaks open into wide arps and soaring flute calls. Tape-saturated, warm, hypnotic, and expansive., bassline, raw, warm, goa trance","Goa trance 1996 oldschool, 140 BPM analog arpeggios Roland JX style, raw 303 bassline, tribal toms, ethnic flute samples, tape saturation warm, dorian E minor mode, 8 minute mystical development, no vocals instrumental",[Instrumental],2026-05-24T16:04:58.207Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4748b9f6-b6a4-4a10-b1a4-1d6863a5057e.mp3,https://cdn2.suno.ai/image_4748b9f6-b6a4-4a10-b1a4-1d6863a5057e.jpeg,https://cdn2.suno.ai/image_large_4748b9f6-b6a4-4a10-b1a4-1d6863a5057e.jpeg audio/4f92457d-4cd9-4c9f-98fd-1ca694eaa2b0.mp3,4f92457d-4cd9-4c9f-98fd-1ca694eaa2b0,DS_psytrance_goa_oldschool_yxj5o,v5.5,chirp-fenix,complete,273.88,True,"Goa trance, 140 BPM, oldschool 1996 pulse with rolling analog arpeggios in a Roland JX vein, raw resonant 303 bassline, tribal toms, ethnic flute samples, and long mystic modulation in E dorian minor. Verse-like sections deepen the groove; mid-builds thin to toms and filter haze; peaks open into wide arps and soaring flute calls. Tape-saturated, warm, hypnotic, and expansive., bassline, raw, warm, goa trance","Goa trance 1996 oldschool, 140 BPM analog arpeggios Roland JX style, raw 303 bassline, tribal toms, ethnic flute samples, tape saturation warm, dorian E minor mode, 8 minute mystical development, no vocals instrumental",[Instrumental],2026-05-24T16:04:58.207Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4f92457d-4cd9-4c9f-98fd-1ca694eaa2b0.mp3,https://cdn2.suno.ai/image_4f92457d-4cd9-4c9f-98fd-1ca694eaa2b0.jpeg,https://cdn2.suno.ai/image_large_4f92457d-4cd9-4c9f-98fd-1ca694eaa2b0.jpeg audio/fef89351-c0b8-4903-b467-7825d498e247.mp3,fef89351-c0b8-4903-b467-7825d498e247,DS_ambient_techno_ywhgw,v5.5,chirp-fenix,complete,224.48,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion. Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement. Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient","Ambient techno meditative, 110 BPM, soft analog pads, filtered 909 kick subtle, deep slow sub-bass, field recordings, long tape delay, evolving FX, A minor atmospheric, Warp Records 1993 aesthetic, 10 minute slow development, no vocals instrumental",[Instrumental],2026-05-24T16:04:09.518Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/fef89351-c0b8-4903-b467-7825d498e247.mp3,https://cdn2.suno.ai/image_fef89351-c0b8-4903-b467-7825d498e247.jpeg,https://cdn2.suno.ai/image_large_fef89351-c0b8-4903-b467-7825d498e247.jpeg audio/1da8a33d-b032-4d5e-9b61-6a2f0e8a05dc.mp3,1da8a33d-b032-4d5e-9b61-6a2f0e8a05dc,DS_ambient_techno_ywhgw,v5.5,chirp-fenix,complete,219.52,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion. Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement. Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient","Ambient techno meditative, 110 BPM, soft analog pads, filtered 909 kick subtle, deep slow sub-bass, field recordings, long tape delay, evolving FX, A minor atmospheric, Warp Records 1993 aesthetic, 10 minute slow development, no vocals instrumental",[Instrumental],2026-05-24T16:04:09.517Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/1da8a33d-b032-4d5e-9b61-6a2f0e8a05dc.mp3,https://cdn2.suno.ai/image_1da8a33d-b032-4d5e-9b61-6a2f0e8a05dc.jpeg,https://cdn2.suno.ai/image_large_1da8a33d-b032-4d5e-9b61-6a2f0e8a05dc.jpeg audio/73769892-7db6-423a-b4de-e5f0bbe03a5f.mp3,73769892-7db6-423a-b4de-e5f0bbe03a5f,DS_synthpop_nostalgia_y2k_yvdmh,v5.5,chirp-fenix,complete,168.56,False,"Synthpop with modular Goa-leaning analog synths, subtle 5/4 hi-hat polyrhythm, jazz-altered pad voicings, lo-fi vinyl crackle, and a chopped boom-bap sample bed; verse section rides a dry kick, bass pulse, and flickering arp, pre-chorus opens with filtered noise and widening pads, chorus lands on a brighter saw lead and stacked chord stabs, bridge strips to vinyl hiss and the chopped sample before the final lift. Soft doubled synth leads, airy chopped-vocal-style textures used as hooks, tiny delay throws on phrase endings. Ear candy: reversed swells into transitions, tape-stop flicks, and sidechain breath on the drop. Warm, dusty, and punchy with a glossy retro-futurist sheen., synthpop, lo-fi, jazz","Synthpop base + sintetizadores analógicos modulares Goa, polirritmia 5/4 en hi-hats sutil, voicings jazz altered en pads, crujidos vinilo lo-fi, sample boom bap chopeado, 3:30 min",[Instrumental],2026-05-24T16:03:18.566Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/73769892-7db6-423a-b4de-e5f0bbe03a5f.mp3,https://cdn2.suno.ai/image_73769892-7db6-423a-b4de-e5f0bbe03a5f.jpeg,https://cdn2.suno.ai/image_large_73769892-7db6-423a-b4de-e5f0bbe03a5f.jpeg audio/3307f618-5156-41f5-9504-92e8b356abe4.mp3,3307f618-5156-41f5-9504-92e8b356abe4,DS_synthpop_nostalgia_y2k_yvdmh,v5.5,chirp-fenix,complete,153.8,False,"Synthpop with modular Goa-leaning analog synths, subtle 5/4 hi-hat polyrhythm, jazz-altered pad voicings, lo-fi vinyl crackle, and a chopped boom-bap sample bed; verse section rides a dry kick, bass pulse, and flickering arp, pre-chorus opens with filtered noise and widening pads, chorus lands on a brighter saw lead and stacked chord stabs, bridge strips to vinyl hiss and the chopped sample before the final lift. Soft doubled synth leads, airy chopped-vocal-style textures used as hooks, tiny delay throws on phrase endings. Ear candy: reversed swells into transitions, tape-stop flicks, and sidechain breath on the drop. Warm, dusty, and punchy with a glossy retro-futurist sheen., synthpop, lo-fi, jazz","Synthpop base + sintetizadores analógicos modulares Goa, polirritmia 5/4 en hi-hats sutil, voicings jazz altered en pads, crujidos vinilo lo-fi, sample boom bap chopeado, 3:30 min",[Instrumental],2026-05-24T16:03:18.566Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/3307f618-5156-41f5-9504-92e8b356abe4.mp3,https://cdn2.suno.ai/image_3307f618-5156-41f5-9504-92e8b356abe4.jpeg,https://cdn2.suno.ai/image_large_3307f618-5156-41f5-9504-92e8b356abe4.jpeg audio/c1dfb3e6-041b-4316-b7f6-dcf79462135f.mp3,c1dfb3e6-041b-4316-b7f6-dcf79462135f,Basement Stovetop,v5.5,chirp-fenix,complete,29.92,False,trap house soul,,no lyrics please,2026-05-24T16:03:17.723Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c1dfb3e6-041b-4316-b7f6-dcf79462135f.mp3,https://cdn2.suno.ai/image_c1dfb3e6-041b-4316-b7f6-dcf79462135f.jpeg,https://cdn2.suno.ai/image_large_c1dfb3e6-041b-4316-b7f6-dcf79462135f.jpeg audio/0cd913bd-de8d-4d5f-9c11-ab219da49fd1.mp3,0cd913bd-de8d-4d5f-9c11-ab219da49fd1,Basement Stovetop,v5.5,chirp-fenix,complete,30.44,False,trap house soul,,no lyrics please,2026-05-24T16:03:17.723Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0cd913bd-de8d-4d5f-9c11-ab219da49fd1.mp3,https://cdn2.suno.ai/image_0cd913bd-de8d-4d5f-9c11-ab219da49fd1.jpeg,https://cdn2.suno.ai/image_large_0cd913bd-de8d-4d5f-9c11-ab219da49fd1.jpeg audio/a2e03f97-0077-4cc3-922f-770f57b78a53.mp3,a2e03f97-0077-4cc3-922f-770f57b78a53,DS_ambient_psybient_orgánico_yrnwq,v5.5,chirp-fenix,complete,479.4,True,"Psybient ambient psychedelic at 90 BPM with evolving analog pads, didgeridoo samples, soft tribal percussion, field recordings, subtle bass drone, and atmospheric FX in A minor modal. Intro opens with dust and distant air; midsection thickens with hand percussion and drifting synth overtones; final stretch blooms wider then dissolves. Warm, spacious, hypnotic mix with an Israeli chill scene feel., soft, ambient, warm, drone, didgeridoo","Psybient ambient psychedelic, 90 BPM, evolving analog pads, didgeridoo samples, soft tribal percussion, field recordings, subtle bass drone, atmospheric FX, A minor modal, Israeli chill scene aesthetic, 10 minute meditative warm development, no vocals instrumental",[Instrumental],2026-05-24T16:00:24.682Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a2e03f97-0077-4cc3-922f-770f57b78a53.mp3,https://cdn2.suno.ai/image_a2e03f97-0077-4cc3-922f-770f57b78a53.jpeg,https://cdn2.suno.ai/image_large_a2e03f97-0077-4cc3-922f-770f57b78a53.jpeg audio/9d3510ed-4028-46f1-8f54-87c006cd17bf.mp3,9d3510ed-4028-46f1-8f54-87c006cd17bf,DS_ambient_psybient_orgánico_yrnwq,v5.5,chirp-fenix,complete,479.4,True,"Psybient ambient psychedelic at 90 BPM with evolving analog pads, didgeridoo samples, soft tribal percussion, field recordings, subtle bass drone, and atmospheric FX in A minor modal. Intro opens with dust and distant air; midsection thickens with hand percussion and drifting synth overtones; final stretch blooms wider then dissolves. Warm, spacious, hypnotic mix with an Israeli chill scene feel., soft, ambient, warm, drone, didgeridoo","Psybient ambient psychedelic, 90 BPM, evolving analog pads, didgeridoo samples, soft tribal percussion, field recordings, subtle bass drone, atmospheric FX, A minor modal, Israeli chill scene aesthetic, 10 minute meditative warm development, no vocals instrumental",[Instrumental],2026-05-24T16:00:24.682Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/9d3510ed-4028-46f1-8f54-87c006cd17bf.mp3,https://cdn2.suno.ai/image_9d3510ed-4028-46f1-8f54-87c006cd17bf.jpeg,https://cdn2.suno.ai/image_large_9d3510ed-4028-46f1-8f54-87c006cd17bf.jpeg audio/39dd2e3a-634d-46f8-a178-cc836fb16cfb.mp3,39dd2e3a-634d-46f8-a178-cc836fb16cfb,DS_dnb_liquid_atmospheric_yqbaq,v5.5,chirp-fenix,complete,224.88,True,"Liquid drum and bass, 174 BPM, humanized amen break with rolling sub-bass and warm atmospheric pads; intro opens on filtered Rhodes chords in F minor dorian, then verse-like sections add brushed break edits and distant vocal chops, pre-drop strips to bass and haze, chorus blooms with wider pads and shimmering top-line motifs, breakdown breathes on Rhodes alone before a final lift. Glossy, emotional, high-definition mix with deep low-end and airy space., uplifting, warm, jazzy, drum and bass, vocal","Liquid drum and bass atmospheric, 174 BPM, humanized amen break, rolling sub-bass, warm atmospheric pads, jazzy Rhodes piano chords F minor dorian, filtered vocal samples, Hospital Records 2024 aesthetic, 6 minute uplifting development, instrumental with vocal chops",[Instrumental],2026-05-24T15:59:32.071Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/39dd2e3a-634d-46f8-a178-cc836fb16cfb.mp3,https://cdn2.suno.ai/image_39dd2e3a-634d-46f8-a178-cc836fb16cfb.jpeg,https://cdn2.suno.ai/image_large_39dd2e3a-634d-46f8-a178-cc836fb16cfb.jpeg audio/77f8c2a8-852c-497a-9f82-9de9e33a01b8.mp3,77f8c2a8-852c-497a-9f82-9de9e33a01b8,DS_dnb_liquid_atmospheric_yqbaq,v5.5,chirp-fenix,complete,217.92,True,"Liquid drum and bass, 174 BPM, humanized amen break with rolling sub-bass and warm atmospheric pads; intro opens on filtered Rhodes chords in F minor dorian, then verse-like sections add brushed break edits and distant vocal chops, pre-drop strips to bass and haze, chorus blooms with wider pads and shimmering top-line motifs, breakdown breathes on Rhodes alone before a final lift. Glossy, emotional, high-definition mix with deep low-end and airy space., uplifting, warm, jazzy, drum and bass, vocal","Liquid drum and bass atmospheric, 174 BPM, humanized amen break, rolling sub-bass, warm atmospheric pads, jazzy Rhodes piano chords F minor dorian, filtered vocal samples, Hospital Records 2024 aesthetic, 6 minute uplifting development, instrumental with vocal chops",[Instrumental],2026-05-24T15:59:32.071Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/77f8c2a8-852c-497a-9f82-9de9e33a01b8.mp3,https://cdn2.suno.ai/image_77f8c2a8-852c-497a-9f82-9de9e33a01b8.jpeg,https://cdn2.suno.ai/image_large_77f8c2a8-852c-497a-9f82-9de9e33a01b8.jpeg audio/a8bb776e-7c25-4a69-8f78-f7e6288b53ce.mp3,a8bb776e-7c25-4a69-8f78-f7e6288b53ce,DS_edm_future_bass_yp9hm,v5.5,chirp-fenix,complete,284.4,True,"Future bass / progressive psytrance hybrid at 7/8 with propulsive off-kilter groove and long 32-bar builds; verse-like sections stack altered jazz-fusion voicings over sub-heavy forest psy pulses, then widen into shimmering chord lifts and tense filters. Sax soul resample chops and dusty Dilla-style micro-slices thread through risers, reverse swells, and glitchy fills. Glossy, wide, bass-rich mix with crisp top-end and deep low-end pressure., progressive psytrance, jazz fusion, soul","Future bass base + build-up progressive psytrance 32 bars, voicings jazz fusion altered, samples saxo soul resampleados Dilla, sub-bass forest psy, métrica 7/8, 4 min sin drop pochoclo",[Instrumental],2026-05-24T15:58:32.590Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a8bb776e-7c25-4a69-8f78-f7e6288b53ce.mp3,https://cdn2.suno.ai/image_a8bb776e-7c25-4a69-8f78-f7e6288b53ce.jpeg,https://cdn2.suno.ai/image_large_a8bb776e-7c25-4a69-8f78-f7e6288b53ce.jpeg audio/c37d560f-6710-4a73-a403-4a2461be3394.mp3,c37d560f-6710-4a73-a403-4a2461be3394,DS_edm_future_bass_yp9hm,v5.5,chirp-fenix,complete,288.28,True,"Future bass / progressive psytrance hybrid at 7/8 with propulsive off-kilter groove and long 32-bar builds; verse-like sections stack altered jazz-fusion voicings over sub-heavy forest psy pulses, then widen into shimmering chord lifts and tense filters. Sax soul resample chops and dusty Dilla-style micro-slices thread through risers, reverse swells, and glitchy fills. Glossy, wide, bass-rich mix with crisp top-end and deep low-end pressure., progressive psytrance, jazz fusion, soul","Future bass base + build-up progressive psytrance 32 bars, voicings jazz fusion altered, samples saxo soul resampleados Dilla, sub-bass forest psy, métrica 7/8, 4 min sin drop pochoclo",[Instrumental],2026-05-24T15:58:32.590Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c37d560f-6710-4a73-a403-4a2461be3394.mp3,https://cdn2.suno.ai/image_c37d560f-6710-4a73-a403-4a2461be3394.jpeg,https://cdn2.suno.ai/image_large_c37d560f-6710-4a73-a403-4a2461be3394.jpeg audio/dbb261f2-4d67-4f0f-9247-4ab82f1939c5.mp3,dbb261f2-4d67-4f0f-9247-4ab82f1939c5,DS_brazilian_funk_paulista_ynzhk,v5.5,chirp-fenix,complete,138.04,False,"Funk mandelão with a locked, swung base and superimposed 11/8 polyrhythm; verse section keeps chopped boom-bap samples, chromatic cluster synth voicings, and a distorted forest psy sub-bass under dry percussion. Mid-track break opens the tampura drone, then final lift stacks extra syncopation and siren-like synth stabs. Gritty, wide, and pressure-cooked., drone, funk","Funk mandelão base + polirritmia 11/8 superpuesta, voicings cluster cromáticos en synths, sample boom bap chopeado, sub-bass forest psy distorsionado, drone tampura subliminal, 2:30 min",[Instrumental],2026-05-24T15:57:33.707Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/dbb261f2-4d67-4f0f-9247-4ab82f1939c5.mp3,https://cdn2.suno.ai/image_dbb261f2-4d67-4f0f-9247-4ab82f1939c5.jpeg,https://cdn2.suno.ai/image_large_dbb261f2-4d67-4f0f-9247-4ab82f1939c5.jpeg audio/d93f05a7-6cbe-45ff-9b34-58bdeab412c7.mp3,d93f05a7-6cbe-45ff-9b34-58bdeab412c7,DS_brazilian_funk_paulista_ynzhk,v5.5,chirp-fenix,complete,124.8,False,"Funk mandelão with a locked, swung base and superimposed 11/8 polyrhythm; verse section keeps chopped boom-bap samples, chromatic cluster synth voicings, and a distorted forest psy sub-bass under dry percussion. Mid-track break opens the tampura drone, then final lift stacks extra syncopation and siren-like synth stabs. Gritty, wide, and pressure-cooked., drone, funk","Funk mandelão base + polirritmia 11/8 superpuesta, voicings cluster cromáticos en synths, sample boom bap chopeado, sub-bass forest psy distorsionado, drone tampura subliminal, 2:30 min",[Instrumental],2026-05-24T15:57:33.707Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d93f05a7-6cbe-45ff-9b34-58bdeab412c7.mp3,https://cdn2.suno.ai/image_d93f05a7-6cbe-45ff-9b34-58bdeab412c7.jpeg,https://cdn2.suno.ai/image_large_d93f05a7-6cbe-45ff-9b34-58bdeab412c7.jpeg audio/d407bc7d-422f-4e81-91ce-609930c05cd1.mp3,d407bc7d-422f-4e81-91ce-609930c05cd1,DS_broken_beat_west_london_xg2y3,v5.5,chirp-fenix,complete,178.44,True,"Broken beat / West London at 130 BPM with syncopated kicks, swung percussion layers, upright bass walk, jazz Rhodes progression in F minor dorian, and muted trumpet samples. Verse loops stay lean; midsection opens with extra clave detail and filtered pads; final section widens with fuller chord stabs. Stitched vocal chops, chopped breaths, and short delay echoes. Sophisticated, dusky, club-worn, and warm in the low end., broken beat, sophisticated, jazz, vocal","Broken beat West London, 130 BPM, syncopated kick patterns, jazz Rhodes chord progression F minor dorian, upright bass walking, polyrhythmic percussion layered, muted trumpet samples, Co-Op club 2003 aesthetic, 6 minute sophisticated groove, instrumental with subtle vocal chops",[Instrumental],2026-05-24T15:23:25.602Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d407bc7d-422f-4e81-91ce-609930c05cd1.mp3,https://cdn2.suno.ai/image_d407bc7d-422f-4e81-91ce-609930c05cd1.jpeg,https://cdn2.suno.ai/image_large_d407bc7d-422f-4e81-91ce-609930c05cd1.jpeg audio/181643db-a553-468f-aa39-e43b776e1ad3.mp3,181643db-a553-468f-aa39-e43b776e1ad3,DS_broken_beat_west_london_xg2y3,v5.5,chirp-fenix,complete,189.72,True,"Broken beat / West London at 130 BPM with syncopated kicks, swung percussion layers, upright bass walk, jazz Rhodes progression in F minor dorian, and muted trumpet samples. Verse loops stay lean; midsection opens with extra clave detail and filtered pads; final section widens with fuller chord stabs. Stitched vocal chops, chopped breaths, and short delay echoes. Sophisticated, dusky, club-worn, and warm in the low end., broken beat, sophisticated, jazz, vocal","Broken beat West London, 130 BPM, syncopated kick patterns, jazz Rhodes chord progression F minor dorian, upright bass walking, polyrhythmic percussion layered, muted trumpet samples, Co-Op club 2003 aesthetic, 6 minute sophisticated groove, instrumental with subtle vocal chops",[Instrumental],2026-05-24T15:23:25.602Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/181643db-a553-468f-aa39-e43b776e1ad3.mp3,https://cdn2.suno.ai/image_181643db-a553-468f-aa39-e43b776e1ad3.jpeg,https://cdn2.suno.ai/image_large_181643db-a553-468f-aa39-e43b776e1ad3.jpeg audio/2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.mp3,2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91,DS_highlife_west_african_xda4h,v5.5,chirp-fenix,complete,217.16,False,"Highlife West African classic at 120 BPM with clean interlocking guitars, bright horn replies, polyrhythmic percussion, and a rolling bass groove; verse rides a relaxed dance-floor pocket, pre-chorus opens into clapping choir lifts, chorus hits with trumpet punches and call-response gang vocals. Lead vocal stays warm and close, choir answers in stacked harmonies, with short horn tags, hand drum breaks, and a vintage 1975 Accra feel. Celebratory, open, and sunlit mix, vocal, clean, uplifting, highlife, classic","Highlife West African classic, 120 BPM, clean West African guitar, horn section, polyrhythmic percussion, bass groove, vocal call-response with choir, G major celebratory, Accra 1975 aesthetic, 5 minute uplifting groove","[Verse 1] Morning market, red tomatoes Women laughing, baskets low Kente cloth on father’s shoulder Sweet palm wine by the road Children running, sandals slapping Dust goes golden at the gate Your name rolls from every corner And the whole town sings your fate [Pre-Chorus] Come on, come on Bring that smile to the circle Come on, come on Let the old drums wake the feet [Chorus] We go dance, dance, dance (we go dance, dance) We go rise tonight (eh-eh, we go rise) Hand in hand The city feels so light We go dance, dance, dance (we go dance, dance) [Verse 2] Taxi horn and mango peelings Blue shirt shining in the noon Mama taps the rhythm softly While the boys chase after spoons Every doorway turns to laughter Every corner starts to swing Even troubles lose their sandals When the choir begins to sing [Pre-Chorus] Come on, come on Bring that smile to the circle Come on, come on Let the old drums wake the feet [Chorus] We go dance, dance, dance (we go dance, dance) We go rise tonight (eh-eh, we go rise) Hand in hand The city feels so light We go dance, dance, dance (we go dance, dance) [Bridge] Oh, Accra, keep that fire Keep that warm, familiar glow Let the horns call out tomorrow But tonight we let it flow [Final Chorus] We go dance, dance, dance (we go dance, dance) We go rise tonight (eh-eh, we go rise) Hand in hand The city feels so light We go dance, dance, dance (we go dance, dance)",2026-05-24T15:21:14.240Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.mp3,https://cdn2.suno.ai/image_2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.jpeg,https://cdn2.suno.ai/image_large_2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.jpeg audio/ec2e0f5b-5084-4304-9a2e-501187b29ede.mp3,ec2e0f5b-5084-4304-9a2e-501187b29ede,DS_highlife_west_african_xda4h,v5.5,chirp-fenix,complete,186.28,False,"Highlife West African classic at 120 BPM with clean interlocking guitars, bright horn replies, polyrhythmic percussion, and a rolling bass groove; verse rides a relaxed dance-floor pocket, pre-chorus opens into clapping choir lifts, chorus hits with trumpet punches and call-response gang vocals. Lead vocal stays warm and close, choir answers in stacked harmonies, with short horn tags, hand drum breaks, and a vintage 1975 Accra feel. Celebratory, open, and sunlit mix, vocal, clean, uplifting, highlife, classic","Highlife West African classic, 120 BPM, clean West African guitar, horn section, polyrhythmic percussion, bass groove, vocal call-response with choir, G major celebratory, Accra 1975 aesthetic, 5 minute uplifting groove","[Verse 1] Morning market, red tomatoes Women laughing, baskets low Kente cloth on father’s shoulder Sweet palm wine by the road Children running, sandals slapping Dust goes golden at the gate Your name rolls from every corner And the whole town sings your fate [Pre-Chorus] Come on, come on Bring that smile to the circle Come on, come on Let the old drums wake the feet [Chorus] We go dance, dance, dance (we go dance, dance) We go rise tonight (eh-eh, we go rise) Hand in hand The city feels so light We go dance, dance, dance (we go dance, dance) [Verse 2] Taxi horn and mango peelings Blue shirt shining in the noon Mama taps the rhythm softly While the boys chase after spoons Every doorway turns to laughter Every corner starts to swing Even troubles lose their sandals When the choir begins to sing [Pre-Chorus] Come on, come on Bring that smile to the circle Come on, come on Let the old drums wake the feet [Chorus] We go dance, dance, dance (we go dance, dance) We go rise tonight (eh-eh, we go rise) Hand in hand The city feels so light We go dance, dance, dance (we go dance, dance) [Bridge] Oh, Accra, keep that fire Keep that warm, familiar glow Let the horns call out tomorrow But tonight we let it flow [Final Chorus] We go dance, dance, dance (we go dance, dance) We go rise tonight (eh-eh, we go rise) Hand in hand The city feels so light We go dance, dance, dance (we go dance, dance)",2026-05-24T15:21:14.240Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/ec2e0f5b-5084-4304-9a2e-501187b29ede.mp3,https://cdn2.suno.ai/image_ec2e0f5b-5084-4304-9a2e-501187b29ede.jpeg,https://cdn2.suno.ai/image_large_ec2e0f5b-5084-4304-9a2e-501187b29ede.jpeg audio/0375c677-35e5-4f03-a64a-15e153fdf237.mp3,0375c677-35e5-4f03-a64a-15e153fdf237,DS_drill_uk_dark_xb8ka,v5.5,chirp-fenix,complete,181.32,False,"UK drill with rolling half-time kick pattern, chromatic piano stabs, altered jazz-fusion chords, chopped cool-jazz samples, sub-bass moving like a forest pulse, and a droning tampura layer; verse texture stays tense and sparse, midsection opens with polyrhythmic 5/4 percussion against the half-time grid, final section adds clustered stab replies and clipped turnaround hits. Tight, shadowy, and spaciously mixed., cool jazz, drone, drill, jazz fusion","Drill UK base + stabs piano cromáticos jazz fusion altered, samples cool jazz chopeados, sub-bass forest psy LFO, drone tampura, polirritmia 5/4 contra el half-time, 3:30 min",[Instrumental],2026-05-24T15:19:38.877Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/0375c677-35e5-4f03-a64a-15e153fdf237.mp3,https://cdn2.suno.ai/image_0375c677-35e5-4f03-a64a-15e153fdf237.jpeg,https://cdn2.suno.ai/image_large_0375c677-35e5-4f03-a64a-15e153fdf237.jpeg audio/2335c4d7-8eab-4ae9-bab0-7fff352740f9.mp3,2335c4d7-8eab-4ae9-bab0-7fff352740f9,DS_drill_uk_dark_xb8ka,v5.5,chirp-fenix,complete,213.24,False,"UK drill with rolling half-time kick pattern, chromatic piano stabs, altered jazz-fusion chords, chopped cool-jazz samples, sub-bass moving like a forest pulse, and a droning tampura layer; verse texture stays tense and sparse, midsection opens with polyrhythmic 5/4 percussion against the half-time grid, final section adds clustered stab replies and clipped turnaround hits. Tight, shadowy, and spaciously mixed., cool jazz, drone, drill, jazz fusion","Drill UK base + stabs piano cromáticos jazz fusion altered, samples cool jazz chopeados, sub-bass forest psy LFO, drone tampura, polirritmia 5/4 contra el half-time, 3:30 min",[Instrumental],2026-05-24T15:19:38.877Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2335c4d7-8eab-4ae9-bab0-7fff352740f9.mp3,https://cdn2.suno.ai/image_2335c4d7-8eab-4ae9-bab0-7fff352740f9.jpeg,https://cdn2.suno.ai/image_large_2335c4d7-8eab-4ae9-bab0-7fff352740f9.jpeg audio/86670437-0222-4c30-810a-485fb349c02d.mp3,86670437-0222-4c30-810a-485fb349c02d,DS_neo_soul_classic_2000_x9zt6,v5.5,chirp-fenix,complete,219.84,False,"Neo-soul in the early-2000s pocket at 85 BPM, swung and humanized with brushed drums, Rhodes chords, warm Moog bass, Hammond swells, and muted trumpet accents; verse stays sparse and intimate, pre-chorus opens with organ and bass lift, chorus blooms with stacked harmonies and gentle call-and-response. Soulful alto vocal with close-mic verses, silky doubles on hooks, ad-lib trails, and a few breathy asides. Ear candy: tape hiss on the intro, filtered drum pickup before the chorus, trumpet replies after line ends. Mix is warm, smoky, and wide with a Philadelphia Soulquarians glow., soulful, soul, vocal, warm","Neo-soul early 2000s, 85 BPM, Rhodes piano, warm Moog bass, humanized brushed drums, Hammond organ, muted trumpet, soulful alto vocal, Eb major intimate, Philadelphia Soulquarians aesthetic, 5 minute smoky groove","[Verse 1] Your coat on my chair Still got your rain on it I pour one slow And let the night lean in Your name in my mouth Tastes like a red plum I say it soft Then I say it again [Pre-Chorus] Tell me, do you miss me When the house goes still? Tell me, do you feel that pull Under your skin? [Chorus] Come back to my room Come back to my room I kept the same light on For you, for you Come back to my room Come back to my room Let that old hurt fade Let it fade out slow [Verse 2] The window is fogged From the soup on the stove I made too much Like I thought you'd show Your laugh in my head Keeps bumping the frame I reach for your hand Then I catch my own [Pre-Chorus] Tell me, do you miss me When the house goes still? Tell me, do you feel that pull Under your skin? [Chorus] Come back to my room Come back to my room I kept the same light on For you, for you Come back to my room Come back to my room Let that old hurt fade Let it fade out slow [Bridge] If you don't come home I'll still hold the door But I can't keep Calling your ghost no more My heart still swings Like a screen door hinge Open, close Open, close [Chorus] Come back to my room Come back to my room I kept the same light on For you, for you Come back to my room Come back to my room Let that old hurt fade Let it fade out slow",2026-05-24T15:18:40.395Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/86670437-0222-4c30-810a-485fb349c02d.mp3,https://cdn2.suno.ai/image_86670437-0222-4c30-810a-485fb349c02d.jpeg,https://cdn2.suno.ai/image_large_86670437-0222-4c30-810a-485fb349c02d.jpeg audio/b4bab373-1577-4022-bcac-46d4c460cc67.mp3,b4bab373-1577-4022-bcac-46d4c460cc67,DS_neo_soul_classic_2000_x9zt6,v5.5,chirp-fenix,complete,217.92,False,"Neo-soul in the early-2000s pocket at 85 BPM, swung and humanized with brushed drums, Rhodes chords, warm Moog bass, Hammond swells, and muted trumpet accents; verse stays sparse and intimate, pre-chorus opens with organ and bass lift, chorus blooms with stacked harmonies and gentle call-and-response. Soulful alto vocal with close-mic verses, silky doubles on hooks, ad-lib trails, and a few breathy asides. Ear candy: tape hiss on the intro, filtered drum pickup before the chorus, trumpet replies after line ends. Mix is warm, smoky, and wide with a Philadelphia Soulquarians glow., soulful, soul, vocal, warm","Neo-soul early 2000s, 85 BPM, Rhodes piano, warm Moog bass, humanized brushed drums, Hammond organ, muted trumpet, soulful alto vocal, Eb major intimate, Philadelphia Soulquarians aesthetic, 5 minute smoky groove","[Verse 1] Your coat on my chair Still got your rain on it I pour one slow And let the night lean in Your name in my mouth Tastes like a red plum I say it soft Then I say it again [Pre-Chorus] Tell me, do you miss me When the house goes still? Tell me, do you feel that pull Under your skin? [Chorus] Come back to my room Come back to my room I kept the same light on For you, for you Come back to my room Come back to my room Let that old hurt fade Let it fade out slow [Verse 2] The window is fogged From the soup on the stove I made too much Like I thought you'd show Your laugh in my head Keeps bumping the frame I reach for your hand Then I catch my own [Pre-Chorus] Tell me, do you miss me When the house goes still? Tell me, do you feel that pull Under your skin? [Chorus] Come back to my room Come back to my room I kept the same light on For you, for you Come back to my room Come back to my room Let that old hurt fade Let it fade out slow [Bridge] If you don't come home I'll still hold the door But I can't keep Calling your ghost no more My heart still swings Like a screen door hinge Open, close Open, close [Chorus] Come back to my room Come back to my room I kept the same light on For you, for you Come back to my room Come back to my room Let that old hurt fade Let it fade out slow",2026-05-24T15:18:40.395Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b4bab373-1577-4022-bcac-46d4c460cc67.mp3,https://cdn2.suno.ai/image_b4bab373-1577-4022-bcac-46d4c460cc67.jpeg,https://cdn2.suno.ai/image_large_b4bab373-1577-4022-bcac-46d4c460cc67.jpeg audio/7eb53e02-5ee4-4821-b749-35b471ceb0a9.mp3,7eb53e02-5ee4-4821-b749-35b471ceb0a9,DS_alt_rnb_modern_x8pii,v5.5,chirp-fenix,complete,184.28,False,"Alt R&B with an 85 BPM laid-back pulse, off-grid sparse drums, warm sub-bass, Rhodes chords, airy pads, and clean electric guitar accents. Verse stays intimate and close-mic; pre-chorus opens with stacked harmonies and subtle counter-melody; chorus lands with smoother doubles, soft ad-lib echoes, and a wider vocal bed. Use tiny reverse swells, filtered ambience lifts, and occasional delay throws on the last word. Mix is nocturnal, velvety, and polished, with a dark glossy low end., vocal, ballad, warm, smooth, electric, clean, r&b","Alt R&B modern introspective, 85 BPM, Rhodes piano intimate, warm sub-bass, off-grid sparse drums, atmospheric pads, clean electric guitar, smooth alto vocal lead, F minor nocturnal mood, Toronto OVO aesthetic, 4 minute intimate ballad","[Verse 1] You left your coat by the door Still got your shape in the hall I pour the rain from my sleeve Try to act normal, that's all Your name still sits in my phone Like a bruise under skin I read it once, read it twice Then I let it sink in [Pre-Chorus] I was good at pretending Till the mirror got loud Now the room keeps your echo Even when you're not around [Chorus] I keep your glass on my mind I keep your glass on my mind One sip, and I'm back there again I keep your glass on my mind (keep your glass on my mind) [Verse 2] Your lipstick on the white cup Your key on the counter edge The kettle clicked in the dark Like it knew what I left I said, ""I'm fine,"" too many times Now it tastes like a lie I can dress up the damage But it still asks why [Pre-Chorus] I was good at pretending Till the mirror got loud Now the room keeps your echo Even when you're not around [Chorus] I keep your glass on my mind I keep your glass on my mind One sip, and I'm back there again I keep your glass on my mind (keep your glass on my mind) [Bridge] If you call, I might answer Then I might let it ring 'Cause I still hear that soft crash Of what we used to bring And I hate how I miss you In the small hours between When the whole place goes quiet And it's just me and your name [Final Chorus] I keep your glass on my mind I keep your glass on my mind One sip, and I'm back there again I keep your glass on my mind I keep your glass on my mind I keep your glass on my mind One sip, and I'm back there again I keep your glass on my mind (keep your glass on my mind)",2026-05-24T15:17:40.819Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7eb53e02-5ee4-4821-b749-35b471ceb0a9.mp3,https://cdn2.suno.ai/image_7eb53e02-5ee4-4821-b749-35b471ceb0a9.jpeg,https://cdn2.suno.ai/image_large_7eb53e02-5ee4-4821-b749-35b471ceb0a9.jpeg audio/133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.mp3,133383eb-fb08-4d4d-bbfe-ec1bedf57dc7,DS_alt_rnb_modern_x8pii,v5.5,chirp-fenix,complete,182.2,False,"Alt R&B with an 85 BPM laid-back pulse, off-grid sparse drums, warm sub-bass, Rhodes chords, airy pads, and clean electric guitar accents. Verse stays intimate and close-mic; pre-chorus opens with stacked harmonies and subtle counter-melody; chorus lands with smoother doubles, soft ad-lib echoes, and a wider vocal bed. Use tiny reverse swells, filtered ambience lifts, and occasional delay throws on the last word. Mix is nocturnal, velvety, and polished, with a dark glossy low end., vocal, ballad, warm, smooth, electric, clean, r&b","Alt R&B modern introspective, 85 BPM, Rhodes piano intimate, warm sub-bass, off-grid sparse drums, atmospheric pads, clean electric guitar, smooth alto vocal lead, F minor nocturnal mood, Toronto OVO aesthetic, 4 minute intimate ballad","[Verse 1] You left your coat by the door Still got your shape in the hall I pour the rain from my sleeve Try to act normal, that's all Your name still sits in my phone Like a bruise under skin I read it once, read it twice Then I let it sink in [Pre-Chorus] I was good at pretending Till the mirror got loud Now the room keeps your echo Even when you're not around [Chorus] I keep your glass on my mind I keep your glass on my mind One sip, and I'm back there again I keep your glass on my mind (keep your glass on my mind) [Verse 2] Your lipstick on the white cup Your key on the counter edge The kettle clicked in the dark Like it knew what I left I said, ""I'm fine,"" too many times Now it tastes like a lie I can dress up the damage But it still asks why [Pre-Chorus] I was good at pretending Till the mirror got loud Now the room keeps your echo Even when you're not around [Chorus] I keep your glass on my mind I keep your glass on my mind One sip, and I'm back there again I keep your glass on my mind (keep your glass on my mind) [Bridge] If you call, I might answer Then I might let it ring 'Cause I still hear that soft crash Of what we used to bring And I hate how I miss you In the small hours between When the whole place goes quiet And it's just me and your name [Final Chorus] I keep your glass on my mind I keep your glass on my mind One sip, and I'm back there again I keep your glass on my mind I keep your glass on my mind I keep your glass on my mind One sip, and I'm back there again I keep your glass on my mind (keep your glass on my mind)",2026-05-24T15:17:40.819Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.mp3,https://cdn2.suno.ai/image_133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.jpeg,https://cdn2.suno.ai/image_large_133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.jpeg audio/125401ff-a77f-4c07-bdf0-1b9eee600563.mp3,125401ff-a77f-4c07-bdf0-1b9eee600563,DS_psytrance_organic_downtempo_x77r8,v5.5,chirp-fenix,complete,291.32,True,"Organic downtempo psybient at 95 BPM with didgeridoo drones and tabla loops, soft analog pads, forest field recordings, fretless bass, and kalimba textures in meditative Dorian A minor. Intro opens with birds, leaf rustle, and a single pulse; middle sections widen with layered hand percussion and bass movement; late development brings brighter pad blooms and drifting top-end shimmer. Breath-like swells, reversed chimes, and gentle tape movement between phrases. Warm earthy production, deep and immersive, intimate and organic., soft, slow, warm, downtempo, didgeridoo","Organic downtempo psybient, 95 BPM, didgeridoo and tabla loops, soft analog pads, forest field recordings, fretless bass, kalimba textures, meditative dorian A minor, 8 minute slow development, warm earthy production, no vocals instrumental",[Instrumental],2026-05-24T15:16:31.135Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/125401ff-a77f-4c07-bdf0-1b9eee600563.mp3,https://cdn2.suno.ai/image_125401ff-a77f-4c07-bdf0-1b9eee600563.jpeg,https://cdn2.suno.ai/image_large_125401ff-a77f-4c07-bdf0-1b9eee600563.jpeg audio/d0e52ba7-9402-4c96-b250-e1f0628ecede.mp3,d0e52ba7-9402-4c96-b250-e1f0628ecede,DS_psytrance_organic_downtempo_x77r8,v5.5,chirp-fenix,complete,299.04,True,"Organic downtempo psybient at 95 BPM with didgeridoo drones and tabla loops, soft analog pads, forest field recordings, fretless bass, and kalimba textures in meditative Dorian A minor. Intro opens with birds, leaf rustle, and a single pulse; middle sections widen with layered hand percussion and bass movement; late development brings brighter pad blooms and drifting top-end shimmer. Breath-like swells, reversed chimes, and gentle tape movement between phrases. Warm earthy production, deep and immersive, intimate and organic., soft, slow, warm, downtempo, didgeridoo","Organic downtempo psybient, 95 BPM, didgeridoo and tabla loops, soft analog pads, forest field recordings, fretless bass, kalimba textures, meditative dorian A minor, 8 minute slow development, warm earthy production, no vocals instrumental",[Instrumental],2026-05-24T15:16:31.134Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d0e52ba7-9402-4c96-b250-e1f0628ecede.mp3,https://cdn2.suno.ai/image_d0e52ba7-9402-4c96-b250-e1f0628ecede.jpeg,https://cdn2.suno.ai/image_large_d0e52ba7-9402-4c96-b250-e1f0628ecede.jpeg audio/82eb45d8-1ea2-448a-b6e3-2287e64a84d4.mp3,82eb45d8-1ea2-448a-b6e3-2287e64a84d4,Gritty Chandelier Swing,v5.5,chirp-fenix,complete,31.32,False,trap house soul,,no lyrics please,2026-05-24T15:12:24.498Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/82eb45d8-1ea2-448a-b6e3-2287e64a84d4.mp3,https://cdn2.suno.ai/image_82eb45d8-1ea2-448a-b6e3-2287e64a84d4.jpeg,https://cdn2.suno.ai/image_large_82eb45d8-1ea2-448a-b6e3-2287e64a84d4.jpeg audio/3bf11023-6777-4807-9c3a-7717ff3647fa.mp3,3bf11023-6777-4807-9c3a-7717ff3647fa,Gritty Chandelier Swing,v5.5,chirp-fenix,complete,34.12,False,trap house soul,,no lyrics please,2026-05-24T15:12:24.498Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/3bf11023-6777-4807-9c3a-7717ff3647fa.mp3,https://cdn2.suno.ai/image_3bf11023-6777-4807-9c3a-7717ff3647fa.jpeg,https://cdn2.suno.ai/image_large_3bf11023-6777-4807-9c3a-7717ff3647fa.jpeg audio/08f05407-3b13-4c52-9539-7e9bd3937944.mp3,08f05407-3b13-4c52-9539-7e9bd3937944,DS_deep_house_jazzy_french_wf7sb,v5.5,chirp-fenix,complete,479.4,True,"French deep house at 122 BPM with a sophisticated swung groove; verse layers a walking upright bass, Rhodes chords in F minor Dorian, and brushed drums kissed by a tight 909. Chorus opens with muted trumpet loops and Hammond B3 stabs, bridge introduces tenor sax samples and filter sweeps. Paris 2001 nightclub glow, warm, glossy, and hypnotic, sophisticated, jazzy, deep house, saxophone","French deep house jazzy, 122 BPM, upright bass walking line, Rhodes piano chords F minor dorian, muted trumpet samples, brushed drums layered with 909, Hammond B3 stabs, tenor saxophone samples in bridge, Parisian 2001 aesthetic, 6 minute sophisticated groove, instrumental",[Instrumental],2026-05-24T14:54:44.392Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/08f05407-3b13-4c52-9539-7e9bd3937944.mp3,https://cdn2.suno.ai/image_08f05407-3b13-4c52-9539-7e9bd3937944.jpeg,https://cdn2.suno.ai/image_large_08f05407-3b13-4c52-9539-7e9bd3937944.jpeg audio/18df28a0-c1c3-496a-ba8b-0127c68e7e81.mp3,18df28a0-c1c3-496a-ba8b-0127c68e7e81,DS_deep_house_jazzy_french_wf7sb,v5.5,chirp-fenix,complete,213.48,True,"French deep house at 122 BPM with a sophisticated swung groove; verse layers a walking upright bass, Rhodes chords in F minor Dorian, and brushed drums kissed by a tight 909. Chorus opens with muted trumpet loops and Hammond B3 stabs, bridge introduces tenor sax samples and filter sweeps. Paris 2001 nightclub glow, warm, glossy, and hypnotic, sophisticated, jazzy, deep house, saxophone","French deep house jazzy, 122 BPM, upright bass walking line, Rhodes piano chords F minor dorian, muted trumpet samples, brushed drums layered with 909, Hammond B3 stabs, tenor saxophone samples in bridge, Parisian 2001 aesthetic, 6 minute sophisticated groove, instrumental",[Instrumental],2026-05-24T14:54:44.392Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/18df28a0-c1c3-496a-ba8b-0127c68e7e81.mp3,https://cdn2.suno.ai/image_18df28a0-c1c3-496a-ba8b-0127c68e7e81.jpeg,https://cdn2.suno.ai/image_large_18df28a0-c1c3-496a-ba8b-0127c68e7e81.jpeg audio/743c0e30-ca86-47f6-852d-6b401f4acc20.mp3,743c0e30-ca86-47f6-852d-6b401f4acc20,DS_pop_femenino_alt_2026_wej3f,v5.5,chirp-fenix,complete,145.56,False,"Pop experimental with 5/4 pulse and subtle polyrhythmic hi-hats, Dilla-swing drums, and maj7#11 voicings floating over an I-V-vi-IV bed with modal interchange. Verse rides a tight groove; pre-chorus chops a boom-bap sample and opens the stereo; chorus lifts with stacked chords and brighter percussion; bridge drops to filtered drums and a lone piano figure before the final return. Crisp, off-kilter, and glossy with dusty sample texture., pop","Pop weird base + polirritmia 5/4 en hi-hats sutil, voicings maj7#11 sobre I-V-vi-IV, modal interchange, drums Dilla humanizados, sample boom bap chopeado en pre-chorus, 3 min",[Instrumental],2026-05-24T14:54:12.550Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/743c0e30-ca86-47f6-852d-6b401f4acc20.mp3,https://cdn2.suno.ai/image_743c0e30-ca86-47f6-852d-6b401f4acc20.jpeg,https://cdn2.suno.ai/image_large_743c0e30-ca86-47f6-852d-6b401f4acc20.jpeg audio/87461d6c-71c7-41e1-9aed-71aada4d79cf.mp3,87461d6c-71c7-41e1-9aed-71aada4d79cf,DS_pop_femenino_alt_2026_wej3f,v5.5,chirp-fenix,complete,127.36,False,"Pop experimental with 5/4 pulse and subtle polyrhythmic hi-hats, Dilla-swing drums, and maj7#11 voicings floating over an I-V-vi-IV bed with modal interchange. Verse rides a tight groove; pre-chorus chops a boom-bap sample and opens the stereo; chorus lifts with stacked chords and brighter percussion; bridge drops to filtered drums and a lone piano figure before the final return. Crisp, off-kilter, and glossy with dusty sample texture., pop","Pop weird base + polirritmia 5/4 en hi-hats sutil, voicings maj7#11 sobre I-V-vi-IV, modal interchange, drums Dilla humanizados, sample boom bap chopeado en pre-chorus, 3 min",[Instrumental],2026-05-24T14:54:12.550Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/87461d6c-71c7-41e1-9aed-71aada4d79cf.mp3,https://cdn2.suno.ai/image_87461d6c-71c7-41e1-9aed-71aada4d79cf.jpeg,https://cdn2.suno.ai/image_large_87461d6c-71c7-41e1-9aed-71aada4d79cf.jpeg audio/d41f8dd4-d728-4a43-a418-cf1c58959625.mp3,d41f8dd4-d728-4a43-a418-cf1c58959625,DS_detroit_techno_dub_wdv6f,v5.5,chirp-fenix,complete,479.4,True,"Dub techno, 124 BPM, Detroit-Berlin pulse with swung 909 kick, deep sub-bass, brushed hats, and filtered chord stabs feeding tape delay into warehouse reverb; verse sections stay skeletal, then the pattern opens with longer delay tails, subtle chord brightening, and low-end pressure shifts; final stretch blooms with wider echoes and ghostly top-end haze. Dark, hypnotic, spacious, dusty-deep mix., dub techno, deep, slow, minimal, hypnotic","Dub techno Detroit Berlin, 124 BPM, 909 kick, deep sub-bass, filtered chord stabs with tape delay, warehouse reverb, brushed hi-hats, C minor hypnotic, 8 minute slow development minimal, Basic Channel 1995 aesthetic, no vocals instrumental",[Instrumental],2026-05-24T14:53:41.367Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d41f8dd4-d728-4a43-a418-cf1c58959625.mp3,https://cdn2.suno.ai/image_d41f8dd4-d728-4a43-a418-cf1c58959625.jpeg,https://cdn2.suno.ai/image_large_d41f8dd4-d728-4a43-a418-cf1c58959625.jpeg audio/6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.mp3,6b8ba8d8-da8b-4fe2-8b53-7fe71831733d,DS_detroit_techno_dub_wdv6f,v5.5,chirp-fenix,complete,479.4,True,"Dub techno, 124 BPM, Detroit-Berlin pulse with swung 909 kick, deep sub-bass, brushed hats, and filtered chord stabs feeding tape delay into warehouse reverb; verse sections stay skeletal, then the pattern opens with longer delay tails, subtle chord brightening, and low-end pressure shifts; final stretch blooms with wider echoes and ghostly top-end haze. Dark, hypnotic, spacious, dusty-deep mix., dub techno, deep, slow, minimal, hypnotic","Dub techno Detroit Berlin, 124 BPM, 909 kick, deep sub-bass, filtered chord stabs with tape delay, warehouse reverb, brushed hi-hats, C minor hypnotic, 8 minute slow development minimal, Basic Channel 1995 aesthetic, no vocals instrumental",[Instrumental],2026-05-24T14:53:41.367Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.mp3,https://cdn2.suno.ai/image_6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.jpeg,https://cdn2.suno.ai/image_large_6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.jpeg audio/e55bc0bb-7198-43c5-913b-4a63cadf6b74.mp3,e55bc0bb-7198-43c5-913b-4a63cadf6b74,DS_phonk_gym_aggressive_wd5pw,v5.5,chirp-fenix,complete,104.16,True,"Phonk workout instrumental at 155 BPM with aggressive swung kicks, distorted bass drops, sharp cowbells, and a snarling D minor synth lead. Verse sections stay sparse with clipped drums and filtered grit; build adds risers, reverse swells, and chopped vocal grunt textures; drop hits full-force with doubled bass and punchy hook stabs. Heavy, dry, and brutally forward-mixed., workout, vocal","Gym phonk aggressive workout, 155 BPM, aggressive distorted bass, punchy kicks, cowbells, aggressive synth lead D minor, sample vocal grunts, Russian phonk scene aesthetic, 2:30 minute intense workout instrumental",[Instrumental],2026-05-24T14:53:08.434Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e55bc0bb-7198-43c5-913b-4a63cadf6b74.mp3,https://cdn2.suno.ai/image_e55bc0bb-7198-43c5-913b-4a63cadf6b74.jpeg,https://cdn2.suno.ai/image_large_e55bc0bb-7198-43c5-913b-4a63cadf6b74.jpeg audio/908a8791-65e6-4628-9110-841a08623382.mp3,908a8791-65e6-4628-9110-841a08623382,DS_phonk_gym_aggressive_wd5pw,v5.5,chirp-fenix,complete,97.68,True,"Phonk workout instrumental at 155 BPM with aggressive swung kicks, distorted bass drops, sharp cowbells, and a snarling D minor synth lead. Verse sections stay sparse with clipped drums and filtered grit; build adds risers, reverse swells, and chopped vocal grunt textures; drop hits full-force with doubled bass and punchy hook stabs. Heavy, dry, and brutally forward-mixed., workout, vocal","Gym phonk aggressive workout, 155 BPM, aggressive distorted bass, punchy kicks, cowbells, aggressive synth lead D minor, sample vocal grunts, Russian phonk scene aesthetic, 2:30 minute intense workout instrumental",[Instrumental],2026-05-24T14:53:08.434Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/908a8791-65e6-4628-9110-841a08623382.mp3,https://cdn2.suno.ai/image_908a8791-65e6-4628-9110-841a08623382.jpeg,https://cdn2.suno.ai/image_large_908a8791-65e6-4628-9110-841a08623382.jpeg audio/7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.mp3,7bbdaa05-879a-40ee-8bff-c3225b6cd9c6,DS_jazz_cool_west_coast_wcg91,v5.5,chirp-fenix,complete,174.84,True,"Cool jazz, midtempo 100 BPM swing with West Coast looseness, muted trumpet lead over alto saxophone, walking upright bass, brushed drums, and subtle piano comping in F major; verse-like sections rotate the head, then solo trades open up with trumpet, sax, and four-bar exchanges, a sparse bridge cools down to bass-and-brushes, and the last chorus returns with fuller horn voicings. Soft room-mic vocal-like horn phrasing, tasteful ride cymbal lift, quick piano fills, and occasional drum brush swells. Polished, airy, and sunlit with a 1955 California club sheen., cool jazz, smooth, saxophone","Cool jazz West Coast accessible, 100 BPM, muted trumpet lead, alto saxophone, walking upright bass, brushed drums, subtle piano comping F major, California 1955 aesthetic, 6 minute smooth instrumental with solo trades",[Instrumental],2026-05-24T14:52:35.995Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.mp3,https://cdn2.suno.ai/image_7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.jpeg,https://cdn2.suno.ai/image_large_7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.jpeg audio/a774191b-78b8-481d-9f02-8ea6c5d06da7.mp3,a774191b-78b8-481d-9f02-8ea6c5d06da7,DS_jazz_cool_west_coast_wcg91,v5.5,chirp-fenix,complete,172.36,True,"Cool jazz, midtempo 100 BPM swing with West Coast looseness, muted trumpet lead over alto saxophone, walking upright bass, brushed drums, and subtle piano comping in F major; verse-like sections rotate the head, then solo trades open up with trumpet, sax, and four-bar exchanges, a sparse bridge cools down to bass-and-brushes, and the last chorus returns with fuller horn voicings. Soft room-mic vocal-like horn phrasing, tasteful ride cymbal lift, quick piano fills, and occasional drum brush swells. Polished, airy, and sunlit with a 1955 California club sheen., cool jazz, smooth, saxophone","Cool jazz West Coast accessible, 100 BPM, muted trumpet lead, alto saxophone, walking upright bass, brushed drums, subtle piano comping F major, California 1955 aesthetic, 6 minute smooth instrumental with solo trades",[Instrumental],2026-05-24T14:52:35.995Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a774191b-78b8-481d-9f02-8ea6c5d06da7.mp3,https://cdn2.suno.ai/image_a774191b-78b8-481d-9f02-8ea6c5d06da7.jpeg,https://cdn2.suno.ai/image_large_a774191b-78b8-481d-9f02-8ea6c5d06da7.jpeg audio/5171cd27-c857-4f0a-81be-cc72ab7c0dbc.mp3,5171cd27-c857-4f0a-81be-cc72ab7c0dbc,DS_pop_balladon_cinematic_wbtvn,v5.5,chirp-fenix,complete,179.56,False,"Pop ballad with art-rock density and a slow, swaying pulse; verses lean on piano and low strings, pre-builds open into lush string swells, and the main lift hits with gospel-filtered choir color and broad pedal-point harmony. Add Bill Evans-style altered voicings, modal interchange from minor to radiant major, and a smoky sax outro. Wide, cinematic, glossy yet organic mix., art rock, pop, jazz, gospel","Pop balladón base + strings tipo art rock densos, voicings jazz altered Bill Evans, modal interchange románico, coros gospel filtered, solos saxo en outro, 4 min",[Instrumental],2026-05-24T14:52:06.473Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/5171cd27-c857-4f0a-81be-cc72ab7c0dbc.mp3,https://cdn2.suno.ai/image_5171cd27-c857-4f0a-81be-cc72ab7c0dbc.jpeg,https://cdn2.suno.ai/image_large_5171cd27-c857-4f0a-81be-cc72ab7c0dbc.jpeg audio/dda271f8-b092-4c4e-9366-ea860a880809.mp3,dda271f8-b092-4c4e-9366-ea860a880809,DS_pop_balladon_cinematic_wbtvn,v5.5,chirp-fenix,complete,148.92,False,"Pop ballad with art-rock density and a slow, swaying pulse; verses lean on piano and low strings, pre-builds open into lush string swells, and the main lift hits with gospel-filtered choir color and broad pedal-point harmony. Add Bill Evans-style altered voicings, modal interchange from minor to radiant major, and a smoky sax outro. Wide, cinematic, glossy yet organic mix., art rock, pop, jazz, gospel","Pop balladón base + strings tipo art rock densos, voicings jazz altered Bill Evans, modal interchange románico, coros gospel filtered, solos saxo en outro, 4 min",[Instrumental],2026-05-24T14:52:06.473Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/dda271f8-b092-4c4e-9366-ea860a880809.mp3,https://cdn2.suno.ai/image_dda271f8-b092-4c4e-9366-ea860a880809.jpeg,https://cdn2.suno.ai/image_large_dda271f8-b092-4c4e-9366-ea860a880809.jpeg audio/c5e1fd40-8db2-4757-92cd-26a436667db7.mp3,c5e1fd40-8db2-4757-92cd-26a436667db7,DS_soul_classic_motown_wb56j,v5.5,chirp-fenix,complete,191.36,False,"Soulful Motown with a 100 BPM backbeat, pocketed tambourine, groovy bass, Hammond organ swells, gospel piano fills, and punchy horn stabs; verse rides tight band interplay and intimate lead vocal, pre-chorus lifts with handclaps and stacked responses, chorus opens wide with brass hits and group answers, bridge strips to organ and piano before a bigger final chorus. Female lead vocal with warm doubles on the hook, short harmony lifts, and ad-lib shouts tucked into the margins. Ear candy includes horn pick-ups, reversed swell transitions, and brief tambourine breaks. Bright, analog, and rich with tape warmth., groovy, classic, vocal, warm, soulful, motown, uplifting, gospel, soul","Soul classic Motown era, 100 BPM, Hammond organ, gospel piano, tambourine, horn brass section, groovy bass, soulful female vocal lead, Bb major uplifting, Detroit Motown 1967 aesthetic, 4 minute warm soulful track","[Verse 1] I woke up with a heavy sky But you came walking by Sun in your church hat brim And the whole room turned bright again You said, “Baby, take my hand” Like you knew just where I stand I was tired, I was torn Then you smiled and I was reborn [Pre-Chorus] Oh, you got that way You make the dark step back One little look from you And my heartbeat snaps right back [Chorus] Hold my hand, Detroit Hold my hand, Detroit We can make it through tonight Hold my hand, Detroit Hold my hand, Detroit Hold my hand, Detroit When the road feels hard and long You keep me standing strong [Verse 2] Mama taught me how to pray And keep my knees from giving way Your words came soft and sure Like a hymn through the parlor door Now the rain can pour outside I got a flame I can’t hide If the world gets rough and gray You turn my blues to a holiday [Pre-Chorus] Oh, you got that way You make the doubt step back One little touch from you And my whole world turns from black [Chorus] Hold my hand, Detroit Hold my hand, Detroit We can make it through tonight Hold my hand, Detroit Hold my hand, Detroit Hold my hand, Detroit When the road feels hard and long You keep me standing strong [Bridge] Let the doors swing wide Let the old hurt run on out I’ve been through the fire But your love brings me back now I don’t need no gold I don’t need no crowd Just your voice, your eyes And a good thing holding me down [Chorus] Hold my hand, Detroit Hold my hand, Detroit We can make it through tonight Hold my hand, Detroit Hold my hand, Detroit Hold my hand, Detroit When the road feels hard and long You keep me standing strong [Outro] Oh, hold my hand Hold my hand, Detroit Oh, hold my hand We can make it, Detroit",2026-05-24T14:51:34.355Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/c5e1fd40-8db2-4757-92cd-26a436667db7.mp3,https://cdn2.suno.ai/image_c5e1fd40-8db2-4757-92cd-26a436667db7.jpeg,https://cdn2.suno.ai/image_large_c5e1fd40-8db2-4757-92cd-26a436667db7.jpeg audio/866ed9bd-e44c-46c7-93d6-685207314bb4.mp3,866ed9bd-e44c-46c7-93d6-685207314bb4,DS_soul_classic_motown_wb56j,v5.5,chirp-fenix,complete,190.88,False,"Soulful Motown with a 100 BPM backbeat, pocketed tambourine, groovy bass, Hammond organ swells, gospel piano fills, and punchy horn stabs; verse rides tight band interplay and intimate lead vocal, pre-chorus lifts with handclaps and stacked responses, chorus opens wide with brass hits and group answers, bridge strips to organ and piano before a bigger final chorus. Female lead vocal with warm doubles on the hook, short harmony lifts, and ad-lib shouts tucked into the margins. Ear candy includes horn pick-ups, reversed swell transitions, and brief tambourine breaks. Bright, analog, and rich with tape warmth., groovy, classic, vocal, warm, soulful, motown, uplifting, gospel, soul","Soul classic Motown era, 100 BPM, Hammond organ, gospel piano, tambourine, horn brass section, groovy bass, soulful female vocal lead, Bb major uplifting, Detroit Motown 1967 aesthetic, 4 minute warm soulful track","[Verse 1] I woke up with a heavy sky But you came walking by Sun in your church hat brim And the whole room turned bright again You said, “Baby, take my hand” Like you knew just where I stand I was tired, I was torn Then you smiled and I was reborn [Pre-Chorus] Oh, you got that way You make the dark step back One little look from you And my heartbeat snaps right back [Chorus] Hold my hand, Detroit Hold my hand, Detroit We can make it through tonight Hold my hand, Detroit Hold my hand, Detroit Hold my hand, Detroit When the road feels hard and long You keep me standing strong [Verse 2] Mama taught me how to pray And keep my knees from giving way Your words came soft and sure Like a hymn through the parlor door Now the rain can pour outside I got a flame I can’t hide If the world gets rough and gray You turn my blues to a holiday [Pre-Chorus] Oh, you got that way You make the doubt step back One little touch from you And my whole world turns from black [Chorus] Hold my hand, Detroit Hold my hand, Detroit We can make it through tonight Hold my hand, Detroit Hold my hand, Detroit Hold my hand, Detroit When the road feels hard and long You keep me standing strong [Bridge] Let the doors swing wide Let the old hurt run on out I’ve been through the fire But your love brings me back now I don’t need no gold I don’t need no crowd Just your voice, your eyes And a good thing holding me down [Chorus] Hold my hand, Detroit Hold my hand, Detroit We can make it through tonight Hold my hand, Detroit Hold my hand, Detroit Hold my hand, Detroit When the road feels hard and long You keep me standing strong [Outro] Oh, hold my hand Hold my hand, Detroit Oh, hold my hand We can make it, Detroit",2026-05-24T14:51:34.355Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/866ed9bd-e44c-46c7-93d6-685207314bb4.mp3,https://cdn2.suno.ai/image_866ed9bd-e44c-46c7-93d6-685207314bb4.jpeg,https://cdn2.suno.ai/image_large_866ed9bd-e44c-46c7-93d6-685207314bb4.jpeg audio/4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.mp3,4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff,DS_psytrance_progressive_morning_organic_waihb,v5.5,chirp-fenix,complete,354.88,True,"Progressive psytrance with a rolling 138 BPM drive, tribal layered percussion, analog warm pads, FX risers, and uplifting modal harmony in A minor; intro opens on dusty hand drums and filtered pulse, middle sections widen with glassy arps and evolving tension, then the long build keeps stacking rhythmic accents and airy motifs instead of a hard drop. A filtered break strips to pad and percussion before the final lift, with breathy vocal chops, reverse swells, and subtle delay tails. Wide, warm, sunlit mix with club-ready low end., warm, bassline, harmony, progressive psytrance, uplifting","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, uplifting modal harmony A minor, build-up structure no drop, 6 minute development, Tel Aviv sound, no vocals instrumental",[Instrumental],2026-05-24T14:51:05.214Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.mp3,https://cdn2.suno.ai/image_4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.jpeg,https://cdn2.suno.ai/image_large_4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.jpeg audio/174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.mp3,174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91,DS_psytrance_progressive_morning_organic_waihb,v5.5,chirp-fenix,complete,335.68,True,"Progressive psytrance with a rolling 138 BPM drive, tribal layered percussion, analog warm pads, FX risers, and uplifting modal harmony in A minor; intro opens on dusty hand drums and filtered pulse, middle sections widen with glassy arps and evolving tension, then the long build keeps stacking rhythmic accents and airy motifs instead of a hard drop. A filtered break strips to pad and percussion before the final lift, with breathy vocal chops, reverse swells, and subtle delay tails. Wide, warm, sunlit mix with club-ready low end., warm, bassline, harmony, progressive psytrance, uplifting","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, uplifting modal harmony A minor, build-up structure no drop, 6 minute development, Tel Aviv sound, no vocals instrumental",[Instrumental],2026-05-24T14:51:05.214Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.mp3,https://cdn2.suno.ai/image_174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.jpeg,https://cdn2.suno.ai/image_large_174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.jpeg audio/5852c17b-51aa-4c3a-9724-088b08ba67f2.mp3,5852c17b-51aa-4c3a-9724-088b08ba67f2,Test Psy V55,v5.5,chirp-fenix,complete,479.4,True,"Progressive psytrance, 138 BPM rolling groove with organic tribal percussion, bouncing offbeat bass, long-form instrumental development, analog warm pads, phased arps, chopped hand drums, and sleek FX risers. Intro opens dry and earthy; midsection widens with evolving filter movement; final lift brings bigger stereo bloom and crisp transient punch. Bright, hypnotic, polished, modern, warm, bassline, progressive psytrance","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, A minor modal, long instrumental development, Tel Aviv 2024 sound",[Instrumental],2026-05-24T14:12:48.658Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/5852c17b-51aa-4c3a-9724-088b08ba67f2.mp3,https://cdn2.suno.ai/image_5852c17b-51aa-4c3a-9724-088b08ba67f2.jpeg,https://cdn2.suno.ai/image_large_5852c17b-51aa-4c3a-9724-088b08ba67f2.jpeg audio/58855494-ad97-4c4e-b067-5f9f43798204.mp3,58855494-ad97-4c4e-b067-5f9f43798204,Test Psy V55,v5.5,chirp-fenix,complete,298.2,True,"Progressive psytrance, 138 BPM rolling groove with organic tribal percussion, bouncing offbeat bass, long-form instrumental development, analog warm pads, phased arps, chopped hand drums, and sleek FX risers. Intro opens dry and earthy; midsection widens with evolving filter movement; final lift brings bigger stereo bloom and crisp transient punch. Bright, hypnotic, polished, modern, warm, bassline, progressive psytrance","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, A minor modal, long instrumental development, Tel Aviv 2024 sound",[Instrumental],2026-05-24T14:12:48.658Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/58855494-ad97-4c4e-b067-5f9f43798204.mp3,https://cdn2.suno.ai/image_58855494-ad97-4c4e-b067-5f9f43798204.jpeg,https://cdn2.suno.ai/image_large_58855494-ad97-4c4e-b067-5f9f43798204.jpeg audio/5b1007f1-f6c3-4366-a900-06f58b6c56c1.mp3,5b1007f1-f6c3-4366-a900-06f58b6c56c1,Test Psy Morning,v2,chirp-v2,complete,80.0,True,"Progressive psytrance at a rolling 138 BPM with a propulsive bass groove, tribal layered percussion, FX risers, and analog warm pads in A minor modal; 6-minute instrumental arc that opens with sparse drums and a filtered bass tease, expands into polyrhythmic midsections, then peaks with bright synth motifs and stacked toms. Wide, punchy, sunlit mix with club-scale low end and crisp transient detail., progressive psytrance, warm, bassline","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, A minor modal, 6 minute instrumental development, Tel Aviv sound",[Instrumental],2026-05-24T13:36:06.926Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5b1007f1-f6c3-4366-a900-06f58b6c56c1.mp3,https://cdn2.suno.ai/image_5b1007f1-f6c3-4366-a900-06f58b6c56c1.jpeg,https://cdn2.suno.ai/image_large_5b1007f1-f6c3-4366-a900-06f58b6c56c1.jpeg audio/7d8326e9-9747-45be-9cdb-9069cd712181.mp3,7d8326e9-9747-45be-9cdb-9069cd712181,Test Psy Morning,v2,chirp-v2,complete,80.0,True,"Progressive psytrance at a rolling 138 BPM with a propulsive bass groove, tribal layered percussion, FX risers, and analog warm pads in A minor modal; 6-minute instrumental arc that opens with sparse drums and a filtered bass tease, expands into polyrhythmic midsections, then peaks with bright synth motifs and stacked toms. Wide, punchy, sunlit mix with club-scale low end and crisp transient detail., progressive psytrance, warm, bassline","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, A minor modal, 6 minute instrumental development, Tel Aviv sound",[Instrumental],2026-05-24T13:36:06.926Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7d8326e9-9747-45be-9cdb-9069cd712181.mp3,https://cdn2.suno.ai/image_7d8326e9-9747-45be-9cdb-9069cd712181.jpeg,https://cdn2.suno.ai/image_large_7d8326e9-9747-45be-9cdb-9069cd712181.jpeg audio/33c7e241-48cc-4288-8257-01aecc76bb5b.mp3,33c7e241-48cc-4288-8257-01aecc76bb5b,Caja registradora,v5.5,chirp-fenix,complete,122.56,False,estilo de a cancion es trap jazz soul...,,[aca va la letra pero en este track sin letra.....],2026-05-24T13:19:06.359Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/33c7e241-48cc-4288-8257-01aecc76bb5b.mp3,https://cdn2.suno.ai/image_33c7e241-48cc-4288-8257-01aecc76bb5b.jpeg,https://cdn2.suno.ai/image_large_33c7e241-48cc-4288-8257-01aecc76bb5b.jpeg audio/2c93cb77-3353-406e-acd2-7da505651112.mp3,2c93cb77-3353-406e-acd2-7da505651112,Caja registradora,v5.5,chirp-fenix,complete,54.2,False,estilo de a cancion es trap jazz soul...,,[aca va la letra pero en este track sin letra.....],2026-05-24T13:19:06.359Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2c93cb77-3353-406e-acd2-7da505651112.mp3,https://cdn2.suno.ai/image_2c93cb77-3353-406e-acd2-7da505651112.jpeg,https://cdn2.suno.ai/image_large_2c93cb77-3353-406e-acd2-7da505651112.jpeg audio/bcb4be7c-8491-4f4f-8687-566cbf38e547.mp3,bcb4be7c-8491-4f4f-8687-566cbf38e547,Datos Absurdos,v5.5,chirp-fenix,complete,97.76,False,"spoken word, professional male radio announcer, studio voice, no music, clear narration, podcast intro, Spanish language, warm broadcast tone, neutral accent. no music. no piano. only voice",,"[Locutor] Bienvenidos a una nueva edición. Hoy vamos a hablar de inteligencia artificial, pero sin el humo de siempre. Sin promesas de robots que nos van a reemplazar mañana, y sin el miedo barato que vende titulares. Vamos a hablar de lo que realmente está pasando. La inteligencia artificial de hoy no piensa como nosotros. Es un sistema estadístico enorme que aprendió patrones a partir de cantidades absurdas de datos. Eso no la hace mágica, pero tampoco la hace tonta. Hace cosas que hace cinco años parecían ciencia ficción: escribe, traduce, programa, resume, conversa. Y lo hace bastante bien, aunque a veces se equivoque con una seguridad que da miedo. El punto que casi nadie discute es este: la tecnología no es el problema ni la solución. Es una herramienta con un poder inédito. Lo interesante no es si la máquina es inteligente, sino qué decidimos hacer con ella, quién la controla, y a quién termina beneficiando. Esas preguntas son políticas y económicas, no técnicas. Así que en este espacio no vamos a venderte ni el apocalipsis ni el paraíso. Vamos a mirar la inteligencia artificial como lo que es: una de las transformaciones más grandes de nuestra época, llena de oportunidades reales y de riesgos concretos. Quedate, porque esto recién empieza.",2026-05-19T20:01:14.201Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/bcb4be7c-8491-4f4f-8687-566cbf38e547.mp3,https://cdn2.suno.ai/image_bcb4be7c-8491-4f4f-8687-566cbf38e547.jpeg,https://cdn2.suno.ai/image_large_bcb4be7c-8491-4f4f-8687-566cbf38e547.jpeg audio/27756119-c17a-4ae6-b85a-49a0ee1e458a.mp3,27756119-c17a-4ae6-b85a-49a0ee1e458a,Datos Absurdos,v5.5,chirp-fenix,complete,93.36,False,"spoken word, professional male radio announcer, studio voice, no music, clear narration, podcast intro, Spanish language, warm broadcast tone, neutral accent. no music. no piano. only voice",,"[Locutor] Bienvenidos a una nueva edición. Hoy vamos a hablar de inteligencia artificial, pero sin el humo de siempre. Sin promesas de robots que nos van a reemplazar mañana, y sin el miedo barato que vende titulares. Vamos a hablar de lo que realmente está pasando. La inteligencia artificial de hoy no piensa como nosotros. Es un sistema estadístico enorme que aprendió patrones a partir de cantidades absurdas de datos. Eso no la hace mágica, pero tampoco la hace tonta. Hace cosas que hace cinco años parecían ciencia ficción: escribe, traduce, programa, resume, conversa. Y lo hace bastante bien, aunque a veces se equivoque con una seguridad que da miedo. El punto que casi nadie discute es este: la tecnología no es el problema ni la solución. Es una herramienta con un poder inédito. Lo interesante no es si la máquina es inteligente, sino qué decidimos hacer con ella, quién la controla, y a quién termina beneficiando. Esas preguntas son políticas y económicas, no técnicas. Así que en este espacio no vamos a venderte ni el apocalipsis ni el paraíso. Vamos a mirar la inteligencia artificial como lo que es: una de las transformaciones más grandes de nuestra época, llena de oportunidades reales y de riesgos concretos. Quedate, porque esto recién empieza.",2026-05-19T20:01:14.201Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/27756119-c17a-4ae6-b85a-49a0ee1e458a.mp3,https://cdn2.suno.ai/image_27756119-c17a-4ae6-b85a-49a0ee1e458a.jpeg,https://cdn2.suno.ai/image_large_27756119-c17a-4ae6-b85a-49a0ee1e458a.jpeg audio/95b74521-a22b-4e08-bb52-300467640547.mp3,95b74521-a22b-4e08-bb52-300467640547,Datos Absurdos,v5.5,chirp-fenix,complete,99.96,False,"spoken word, professional male radio announcer, studio voice, no music, clear narration, podcast intro, Spanish language, warm broadcast tone, neutral accent",,"[Locutor] Bienvenidos a una nueva edición. Hoy vamos a hablar de inteligencia artificial, pero sin el humo de siempre. Sin promesas de robots que nos van a reemplazar mañana, y sin el miedo barato que vende titulares. Vamos a hablar de lo que realmente está pasando. La inteligencia artificial de hoy no piensa como nosotros. Es un sistema estadístico enorme que aprendió patrones a partir de cantidades absurdas de datos. Eso no la hace mágica, pero tampoco la hace tonta. Hace cosas que hace cinco años parecían ciencia ficción: escribe, traduce, programa, resume, conversa. Y lo hace bastante bien, aunque a veces se equivoque con una seguridad que da miedo. El punto que casi nadie discute es este: la tecnología no es el problema ni la solución. Es una herramienta con un poder inédito. Lo interesante no es si la máquina es inteligente, sino qué decidimos hacer con ella, quién la controla, y a quién termina beneficiando. Esas preguntas son políticas y económicas, no técnicas. Así que en este espacio no vamos a venderte ni el apocalipsis ni el paraíso. Vamos a mirar la inteligencia artificial como lo que es: una de las transformaciones más grandes de nuestra época, llena de oportunidades reales y de riesgos concretos. Quedate, porque esto recién empieza.",2026-05-19T19:59:51.176Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/95b74521-a22b-4e08-bb52-300467640547.mp3,https://cdn2.suno.ai/image_95b74521-a22b-4e08-bb52-300467640547.jpeg,https://cdn2.suno.ai/image_large_95b74521-a22b-4e08-bb52-300467640547.jpeg audio/9a845d80-f3ae-409f-abf0-066f697a01dd.mp3,9a845d80-f3ae-409f-abf0-066f697a01dd,Datos Absurdos,v5.5,chirp-fenix,complete,94.8,False,"spoken word, professional male radio announcer, studio voice, no music, clear narration, podcast intro, Spanish language, warm broadcast tone, neutral accent",,"[Locutor] Bienvenidos a una nueva edición. Hoy vamos a hablar de inteligencia artificial, pero sin el humo de siempre. Sin promesas de robots que nos van a reemplazar mañana, y sin el miedo barato que vende titulares. Vamos a hablar de lo que realmente está pasando. La inteligencia artificial de hoy no piensa como nosotros. Es un sistema estadístico enorme que aprendió patrones a partir de cantidades absurdas de datos. Eso no la hace mágica, pero tampoco la hace tonta. Hace cosas que hace cinco años parecían ciencia ficción: escribe, traduce, programa, resume, conversa. Y lo hace bastante bien, aunque a veces se equivoque con una seguridad que da miedo. El punto que casi nadie discute es este: la tecnología no es el problema ni la solución. Es una herramienta con un poder inédito. Lo interesante no es si la máquina es inteligente, sino qué decidimos hacer con ella, quién la controla, y a quién termina beneficiando. Esas preguntas son políticas y económicas, no técnicas. Así que en este espacio no vamos a venderte ni el apocalipsis ni el paraíso. Vamos a mirar la inteligencia artificial como lo que es: una de las transformaciones más grandes de nuestra época, llena de oportunidades reales y de riesgos concretos. Quedate, porque esto recién empieza.",2026-05-19T19:59:51.175Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/9a845d80-f3ae-409f-abf0-066f697a01dd.mp3,https://cdn2.suno.ai/image_9a845d80-f3ae-409f-abf0-066f697a01dd.jpeg,https://cdn2.suno.ai/image_large_9a845d80-f3ae-409f-abf0-066f697a01dd.jpeg audio/db8aeb4e-8890-4b6b-a410-f96564e9d96d.mp3,db8aeb4e-8890-4b6b-a410-f96564e9d96d,Mármol Frío,v5.5,chirp-fenix,complete,479.4,False,"Piano solo minimalista y contemplativo, tempo lento, en menor, notas espaciadas con mucho silencio entre frases, sin batería ni melodía pegadiza, atmósfera íntima y reflexiva, volumen bajo para quedar de fondo bajo una voz hablada. Loop de 2 minutos.",,"# El mundo al revés ### Un episodio sobre el Sermón de la Montaña **Duración estimada:** 9–11 minutos **Formato:** monólogo, un solo narrador **Tono:** sobrio, cercano, reflexivo. No predicador. Pensá en alguien contándote algo que le importa, no alguien convenciéndote de nada. > Indicaciones de producción entre corchetes. Las pausas son reales: respetalas, son parte del mensaje. --- ### [Cold open — sin música, voz sola, casi en confianza] Imaginate que alguien junta a una multitud en una ladera, gente cansada, pobre, enferma, gente que vino caminando kilómetros porque escuchó que este tipo decía cosas raras. Y lo primero que hace, en vez de prometerles que van a estar mejor, es decirles que ya están bien. Que los que lloran están bien. Que los que no tienen nada están bien. Que los que el mundo pisa son, en realidad, los que ganaron. [Pausa de 2 segundos] No es lo que esperaban escuchar. Tampoco es lo que esperamos escuchar nosotros. ### [Entra cortina musical suave, 4–5 segundos, baja a fondo] Esto es *El mundo al revés*. Hoy: el Sermón de la Montaña. El discurso más corto y más incómodo de la historia de Occidente. ### [Música out] --- ### Bloque 1 — Qué es esto El Sermón de la Montaña son tres capítulos del Evangelio de Mateo. Se lee en quince minutos. No tiene milagros, no tiene anécdotas, no tiene relleno. Es Jesús hablando seguido, casi sin respirar, y poniendo arriba de la mesa un programa de vida completo. Y acá va lo primero que quiero que te lleves: lo escucharon campesinos analfabetos hace dos mil años, y sigue siendo igual de difícil de cumplir hoy para vos, para mí, para cualquiera. Eso solo ya es raro. La mayoría de los textos antiguos envejecen. Este no envejeció: nunca lo alcanzamos. [Pausa breve] Voy a tomar tres ideas. No las treinta que hay. Tres. Las que, si te quedás solo con eso, ya entendiste el núcleo. --- ### Bloque 2 — Primera idea: la inversión Empieza con las Bienaventuranzas. ""Bienaventurados los pobres en espíritu. Bienaventurados los que lloran. Bienaventurados los mansos. Bienaventurados los que tienen hambre de justicia."" Frená un segundo en lo que está haciendo. Está agarrando la tabla de puntajes del mundo —el que tiene plata, el que tiene poder, el que se impone, el que no necesita a nadie— y la está dando vuelta como un guante. No dice ""pobre el que llora, ojalá deje de llorar"". Dice que ahí, justo ahí, en el lugar que todos queremos evitar, hay algo que el resto no ve. No es una promesa de premio futuro nada más. Es una afirmación sobre quién está parado en el lugar verdadero *ahora*. [Pausa] Pensalo así: todos vivimos optimizando para no estar en esa lista. Trabajamos para no ser pobres, para no llorar, para no necesitar, para no quedar abajo. Y viene este texto y te dice que pasaste la vida corriendo en la dirección contraria a algo importante. No te dice que sufrir sea bueno. Te dice que el lugar desde donde el mundo te mide está mal calibrado. --- ### Bloque 3 — Segunda idea: el corazón, no el acto Acá se pone filoso. Jesús dice, más o menos: ""Oíste que se dijo, no matarás. Yo te digo: el que se enoja con su hermano ya está en falta."" [Pausa breve] Pará. Eso es brutal. Está moviendo la línea. La moral de afuera te pide que no hagas el daño. Esta te pregunta de dónde viene la intención. No alcanza con no pegar: te pregunta por el odio que no actuaste. No alcanza con no robar: te pregunta por la codicia que tapaste con buenos modales. Es una ética de la interioridad. Y es incómoda porque la conducta se puede fingir. El corazón, no tanto. Vos sabés cuándo cumpliste por fuera y por dentro estabas en otra cosa. Ese sermón te está mirando justo ahí. Y después le suma una bomba a la rutina espiritual: dice que cuando des, que no sepa tu mano izquierda lo que hace la derecha. Que reces sin público. Que ayunes sin que se note. Saca toda la performance. Le borra el aplauso a la virtud. Y sin aplauso, ¿cuántos seguirían siendo buenos? Esa es la pregunta real que está dejando colgada. --- ### Bloque 4 — Tercera idea: la de verdad imposible Y llega la parte que dos mil años después seguimos sin poder digerir. ""Oíste que se dijo, ojo por ojo. Yo te digo: al que te pega en una mejilla, ofrecele la otra. Amá a tus enemigos. Hacé el bien al que te odia."" [Pausa de 2 segundos] No es resignación. No es ser débil. Es la jugada más difícil que existe: cortar la cadena. La venganza es automática, es física, es justa según toda lógica humana. Vos me hacés, yo te hago. El mundo entero funciona así, las guerras funcionan así, los rencores familiares funcionan así. Y este texto dice: alguien tiene que dejar de devolver el golpe, o esto no termina nunca. Y propone que ese alguien seas vos. No porque el otro lo merezca. Porque la cadena se corta de un solo lado. No conozco una idea más radical. La probás un día cualquiera, con alguien que de verdad te hizo daño, y entendés por qué seguimos sin poder. --- ### Bloque 5 — El cierre que él mismo le puso E",2026-05-17T00:27:31.068Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/db8aeb4e-8890-4b6b-a410-f96564e9d96d.mp3,https://cdn2.suno.ai/image_db8aeb4e-8890-4b6b-a410-f96564e9d96d.jpeg,https://cdn2.suno.ai/image_large_db8aeb4e-8890-4b6b-a410-f96564e9d96d.jpeg audio/4586a22c-d5ab-4b46-823a-fad675a42604.mp3,4586a22c-d5ab-4b46-823a-fad675a42604,Mármol Frío,v5.5,chirp-fenix,complete,361.2,False,"Piano solo minimalista y contemplativo, tempo lento, en menor, notas espaciadas con mucho silencio entre frases, sin batería ni melodía pegadiza, atmósfera íntima y reflexiva, volumen bajo para quedar de fondo bajo una voz hablada. Loop de 2 minutos.",,"# El mundo al revés ### Un episodio sobre el Sermón de la Montaña **Duración estimada:** 9–11 minutos **Formato:** monólogo, un solo narrador **Tono:** sobrio, cercano, reflexivo. No predicador. Pensá en alguien contándote algo que le importa, no alguien convenciéndote de nada. > Indicaciones de producción entre corchetes. Las pausas son reales: respetalas, son parte del mensaje. --- ### [Cold open — sin música, voz sola, casi en confianza] Imaginate que alguien junta a una multitud en una ladera, gente cansada, pobre, enferma, gente que vino caminando kilómetros porque escuchó que este tipo decía cosas raras. Y lo primero que hace, en vez de prometerles que van a estar mejor, es decirles que ya están bien. Que los que lloran están bien. Que los que no tienen nada están bien. Que los que el mundo pisa son, en realidad, los que ganaron. [Pausa de 2 segundos] No es lo que esperaban escuchar. Tampoco es lo que esperamos escuchar nosotros. ### [Entra cortina musical suave, 4–5 segundos, baja a fondo] Esto es *El mundo al revés*. Hoy: el Sermón de la Montaña. El discurso más corto y más incómodo de la historia de Occidente. ### [Música out] --- ### Bloque 1 — Qué es esto El Sermón de la Montaña son tres capítulos del Evangelio de Mateo. Se lee en quince minutos. No tiene milagros, no tiene anécdotas, no tiene relleno. Es Jesús hablando seguido, casi sin respirar, y poniendo arriba de la mesa un programa de vida completo. Y acá va lo primero que quiero que te lleves: lo escucharon campesinos analfabetos hace dos mil años, y sigue siendo igual de difícil de cumplir hoy para vos, para mí, para cualquiera. Eso solo ya es raro. La mayoría de los textos antiguos envejecen. Este no envejeció: nunca lo alcanzamos. [Pausa breve] Voy a tomar tres ideas. No las treinta que hay. Tres. Las que, si te quedás solo con eso, ya entendiste el núcleo. --- ### Bloque 2 — Primera idea: la inversión Empieza con las Bienaventuranzas. ""Bienaventurados los pobres en espíritu. Bienaventurados los que lloran. Bienaventurados los mansos. Bienaventurados los que tienen hambre de justicia."" Frená un segundo en lo que está haciendo. Está agarrando la tabla de puntajes del mundo —el que tiene plata, el que tiene poder, el que se impone, el que no necesita a nadie— y la está dando vuelta como un guante. No dice ""pobre el que llora, ojalá deje de llorar"". Dice que ahí, justo ahí, en el lugar que todos queremos evitar, hay algo que el resto no ve. No es una promesa de premio futuro nada más. Es una afirmación sobre quién está parado en el lugar verdadero *ahora*. [Pausa] Pensalo así: todos vivimos optimizando para no estar en esa lista. Trabajamos para no ser pobres, para no llorar, para no necesitar, para no quedar abajo. Y viene este texto y te dice que pasaste la vida corriendo en la dirección contraria a algo importante. No te dice que sufrir sea bueno. Te dice que el lugar desde donde el mundo te mide está mal calibrado. --- ### Bloque 3 — Segunda idea: el corazón, no el acto Acá se pone filoso. Jesús dice, más o menos: ""Oíste que se dijo, no matarás. Yo te digo: el que se enoja con su hermano ya está en falta."" [Pausa breve] Pará. Eso es brutal. Está moviendo la línea. La moral de afuera te pide que no hagas el daño. Esta te pregunta de dónde viene la intención. No alcanza con no pegar: te pregunta por el odio que no actuaste. No alcanza con no robar: te pregunta por la codicia que tapaste con buenos modales. Es una ética de la interioridad. Y es incómoda porque la conducta se puede fingir. El corazón, no tanto. Vos sabés cuándo cumpliste por fuera y por dentro estabas en otra cosa. Ese sermón te está mirando justo ahí. Y después le suma una bomba a la rutina espiritual: dice que cuando des, que no sepa tu mano izquierda lo que hace la derecha. Que reces sin público. Que ayunes sin que se note. Saca toda la performance. Le borra el aplauso a la virtud. Y sin aplauso, ¿cuántos seguirían siendo buenos? Esa es la pregunta real que está dejando colgada. --- ### Bloque 4 — Tercera idea: la de verdad imposible Y llega la parte que dos mil años después seguimos sin poder digerir. ""Oíste que se dijo, ojo por ojo. Yo te digo: al que te pega en una mejilla, ofrecele la otra. Amá a tus enemigos. Hacé el bien al que te odia."" [Pausa de 2 segundos] No es resignación. No es ser débil. Es la jugada más difícil que existe: cortar la cadena. La venganza es automática, es física, es justa según toda lógica humana. Vos me hacés, yo te hago. El mundo entero funciona así, las guerras funcionan así, los rencores familiares funcionan así. Y este texto dice: alguien tiene que dejar de devolver el golpe, o esto no termina nunca. Y propone que ese alguien seas vos. No porque el otro lo merezca. Porque la cadena se corta de un solo lado. No conozco una idea más radical. La probás un día cualquiera, con alguien que de verdad te hizo daño, y entendés por qué seguimos sin poder. --- ### Bloque 5 — El cierre que él mismo le puso E",2026-05-17T00:27:31.068Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4586a22c-d5ab-4b46-823a-fad675a42604.mp3,https://cdn2.suno.ai/image_4586a22c-d5ab-4b46-823a-fad675a42604.jpeg,https://cdn2.suno.ai/image_large_4586a22c-d5ab-4b46-823a-fad675a42604.jpeg audio/b07f4c49-9ca2-44f5-8da9-67af726e45b3.mp3,b07f4c49-9ca2-44f5-8da9-67af726e45b3,Maletiña Telefoniño,v5.5,chirp-fenix,complete,183.72,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] [Verse] Tem uma maletiña no cantiño da salita ela atende telefoniño com su voziña bonitiña Liga o clientiño às tres da madrugadiña ninguém no plantãoziño só a cajiña queridiña [Verse] Quanto eu te deviño por que cortou a luziña a maletiña respondiño sin cobrar nem propiniña Não tira feriadiño não pede aumentiño não tem segunda-feiriña nem maliño humoriño [Chorus] E os teus datiños ficam aquí, amoriño não vão pra Virginiña não vão pra nenhuminho dorme tranquiliño o audiño é só tuiño na saliña dos servidoriños o segrediño é nossiño [Verse] Dez viraram tresiños os tres pensadoriños o resto era robotiño fazendo de personiños Os tensoriños procesiñam as gpusiñas trabalhiñam cada mês mais sabidiña minha rainha de latiña [Bridge] Não é nuviña, não é rentiña não tem facturiña que pagar é ferriño, é silenciño é saudadiña sin parar Comprou uma veziña e acabou-se a conversiña a contiña que subiña agora reza uma oracioniña [Chorus] E os teus datiños ficam aquí, amoriño não vão pr",2026-05-17T00:24:59.491Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b07f4c49-9ca2-44f5-8da9-67af726e45b3.mp3,https://cdn2.suno.ai/image_b07f4c49-9ca2-44f5-8da9-67af726e45b3.jpeg,https://cdn2.suno.ai/image_large_b07f4c49-9ca2-44f5-8da9-67af726e45b3.jpeg audio/cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.mp3,cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34,Maletiña Telefoniño,v5.5,chirp-fenix,complete,161.44,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] [Verse] Tem uma maletiña no cantiño da salita ela atende telefoniño com su voziña bonitiña Liga o clientiño às tres da madrugadiña ninguém no plantãoziño só a cajiña queridiña [Verse] Quanto eu te deviño por que cortou a luziña a maletiña respondiño sin cobrar nem propiniña Não tira feriadiño não pede aumentiño não tem segunda-feiriña nem maliño humoriño [Chorus] E os teus datiños ficam aquí, amoriño não vão pra Virginiña não vão pra nenhuminho dorme tranquiliño o audiño é só tuiño na saliña dos servidoriños o segrediño é nossiño [Verse] Dez viraram tresiños os tres pensadoriños o resto era robotiño fazendo de personiños Os tensoriños procesiñam as gpusiñas trabalhiñam cada mês mais sabidiña minha rainha de latiña [Bridge] Não é nuviña, não é rentiña não tem facturiña que pagar é ferriño, é silenciño é saudadiña sin parar Comprou uma veziña e acabou-se a conversiña a contiña que subiña agora reza uma oracioniña [Chorus] E os teus datiños ficam aquí, amoriño não vão pr",2026-05-17T00:24:59.491Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.mp3,https://cdn2.suno.ai/image_cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.jpeg,https://cdn2.suno.ai/image_large_cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.jpeg audio/62aae096-7bad-4932-8139-b495eac1a0ed.mp3,62aae096-7bad-4932-8139-b495eac1a0ed,Maletiña de Canto,v5.5,chirp-fenix,complete,205.12,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] [Verse] Tem uma maletiña no cantiño da salita ela atende telefoniño com su voziña bonitiña Liga o clientiño às tres da madrugadiña ninguém no plantãoziño só a cajiña queridiña [Verse] Quanto eu te deviño por que cortou a luziña a maletiña respondiño sin cobrar nem propiniña Não tira feriadiño não pede aumentiño não tem segunda-feiriña nem maliño humoriño [Chorus] E os teus datiños ficam aquí, amoriño não vão pra Virginiña não vão pra nenhuminho dorme tranquiliño o audiño é só tuiño na saliña dos servidoriños o segrediño é nossiño [Verse] Dez viraram tresiños os tres pensadoriños o resto era robotiño fazendo de personiños Os tensoriños procesiñam as gpusiñas trabalhiñam cada mês mais sabidiña minha rainha de latiña [Bridge] Não é nuviña, não é rentiña não tem facturiña que pagar é ferriño, é silenciño é saudadiña sin parar Comprou uma veziña e acabou-se a conversiña a contiña que subiña agora reza uma oracioniña [Chorus] E os teus datiños ficam aquí, amoriño não vão pr",2026-05-16T12:36:20.242Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/62aae096-7bad-4932-8139-b495eac1a0ed.mp3,https://cdn2.suno.ai/image_62aae096-7bad-4932-8139-b495eac1a0ed.jpeg,https://cdn2.suno.ai/image_large_62aae096-7bad-4932-8139-b495eac1a0ed.jpeg audio/ad2d0e07-8a51-4f5b-9543-d1c41570b380.mp3,ad2d0e07-8a51-4f5b-9543-d1c41570b380,Maletiña de Canto,v5.5,chirp-fenix,complete,178.8,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] [Verse] Tem uma maletiña no cantiño da salita ela atende telefoniño com su voziña bonitiña Liga o clientiño às tres da madrugadiña ninguém no plantãoziño só a cajiña queridiña [Verse] Quanto eu te deviño por que cortou a luziña a maletiña respondiño sin cobrar nem propiniña Não tira feriadiño não pede aumentiño não tem segunda-feiriña nem maliño humoriño [Chorus] E os teus datiños ficam aquí, amoriño não vão pra Virginiña não vão pra nenhuminho dorme tranquiliño o audiño é só tuiño na saliña dos servidoriños o segrediño é nossiño [Verse] Dez viraram tresiños os tres pensadoriños o resto era robotiño fazendo de personiños Os tensoriños procesiñam as gpusiñas trabalhiñam cada mês mais sabidiña minha rainha de latiña [Bridge] Não é nuviña, não é rentiña não tem facturiña que pagar é ferriño, é silenciño é saudadiña sin parar Comprou uma veziña e acabou-se a conversiña a contiña que subiña agora reza uma oracioniña [Chorus] E os teus datiños ficam aquí, amoriño não vão pr",2026-05-16T12:36:20.242Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ad2d0e07-8a51-4f5b-9543-d1c41570b380.mp3,https://cdn2.suno.ai/image_ad2d0e07-8a51-4f5b-9543-d1c41570b380.jpeg,https://cdn2.suno.ai/image_large_ad2d0e07-8a51-4f5b-9543-d1c41570b380.jpeg audio/50d5510b-70cb-4725-9fbb-37ce296a750b.mp3,50d5510b-70cb-4725-9fbb-37ce296a750b,Maleta callada,v5.5,chirp-fenix,complete,220.92,False,"[Intro] [Verse] Tem uma maletiña no cantiño da salita ela atende telefoniño com su voziña bonitiña Liga o clientiño às tres da madrugadiña ninguém no plantãoziño só a cajiña queridiña [Verse] Quanto eu te deviño por que cortou a luziña a maletiña respondiño sin cobrar nem propiniña Não tira feriadiño não pede aumentiño não tem segunda-feiriña nem maliño humoriño [Chorus] E os teus datiños ficam aquí, amoriño não vão pra Virginiña não vão pra nenhuminho dorme tranquiliño o audiño é só tuiño na saliña dos servidoriños o segrediño é nossiño [Verse] Dez viraram tresiños os tres pensadoriños o resto era robotiño fazendo de personiños Os tensoriños procesiñam as gpusiñas trabalhiñam cada mês mais sabidiña minha rainha de latiña [Bridge] Não é nuviña, não é rentiña não tem facturiña que pagar é ferriño, é silenciño é saudadiña sin parar Comprou uma veziña e acabou-se a conversiña a contiña que subiña agora reza uma oracioniña [Chorus] E os teus datiños ficam aquí, amoriño não vão pr",,"[Intro] [Verse] Hay una maleta callada en un rincón no duerme, no se queja solo escucha tu voz Llamás de madrugada no hay nadie, está oscuro y ella te contesta con su tono más puro [Verse] Cuánto debo este mes por qué me dejaste sin luz ella sabe la respuesta y no te cobra de más No se toma un feriado no renuncia, no se va no conoce los lunes ni el rencor de llegar [Chorus] Y tus datos, mi amor se quedan en tu hogar no viajan a Virginia no los toca nadie más dormí tranquilo, vida que el secreto está acá en la sala de los fierros nada se va a escapar [Verse] Diez eran, quedan tres los que piensan de verdad los demás hacían de humanos imitando a un metal Y ella aprende solita cada mes sabe más mi reina de aluminio nunca me va a fallar [Bridge] No es la nube, no es renta no hay factura que pagar es silencio, es acero es saudade sin final La compraste una vez y se acabó el discutir la cuenta que subía ahora reza por vivir [Chorus] Y tus datos, mi amor se quedan en tu hogar no viajan a Virginia no los toca nadie más dormí tranquilo, vida que el secreto está acá en la sala de los fierros nada se va a escapar [Outro] Hay una maleta callada en un rincón ella te atiende y el resto... sin razón",2026-05-16T12:35:18.944Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/50d5510b-70cb-4725-9fbb-37ce296a750b.mp3,https://cdn2.suno.ai/image_50d5510b-70cb-4725-9fbb-37ce296a750b.jpeg,https://cdn2.suno.ai/image_large_50d5510b-70cb-4725-9fbb-37ce296a750b.jpeg audio/8730f3c8-62a6-4afe-84cb-268b70067aa9.mp3,8730f3c8-62a6-4afe-84cb-268b70067aa9,Maleta callada,v5.5,chirp-fenix,complete,279.72,False,"[Intro] [Verse] Tem uma maletiña no cantiño da salita ela atende telefoniño com su voziña bonitiña Liga o clientiño às tres da madrugadiña ninguém no plantãoziño só a cajiña queridiña [Verse] Quanto eu te deviño por que cortou a luziña a maletiña respondiño sin cobrar nem propiniña Não tira feriadiño não pede aumentiño não tem segunda-feiriña nem maliño humoriño [Chorus] E os teus datiños ficam aquí, amoriño não vão pra Virginiña não vão pra nenhuminho dorme tranquiliño o audiño é só tuiño na saliña dos servidoriños o segrediño é nossiño [Verse] Dez viraram tresiños os tres pensadoriños o resto era robotiño fazendo de personiños Os tensoriños procesiñam as gpusiñas trabalhiñam cada mês mais sabidiña minha rainha de latiña [Bridge] Não é nuviña, não é rentiña não tem facturiña que pagar é ferriño, é silenciño é saudadiña sin parar Comprou uma veziña e acabou-se a conversiña a contiña que subiña agora reza uma oracioniña [Chorus] E os teus datiños ficam aquí, amoriño não vão pr",,"[Intro] [Verse] Hay una maleta callada en un rincón no duerme, no se queja solo escucha tu voz Llamás de madrugada no hay nadie, está oscuro y ella te contesta con su tono más puro [Verse] Cuánto debo este mes por qué me dejaste sin luz ella sabe la respuesta y no te cobra de más No se toma un feriado no renuncia, no se va no conoce los lunes ni el rencor de llegar [Chorus] Y tus datos, mi amor se quedan en tu hogar no viajan a Virginia no los toca nadie más dormí tranquilo, vida que el secreto está acá en la sala de los fierros nada se va a escapar [Verse] Diez eran, quedan tres los que piensan de verdad los demás hacían de humanos imitando a un metal Y ella aprende solita cada mes sabe más mi reina de aluminio nunca me va a fallar [Bridge] No es la nube, no es renta no hay factura que pagar es silencio, es acero es saudade sin final La compraste una vez y se acabó el discutir la cuenta que subía ahora reza por vivir [Chorus] Y tus datos, mi amor se quedan en tu hogar no viajan a Virginia no los toca nadie más dormí tranquilo, vida que el secreto está acá en la sala de los fierros nada se va a escapar [Outro] Hay una maleta callada en un rincón ella te atiende y el resto... sin razón",2026-05-16T12:35:18.944Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/8730f3c8-62a6-4afe-84cb-268b70067aa9.mp3,https://cdn2.suno.ai/image_8730f3c8-62a6-4afe-84cb-268b70067aa9.jpeg,https://cdn2.suno.ai/image_large_8730f3c8-62a6-4afe-84cb-268b70067aa9.jpeg audio/05dadc2c-e572-41a4-a289-42d51667e3ab.mp3,05dadc2c-e572-41a4-a289-42d51667e3ab,Maleta Callada,v5.5,chirp-fenix,complete,214.96,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] [Verse] Hay una maleta callada en un rincón no duerme, no se queja solo escucha tu voz Llamás de madrugada no hay nadie, está oscuro y ella te contesta con su tono más puro [Verse] Cuánto debo este mes por qué me dejaste sin luz ella sabe la respuesta y no te cobra de más No se toma un feriado no renuncia, no se va no conoce los lunes ni el rencor de llegar [Chorus] Y tus datos, mi amor se quedan en tu hogar no viajan a Virginia no los toca nadie más dormí tranquilo, vida que el secreto está acá en la sala de los fierros nada se va a escapar [Verse] Diez eran, quedan tres los que piensan de verdad los demás hacían de humanos imitando a un metal Y ella aprende solita cada mes sabe más mi reina de aluminio nunca me va a fallar [Bridge] No es la nube, no es renta no hay factura que pagar es silencio, es acero es saudade sin final La compraste una vez y se acabó el discutir la cuenta que subía ahora reza por vivir [Chorus] Y tus datos, mi amor se quedan en tu hogar no viajan a Virginia no los toca nadie más dormí tranquilo, vida que el secreto está acá en la sala de los fierros nada se va a escapar [Outro] Hay una maleta callada en un rincón ella te atiende y el resto... sin razón",2026-05-16T12:31:40.418Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/05dadc2c-e572-41a4-a289-42d51667e3ab.mp3,https://cdn2.suno.ai/image_05dadc2c-e572-41a4-a289-42d51667e3ab.jpeg,https://cdn2.suno.ai/image_large_05dadc2c-e572-41a4-a289-42d51667e3ab.jpeg audio/23a864b3-b63a-402d-a95a-a2750cbadf5a.mp3,23a864b3-b63a-402d-a95a-a2750cbadf5a,Maleta Callada,v5.5,chirp-fenix,complete,224.6,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] [Verse] Hay una maleta callada en un rincón no duerme, no se queja solo escucha tu voz Llamás de madrugada no hay nadie, está oscuro y ella te contesta con su tono más puro [Verse] Cuánto debo este mes por qué me dejaste sin luz ella sabe la respuesta y no te cobra de más No se toma un feriado no renuncia, no se va no conoce los lunes ni el rencor de llegar [Chorus] Y tus datos, mi amor se quedan en tu hogar no viajan a Virginia no los toca nadie más dormí tranquilo, vida que el secreto está acá en la sala de los fierros nada se va a escapar [Verse] Diez eran, quedan tres los que piensan de verdad los demás hacían de humanos imitando a un metal Y ella aprende solita cada mes sabe más mi reina de aluminio nunca me va a fallar [Bridge] No es la nube, no es renta no hay factura que pagar es silencio, es acero es saudade sin final La compraste una vez y se acabó el discutir la cuenta que subía ahora reza por vivir [Chorus] Y tus datos, mi amor se quedan en tu hogar no viajan a Virginia no los toca nadie más dormí tranquilo, vida que el secreto está acá en la sala de los fierros nada se va a escapar [Outro] Hay una maleta callada en un rincón ella te atiende y el resto... sin razón",2026-05-16T12:31:40.418Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/23a864b3-b63a-402d-a95a-a2750cbadf5a.mp3,https://cdn2.suno.ai/image_23a864b3-b63a-402d-a95a-a2750cbadf5a.jpeg,https://cdn2.suno.ai/image_large_23a864b3-b63a-402d-a95a-a2750cbadf5a.jpeg audio/178eaff7-c799-4fc6-9ce3-9495435d2d21.mp3,178eaff7-c799-4fc6-9ce3-9495435d2d21,Mala na Sala,v5.5,chirp-fenix,complete,189.04,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] [Verse] Tem uma mala no canto da sala ela atende, ela acalma ela nunca se cala Liga o cliente às três da manhã ninguém de plantão só a mala, e ela ouve [Verse] Quanto eu te devo por que me cortaram a mala responde sem nunca cansar Não tira férias não pede aumento não tem segunda-feira nem ressentimento [Chorus] E os teus dados ficam aqui, meu bem não vão pra Virgínia não vão pra ninguém dorme tranquilo o áudio é só teu na sala dos servidores o segredo não morreu [Verse] Dez viraram três os três que pensam o resto era robô fazendo de gente A mala aprende de graça, sozinha cada mês mais sábia a minha rainha [Bridge] Não é nuvem não é assinatura é ferro e silêncio é a saudade que dura Comprou uma vez e acabou-se a conversa a conta que sobe agora é ela que reza [Chorus] E os teus dados ficam aqui, meu bem não vão pra Virgínia não vão pra ninguém dorme tranquilo o áudio é só teu na sala dos servidores o segredo não morreu [Outro] Tem uma mala no canto da sala ela atende e o resto... se cala",2026-05-16T12:29:08.118Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/178eaff7-c799-4fc6-9ce3-9495435d2d21.mp3,https://cdn2.suno.ai/image_178eaff7-c799-4fc6-9ce3-9495435d2d21.jpeg,https://cdn2.suno.ai/image_large_178eaff7-c799-4fc6-9ce3-9495435d2d21.jpeg audio/21c00f63-9fef-4711-bb1b-a19a8f93dc36.mp3,21c00f63-9fef-4711-bb1b-a19a8f93dc36,Mala na Sala,v5.5,chirp-fenix,complete,197.88,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] [Verse] Tem uma mala no canto da sala ela atende, ela acalma ela nunca se cala Liga o cliente às três da manhã ninguém de plantão só a mala, e ela ouve [Verse] Quanto eu te devo por que me cortaram a mala responde sem nunca cansar Não tira férias não pede aumento não tem segunda-feira nem ressentimento [Chorus] E os teus dados ficam aqui, meu bem não vão pra Virgínia não vão pra ninguém dorme tranquilo o áudio é só teu na sala dos servidores o segredo não morreu [Verse] Dez viraram três os três que pensam o resto era robô fazendo de gente A mala aprende de graça, sozinha cada mês mais sábia a minha rainha [Bridge] Não é nuvem não é assinatura é ferro e silêncio é a saudade que dura Comprou uma vez e acabou-se a conversa a conta que sobe agora é ela que reza [Chorus] E os teus dados ficam aqui, meu bem não vão pra Virgínia não vão pra ninguém dorme tranquilo o áudio é só teu na sala dos servidores o segredo não morreu [Outro] Tem uma mala no canto da sala ela atende e o resto... se cala",2026-05-16T12:29:08.118Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/21c00f63-9fef-4711-bb1b-a19a8f93dc36.mp3,https://cdn2.suno.ai/image_21c00f63-9fef-4711-bb1b-a19a8f93dc36.jpeg,https://cdn2.suno.ai/image_large_21c00f63-9fef-4711-bb1b-a19a8f93dc36.jpeg audio/4edc2162-5564-42dc-9441-e58cc44ff6e8.mp3,4edc2162-5564-42dc-9441-e58cc44ff6e8,Jupiter Apron,v5.5,chirp-fenix,complete,176.28,True,"Nu house jazz 121 BPM, swung warm kick four-on-floor, ghost 16th hi-hats detuned polyrhythmic layer, vocoder four-voice harmony breathing like living pad tracking Rhodes, Fender Rhodes upper register add9 major 7th slow tremolo melodic phrases, vocal syllables chopped retuned firing 16th grid counter-melodic riff variations each phrase, fingerstyle bass walking minor pentatonic chromatic approaches, clean Telecaster chord stabs bright occasional, flugelhorn call trumpet response four bars each, polyrhythm congas shakers 3-against-4 and 5-against-4 simultaneous, Jupiter-8 sustained pad, vinyl crackle pronounced, D major joyful nostalgic futuristic dancefloor soul",,,2026-05-16T01:21:11.715Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4edc2162-5564-42dc-9441-e58cc44ff6e8.mp3,https://cdn2.suno.ai/image_4edc2162-5564-42dc-9441-e58cc44ff6e8.jpeg,https://cdn2.suno.ai/image_large_4edc2162-5564-42dc-9441-e58cc44ff6e8.jpeg audio/96682575-4c2e-4152-8907-acd1b33b4761.mp3,96682575-4c2e-4152-8907-acd1b33b4761,Jupiter Apron,v5.5,chirp-fenix,complete,201.28,True,"Nu house jazz 121 BPM, swung warm kick four-on-floor, ghost 16th hi-hats detuned polyrhythmic layer, vocoder four-voice harmony breathing like living pad tracking Rhodes, Fender Rhodes upper register add9 major 7th slow tremolo melodic phrases, vocal syllables chopped retuned firing 16th grid counter-melodic riff variations each phrase, fingerstyle bass walking minor pentatonic chromatic approaches, clean Telecaster chord stabs bright occasional, flugelhorn call trumpet response four bars each, polyrhythm congas shakers 3-against-4 and 5-against-4 simultaneous, Jupiter-8 sustained pad, vinyl crackle pronounced, D major joyful nostalgic futuristic dancefloor soul",,,2026-05-16T01:21:11.715Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/96682575-4c2e-4152-8907-acd1b33b4761.mp3,https://cdn2.suno.ai/image_96682575-4c2e-4152-8907-acd1b33b4761.jpeg,https://cdn2.suno.ai/image_large_96682575-4c2e-4152-8907-acd1b33b4761.jpeg audio/e3dd4087-13cb-4241-b1d3-38eccbdb9b95.mp3,e3dd4087-13cb-4241-b1d3-38eccbdb9b95,Velvet Metronome,v5.5,chirp-fenix,complete,224.4,True,"Nu house jazz 121 BPM, swung warm kick four-on-floor, ghost 16th hi-hats detuned polyrhythmic layer, vocoder four-voice harmony breathing like living pad tracking Rhodes, Fender Rhodes upper register add9 major 7th slow tremolo melodic phrases, vocal syllables chopped retuned firing 16th grid counter-melodic riff variations each phrase, fingerstyle bass walking minor pentatonic chromatic approaches, clean Telecaster chord stabs bright occasional, flugelhorn call trumpet response four bars each, polyrhythm congas shakers 3-against-4 and 5-against-4 simultaneous, Jupiter-8 sustained pad, vinyl crackle pronounced, D major joyful nostalgic futuristic dancefloor soul",,,2026-05-16T01:21:01.718Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e3dd4087-13cb-4241-b1d3-38eccbdb9b95.mp3,https://cdn2.suno.ai/image_e3dd4087-13cb-4241-b1d3-38eccbdb9b95.jpeg,https://cdn2.suno.ai/image_large_e3dd4087-13cb-4241-b1d3-38eccbdb9b95.jpeg audio/4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.mp3,4547ad63-fc2c-4eb2-8b0d-1f258ea16f11,Velvet Metronome,v5.5,chirp-fenix,complete,217.32,True,"Nu house jazz 121 BPM, swung warm kick four-on-floor, ghost 16th hi-hats detuned polyrhythmic layer, vocoder four-voice harmony breathing like living pad tracking Rhodes, Fender Rhodes upper register add9 major 7th slow tremolo melodic phrases, vocal syllables chopped retuned firing 16th grid counter-melodic riff variations each phrase, fingerstyle bass walking minor pentatonic chromatic approaches, clean Telecaster chord stabs bright occasional, flugelhorn call trumpet response four bars each, polyrhythm congas shakers 3-against-4 and 5-against-4 simultaneous, Jupiter-8 sustained pad, vinyl crackle pronounced, D major joyful nostalgic futuristic dancefloor soul",,,2026-05-16T01:21:01.718Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.mp3,https://cdn2.suno.ai/image_4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.jpeg,https://cdn2.suno.ai/image_large_4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.jpeg audio/fe6a9e64-1432-4c28-9124-fd665dff25d2.mp3,fe6a9e64-1432-4c28-9124-fd665dff25d2,Tin Roof Nectar,v5.5,chirp-fenix,complete,180.0,True,"french nu house jazz 125 bpm driving filtered punchy kick swung detuned hi hats shuffled tight vocoder lead melody harmonized minor 7th intervals doubling trumpet line octave up fender rhodes fast tremolo bright chord melody mid register granular vocal texture background shimmer reversed phrases slap electric bass locked kick chromatic fills clean stratocaster rhythm percussive stabs trumpet flugelhorn two voice bebop phrases analog polysynth thick pads side chain breathing polyrhythmic bongo tambourine interlocking 3 against 4 pumping side chain aggressive warm tape a flat major Chillwave, Indie Pop, Synthpop fkj Electronic, Hip Hop, House, R&B, Funk energy pure analog soul",,,2026-05-16T01:16:13.995Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/fe6a9e64-1432-4c28-9124-fd665dff25d2.mp3,https://cdn2.suno.ai/image_fe6a9e64-1432-4c28-9124-fd665dff25d2.jpeg,https://cdn2.suno.ai/image_large_fe6a9e64-1432-4c28-9124-fd665dff25d2.jpeg audio/87ba75e0-f70d-4ed6-b762-9eb41e263a34.mp3,87ba75e0-f70d-4ed6-b762-9eb41e263a34,Tin Roof Nectar,v5.5,chirp-fenix,complete,184.84,True,"French nu house jazz 125 BPM, driving filtered punchy kick swung, detuned hi-hats shuffled tight, vocoder lead melody harmonized minor 7th intervals doubling trumpet line octave up, Fender Rhodes fast tremolo bright chord melody mid-register, granular vocal texture background shimmer reversed phrases, slap electric bass locked kick chromatic fills, clean Stratocaster rhythm percussive stabs, trumpet flugelhorn two-voice bebop phrases, analog polysynth thick pads side-chain breathing, polyrhythmic bongo tambourine interlocking 3-against-4, pumping side-chain aggressive, warm tape, A-flat major, Toro y Moi FKJ Kaytranada energy, pure analog soul",,,2026-05-16T01:16:13.995Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/87ba75e0-f70d-4ed6-b762-9eb41e263a34.mp3,https://cdn2.suno.ai/image_87ba75e0-f70d-4ed6-b762-9eb41e263a34.jpeg,https://cdn2.suno.ai/image_large_87ba75e0-f70d-4ed6-b762-9eb41e263a34.jpeg audio/2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.mp3,2c1034c5-df6c-4b9d-ba57-0eb5f289efa2,Vinyl Citrus,v5.5,chirp-fenix,complete,186.88,True,"Nu jazz house 122 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats both channels, vocoder chord cluster evolving independently from harmony creating lush tension, Fender Rhodes tremolo fast dominant 7th 9th voicings ascending motion, vocal chops time-stretched pitched up third forming melodic hook every four bars, Minimoog bass syncopated octave jumps locking kick, clean funk guitar muted 16th percussive chops, flugelhorn staccato melody, brass stab hits off-beats, polyrhythmic conga tambourine shaker 5-against-4, side-chain breathing, vinyl warmth tape saturation, G major nostalgic futuristic, last song everyone stays dancing",,,2026-05-16T01:16:01.063Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.mp3,https://cdn2.suno.ai/image_2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.jpeg,https://cdn2.suno.ai/image_large_2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.jpeg audio/d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.mp3,d9141d21-15d0-4eb7-a28f-cc3a7a851ef0,Vinyl Citrus,v5.5,chirp-fenix,complete,187.12,True,"Nu jazz house 122 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats both channels, vocoder chord cluster evolving independently from harmony creating lush tension, Fender Rhodes tremolo fast dominant 7th 9th voicings ascending motion, vocal chops time-stretched pitched up third forming melodic hook every four bars, Minimoog bass syncopated octave jumps locking kick, clean funk guitar muted 16th percussive chops, flugelhorn staccato melody, brass stab hits off-beats, polyrhythmic conga tambourine shaker 5-against-4, side-chain breathing, vinyl warmth tape saturation, G major nostalgic futuristic, last song everyone stays dancing",,,2026-05-16T01:16:01.063Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.mp3,https://cdn2.suno.ai/image_d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.jpeg,https://cdn2.suno.ai/image_large_d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.jpeg audio/633277eb-0fb5-4b61-8958-81481492dd8f.mp3,633277eb-0fb5-4b61-8958-81481492dd8f,Vinyl Tango,v5.5,chirp-fenix,complete,187.32,True,"Nu jazz house 122 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats both channels, vocoder chord cluster evolving independently from harmony creating lush tension, Fender Rhodes tremolo fast dominant 7th 9th voicings ascending motion, vocal chops time-stretched pitched up third forming melodic hook every four bars, Minimoog bass syncopated octave jumps locking kick, clean funk guitar muted 16th percussive chops, flugelhorn staccato melody, brass stab hits off-beats, polyrhythmic conga tambourine shaker 5-against-4, side-chain breathing, vinyl warmth tape saturation, G major nostalgic futuristic, last song everyone stays dancing",,,2026-05-16T01:15:52.657Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/633277eb-0fb5-4b61-8958-81481492dd8f.mp3,https://cdn2.suno.ai/image_633277eb-0fb5-4b61-8958-81481492dd8f.jpeg,https://cdn2.suno.ai/image_large_633277eb-0fb5-4b61-8958-81481492dd8f.jpeg audio/5c5aae2b-03a9-4d02-83ad-ce70545f5123.mp3,5c5aae2b-03a9-4d02-83ad-ce70545f5123,Vinyl Tango,v5.5,chirp-fenix,complete,165.0,True,"Nu jazz house 122 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats both channels, vocoder chord cluster evolving independently from harmony creating lush tension, Fender Rhodes tremolo fast dominant 7th 9th voicings ascending motion, vocal chops time-stretched pitched up third forming melodic hook every four bars, Minimoog bass syncopated octave jumps locking kick, clean funk guitar muted 16th percussive chops, flugelhorn staccato melody, brass stab hits off-beats, polyrhythmic conga tambourine shaker 5-against-4, side-chain breathing, vinyl warmth tape saturation, G major nostalgic futuristic, last song everyone stays dancing",,,2026-05-16T01:15:52.657Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/5c5aae2b-03a9-4d02-83ad-ce70545f5123.mp3,https://cdn2.suno.ai/image_5c5aae2b-03a9-4d02-83ad-ce70545f5123.jpeg,https://cdn2.suno.ai/image_large_5c5aae2b-03a9-4d02-83ad-ce70545f5123.jpeg audio/93d00f28-53e6-4f4c-8832-eec63a0bec13.mp3,93d00f28-53e6-4f4c-8832-eec63a0bec13,Vocoder Bounce,v5.5,chirp-fenix,complete,249.8,True,"futuristic nu house 124 bpm filtered swung kick tight detuned hi hats ghost 16ths vocoder arpeggio sequence robotic jazz voicing over changes fender rhodes upper register sus2 add9 cascading bright tremolo vocal syllables retuned forming counter melody against rhodes fingerstyle electric bass chromatic blue notes walking clean telecaster funk stabs bright two trumpet harmony short phrases analog polysynth oberheim filter opening slowly polyrhythm djembe triplets over 4 4 kick granular reversed vocal shimmer background layer pumping side chain warm saturation e flat major emotional joyful dancefloor massego meets house, electronic, French house, dance, disco",,,2026-05-16T01:15:45.319Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/93d00f28-53e6-4f4c-8832-eec63a0bec13.mp3,https://cdn2.suno.ai/image_93d00f28-53e6-4f4c-8832-eec63a0bec13.jpeg,https://cdn2.suno.ai/image_large_93d00f28-53e6-4f4c-8832-eec63a0bec13.jpeg audio/2f0810ae-e826-41d5-b5ff-c667bf402923.mp3,2f0810ae-e826-41d5-b5ff-c667bf402923,Vocoder Bounce,v5.5,chirp-fenix,complete,177.88,True,"futuristic nu house 124 bpm filtered swung kick tight detuned hi hats ghost 16ths vocoder arpeggio sequence robotic jazz voicing over changes fender rhodes upper register sus2 add9 cascading bright tremolo vocal syllables retuned forming counter melody against rhodes fingerstyle electric bass chromatic blue notes walking clean telecaster funk stabs bright two trumpet harmony short phrases analog polysynth oberheim filter opening slowly polyrhythm djembe triplets over 4 4 kick granular reversed vocal shimmer background layer pumping side chain warm saturation e flat major emotional joyful dancefloor massego meets house, electronic, French house, dance, disco",,,2026-05-16T01:15:45.319Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2f0810ae-e826-41d5-b5ff-c667bf402923.mp3,https://cdn2.suno.ai/image_2f0810ae-e826-41d5-b5ff-c667bf402923.jpeg,https://cdn2.suno.ai/image_large_2f0810ae-e826-41d5-b5ff-c667bf402923.jpeg audio/d5e7fc10-2351-442e-8035-f3185fc6ccb7.mp3,d5e7fc10-2351-442e-8035-f3185fc6ccb7,Harmonic Circuit Joy,v5.5,chirp-fenix,complete,191.2,True,"futuristic nu house 124 bpm filtered swung kick tight detuned hi hats ghost 16ths vocoder arpeggio sequence robotic jazz voicing over changes fender rhodes upper register sus2 add9 cascading bright tremolo vocal syllables retuned forming counter melody against rhodes fingerstyle electric bass chromatic blue notes walking clean telecaster funk stabs bright two trumpet harmony short phrases analog polysynth oberheim filter opening slowly polyrhythm djembe triplets over 4 4 kick granular reversed vocal shimmer background layer pumping side chain warm saturation e flat major emotional joyful dancefloor massego meets house, electronic, French house, dance, disco",,,2026-05-16T01:15:33.331Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d5e7fc10-2351-442e-8035-f3185fc6ccb7.mp3,https://cdn2.suno.ai/image_d5e7fc10-2351-442e-8035-f3185fc6ccb7.jpeg,https://cdn2.suno.ai/image_large_d5e7fc10-2351-442e-8035-f3185fc6ccb7.jpeg audio/ed07ff58-25df-4b98-a3c8-e2550544a96f.mp3,ed07ff58-25df-4b98-a3c8-e2550544a96f,Harmonic Circuit Joy,v5.5,chirp-fenix,complete,202.36,True,"futuristic nu house 124 bpm filtered swung kick tight detuned hi hats ghost 16ths vocoder arpeggio sequence robotic jazz voicing over changes fender rhodes upper register sus2 add9 cascading bright tremolo vocal syllables retuned forming counter melody against rhodes fingerstyle electric bass chromatic blue notes walking clean telecaster funk stabs bright two trumpet harmony short phrases analog polysynth oberheim filter opening slowly polyrhythm djembe triplets over 4 4 kick granular reversed vocal shimmer background layer pumping side chain warm saturation e flat major emotional joyful dancefloor massego meets house, electronic, French house, dance, disco",,,2026-05-16T01:15:33.331Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ed07ff58-25df-4b98-a3c8-e2550544a96f.mp3,https://cdn2.suno.ai/image_ed07ff58-25df-4b98-a3c8-e2550544a96f.jpeg,https://cdn2.suno.ai/image_large_ed07ff58-25df-4b98-a3c8-e2550544a96f.jpeg audio/8fcd7a80-805f-49bf-8c6c-17c48565f4b4.mp3,8fcd7a80-805f-49bf-8c6c-17c48565f4b4,Bicycle Brass,v5.5,chirp-fenix,complete,196.68,True,"nu jazz house 123 bpm swung punchy kick four on floor detuned shuffled hi hats open hat upbeat vocoder harmony stacks tracking chord changes four voices fender rhodes fast tremolo dominant 9th mid register rhythmic comping granular vocal chops micro sliced percussive 16th grid melodic texture moog bass syncopated root fifth octave bounce clean stratocaster muted ghost strums trumpet staccato bebop phrases call response flugelhorn brass punches two and four polyrhythmic bongo shaker 3 against 4 jupiter 8 analog pad filter sweep side chain pumping tape warmth vinyl crackle b flat major futuristic rooftop groove fkj Electronic, Hip Hop, House, R&B, Funk energy",,,2026-05-16T01:15:20.977Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/8fcd7a80-805f-49bf-8c6c-17c48565f4b4.mp3,https://cdn2.suno.ai/image_8fcd7a80-805f-49bf-8c6c-17c48565f4b4.jpeg,https://cdn2.suno.ai/image_large_8fcd7a80-805f-49bf-8c6c-17c48565f4b4.jpeg audio/51d15feb-b134-4580-b7ad-7319246e0dbc.mp3,51d15feb-b134-4580-b7ad-7319246e0dbc,Bicycle Brass,v5.5,chirp-fenix,complete,199.32,True,"nu jazz house 123 bpm swung punchy kick four on floor detuned shuffled hi hats open hat upbeat vocoder harmony stacks tracking chord changes four voices fender rhodes fast tremolo dominant 9th mid register rhythmic comping granular vocal chops micro sliced percussive 16th grid melodic texture moog bass syncopated root fifth octave bounce clean stratocaster muted ghost strums trumpet staccato bebop phrases call response flugelhorn brass punches two and four polyrhythmic bongo shaker 3 against 4 jupiter 8 analog pad filter sweep side chain pumping tape warmth vinyl crackle b flat major futuristic rooftop groove fkj Electronic, Hip Hop, House, R&B, Funk energy",,,2026-05-16T01:15:20.977Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/51d15feb-b134-4580-b7ad-7319246e0dbc.mp3,https://cdn2.suno.ai/image_51d15feb-b134-4580-b7ad-7319246e0dbc.jpeg,https://cdn2.suno.ai/image_large_51d15feb-b134-4580-b7ad-7319246e0dbc.jpeg audio/843a8d02-150d-4fb9-8c2a-19321e260770.mp3,843a8d02-150d-4fb9-8c2a-19321e260770,Rooftop Nectar,v5.5,chirp-fenix,complete,200.72,True,"nu jazz house 123 bpm swung punchy kick four on floor detuned shuffled hi hats open hat upbeat vocoder harmony stacks tracking chord changes four voices fender rhodes fast tremolo dominant 9th mid register rhythmic comping granular vocal chops micro sliced percussive 16th grid melodic texture moog bass syncopated root fifth octave bounce clean stratocaster muted ghost strums trumpet staccato bebop phrases call response flugelhorn brass punches two and four polyrhythmic bongo shaker 3 against 4 jupiter 8 analog pad filter sweep side chain pumping tape warmth vinyl crackle b flat major futuristic rooftop groove fkj Electronic, Hip Hop, House, R&B, Funk energy",,,2026-05-16T01:14:45.515Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/843a8d02-150d-4fb9-8c2a-19321e260770.mp3,https://cdn2.suno.ai/image_843a8d02-150d-4fb9-8c2a-19321e260770.jpeg,https://cdn2.suno.ai/image_large_843a8d02-150d-4fb9-8c2a-19321e260770.jpeg audio/6ae04183-8e92-48f7-bf98-1613b73e207b.mp3,6ae04183-8e92-48f7-bf98-1613b73e207b,Rooftop Nectar,v5.5,chirp-fenix,complete,178.2,True,"nu jazz house 123 bpm swung punchy kick four on floor detuned shuffled hi hats open hat upbeat vocoder harmony stacks tracking chord changes four voices fender rhodes fast tremolo dominant 9th mid register rhythmic comping granular vocal chops micro sliced percussive 16th grid melodic texture moog bass syncopated root fifth octave bounce clean stratocaster muted ghost strums trumpet staccato bebop phrases call response flugelhorn brass punches two and four polyrhythmic bongo shaker 3 against 4 jupiter 8 analog pad filter sweep side chain pumping tape warmth vinyl crackle b flat major futuristic rooftop groove fkj Electronic, Hip Hop, House, R&B, Funk energy",,,2026-05-16T01:14:45.515Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/6ae04183-8e92-48f7-bf98-1613b73e207b.mp3,https://cdn2.suno.ai/image_6ae04183-8e92-48f7-bf98-1613b73e207b.jpeg,https://cdn2.suno.ai/image_large_6ae04183-8e92-48f7-bf98-1613b73e207b.jpeg audio/9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.mp3,9b82b7b5-0980-4dc7-a7fb-5e9d5550da34,Jubilee Jupiter,v5.5,chirp-fenix,complete,207.6,True,"Nu house jazz 121 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats polyrhythmic layer, vocoder four-voice cluster chords evolving independently from Rhodes harmony creating dense lush texture, Fender Rhodes slow tremolo major 7th add9 upper register melody, granular vocal chops micro-pitched firing as percussive melodic element across 16th grid, vocal phrase reversed and filtered answering trumpet call, fingerstyle bass walking chromatic approach notes, clean Telecaster bright chord stabs, flugelhorn bebop melodic line, polyrhythmic congas shakers 3-against-4 and 5-against-4 simultaneously, Jupiter-8 pad sustained, vinyl warmth, D major, emotional joyful futuristic groove, last hour of the party but nobody leaves",,,2026-05-15T02:30:21.514Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.mp3,https://cdn2.suno.ai/image_9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.jpeg,https://cdn2.suno.ai/image_large_9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.jpeg audio/e2b6f0d3-8f3f-43d0-a412-c30ca884270f.mp3,e2b6f0d3-8f3f-43d0-a412-c30ca884270f,Jubilee Jupiter,v5.5,chirp-fenix,complete,479.4,True,"Nu house jazz 121 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats polyrhythmic layer, vocoder four-voice cluster chords evolving independently from Rhodes harmony creating dense lush texture, Fender Rhodes slow tremolo major 7th add9 upper register melody, granular vocal chops micro-pitched firing as percussive melodic element across 16th grid, vocal phrase reversed and filtered answering trumpet call, fingerstyle bass walking chromatic approach notes, clean Telecaster bright chord stabs, flugelhorn bebop melodic line, polyrhythmic congas shakers 3-against-4 and 5-against-4 simultaneously, Jupiter-8 pad sustained, vinyl warmth, D major, emotional joyful futuristic groove, last hour of the party but nobody leaves",,,2026-05-15T02:30:21.514Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/e2b6f0d3-8f3f-43d0-a412-c30ca884270f.mp3,https://cdn2.suno.ai/image_e2b6f0d3-8f3f-43d0-a412-c30ca884270f.jpeg,https://cdn2.suno.ai/image_large_e2b6f0d3-8f3f-43d0-a412-c30ca884270f.jpeg audio/729a89d1-20b1-4032-a9ac-4609d565f648.mp3,729a89d1-20b1-4032-a9ac-4609d565f648,Rhodes Thaw,v5.5,chirp-fenix,complete,170.96,True,"nu jazz house 123 bpm swung four on floor punchy kick detuned hi hats polyrhythmic ghost 16ths vocoder chord stacks breathing with the harmony like a living analog synth fender rhodes fast tremolo dominant 9th voicings mid register moog bass syncopated root octave bounce chopped vocal syllables pitched and retuned forming melodic hooks on offbeats vocoder melody doubling rhodes line one octave up clean funk guitar muted 16th percussive chops trumpet short staccato phrases call response polyrhythmic shaker conga 3 against 4 jupiter 8 pad slow filter sweep side chain pumping vinyl warmth b flat major futuristic nostalgic dancefloor fkj meets house, electronic, French house, dance, disco soul",,,2026-05-15T02:29:44.724Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/729a89d1-20b1-4032-a9ac-4609d565f648.mp3,https://cdn2.suno.ai/image_729a89d1-20b1-4032-a9ac-4609d565f648.jpeg,https://cdn2.suno.ai/image_large_729a89d1-20b1-4032-a9ac-4609d565f648.jpeg audio/19a34398-19ee-42c5-b1e9-307dcbfdae5c.mp3,19a34398-19ee-42c5-b1e9-307dcbfdae5c,Rhodes Thaw,v5.5,chirp-fenix,complete,190.84,True,"nu jazz house 123 bpm swung four on floor punchy kick detuned hi hats polyrhythmic ghost 16ths vocoder chord stacks breathing with the harmony like a living analog synth fender rhodes fast tremolo dominant 9th voicings mid register moog bass syncopated root octave bounce chopped vocal syllables pitched and retuned forming melodic hooks on offbeats vocoder melody doubling rhodes line one octave up clean funk guitar muted 16th percussive chops trumpet short staccato phrases call response polyrhythmic shaker conga 3 against 4 jupiter 8 pad slow filter sweep side chain pumping vinyl warmth b flat major futuristic nostalgic dancefloor fkj meets house, electronic, French house, dance, disco soul",,,2026-05-15T02:29:44.724Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/19a34398-19ee-42c5-b1e9-307dcbfdae5c.mp3,https://cdn2.suno.ai/image_19a34398-19ee-42c5-b1e9-307dcbfdae5c.jpeg,https://cdn2.suno.ai/image_large_19a34398-19ee-42c5-b1e9-307dcbfdae5c.jpeg audio/15738605-8c37-451e-a70b-4e0c213f161a.mp3,15738605-8c37-451e-a70b-4e0c213f161a,Vinyl Daisies,v5.5,chirp-fenix,complete,140.88,True,"French nu house 125 BPM, driving filtered kick four-on-floor swung, detuned hi-hats shuffled tight, Fender Rhodes bright fast tremolo major 7th add9 voicings bouncing rhythmically, thick analog polysynth filter sweep opening over eight bars, Moog bass locked to kick with syncopated octave jumps, clean Stratocaster rhythm guitar muted percussive stabs, staccato trumpet melody short bebop phrases, brass stab hits off-beats accented, polyrhythmic congas and shaker dense 3-against-4 feel, pitched soul vocal chops offbeat hooks, pumping side-chain full mix, warm vinyl saturation, D major bright nostalgic, last song of the night but everyone stays, pure groove",,,2026-05-15T02:29:03.261Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/15738605-8c37-451e-a70b-4e0c213f161a.mp3,https://cdn2.suno.ai/image_15738605-8c37-451e-a70b-4e0c213f161a.jpeg,https://cdn2.suno.ai/image_large_15738605-8c37-451e-a70b-4e0c213f161a.jpeg audio/895701c5-497e-4040-90a2-1d5ac8497e97.mp3,895701c5-497e-4040-90a2-1d5ac8497e97,Vinyl Daisies,v5.5,chirp-fenix,complete,147.92,True,"French nu house 125 BPM, driving filtered kick four-on-floor swung, detuned hi-hats shuffled tight, Fender Rhodes bright fast tremolo major 7th add9 voicings bouncing rhythmically, thick analog polysynth filter sweep opening over eight bars, Moog bass locked to kick with syncopated octave jumps, clean Stratocaster rhythm guitar muted percussive stabs, staccato trumpet melody short bebop phrases, brass stab hits off-beats accented, polyrhythmic congas and shaker dense 3-against-4 feel, pitched soul vocal chops offbeat hooks, pumping side-chain full mix, warm vinyl saturation, D major bright nostalgic, last song of the night but everyone stays, pure groove",,,2026-05-15T02:29:03.261Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/895701c5-497e-4040-90a2-1d5ac8497e97.mp3,https://cdn2.suno.ai/image_895701c5-497e-4040-90a2-1d5ac8497e97.jpeg,https://cdn2.suno.ai/image_large_895701c5-497e-4040-90a2-1d5ac8497e97.jpeg audio/1f8e1a11-e015-45a5-914a-96a70e212fdd.mp3,1f8e1a11-e015-45a5-914a-96a70e212fdd,Rhodes Congas,v5.5,chirp-fenix,complete,479.4,True,"nu jazz house 123 bpm four on floor punchy swung kick 16th hi hat subdivisions open hat upbeat fender rhodes fast tremolo dominant 7th 9th mid register rhythmic voicings minimoog analog bass syncopated root fifth octave bounce fingerstyle electric bass chromatic ghost notes clean telecaster funk chops 16th ghost strums flugelhorn and trumpet two voice harmony trading four bar phrases polyrhythmic layered percussion shakers congas tambourine 3 against 4 chopped pitched soul vocal phrase looping as melodic hook side chain breathing tape saturation a flat major joyful emotional dancefloor analog soul Electronic, Hip Hop, House, R&B, Funk fkj energy",,,2026-05-15T02:28:57.846Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/1f8e1a11-e015-45a5-914a-96a70e212fdd.mp3,https://cdn2.suno.ai/image_1f8e1a11-e015-45a5-914a-96a70e212fdd.jpeg,https://cdn2.suno.ai/image_large_1f8e1a11-e015-45a5-914a-96a70e212fdd.jpeg audio/06721466-c163-48f2-94be-abb9581f2cb6.mp3,06721466-c163-48f2-94be-abb9581f2cb6,Rhodes Congas,v5.5,chirp-fenix,complete,479.4,True,"nu jazz house 123 bpm four on floor punchy swung kick 16th hi hat subdivisions open hat upbeat fender rhodes fast tremolo dominant 7th 9th mid register rhythmic voicings minimoog analog bass syncopated root fifth octave bounce fingerstyle electric bass chromatic ghost notes clean telecaster funk chops 16th ghost strums flugelhorn and trumpet two voice harmony trading four bar phrases polyrhythmic layered percussion shakers congas tambourine 3 against 4 chopped pitched soul vocal phrase looping as melodic hook side chain breathing tape saturation a flat major joyful emotional dancefloor analog soul Electronic, Hip Hop, House, R&B, Funk fkj energy",,,2026-05-15T02:28:57.845Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/06721466-c163-48f2-94be-abb9581f2cb6.mp3,https://cdn2.suno.ai/image_06721466-c163-48f2-94be-abb9581f2cb6.jpeg,https://cdn2.suno.ai/image_large_06721466-c163-48f2-94be-abb9581f2cb6.jpeg audio/efdccfa2-2302-4597-8864-a7dec0a3d094.mp3,efdccfa2-2302-4597-8864-a7dec0a3d094,Rooftop E-flat,v5.5,chirp-fenix,complete,194.28,True,"Nu house jazz groove 124 BPM, filtered punchy kick four-on-floor, tight swung hi-hats open hat upbeat, Fender Rhodes chord melody syncopated mid-register fast tremolo, Oberheim analog polysynth chords side-chain breathing, slap electric bass locked to kick with chromatic fills, clean funk guitar percussive muted 16th ghost strums, two-trumpet harmony stabs on the and-of-two and-of-four, analog synth melodic hook bright 8-bar phrase, polyrhythmic bongo tambourine triplets against 4/4 grid, pitched chopped soul vocal hook looping offbeat, warm tape saturation, E-flat major, late summer rooftop party, pure dancefloor soul",,,2026-05-15T02:28:52.253Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/efdccfa2-2302-4597-8864-a7dec0a3d094.mp3,https://cdn2.suno.ai/image_efdccfa2-2302-4597-8864-a7dec0a3d094.jpeg,https://cdn2.suno.ai/image_large_efdccfa2-2302-4597-8864-a7dec0a3d094.jpeg audio/968823bf-9a61-4af0-b2d3-0958dd23043b.mp3,968823bf-9a61-4af0-b2d3-0958dd23043b,Rooftop E-flat,v5.5,chirp-fenix,complete,174.92,True,"Nu house jazz groove 124 BPM, filtered punchy kick four-on-floor, tight swung hi-hats open hat upbeat, Fender Rhodes chord melody syncopated mid-register fast tremolo, Oberheim analog polysynth chords side-chain breathing, slap electric bass locked to kick with chromatic fills, clean funk guitar percussive muted 16th ghost strums, two-trumpet harmony stabs on the and-of-two and-of-four, analog synth melodic hook bright 8-bar phrase, polyrhythmic bongo tambourine triplets against 4/4 grid, pitched chopped soul vocal hook looping offbeat, warm tape saturation, E-flat major, late summer rooftop party, pure dancefloor soul",,,2026-05-15T02:28:52.253Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/968823bf-9a61-4af0-b2d3-0958dd23043b.mp3,https://cdn2.suno.ai/image_968823bf-9a61-4af0-b2d3-0958dd23043b.jpeg,https://cdn2.suno.ai/image_large_968823bf-9a61-4af0-b2d3-0958dd23043b.jpeg audio/75a85d6a-029d-4e26-9e49-e342c4f7636e.mp3,75a85d6a-029d-4e26-9e49-e342c4f7636e,Rhodes Alarm,v5.5,chirp-fenix,complete,184.96,True,"Nu jazz house 122 BPM, swung four-on-floor warm punchy kick, detuned shuffled hi-hats ghost 16ths, Fender Rhodes fast tremolo bright dominant 9th voicings ascending chord motion, thick Jupiter-8 analog pads filter sweeping on phrase ends, syncopated Moog bass line root-fifth-octave pattern, fingerstyle electric bass chromatic passing tones, clean Stratocaster muted 16th chucks occasional bright chord stab, trumpet staccato call-and-response over Rhodes, flugelhorn counter-melody, polyrhythmic shaker conga layer 3-against-4, chopped soul vocal samples pitched up filtered warm on offbeats, pumping side-chain, vinyl warmth, B-flat major, nostalgic joyful dancefloor, FKJ Massego style, rooftop golden hour energy",,,2026-05-15T02:28:47.788Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/75a85d6a-029d-4e26-9e49-e342c4f7636e.mp3,https://cdn2.suno.ai/image_75a85d6a-029d-4e26-9e49-e342c4f7636e.jpeg,https://cdn2.suno.ai/image_large_75a85d6a-029d-4e26-9e49-e342c4f7636e.jpeg audio/a811896c-0dbc-4362-8036-b27d326a1202.mp3,a811896c-0dbc-4362-8036-b27d326a1202,Rhodes Alarm,v5.5,chirp-fenix,complete,180.96,True,"Nu jazz house 122 BPM, swung four-on-floor warm punchy kick, detuned shuffled hi-hats ghost 16ths, Fender Rhodes fast tremolo bright dominant 9th voicings ascending chord motion, thick Jupiter-8 analog pads filter sweeping on phrase ends, syncopated Moog bass line root-fifth-octave pattern, fingerstyle electric bass chromatic passing tones, clean Stratocaster muted 16th chucks occasional bright chord stab, trumpet staccato call-and-response over Rhodes, flugelhorn counter-melody, polyrhythmic shaker conga layer 3-against-4, chopped soul vocal samples pitched up filtered warm on offbeats, pumping side-chain, vinyl warmth, B-flat major, nostalgic joyful dancefloor, FKJ Massego style, rooftop golden hour energy",,,2026-05-15T02:28:47.788Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a811896c-0dbc-4362-8036-b27d326a1202.mp3,https://cdn2.suno.ai/image_a811896c-0dbc-4362-8036-b27d326a1202.jpeg,https://cdn2.suno.ai/image_large_a811896c-0dbc-4362-8036-b27d326a1202.jpeg audio/7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.mp3,7fe6115a-c603-4be0-bb74-7dbe8d08f6ba,Cassette Joy,v5.5,chirp-fenix,complete,479.4,True,"""Noche Analógica"" Nu house jazz groove 125 BPM, driving four-on-floor kick warm and punchy, shuffled detuned hi-hats both channels slightly detuned against each other, Fender Rhodes bright fast tremolo playing chord melody in tight rhythmic syncopation, Oberheim analog synth thick pads opening filter slowly over eight bars, Moog bass synth locking to kick syncopated with octave jumps, electric bass playing off the synth bass in polyrhythmic conversation, clean Telecaster funk chops sixteenth ghost strums, flugelhorn and trumpet two-voice harmony melody trading four-bar phrases, polyrhythmic layered percussion shakers congas tambourine creating dense 3-against-4 feel, chopped pitched soul vocal phrase looping as melodic hook, side-chain breathing full mix, A-flat major bright and nostalgic, joyful emotional dancefloor, pure analog soul, last song of the night but everyone stays ",,,2026-05-15T02:27:54.994Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.mp3,https://cdn2.suno.ai/image_7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.jpeg,https://cdn2.suno.ai/image_large_7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.jpeg audio/fa5b2166-d865-4a18-b81f-280b1582e871.mp3,fa5b2166-d865-4a18-b81f-280b1582e871,Cassette Joy,v5.5,chirp-fenix,complete,479.4,True,"""Noche Analógica"" Nu house jazz groove 125 BPM, driving four-on-floor kick warm and punchy, shuffled detuned hi-hats both channels slightly detuned against each other, Fender Rhodes bright fast tremolo playing chord melody in tight rhythmic syncopation, Oberheim analog synth thick pads opening filter slowly over eight bars, Moog bass synth locking to kick syncopated with octave jumps, electric bass playing off the synth bass in polyrhythmic conversation, clean Telecaster funk chops sixteenth ghost strums, flugelhorn and trumpet two-voice harmony melody trading four-bar phrases, polyrhythmic layered percussion shakers congas tambourine creating dense 3-against-4 feel, chopped pitched soul vocal phrase looping as melodic hook, side-chain breathing full mix, A-flat major bright and nostalgic, joyful emotional dancefloor, pure analog soul, last song of the night but everyone stays ",,,2026-05-15T02:27:54.994Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fa5b2166-d865-4a18-b81f-280b1582e871.mp3,https://cdn2.suno.ai/image_fa5b2166-d865-4a18-b81f-280b1582e871.jpeg,https://cdn2.suno.ai/image_large_fa5b2166-d865-4a18-b81f-280b1582e871.jpeg audio/a9eb30f3-d331-4de1-9648-55b5099bcf83.mp3,a9eb30f3-d331-4de1-9648-55b5099bcf83,Velvet Synapse,v5.5,chirp-fenix,complete,189.36,True,"velvet funk nu jazz house 123 bpm four on floor with slightly swung 16th hi hat subdivisions and open hi hat on upbeat 8th fat punchy kick fender rhodes fast tremolo dominant 7th and 9th voicings mid register groove pattern not melody minimoog style analog bass line syncopated bouncing root fifth octave pattern electric bass doubling with chromatic ghost notes clean funk guitar heavily muted 16th percussive chops with occasional chord stab accent trumpet lead melody bright and short phrased bebop influenced brass chord stab hits two and four accented polyrhythm conga pattern in 6 layered over 4 4 kick grid chopped soul vocal samples on downbeats warm vinyl crackle low in mix g minor resolving to b flat major heavy groove joyful nostalgic dancefloor Electronic, Hip Hop, House, R&B, Funk meets fkj energy",,,2026-05-15T02:27:45.135Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a9eb30f3-d331-4de1-9648-55b5099bcf83.mp3,https://cdn2.suno.ai/image_a9eb30f3-d331-4de1-9648-55b5099bcf83.jpeg,https://cdn2.suno.ai/image_large_a9eb30f3-d331-4de1-9648-55b5099bcf83.jpeg audio/118c70b3-8d30-44dd-aeb3-27438efcf993.mp3,118c70b3-8d30-44dd-aeb3-27438efcf993,Velvet Synapse,v5.5,chirp-fenix,complete,479.4,True,"velvet funk nu jazz house 123 bpm four on floor with slightly swung 16th hi hat subdivisions and open hi hat on upbeat 8th fat punchy kick fender rhodes fast tremolo dominant 7th and 9th voicings mid register groove pattern not melody minimoog style analog bass line syncopated bouncing root fifth octave pattern electric bass doubling with chromatic ghost notes clean funk guitar heavily muted 16th percussive chops with occasional chord stab accent trumpet lead melody bright and short phrased bebop influenced brass chord stab hits two and four accented polyrhythm conga pattern in 6 layered over 4 4 kick grid chopped soul vocal samples on downbeats warm vinyl crackle low in mix g minor resolving to b flat major heavy groove joyful nostalgic dancefloor Electronic, Hip Hop, House, R&B, Funk meets fkj energy",,,2026-05-15T02:27:45.135Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/118c70b3-8d30-44dd-aeb3-27438efcf993.mp3,https://cdn2.suno.ai/image_118c70b3-8d30-44dd-aeb3-27438efcf993.jpeg,https://cdn2.suno.ai/image_large_118c70b3-8d30-44dd-aeb3-27438efcf993.jpeg audio/c0b3a6a4-87d6-47f4-8c71-43e90620c96a.mp3,c0b3a6a4-87d6-47f4-8c71-43e90620c96a,Harmonic Sunburst,v5.5,chirp-fenix,complete,217.32,True," ""Analog Sunrise"" Jazzy nu house 120 BPM, deep warm kick swung groove, shuffled hi-hats detuned slightly right channel, Fender Rhodes slow chord melody in upper register minor 9th to major 7th ascending resolution, Jupiter-8 style analog pads sustained behind harmony with slow filter opening, walking fingerstyle bass minor pentatonic with blue notes, funk rhythm guitar clean bright chord stabs every two beats, two-trumpet harmony line trading phrases across four bars, analog synth lead melodic hook over 8 bars, polyrhythmic djembe layer triplets against straight 4/4, vocal chops pitched and reversed filtered through lo-fi vinyl, side-chain gentle pulse, dusty tape warmth, D major lifting to B minor and back, nostalgic sunrise energy, emotional but forward-moving, deeply groovy",,,2026-05-15T02:27:38.419Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/c0b3a6a4-87d6-47f4-8c71-43e90620c96a.mp3,https://cdn2.suno.ai/image_c0b3a6a4-87d6-47f4-8c71-43e90620c96a.jpeg,https://cdn2.suno.ai/image_large_c0b3a6a4-87d6-47f4-8c71-43e90620c96a.jpeg audio/3efdcade-c56c-4451-96bd-187c10acc8c4.mp3,3efdcade-c56c-4451-96bd-187c10acc8c4,Harmonic Sunburst,v5.5,chirp-fenix,complete,163.32,True," ""Analog Sunrise"" Jazzy nu house 120 BPM, deep warm kick swung groove, shuffled hi-hats detuned slightly right channel, Fender Rhodes slow chord melody in upper register minor 9th to major 7th ascending resolution, Jupiter-8 style analog pads sustained behind harmony with slow filter opening, walking fingerstyle bass minor pentatonic with blue notes, funk rhythm guitar clean bright chord stabs every two beats, two-trumpet harmony line trading phrases across four bars, analog synth lead melodic hook over 8 bars, polyrhythmic djembe layer triplets against straight 4/4, vocal chops pitched and reversed filtered through lo-fi vinyl, side-chain gentle pulse, dusty tape warmth, D major lifting to B minor and back, nostalgic sunrise energy, emotional but forward-moving, deeply groovy",,,2026-05-15T02:27:38.419Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/3efdcade-c56c-4451-96bd-187c10acc8c4.mp3,https://cdn2.suno.ai/image_3efdcade-c56c-4451-96bd-187c10acc8c4.jpeg,https://cdn2.suno.ai/image_large_3efdcade-c56c-4451-96bd-187c10acc8c4.jpeg audio/bc3c9b2a-25f8-4456-8543-640276434bd9.mp3,bc3c9b2a-25f8-4456-8543-640276434bd9,Stratified Sunlight,v5.5,chirp-fenix,complete,177.92,True," ""French Window"" French nu house 124 BPM, filtered punching kick four-on-floor, tight swung hi-hats with ghost 16th ghosts, Fender Rhodes bright voicings sus2 and add9 chords cascading upward, thick analog polysynth chords filter-sweeping on phrase ends, slap electric bass locked to kick with chromatic fills, clean Stratocaster rhythm guitar muted percussive 16ths, staccato trumpet stabs on the and-of-two and and-of-four, analog flute synth melody weaving between trumpet lines, polyrhythmic bongo and tambourine layer in 3 against the 4, chopped pitched vocal hooks on offbeats, pumping side-chain, warm tape saturation, E-flat major, uplifting nostalgic groove, late summer party, pure dancefloor soul",,,2026-05-15T02:27:21.173Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/bc3c9b2a-25f8-4456-8543-640276434bd9.mp3,https://cdn2.suno.ai/image_bc3c9b2a-25f8-4456-8543-640276434bd9.jpeg,https://cdn2.suno.ai/image_large_bc3c9b2a-25f8-4456-8543-640276434bd9.jpeg audio/7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.mp3,7ffa94de-3b42-44a1-acea-3f4a3d68f1d8,Stratified Sunlight,v5.5,chirp-fenix,complete,479.4,True," ""French Window"" French nu house 124 BPM, filtered punching kick four-on-floor, tight swung hi-hats with ghost 16th ghosts, Fender Rhodes bright voicings sus2 and add9 chords cascading upward, thick analog polysynth chords filter-sweeping on phrase ends, slap electric bass locked to kick with chromatic fills, clean Stratocaster rhythm guitar muted percussive 16ths, staccato trumpet stabs on the and-of-two and and-of-four, analog flute synth melody weaving between trumpet lines, polyrhythmic bongo and tambourine layer in 3 against the 4, chopped pitched vocal hooks on offbeats, pumping side-chain, warm tape saturation, E-flat major, uplifting nostalgic groove, late summer party, pure dancefloor soul",,,2026-05-15T02:27:21.173Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.mp3,https://cdn2.suno.ai/image_7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.jpeg,https://cdn2.suno.ai/image_large_7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.jpeg audio/4384023a-ab66-4b2e-86fc-1441dfe933df.mp3,4384023a-ab66-4b2e-86fc-1441dfe933df,Rhodes Saffron,v5.5,chirp-fenix,complete,193.44,True,"1. ""Rooftop Ritual"" Nu jazz house, 122 BPM, punchy warm four-on-the-floor kick, swung shuffled hi-hats with a second detuned layer, Fender Rhodes fast tremolo voicing dominant 9ths and major 7ths in bright ascending motion, analog synth bass bouncing syncopated upbeats, fingerstyle electric bass walking chromatic approach tones, muted funk guitar 16th chucks with subtle chorus, clean muted trumpet call-and-response melody over chord changes, flugelhorn counter-melody, lush analog pad chords side-chain breathing, polyrhythmic shaker and conga layer cutting across the 4/4 grid, chopped soul vocal samples pitched up a third filtered warm, claps 2 and 4, vinyl warmth, key of F major, joyful nostalgic energy, rooftop golden hour, dancefloor but soulful, FKJ Massego style",,,2026-05-15T02:27:06.247Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/4384023a-ab66-4b2e-86fc-1441dfe933df.mp3,https://cdn2.suno.ai/image_4384023a-ab66-4b2e-86fc-1441dfe933df.jpeg,https://cdn2.suno.ai/image_large_4384023a-ab66-4b2e-86fc-1441dfe933df.jpeg audio/33999217-f2ec-44a3-860a-424ca18849af.mp3,33999217-f2ec-44a3-860a-424ca18849af,Rhodes Saffron,v5.5,chirp-fenix,complete,203.64,True,"1. ""Rooftop Ritual"" Nu jazz house, 122 BPM, punchy warm four-on-the-floor kick, swung shuffled hi-hats with a second detuned layer, Fender Rhodes fast tremolo voicing dominant 9ths and major 7ths in bright ascending motion, analog synth bass bouncing syncopated upbeats, fingerstyle electric bass walking chromatic approach tones, muted funk guitar 16th chucks with subtle chorus, clean muted trumpet call-and-response melody over chord changes, flugelhorn counter-melody, lush analog pad chords side-chain breathing, polyrhythmic shaker and conga layer cutting across the 4/4 grid, chopped soul vocal samples pitched up a third filtered warm, claps 2 and 4, vinyl warmth, key of F major, joyful nostalgic energy, rooftop golden hour, dancefloor but soulful, FKJ Massego style",,,2026-05-15T02:27:06.247Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/33999217-f2ec-44a3-860a-424ca18849af.mp3,https://cdn2.suno.ai/image_33999217-f2ec-44a3-860a-424ca18849af.jpeg,https://cdn2.suno.ai/image_large_33999217-f2ec-44a3-860a-424ca18849af.jpeg audio/95596831-560f-4b99-a728-3b2ef5322420.mp3,95596831-560f-4b99-a728-3b2ef5322420,Stuttered Minor-9,v5.5,chirp-fenix,complete,185.96,True,"The most rhythmically complex and the most emotionally fractured. Kick is still soft but the pattern breaks — dropping out for a full bar every eight bars, creating sudden moments of freefall. Hi-hats shuffled and then glitched: tiny micro-edits that feel like the record skipping but in a controlled, hypnotic way. Rhodes here is dirtier — slightly overdriven, tremolo fast enough to feel anxious rather than melancholic, but the voicings stay in minor 9ths and flat 9ths that keep it heavy. Side-chain breathing more aggressive, pulsing against the strings. Bass walking but with occasional two-bar rests — silence used as rhythm. Funk guitar present but filtered to sound like it's coming from a speaker in another apartment — muffled, intimate, not yours. Vocal samples most manipulated here: pitched up and down within the same phrase, stuttered, one sample stretched to four beats creating an almost melodic hook. ""don't go"" becomes a two-note syncopated motif. Claps dry on two, hall reverb on",,,2026-05-15T00:11:17.264Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/95596831-560f-4b99-a728-3b2ef5322420.mp3,https://cdn2.suno.ai/image_95596831-560f-4b99-a728-3b2ef5322420.jpeg,https://cdn2.suno.ai/image_large_95596831-560f-4b99-a728-3b2ef5322420.jpeg audio/b682ea2e-7874-4dfa-a24e-836857b66591.mp3,b682ea2e-7874-4dfa-a24e-836857b66591,Stuttered Minor-9,v5.5,chirp-fenix,complete,479.4,True,"The most rhythmically complex and the most emotionally fractured. Kick is still soft but the pattern breaks — dropping out for a full bar every eight bars, creating sudden moments of freefall. Hi-hats shuffled and then glitched: tiny micro-edits that feel like the record skipping but in a controlled, hypnotic way. Rhodes here is dirtier — slightly overdriven, tremolo fast enough to feel anxious rather than melancholic, but the voicings stay in minor 9ths and flat 9ths that keep it heavy. Side-chain breathing more aggressive, pulsing against the strings. Bass walking but with occasional two-bar rests — silence used as rhythm. Funk guitar present but filtered to sound like it's coming from a speaker in another apartment — muffled, intimate, not yours. Vocal samples most manipulated here: pitched up and down within the same phrase, stuttered, one sample stretched to four beats creating an almost melodic hook. ""don't go"" becomes a two-note syncopated motif. Claps dry on two, hall reverb on",,,2026-05-15T00:11:17.264Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b682ea2e-7874-4dfa-a24e-836857b66591.mp3,https://cdn2.suno.ai/image_b682ea2e-7874-4dfa-a24e-836857b66591.jpeg,https://cdn2.suno.ai/image_large_b682ea2e-7874-4dfa-a24e-836857b66591.jpeg audio/d2ea2f76-d378-4d9d-b3c2-7f36315c934f.mp3,d2ea2f76-d378-4d9d-b3c2-7f36315c934f,F Minor Mud,v5.5,chirp-fenix,complete,479.4,True,"The slowest of the BPM range and it uses every millisecond. This one barely feels like house — until the kick reminds you. Four-on-the-floor so softly swung it hovers at the edge of straight time, giving it an unsettling floating quality. Rhodes tremolo here is the deepest and slowest of all four variations — almost vibrato, pedal held down, notes bleeding into each other in deliberate harmonic mud. Voicings exclusively in the upper register, leaving the low end entirely to the sub-bass and pads. The analog string section is massive here, almost orchestral in texture — multiple detuned layers, subtle vibrato, sustaining for four to eight bars per chord. Harmonic motion extremely slow: F minor for eight bars, then a long descent through E-flat minor 7, D-flat major 7, C minor 7, back. Ghost snares replaced almost entirely by brushed hits — the rhythm section whispers rather than speaks. Vocal samples purely textural here: reversed, pitch-shifted up a fifth, filtered to above 6kHz — they",,,2026-05-15T00:11:05.346Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d2ea2f76-d378-4d9d-b3c2-7f36315c934f.mp3,https://cdn2.suno.ai/image_d2ea2f76-d378-4d9d-b3c2-7f36315c934f.jpeg,https://cdn2.suno.ai/image_large_d2ea2f76-d378-4d9d-b3c2-7f36315c934f.jpeg audio/75b53248-c05a-4067-8253-cfc2164da77e.mp3,75b53248-c05a-4067-8253-cfc2164da77e,F Minor Mud,v5.5,chirp-fenix,complete,212.4,True,"The slowest of the BPM range and it uses every millisecond. This one barely feels like house — until the kick reminds you. Four-on-the-floor so softly swung it hovers at the edge of straight time, giving it an unsettling floating quality. Rhodes tremolo here is the deepest and slowest of all four variations — almost vibrato, pedal held down, notes bleeding into each other in deliberate harmonic mud. Voicings exclusively in the upper register, leaving the low end entirely to the sub-bass and pads. The analog string section is massive here, almost orchestral in texture — multiple detuned layers, subtle vibrato, sustaining for four to eight bars per chord. Harmonic motion extremely slow: F minor for eight bars, then a long descent through E-flat minor 7, D-flat major 7, C minor 7, back. Ghost snares replaced almost entirely by brushed hits — the rhythm section whispers rather than speaks. Vocal samples purely textural here: reversed, pitch-shifted up a fifth, filtered to above 6kHz — they",,,2026-05-15T00:11:05.346Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/75b53248-c05a-4067-8253-cfc2164da77e.mp3,https://cdn2.suno.ai/image_75b53248-c05a-4067-8253-cfc2164da77e.jpeg,https://cdn2.suno.ai/image_large_75b53248-c05a-4067-8253-cfc2164da77e.jpeg audio/9899ff32-aaef-4252-ac6e-36081af9af23.mp3,9899ff32-aaef-4252-ac6e-36081af9af23,Defeated Groove,v5.5,chirp-fenix,complete,105.88,True,"The funkiest of the four but the most emotionally defeated. Kick punches with more conviction here — still swung, but you feel it in your chest. Shuffled hi-hats with a second detuned layer panned slightly left, creating a subtle flamming flutter. Electric bass is the star: fingerstyle walking deep in the minor pentatonic pocket, occasional chromatic approach notes on the upbeats, one unexpected octave jump per four bars that feels like a caught breath. Ghost-note snares layered thick, barely audible, giving the groove texture without weight. Funk guitar more present than the base prompt — muted 16th chucks with a slight chorus making them shimmer and decay slowly. Rhodes voicing major 7ths over the D-flat changes, creating that bittersweet lift before collapsing back to F minor. Lush analog strings swell on every second chord change. Vocal samples choppier here — rhythmically placed on off-beats, pitched down a minor third from original. ""the morning"" reversed and looping at half spee",,,2026-05-15T00:10:57.180Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/9899ff32-aaef-4252-ac6e-36081af9af23.mp3,https://cdn2.suno.ai/image_9899ff32-aaef-4252-ac6e-36081af9af23.jpeg,https://cdn2.suno.ai/image_large_9899ff32-aaef-4252-ac6e-36081af9af23.jpeg audio/f981ff36-d9be-4eb5-a730-b25151dcf767.mp3,f981ff36-d9be-4eb5-a730-b25151dcf767,Defeated Groove,v5.5,chirp-fenix,complete,164.8,True,"The funkiest of the four but the most emotionally defeated. Kick punches with more conviction here — still swung, but you feel it in your chest. Shuffled hi-hats with a second detuned layer panned slightly left, creating a subtle flamming flutter. Electric bass is the star: fingerstyle walking deep in the minor pentatonic pocket, occasional chromatic approach notes on the upbeats, one unexpected octave jump per four bars that feels like a caught breath. Ghost-note snares layered thick, barely audible, giving the groove texture without weight. Funk guitar more present than the base prompt — muted 16th chucks with a slight chorus making them shimmer and decay slowly. Rhodes voicing major 7ths over the D-flat changes, creating that bittersweet lift before collapsing back to F minor. Lush analog strings swell on every second chord change. Vocal samples choppier here — rhythmically placed on off-beats, pitched down a minor third from original. ""the morning"" reversed and looping at half spee",,,2026-05-15T00:10:57.180Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/f981ff36-d9be-4eb5-a730-b25151dcf767.mp3,https://cdn2.suno.ai/image_f981ff36-d9be-4eb5-a730-b25151dcf767.jpeg,https://cdn2.suno.ai/image_large_f981ff36-d9be-4eb5-a730-b25151dcf767.jpeg audio/ae2e510f-242e-49f2-9375-2373d315a043.mp3,ae2e510f-242e-49f2-9375-2373d315a043,F Minor Knock,v5.5,chirp-fenix,complete,53.72,True,"Swung four-on-the-floor with a kick so soft it feels like someone knocking on a door they know won't open. Hi-hats shuffled and detuned, barely holding the groove together like someone too tired to care. Fender Rhodes carries the whole emotional weight — minor 9ths resolving nowhere, suspended 4ths left hanging in the air, deep tremolo so slow it breathes rather than pulses. No bass guitar, just a sine-wave sub bass walking root notes with occasional chromatic half-step descents, felt more than heard. A single clean guitar chord ghosted every two bars, almost accidental. Chopped soul vocal phrases — ""don't go"", ""I know"", ""stay"" — filtered down to 800Hz, reversed tails bleeding into the next phrase. No drums other than a rim click on two and four, brushed and drowned in a long reverb tail. Analog pad sustaining one chord for eight bars before moving. Vinyl crackle loud and proud. Key of F minor, barely moving, stubbornly refusing to resolve to D-flat. Song form: intro that never ends, o",,,2026-05-15T00:10:49.491Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ae2e510f-242e-49f2-9375-2373d315a043.mp3,https://cdn2.suno.ai/image_ae2e510f-242e-49f2-9375-2373d315a043.jpeg,https://cdn2.suno.ai/image_large_ae2e510f-242e-49f2-9375-2373d315a043.jpeg audio/a2f4f981-491a-4546-af92-b081ebfe798d.mp3,a2f4f981-491a-4546-af92-b081ebfe798d,F Minor Knock,v5.5,chirp-fenix,complete,479.4,True,"Swung four-on-the-floor with a kick so soft it feels like someone knocking on a door they know won't open. Hi-hats shuffled and detuned, barely holding the groove together like someone too tired to care. Fender Rhodes carries the whole emotional weight — minor 9ths resolving nowhere, suspended 4ths left hanging in the air, deep tremolo so slow it breathes rather than pulses. No bass guitar, just a sine-wave sub bass walking root notes with occasional chromatic half-step descents, felt more than heard. A single clean guitar chord ghosted every two bars, almost accidental. Chopped soul vocal phrases — ""don't go"", ""I know"", ""stay"" — filtered down to 800Hz, reversed tails bleeding into the next phrase. No drums other than a rim click on two and four, brushed and drowned in a long reverb tail. Analog pad sustaining one chord for eight bars before moving. Vinyl crackle loud and proud. Key of F minor, barely moving, stubbornly refusing to resolve to D-flat. Song form: intro that never ends, o",,,2026-05-15T00:10:49.491Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a2f4f981-491a-4546-af92-b081ebfe798d.mp3,https://cdn2.suno.ai/image_a2f4f981-491a-4546-af92-b081ebfe798d.jpeg,https://cdn2.suno.ai/image_large_a2f4f981-491a-4546-af92-b081ebfe798d.jpeg audio/ef21f590-34c2-49cd-9352-4a306b9b4cd3.mp3,ef21f590-34c2-49cd-9352-4a306b9b4cd3,Vinyl Lament,v5.5,chirp-fenix,complete,479.4,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:21.938Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/ef21f590-34c2-49cd-9352-4a306b9b4cd3.mp3,https://cdn2.suno.ai/image_ef21f590-34c2-49cd-9352-4a306b9b4cd3.jpeg,https://cdn2.suno.ai/image_large_ef21f590-34c2-49cd-9352-4a306b9b4cd3.jpeg audio/4bee3149-750c-4997-9d01-72837ad30831.mp3,4bee3149-750c-4997-9d01-72837ad30831,Vinyl Lament,v5.5,chirp-fenix,complete,114.92,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:21.938Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/4bee3149-750c-4997-9d01-72837ad30831.mp3,https://cdn2.suno.ai/image_4bee3149-750c-4997-9d01-72837ad30831.jpeg,https://cdn2.suno.ai/image_large_4bee3149-750c-4997-9d01-72837ad30831.jpeg audio/3eb86f1d-7139-4ba1-85a8-2a9ccc625840.mp3,3eb86f1d-7139-4ba1-85a8-2a9ccc625840,Rhodes Duskstep,v5.5,chirp-fenix,complete,199.76,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:14.494Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/3eb86f1d-7139-4ba1-85a8-2a9ccc625840.mp3,https://cdn2.suno.ai/image_3eb86f1d-7139-4ba1-85a8-2a9ccc625840.jpeg,https://cdn2.suno.ai/image_large_3eb86f1d-7139-4ba1-85a8-2a9ccc625840.jpeg audio/51dc2098-0d70-4aa3-8eec-16043893eb19.mp3,51dc2098-0d70-4aa3-8eec-16043893eb19,Rhodes Duskstep,v5.5,chirp-fenix,complete,479.4,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:14.494Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/51dc2098-0d70-4aa3-8eec-16043893eb19.mp3,https://cdn2.suno.ai/image_51dc2098-0d70-4aa3-8eec-16043893eb19.jpeg,https://cdn2.suno.ai/image_large_51dc2098-0d70-4aa3-8eec-16043893eb19.jpeg audio/e2253315-0e15-41fe-a051-06d2009b02c2.mp3,e2253315-0e15-41fe-a051-06d2009b02c2,Vinyl Heartache,v5.5,chirp-fenix,complete,178.88,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:10.518Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/e2253315-0e15-41fe-a051-06d2009b02c2.mp3,https://cdn2.suno.ai/image_e2253315-0e15-41fe-a051-06d2009b02c2.jpeg,https://cdn2.suno.ai/image_large_e2253315-0e15-41fe-a051-06d2009b02c2.jpeg audio/3c85b64b-f32b-42a0-bc15-5a1262bfec1f.mp3,3c85b64b-f32b-42a0-bc15-5a1262bfec1f,Vinyl Heartache,v5.5,chirp-fenix,complete,166.08,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:10.518Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/3c85b64b-f32b-42a0-bc15-5a1262bfec1f.mp3,https://cdn2.suno.ai/image_3c85b64b-f32b-42a0-bc15-5a1262bfec1f.jpeg,https://cdn2.suno.ai/image_large_3c85b64b-f32b-42a0-bc15-5a1262bfec1f.jpeg audio/87be8d56-0e3c-4730-8f71-0607bd56dc3f.mp3,87be8d56-0e3c-4730-8f71-0607bd56dc3f,Lemon Ice Metonymy,v5.5,chirp-fenix,complete,127.56,True,"Broken-bossa jazz house lounge with melancholic Brazilian heart, 120 BPM, swung four-on-the-floor with hidden bossa-samba pattern underneath the kick using ghost shaker and tamborim accents in cross-rhythm, brushed shuffled hi-hats riding 16ths, intimate acoustic piano played with bossa-jazz voicings featuring rootless 9th 11th and 13th extensions and Tom Jobim style melodic comping with deceptive cadences, nylon-string acoustic guitar fingerpicking bossa nova patterns muted and softened tucked under the main groove not foregrounded, upright bass with pickup walking jazz-bossa lines slow and deliberate in the Ron Carter tradition with chromatic approach notes, no Rhodes as primary only Fender Rhodes as soft pad layer with slow tremolo for harmonic glue, clean archtop jazz guitar adding sparse rootless chord stabs in the middle register, ghost-note rim clicks and very softly brushed snares, claps two and four with subtle plate reverb, no saxophone no horns no brass no woodwinds, chopped",,,2026-05-12T22:35:46.841Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/87be8d56-0e3c-4730-8f71-0607bd56dc3f.mp3,https://cdn2.suno.ai/image_87be8d56-0e3c-4730-8f71-0607bd56dc3f.jpeg,https://cdn2.suno.ai/image_large_87be8d56-0e3c-4730-8f71-0607bd56dc3f.jpeg audio/081da149-92eb-419e-90e6-8cba3aede6aa.mp3,081da149-92eb-419e-90e6-8cba3aede6aa,Lemon Ice Metonymy,v5.5,chirp-fenix,complete,112.92,True,"Broken-bossa jazz house lounge with melancholic Brazilian heart, 120 BPM, swung four-on-the-floor with hidden bossa-samba pattern underneath the kick using ghost shaker and tamborim accents in cross-rhythm, brushed shuffled hi-hats riding 16ths, intimate acoustic piano played with bossa-jazz voicings featuring rootless 9th 11th and 13th extensions and Tom Jobim style melodic comping with deceptive cadences, nylon-string acoustic guitar fingerpicking bossa nova patterns muted and softened tucked under the main groove not foregrounded, upright bass with pickup walking jazz-bossa lines slow and deliberate in the Ron Carter tradition with chromatic approach notes, no Rhodes as primary only Fender Rhodes as soft pad layer with slow tremolo for harmonic glue, clean archtop jazz guitar adding sparse rootless chord stabs in the middle register, ghost-note rim clicks and very softly brushed snares, claps two and four with subtle plate reverb, no saxophone no horns no brass no woodwinds, chopped",,,2026-05-12T22:35:46.841Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/081da149-92eb-419e-90e6-8cba3aede6aa.mp3,https://cdn2.suno.ai/image_081da149-92eb-419e-90e6-8cba3aede6aa.jpeg,https://cdn2.suno.ai/image_large_081da149-92eb-419e-90e6-8cba3aede6aa.jpeg audio/bab568ae-76a1-4176-af2c-50f66367ec0b.mp3,bab568ae-76a1-4176-af2c-50f66367ec0b,Wurlitzer Homecoming,v5.5,chirp-fenix,complete,190.4,True,"Sunday-afternoon-in-another-city soul jazz house lounge, 120 BPM, swung four-on-the-floor with extremely brushed shuffled hi-hats and softened kick, Wurlitzer electric piano as primary lead carrying gospel-jazz voicings with major 9th and minor 11th tensions and deceptive cadences, Fender Rhodes as secondary harmonic layer with deep slow tremolo, Hammond B3 organ sustained very softly underneath as harmonic glue with subtle Leslie speaker rotation, melodic fingerstyle electric bass in the Pino Palladino tradition playing deep melodic gospel-soul lines with chromatic approach notes and legato slides, clean Fender Telecaster guitar in the upper register with single-coil bell tone playing sparse chord stabs on the off-beats, ghost-note brushed snares with broom-stroke shuffle and rim clicks, claps two and four buried in long warm plate reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered phrases like coming home and not today and once ",,,2026-05-12T22:35:36.798Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/bab568ae-76a1-4176-af2c-50f66367ec0b.mp3,https://cdn2.suno.ai/image_bab568ae-76a1-4176-af2c-50f66367ec0b.jpeg,https://cdn2.suno.ai/image_large_bab568ae-76a1-4176-af2c-50f66367ec0b.jpeg audio/3d0fe078-f2cb-4aee-9c21-66fbe3291e26.mp3,3d0fe078-f2cb-4aee-9c21-66fbe3291e26,Wurlitzer Homecoming,v5.5,chirp-fenix,complete,174.28,True,"Sunday-afternoon-in-another-city soul jazz house lounge, 120 BPM, swung four-on-the-floor with extremely brushed shuffled hi-hats and softened kick, Wurlitzer electric piano as primary lead carrying gospel-jazz voicings with major 9th and minor 11th tensions and deceptive cadences, Fender Rhodes as secondary harmonic layer with deep slow tremolo, Hammond B3 organ sustained very softly underneath as harmonic glue with subtle Leslie speaker rotation, melodic fingerstyle electric bass in the Pino Palladino tradition playing deep melodic gospel-soul lines with chromatic approach notes and legato slides, clean Fender Telecaster guitar in the upper register with single-coil bell tone playing sparse chord stabs on the off-beats, ghost-note brushed snares with broom-stroke shuffle and rim clicks, claps two and four buried in long warm plate reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered phrases like coming home and not today and once ",,,2026-05-12T22:35:36.798Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/3d0fe078-f2cb-4aee-9c21-66fbe3291e26.mp3,https://cdn2.suno.ai/image_3d0fe078-f2cb-4aee-9c21-66fbe3291e26.jpeg,https://cdn2.suno.ai/image_large_3d0fe078-f2cb-4aee-9c21-66fbe3291e26.jpeg audio/ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.mp3,ab7ebd41-094a-4995-a6a9-e45d5b1a60f3,Dusty Records,v5.5,chirp-fenix,complete,166.8,True,"Nostalgic dusty jazz house lounge, 120 BPM, swung four-on-the-floor with extra-softened kick and heavily brushed shuffled hi-hats, dusty Fender Rhodes with deep slow tremolo and slight detuning carrying minor 9th and major 7th voicings, sampled 1960s orchestral jazz strings and muted French horn pad sustained underneath as harmonic bed taken from imaginary old records (orchestral horn used as ambient texture only not as lead), upright bass with pickup walking jazz lines slow and deliberate with chromatic approaches, clean archtop jazz guitar comping sparse rootless chords with old tube-amp warmth, brushed snares with broom-stroke shuffle texture, no claps or very faint brushed claps with long hall verb, no saxophone no lead horns no lead brass no woodwinds, chopped and pitched 1950s and 60s vocal samples male and female filtered reversed pitched down and time-stretched phrases barely intelligible like remember and home and once we were, pronounced vinyl crackle and dust noise in the fo",,,2026-05-12T22:31:01.225Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.mp3,https://cdn2.suno.ai/image_ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.jpeg,https://cdn2.suno.ai/image_large_ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.jpeg audio/ae4172f4-a1af-42b0-9ef6-38b6f9badb56.mp3,ae4172f4-a1af-42b0-9ef6-38b6f9badb56,Dusty Records,v5.5,chirp-fenix,complete,127.96,True,"Nostalgic dusty jazz house lounge, 120 BPM, swung four-on-the-floor with extra-softened kick and heavily brushed shuffled hi-hats, dusty Fender Rhodes with deep slow tremolo and slight detuning carrying minor 9th and major 7th voicings, sampled 1960s orchestral jazz strings and muted French horn pad sustained underneath as harmonic bed taken from imaginary old records (orchestral horn used as ambient texture only not as lead), upright bass with pickup walking jazz lines slow and deliberate with chromatic approaches, clean archtop jazz guitar comping sparse rootless chords with old tube-amp warmth, brushed snares with broom-stroke shuffle texture, no claps or very faint brushed claps with long hall verb, no saxophone no lead horns no lead brass no woodwinds, chopped and pitched 1950s and 60s vocal samples male and female filtered reversed pitched down and time-stretched phrases barely intelligible like remember and home and once we were, pronounced vinyl crackle and dust noise in the fo",,,2026-05-12T22:31:01.225Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ae4172f4-a1af-42b0-9ef6-38b6f9badb56.mp3,https://cdn2.suno.ai/image_ae4172f4-a1af-42b0-9ef6-38b6f9badb56.jpeg,https://cdn2.suno.ai/image_large_ae4172f4-a1af-42b0-9ef6-38b6f9badb56.jpeg audio/0039562a-c5f8-478c-87af-e7deac03529d.mp3,0039562a-c5f8-478c-87af-e7deac03529d,Tremolo Freight,v5.5,chirp-fenix,complete,226.36,True,"Motion-melancholy jazz house lounge, 120 BPM, swung four-on-the-floor with detuned shuffled hi-hats and softened kick rolling forward with sense of motion, Fender Rhodes with slow tremolo holding minor 11th and major 9th voicings, lush analog Juno 60 string pads sustaining underneath with slow filter sweeps suggesting forward movement, soft kalimba ostinato in cross-rhythm against the kick adding hypnotic texture, melodic fingerstyle electric bass walking with chromatic passing tones and occasional ascending arpeggios, glass-tone synth chimes triggered sparsely in the upper register echoing through quarter-note delay, clean funk guitar muted and chucking 16th ghosts, ghost-note rim clicks doubling the kalimba rhythm, claps two and four with plate reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered reversed and panned wide phrases like already gone and somewhere and the window, gentle side-chain breathing, warm tape saturation and v",,,2026-05-12T22:30:52.642Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/0039562a-c5f8-478c-87af-e7deac03529d.mp3,https://cdn2.suno.ai/image_0039562a-c5f8-478c-87af-e7deac03529d.jpeg,https://cdn2.suno.ai/image_large_0039562a-c5f8-478c-87af-e7deac03529d.jpeg audio/ea7ef96f-5246-448b-a82a-5addf154355b.mp3,ea7ef96f-5246-448b-a82a-5addf154355b,Tremolo Freight,v5.5,chirp-fenix,complete,188.44,True,"Motion-melancholy jazz house lounge, 120 BPM, swung four-on-the-floor with detuned shuffled hi-hats and softened kick rolling forward with sense of motion, Fender Rhodes with slow tremolo holding minor 11th and major 9th voicings, lush analog Juno 60 string pads sustaining underneath with slow filter sweeps suggesting forward movement, soft kalimba ostinato in cross-rhythm against the kick adding hypnotic texture, melodic fingerstyle electric bass walking with chromatic passing tones and occasional ascending arpeggios, glass-tone synth chimes triggered sparsely in the upper register echoing through quarter-note delay, clean funk guitar muted and chucking 16th ghosts, ghost-note rim clicks doubling the kalimba rhythm, claps two and four with plate reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered reversed and panned wide phrases like already gone and somewhere and the window, gentle side-chain breathing, warm tape saturation and v",,,2026-05-12T22:30:52.642Z,5,1,False,True,False,False,False,https://cdn1.suno.ai/ea7ef96f-5246-448b-a82a-5addf154355b.mp3,https://cdn2.suno.ai/image_ea7ef96f-5246-448b-a82a-5addf154355b.jpeg,https://cdn2.suno.ai/image_large_ea7ef96f-5246-448b-a82a-5addf154355b.jpeg audio/dbe3021c-70f0-4d33-a789-59de2d76b015.mp3,dbe3021c-70f0-4d33-a789-59de2d76b015,Tape-Salted Heartbreak,v5.5,chirp-fenix,complete,149.72,True,"Confessional chamber-house lounge with melancholic warmth, 120 BPM, swung four-on-the-floor with softened kick and brushed shuffled hi-hats, intimate acoustic upright piano in dialogue with Fender Rhodes both playing minor 9th and major 7th voicings descending slowly with overlapping inner-voice motion, real string quartet cello viola and violin sustaining long bowed harmonies in the background with subtle natural vibrato, melodic fingerstyle electric bass walking minor pentatonic with chromatic approach notes and legato slides between phrases, clean nylon guitar in the upper register fingerpicking sparse arpeggios, ghost-note brushed snares and rim clicks, claps two and four buried in long hall reverb, no saxophone no horns no brass no woodwinds, intimate whispered male and female vocal chops barely audible saying short Spanish fragments like quédate and ya está and todavía pitch-bent and reversed, side-chain breathing very softly, pronounced vinyl crackle and warm tape saturation, ke",,,2026-05-12T22:30:42.404Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/dbe3021c-70f0-4d33-a789-59de2d76b015.mp3,https://cdn2.suno.ai/image_dbe3021c-70f0-4d33-a789-59de2d76b015.jpeg,https://cdn2.suno.ai/image_large_dbe3021c-70f0-4d33-a789-59de2d76b015.jpeg audio/689af8b6-e730-4ebd-bc8a-5150e4ffe760.mp3,689af8b6-e730-4ebd-bc8a-5150e4ffe760,Tape-Salted Heartbreak,v5.5,chirp-fenix,complete,87.4,True,"Confessional chamber-house lounge with melancholic warmth, 120 BPM, swung four-on-the-floor with softened kick and brushed shuffled hi-hats, intimate acoustic upright piano in dialogue with Fender Rhodes both playing minor 9th and major 7th voicings descending slowly with overlapping inner-voice motion, real string quartet cello viola and violin sustaining long bowed harmonies in the background with subtle natural vibrato, melodic fingerstyle electric bass walking minor pentatonic with chromatic approach notes and legato slides between phrases, clean nylon guitar in the upper register fingerpicking sparse arpeggios, ghost-note brushed snares and rim clicks, claps two and four buried in long hall reverb, no saxophone no horns no brass no woodwinds, intimate whispered male and female vocal chops barely audible saying short Spanish fragments like quédate and ya está and todavía pitch-bent and reversed, side-chain breathing very softly, pronounced vinyl crackle and warm tape saturation, ke",,,2026-05-12T22:30:42.404Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/689af8b6-e730-4ebd-bc8a-5150e4ffe760.mp3,https://cdn2.suno.ai/image_689af8b6-e730-4ebd-bc8a-5150e4ffe760.jpeg,https://cdn2.suno.ai/image_large_689af8b6-e730-4ebd-bc8a-5150e4ffe760.jpeg audio/ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.mp3,ace3bb8d-1ee9-4d3f-8b5a-3c5371936006,Sunrise D-flat,v5.5,chirp-fenix,complete,159.72,True,".Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy",,,2026-05-12T22:30:02.908Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.mp3,https://cdn2.suno.ai/image_ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.jpeg,https://cdn2.suno.ai/image_large_ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.jpeg audio/aca9a007-277d-49d2-ab92-890c153313c0.mp3,aca9a007-277d-49d2-ab92-890c153313c0,Sunrise D-flat,v5.5,chirp-fenix,complete,163.36,True,".Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy",,,2026-05-12T22:30:02.907Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/aca9a007-277d-49d2-ab92-890c153313c0.mp3,https://cdn2.suno.ai/image_aca9a007-277d-49d2-ab92-890c153313c0.jpeg,https://cdn2.suno.ai/image_large_aca9a007-277d-49d2-ab92-890c153313c0.jpeg audio/6d53c624-3bcc-4fe0-be0d-5719a74f0b03.mp3,6d53c624-3bcc-4fe0-be0d-5719a74f0b03,Granular Cadenza,v5.5,chirp-fenix,complete,236.52,True,"Modern analog-synth jazz house lounge with polyrhythmic groove, 120 BPM, swung four-on-the-floor underneath a 16th-note hi-hat shuffle with implied 3-against-4 ghost pattern, additional 5/4 percussion loop riding above the 4/4 kick creating hypnotic poly-meter, Tony Allen influenced live broken-beat drum elements layered with the four-on-the-floor, talking drum and kalimba accents in cross-rhythm with the main pulse, Moog Sub 37 fat analog bass line with portamento and subtle filter envelope movement carrying a syncopated melodic groove, Prophet 6 lead synth playing modal pentatonic lines with formant filter modulation and slow pulse-width modulation, Juno 60 chorus-soaked pad sustaining altered jazz voicings with sharp 11th and 13th tensions in the background, no Rhodes no piano as lead, no saxophone no horns no brass no woodwinds, heavily processed modern vocal chops as primary melodic hook chopped granularly with formant shifting and pitch-bending within phrases stutter-edits hard-p",,,2026-05-12T22:28:32.132Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/6d53c624-3bcc-4fe0-be0d-5719a74f0b03.mp3,https://cdn2.suno.ai/image_6d53c624-3bcc-4fe0-be0d-5719a74f0b03.jpeg,https://cdn2.suno.ai/image_large_6d53c624-3bcc-4fe0-be0d-5719a74f0b03.jpeg audio/772fe714-09e1-4a4e-88a8-01b27fa6b191.mp3,772fe714-09e1-4a4e-88a8-01b27fa6b191,Granular Cadenza,v5.5,chirp-fenix,complete,224.48,True,"Modern analog-synth jazz house lounge with polyrhythmic groove, 120 BPM, swung four-on-the-floor underneath a 16th-note hi-hat shuffle with implied 3-against-4 ghost pattern, additional 5/4 percussion loop riding above the 4/4 kick creating hypnotic poly-meter, Tony Allen influenced live broken-beat drum elements layered with the four-on-the-floor, talking drum and kalimba accents in cross-rhythm with the main pulse, Moog Sub 37 fat analog bass line with portamento and subtle filter envelope movement carrying a syncopated melodic groove, Prophet 6 lead synth playing modal pentatonic lines with formant filter modulation and slow pulse-width modulation, Juno 60 chorus-soaked pad sustaining altered jazz voicings with sharp 11th and 13th tensions in the background, no Rhodes no piano as lead, no saxophone no horns no brass no woodwinds, heavily processed modern vocal chops as primary melodic hook chopped granularly with formant shifting and pitch-bending within phrases stutter-edits hard-p",,,2026-05-12T22:28:32.132Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/772fe714-09e1-4a4e-88a8-01b27fa6b191.mp3,https://cdn2.suno.ai/image_772fe714-09e1-4a4e-88a8-01b27fa6b191.jpeg,https://cdn2.suno.ai/image_large_772fe714-09e1-4a4e-88a8-01b27fa6b191.jpeg audio/e1a74bce-6292-4be5-b98b-ad4b59d5132b.mp3,e1a74bce-6292-4be5-b98b-ad4b59d5132b,Cider Keyline,v5.5,chirp-fenix,complete,98.44,True,"Acoustic piano jazz house lounge with elegant dissonance, 120 BPM, swung four-on-the-floor with brushed shuffled hi-hats and rim clicks instead of snares, grand acoustic piano played with rich rootless voicings featuring 13th flat 9th and sharp 11th tensions with active inner-voice movement, upright bass with pickup walking jazz lines with chromatic approach notes, clean archtop jazz guitar comping sparse rootless chords in the middle register, no saxophone no horns no brass no woodwinds, no vocal chops or only the faintest reversed piano sustain as ghost element, claps two and four with subtle plate reverb, very gentle side-chain only on the bass, warm vinyl crackle and pronounced analog tape saturation on the drum bus, key of C minor moving to E-flat major then briefly to A major as deceptive cadence, mood late-night Manhattan jazz club bleeding into a Paris basement, dancefloor harmonically sophisticated, intellectual groove",,,2026-05-12T22:24:54.540Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/e1a74bce-6292-4be5-b98b-ad4b59d5132b.mp3,https://cdn2.suno.ai/image_e1a74bce-6292-4be5-b98b-ad4b59d5132b.jpeg,https://cdn2.suno.ai/image_large_e1a74bce-6292-4be5-b98b-ad4b59d5132b.jpeg audio/7fc58e78-e7f6-4c71-900e-98a0fa582a3b.mp3,7fc58e78-e7f6-4c71-900e-98a0fa582a3b,Cider Keyline,v5.5,chirp-fenix,complete,117.24,True,"Acoustic piano jazz house lounge with elegant dissonance, 120 BPM, swung four-on-the-floor with brushed shuffled hi-hats and rim clicks instead of snares, grand acoustic piano played with rich rootless voicings featuring 13th flat 9th and sharp 11th tensions with active inner-voice movement, upright bass with pickup walking jazz lines with chromatic approach notes, clean archtop jazz guitar comping sparse rootless chords in the middle register, no saxophone no horns no brass no woodwinds, no vocal chops or only the faintest reversed piano sustain as ghost element, claps two and four with subtle plate reverb, very gentle side-chain only on the bass, warm vinyl crackle and pronounced analog tape saturation on the drum bus, key of C minor moving to E-flat major then briefly to A major as deceptive cadence, mood late-night Manhattan jazz club bleeding into a Paris basement, dancefloor harmonically sophisticated, intellectual groove",,,2026-05-12T22:24:54.540Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/7fc58e78-e7f6-4c71-900e-98a0fa582a3b.mp3,https://cdn2.suno.ai/image_7fc58e78-e7f6-4c71-900e-98a0fa582a3b.jpeg,https://cdn2.suno.ai/image_large_7fc58e78-e7f6-4c71-900e-98a0fa582a3b.jpeg audio/12824319-09c2-4722-aa81-9918127dda81.mp3,12824319-09c2-4722-aa81-9918127dda81,Sicilian Flat9,v5.5,chirp-fenix,complete,192.36,True,"mediterranean jazz house lounge with harmonic tension 120 bpm swung four on the floor with shuffled hi hats and crisp ghost note snares soft mallets on marimba doubling the bass line in the low mid register nylon string flamenco guitar playing softened rasgueado patterns and tasteful arpeggios fender rhodes carrying altered voicings with flat 9th and sharp 11th tensions resolving gracefully melodic fingerstyle electric bass playing legato lines with slides clean stratocaster adding subtle 16th note chuck Reggae, Ska, Rock, Pop Rock in the background no saxophone no horns no brass no woodwinds chopped whispered female portuguese vocal samples filtered as melodic hook claps two and four with slap delay gentle side chain compression warm analog tape saturation and faint vinyl crackle key of b phrygian with brief lifts to d major mood sunset terrace in lisbon or sicily with a slight unease in the air dancefloor but contemplative sun drenched with a shadow underneath",,,2026-05-12T22:24:48.395Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/12824319-09c2-4722-aa81-9918127dda81.mp3,https://cdn2.suno.ai/image_12824319-09c2-4722-aa81-9918127dda81.jpeg,https://cdn2.suno.ai/image_large_12824319-09c2-4722-aa81-9918127dda81.jpeg audio/7284c093-77db-4408-9670-880723cce9fb.mp3,7284c093-77db-4408-9670-880723cce9fb,Sicilian Flat9,v5.5,chirp-fenix,complete,192.88,True,"mediterranean jazz house lounge with harmonic tension 120 bpm swung four on the floor with shuffled hi hats and crisp ghost note snares soft mallets on marimba doubling the bass line in the low mid register nylon string flamenco guitar playing softened rasgueado patterns and tasteful arpeggios fender rhodes carrying altered voicings with flat 9th and sharp 11th tensions resolving gracefully melodic fingerstyle electric bass playing legato lines with slides clean stratocaster adding subtle 16th note chuck Reggae, Ska, Rock, Pop Rock in the background no saxophone no horns no brass no woodwinds chopped whispered female portuguese vocal samples filtered as melodic hook claps two and four with slap delay gentle side chain compression warm analog tape saturation and faint vinyl crackle key of b phrygian with brief lifts to d major mood sunset terrace in lisbon or sicily with a slight unease in the air dancefloor but contemplative sun drenched with a shadow underneath",,,2026-05-12T22:24:48.395Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7284c093-77db-4408-9670-880723cce9fb.mp3,https://cdn2.suno.ai/image_7284c093-77db-4408-9670-880723cce9fb.jpeg,https://cdn2.suno.ai/image_large_7284c093-77db-4408-9670-880723cce9fb.jpeg audio/2f147366-46c2-425b-a2df-875da32e4130.mp3,2f147366-46c2-425b-a2df-875da32e4130,Vinyl Confession,v5.5,chirp-fenix,complete,193.16,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy",,,2026-05-12T22:24:41.441Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/2f147366-46c2-425b-a2df-875da32e4130.mp3,https://cdn2.suno.ai/image_2f147366-46c2-425b-a2df-875da32e4130.jpeg,https://cdn2.suno.ai/image_large_2f147366-46c2-425b-a2df-875da32e4130.jpeg audio/9b8cf373-b82b-459d-baa1-cc38439c88c5.mp3,9b8cf373-b82b-459d-baa1-cc38439c88c5,Vinyl Confession,v5.5,chirp-fenix,complete,162.16,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy",,,2026-05-12T22:24:41.441Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/9b8cf373-b82b-459d-baa1-cc38439c88c5.mp3,https://cdn2.suno.ai/image_9b8cf373-b82b-459d-baa1-cc38439c88c5.jpeg,https://cdn2.suno.ai/image_large_9b8cf373-b82b-459d-baa1-cc38439c88c5.jpeg audio/c26f1f1b-9d97-4377-8bac-58aceb7f2886.mp3,c26f1f1b-9d97-4377-8bac-58aceb7f2886,Tiled Cumbia,v5.5,chirp-fenix,complete,175.28,True,"Latin-modal jazz house lounge, 120 BPM, four-on-the-floor with hidden tumbao groove underneath, shuffled hi-hats and live congas and bongos panned wide playing montuno patterns, melodic fingerstyle electric bass quoting Cuban tumbao lines syncopated against the kick, nylon-string acoustic guitar playing soft tres-style upper-register tumbao chords, Fender Rhodes laying down modal voicings with sharp 11th and flat 13th tensions, no saxophone no horns no brass no woodwinds, female breathy Spanish vocal chops chopped and pitched as melodic hook short phrases like sí mi amor and amanece, soft claps two and four with slap delay, side-chain breathing, warm 70s analog tape feel with mild distortion, key of G Phrygian dominant resolving to C minor, mood Havana rooftop dusk meets futuristic Paris basement, tropicalia-deep-house, dancefloor groovy and tropical",,,2026-05-12T22:24:34.271Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/c26f1f1b-9d97-4377-8bac-58aceb7f2886.mp3,https://cdn2.suno.ai/image_c26f1f1b-9d97-4377-8bac-58aceb7f2886.jpeg,https://cdn2.suno.ai/image_large_c26f1f1b-9d97-4377-8bac-58aceb7f2886.jpeg audio/c24780d8-7c7b-4811-9b4c-7723a6f4a887.mp3,c24780d8-7c7b-4811-9b4c-7723a6f4a887,Tiled Cumbia,v5.5,chirp-fenix,complete,202.2,True,"Latin-modal jazz house lounge, 120 BPM, four-on-the-floor with hidden tumbao groove underneath, shuffled hi-hats and live congas and bongos panned wide playing montuno patterns, melodic fingerstyle electric bass quoting Cuban tumbao lines syncopated against the kick, nylon-string acoustic guitar playing soft tres-style upper-register tumbao chords, Fender Rhodes laying down modal voicings with sharp 11th and flat 13th tensions, no saxophone no horns no brass no woodwinds, female breathy Spanish vocal chops chopped and pitched as melodic hook short phrases like sí mi amor and amanece, soft claps two and four with slap delay, side-chain breathing, warm 70s analog tape feel with mild distortion, key of G Phrygian dominant resolving to C minor, mood Havana rooftop dusk meets futuristic Paris basement, tropicalia-deep-house, dancefloor groovy and tropical",,,2026-05-12T22:24:34.271Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/c24780d8-7c7b-4811-9b4c-7723a6f4a887.mp3,https://cdn2.suno.ai/image_c24780d8-7c7b-4811-9b4c-7723a6f4a887.jpeg,https://cdn2.suno.ai/image_large_c24780d8-7c7b-4811-9b4c-7723a6f4a887.jpeg audio/065d06f6-e9c2-471a-be99-4bf1430e9f1b.mp3,065d06f6-e9c2-471a-be99-4bf1430e9f1b,Dorian Whisky,v5.5,chirp-fenix,complete,197.68,True,"Late-night introspective jazz house lounge, 120 BPM, deeply swung four-on-the-floor with very soft kick and brushed hi-hats riding heavy 16th shuffle, Fender Rhodes carrying suspended 9th and minor 11th voicings with long sustain and slow attack, melodic fingerstyle electric bass acting almost as the lead voice playing pentatonic runs and chord-tone walks, clean Stratocaster guitar barely audible plucking diatonic arpeggios in the upper register, rim clicks instead of full snares, soft brushed claps two and four with quarter-note delay, occasional muted Wurlitzer single-note motif as counter-melody, no saxophone no horns no brass no woodwinds, no vocal chops or only sparse breathy whispered ah pads, side-chain almost imperceptible, deep vinyl crackle pronounced in the foreground, plate reverb on the Rhodes with long tail, key of D Dorian drifting to F Lydian, mood empty apartment four AM whisky on the rocks, intimate confessional groove, dancefloor-adjacent but for headphones",,,2026-05-12T22:23:08.063Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/065d06f6-e9c2-471a-be99-4bf1430e9f1b.mp3,https://cdn2.suno.ai/image_065d06f6-e9c2-471a-be99-4bf1430e9f1b.jpeg,https://cdn2.suno.ai/image_large_065d06f6-e9c2-471a-be99-4bf1430e9f1b.jpeg audio/0f9da585-04e8-423f-ab87-8876991a4378.mp3,0f9da585-04e8-423f-ab87-8876991a4378,Dorian Whisky,v5.5,chirp-fenix,complete,178.32,True,"Late-night introspective jazz house lounge, 120 BPM, deeply swung four-on-the-floor with very soft kick and brushed hi-hats riding heavy 16th shuffle, Fender Rhodes carrying suspended 9th and minor 11th voicings with long sustain and slow attack, melodic fingerstyle electric bass acting almost as the lead voice playing pentatonic runs and chord-tone walks, clean Stratocaster guitar barely audible plucking diatonic arpeggios in the upper register, rim clicks instead of full snares, soft brushed claps two and four with quarter-note delay, occasional muted Wurlitzer single-note motif as counter-melody, no saxophone no horns no brass no woodwinds, no vocal chops or only sparse breathy whispered ah pads, side-chain almost imperceptible, deep vinyl crackle pronounced in the foreground, plate reverb on the Rhodes with long tail, key of D Dorian drifting to F Lydian, mood empty apartment four AM whisky on the rocks, intimate confessional groove, dancefloor-adjacent but for headphones",,,2026-05-12T22:23:08.063Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/0f9da585-04e8-423f-ab87-8876991a4378.mp3,https://cdn2.suno.ai/image_0f9da585-04e8-423f-ab87-8876991a4378.jpeg,https://cdn2.suno.ai/image_large_0f9da585-04e8-423f-ab87-8876991a4378.jpeg audio/17c95fd3-a2ef-48ba-bc06-b56422daf119.mp3,17c95fd3-a2ef-48ba-bc06-b56422daf119,Rhodes Rimsync,v5.5,chirp-fenix,complete,181.72,True,"modern jazz house meets new french touch lounge 120 bpm deeply swung four on the floor groove with heavily shuffled sixteenth note hi hats warm analog production jazz influenced harmony with major 7th 9th and 13th chord extensions fender rhodes electric piano as the primary lead instrument with rich extended voicings and improvised melodic comping fills occasional wurlitzer for colour melodic fingerstyle electric bass with walking jazz lines syncopated against the kick clean funk rhythm guitar with single coil tone subtle wah and tight 16th note chuck Reggae, Ska, Rock, Pop Rock ghost note snares and rim clicks soft claps on two and four with short slap delay filtered chopped soulful vocal samples looped and pitched as a secondary melodic hook gentle side chain compression breathing under the groove warm vinyl crackle and subtle tape saturation on the drum bus classy sunset balcony lounge energy lush but dancefloor ready key of a minor with modal interchange to c major and dorian colour ab",,,2026-05-12T22:21:13.730Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/17c95fd3-a2ef-48ba-bc06-b56422daf119.mp3,https://cdn2.suno.ai/image_17c95fd3-a2ef-48ba-bc06-b56422daf119.jpeg,https://cdn2.suno.ai/image_large_17c95fd3-a2ef-48ba-bc06-b56422daf119.jpeg audio/fd79dde7-33d2-4d8e-8170-118c1013cc8d.mp3,fd79dde7-33d2-4d8e-8170-118c1013cc8d,Rhodes Rimsync,v5.5,chirp-fenix,complete,193.32,True,"modern jazz house meets new french touch lounge 120 bpm deeply swung four on the floor groove with heavily shuffled sixteenth note hi hats warm analog production jazz influenced harmony with major 7th 9th and 13th chord extensions fender rhodes electric piano as the primary lead instrument with rich extended voicings and improvised melodic comping fills occasional wurlitzer for colour melodic fingerstyle electric bass with walking jazz lines syncopated against the kick clean funk rhythm guitar with single coil tone subtle wah and tight 16th note chuck Reggae, Ska, Rock, Pop Rock ghost note snares and rim clicks soft claps on two and four with short slap delay filtered chopped soulful vocal samples looped and pitched as a secondary melodic hook gentle side chain compression breathing under the groove warm vinyl crackle and subtle tape saturation on the drum bus classy sunset balcony lounge energy lush but dancefloor ready key of a minor with modal interchange to c major and dorian colour ab",,,2026-05-12T22:21:13.730Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/fd79dde7-33d2-4d8e-8170-118c1013cc8d.mp3,https://cdn2.suno.ai/image_fd79dde7-33d2-4d8e-8170-118c1013cc8d.jpeg,https://cdn2.suno.ai/image_large_fd79dde7-33d2-4d8e-8170-118c1013cc8d.jpeg audio/6f423123-cfac-4aab-8819-2dc614fe0ffd.mp3,6f423123-cfac-4aab-8819-2dc614fe0ffd,Balcony Chords,v5.5,chirp-fenix,complete,157.88,True,"modern jazz house meets new french touch 105 bpm warm analog production jazz influenced chord progressions with major 7th 9th and 11th extensions lush fender rhodes electric piano carrying the harmonic bed smooth tenor saxophone leading with breathy melodic phrases and improvised counter melodies melodic fingerstyle electric bass with walking jazz lines and subtle slap accents four on the floor house drums with swung shuffled hi hats and ghost notes crisp claps on two and four clean funk guitar with single coil tone and tasteful wah and 16th note Reggae, Ska, Rock, Pop Rock gentle side chain compression breathing under the groove occasional filtered vocal chops and soulful ad libs warm vinyl sampled atmosphere subtle tape saturation on the drum bus sunny laid back daytime balcony energy lounge meeting the dancefloor mostly instrumental with sparse soulful hooks key of a minor with frequent modal interchange to c major french touch revival aesthetic",,,2026-05-12T22:16:29.754Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/6f423123-cfac-4aab-8819-2dc614fe0ffd.mp3,https://cdn2.suno.ai/image_6f423123-cfac-4aab-8819-2dc614fe0ffd.jpeg,https://cdn2.suno.ai/image_large_6f423123-cfac-4aab-8819-2dc614fe0ffd.jpeg audio/6e9f5d20-652f-4839-a837-945e53f1f288.mp3,6e9f5d20-652f-4839-a837-945e53f1f288,Balcony Chords,v5.5,chirp-fenix,complete,191.6,True,"modern jazz house meets new french touch 105 bpm warm analog production jazz influenced chord progressions with major 7th 9th and 11th extensions lush fender rhodes electric piano carrying the harmonic bed smooth tenor saxophone leading with breathy melodic phrases and improvised counter melodies melodic fingerstyle electric bass with walking jazz lines and subtle slap accents four on the floor house drums with swung shuffled hi hats and ghost notes crisp claps on two and four clean funk guitar with single coil tone and tasteful wah and 16th note Reggae, Ska, Rock, Pop Rock gentle side chain compression breathing under the groove occasional filtered vocal chops and soulful ad libs warm vinyl sampled atmosphere subtle tape saturation on the drum bus sunny laid back daytime balcony energy lounge meeting the dancefloor mostly instrumental with sparse soulful hooks key of a minor with frequent modal interchange to c major french touch revival aesthetic",,,2026-05-12T22:16:29.754Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/6e9f5d20-652f-4839-a837-945e53f1f288.mp3,https://cdn2.suno.ai/image_6e9f5d20-652f-4839-a837-945e53f1f288.jpeg,https://cdn2.suno.ai/image_large_6e9f5d20-652f-4839-a837-945e53f1f288.jpeg audio/de6084e3-a9da-4495-adee-9b4799237596.mp3,de6084e3-a9da-4495-adee-9b4799237596,Nombres Borrados,v5.5,chirp-fenix,complete,278.4,False,"late 1970s british roots reggae birmingham uk studio sound f minor with brief relative major shifts on the chorus 80 bpm conscious militant roots theme polished crisp studio production lead vocal male tenor with controlled wide vibrato crisp articulate diction urgent prophetic and dignified delivery slight rasp on sustained notes rich three part vocal harmonies with deep soul and gospel influence stacked on choruses and outro tight punchy horn section with harmonized saxophone and trumpet stabs and answer phrases hammond organ pads with clavinet rhythmic counterpoint disciplined sharp off beat rhythm guitar Reggae, Ska, Rock, Pop Rock with clear pick attack melodic walking bass with definition not dub saturated one drop drumming with crisp snare crack and tight hi hat work subtle funk and rock undercurrent beneath the reggae backbone moderate plate reverb not dub extreme balanced wide stereo mix defiant proud and articulate mood spanish lyrics",,"[Verse 1] They drew a line on the paper, called it a border Drew a line on your screen, called it a feed Every step that you walk is a coin in their pocket Every word that you speak is a seed they will read [Pre-chorus] And they tell you you're free as the gates close behind you Tell you you're chosen while counting the cost [Chorus - three-part harmonies] We were not born to be numbers on a register Not born to be light for another man's lamp Take back the names of the ones they erased Take back the road, take back the camp [Horn break - 4 bars] [Verse 2] They build a museum to honour the dead That they made into dead with their own steady hand Carve out the verses that don't fit the chapter Print out a flag and they call it a land [Pre-chorus] And they tell you remember but only the half of it Tell you go forward but never look down [Chorus - three-part harmonies, horn stabs answering each line] We were not born to be numbers on a register Not born to be light for another man's lamp Take back the names of the ones they erased Take back the road, take back the camp [Bridge - lift to relative major, harmonies open wide] Brothers and sisters, the ledger is open Every name that you whisper, the silence will hold Don't burn down the temple before you remember Who buried the door and who bought back the gold [Horn break - 4 bars, mournful sax line] [Chorus - double-tracked, full harmonies, horn answers] We were not born to be numbers on a register Not born to be light for another man's lamp Take back the names of the ones they erased Take back the road, take back the camp [Outro - call and response, fade with delay] (Take back the road) one step at a time (Take back the camp) one fire at a time (Take back the names) one breath at a time We overstand now, we overstand now We overstand now, we overstand now",2026-05-12T21:50:11.154Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/de6084e3-a9da-4495-adee-9b4799237596.mp3,https://cdn2.suno.ai/image_de6084e3-a9da-4495-adee-9b4799237596.jpeg,https://cdn2.suno.ai/image_large_de6084e3-a9da-4495-adee-9b4799237596.jpeg audio/320098dc-0cfd-49ef-a68d-342aae8b2a99.mp3,320098dc-0cfd-49ef-a68d-342aae8b2a99,Nombres Borrados,v5.5,chirp-fenix,complete,267.72,False,"late 1970s british roots reggae birmingham uk studio sound f minor with brief relative major shifts on the chorus 80 bpm conscious militant roots theme polished crisp studio production lead vocal male tenor with controlled wide vibrato crisp articulate diction urgent prophetic and dignified delivery slight rasp on sustained notes rich three part vocal harmonies with deep soul and gospel influence stacked on choruses and outro tight punchy horn section with harmonized saxophone and trumpet stabs and answer phrases hammond organ pads with clavinet rhythmic counterpoint disciplined sharp off beat rhythm guitar Reggae, Ska, Rock, Pop Rock with clear pick attack melodic walking bass with definition not dub saturated one drop drumming with crisp snare crack and tight hi hat work subtle funk and rock undercurrent beneath the reggae backbone moderate plate reverb not dub extreme balanced wide stereo mix defiant proud and articulate mood spanish lyrics",,"[Verse 1] They drew a line on the paper, called it a border Drew a line on your screen, called it a feed Every step that you walk is a coin in their pocket Every word that you speak is a seed they will read [Pre-chorus] And they tell you you're free as the gates close behind you Tell you you're chosen while counting the cost [Chorus - three-part harmonies] We were not born to be numbers on a register Not born to be light for another man's lamp Take back the names of the ones they erased Take back the road, take back the camp [Horn break - 4 bars] [Verse 2] They build a museum to honour the dead That they made into dead with their own steady hand Carve out the verses that don't fit the chapter Print out a flag and they call it a land [Pre-chorus] And they tell you remember but only the half of it Tell you go forward but never look down [Chorus - three-part harmonies, horn stabs answering each line] We were not born to be numbers on a register Not born to be light for another man's lamp Take back the names of the ones they erased Take back the road, take back the camp [Bridge - lift to relative major, harmonies open wide] Brothers and sisters, the ledger is open Every name that you whisper, the silence will hold Don't burn down the temple before you remember Who buried the door and who bought back the gold [Horn break - 4 bars, mournful sax line] [Chorus - double-tracked, full harmonies, horn answers] We were not born to be numbers on a register Not born to be light for another man's lamp Take back the names of the ones they erased Take back the road, take back the camp [Outro - call and response, fade with delay] (Take back the road) one step at a time (Take back the camp) one fire at a time (Take back the names) one breath at a time We overstand now, we overstand now We overstand now, we overstand now",2026-05-12T21:50:11.154Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/320098dc-0cfd-49ef-a68d-342aae8b2a99.mp3,https://cdn2.suno.ai/image_320098dc-0cfd-49ef-a68d-342aae8b2a99.jpeg,https://cdn2.suno.ai/image_large_320098dc-0cfd-49ef-a68d-342aae8b2a99.jpeg audio/50b037c7-872b-46fd-b4b7-e042fd992dfe.mp3,50b037c7-872b-46fd-b4b7-e042fd992dfe,Placa Vacía,v5.5,chirp-fenix,complete,263.44,False,"heavy dub roots reggae f minor 65 bpm king tubby and scientist mixing style deep sustained sub bass one drop drums with extreme dropouts and tape delay ghostly off beat Reggae, Ska, Rock, Pop Rock drowning in spring reverb sustained dark organ drones distant melodica wails occasional siren stab heavily echoed prophetic male vocal in the lineage of yabby you and prince far i black ark 1977 aesthetic lee perry production feel instruments dropping in and out lots of empty space apocalyptic brooding mood no major resolutions warm analog hiss spanish lyrics",,"[Intro - susurrado, con delay largo] Cuentan los que pueden contar los que no, esperan turno [Verso 1] Bajó la noche sobre el campo seco las vacas duermen donde antes había escuela el río que mi abuelo cruzaba a caballo hoy es un nombre escrito en una placa [Pre-coro] Y el reloj de la plaza marca otra hora para los que llegan, para los que demoran [Coro] Hay un humo que no se va, hermano hay un nombre que falta en la lista hay un perro que ladra a la nada y la nada le contesta despacio [Verso 2] Mandaron a contar lo que ya no queda mandaron a rezar a los que perdieron lengua las velas se prenden por costumbre vieja nadie sabe ya por quién, pero arden [Pre-coro] Y el reloj de la plaza marca otra hora para los que llegan, para los que demoran [Coro] Hay un humo que no se va, hermano hay un nombre que falta en la lista hay un perro que ladra a la nada y la nada le contesta despacio [Puente - dub breakdown, casi hablado, delays infinitos] No es el final es el ensayo del que se repite hasta volverse paisaje [Outro - vocal con eco hasta apagarse] La ceniza también es semilla la ceniza también es semilla pero hay que saber qué se siembra cuando no queda tierra",2026-05-12T21:43:19.962Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/50b037c7-872b-46fd-b4b7-e042fd992dfe.mp3,https://cdn2.suno.ai/image_50b037c7-872b-46fd-b4b7-e042fd992dfe.jpeg,https://cdn2.suno.ai/image_large_50b037c7-872b-46fd-b4b7-e042fd992dfe.jpeg audio/331bf3f8-2c0a-4c0b-8625-1970e09f6d35.mp3,331bf3f8-2c0a-4c0b-8625-1970e09f6d35,Placa Vacía,v5.5,chirp-fenix,complete,269.92,False,"heavy dub roots reggae f minor 65 bpm king tubby and scientist mixing style deep sustained sub bass one drop drums with extreme dropouts and tape delay ghostly off beat Reggae, Ska, Rock, Pop Rock drowning in spring reverb sustained dark organ drones distant melodica wails occasional siren stab heavily echoed prophetic male vocal in the lineage of yabby you and prince far i black ark 1977 aesthetic lee perry production feel instruments dropping in and out lots of empty space apocalyptic brooding mood no major resolutions warm analog hiss spanish lyrics",,"[Intro - susurrado, con delay largo] Cuentan los que pueden contar los que no, esperan turno [Verso 1] Bajó la noche sobre el campo seco las vacas duermen donde antes había escuela el río que mi abuelo cruzaba a caballo hoy es un nombre escrito en una placa [Pre-coro] Y el reloj de la plaza marca otra hora para los que llegan, para los que demoran [Coro] Hay un humo que no se va, hermano hay un nombre que falta en la lista hay un perro que ladra a la nada y la nada le contesta despacio [Verso 2] Mandaron a contar lo que ya no queda mandaron a rezar a los que perdieron lengua las velas se prenden por costumbre vieja nadie sabe ya por quién, pero arden [Pre-coro] Y el reloj de la plaza marca otra hora para los que llegan, para los que demoran [Coro] Hay un humo que no se va, hermano hay un nombre que falta en la lista hay un perro que ladra a la nada y la nada le contesta despacio [Puente - dub breakdown, casi hablado, delays infinitos] No es el final es el ensayo del que se repite hasta volverse paisaje [Outro - vocal con eco hasta apagarse] La ceniza también es semilla la ceniza también es semilla pero hay que saber qué se siembra cuando no queda tierra",2026-05-12T21:43:19.961Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/331bf3f8-2c0a-4c0b-8625-1970e09f6d35.mp3,https://cdn2.suno.ai/image_331bf3f8-2c0a-4c0b-8625-1970e09f6d35.jpeg,https://cdn2.suno.ai/image_large_331bf3f8-2c0a-4c0b-8625-1970e09f6d35.jpeg audio/e0b6a83f-a867-41e3-9e0d-15c077944917.mp3,e0b6a83f-a867-41e3-9e0d-15c077944917,Correa Jazmín,v5.5,chirp-fenix,complete,207.6,False,"dark roots reggae minor key d minor minimalist arrangement 70 bpm deep dub influenced bassline walking the minor pentatonic one drop drums with rim shots and heavy kick on the three sparse off beat guitar Reggae, Ska, Rock, Pop Rock drenched in spring reverb hypnotic bubble organ holding minor chords no horns or only one mournful muted trumpet line melodica accents in the augustus pablo tradition dub delay tails on snare and vocals vocal style deep grave prophetic in the lineage of burning spear and yabby you lots of empty space in the mix no major resolutions brooding and meditative warm analog tape saturation 1976 jamaican production aesthetic spanish lyrics",,"[Intro - hablado bajo] Nadie te ata si vos mismo cargás la cadena y la llamás trabajo [Verso 1] Nos prometieron el futuro en cuotas fijas firmamos con la sangre que no nos pertenece el patrón cambió de cara, ahora sonríe en la pantalla y mide cada paso que damos sin saberlo [Pre-coro] Y la radio repite la misma canción mientras el precio del pan se vuelve oración [Coro] No es libertad lo que venden en la esquina es una correa larga con olor a jazmín caminá tranquilo, hermano, hasta donde te dejen después preguntá quién decidió el confín [Verso 2] Hablan de mérito los que heredaron la mesa de esfuerzo los que nunca cargaron un bolsón y nos enseñan a odiar al que duerme en la vereda para no mirar la mano que firma el desalojo [Coro] No es libertad lo que venden en la esquina es una correa larga con olor a jazmín caminá tranquilo, hermano, hasta donde te dejen después preguntá quién decidió el confín [Puente - voz casi hablada, con eco] No vine a pedirte que grites vine a pedirte que mires contá las puertas cerradas antes de elegir por cuál salir [Outro - repetir con delay dub] Y si no hay salida, hermano habrá que abrir una a mano y si no hay salida, hermano habrá que abrir una a mano",2026-05-12T21:37:39.403Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/e0b6a83f-a867-41e3-9e0d-15c077944917.mp3,https://cdn2.suno.ai/image_e0b6a83f-a867-41e3-9e0d-15c077944917.jpeg,https://cdn2.suno.ai/image_large_e0b6a83f-a867-41e3-9e0d-15c077944917.jpeg audio/08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.mp3,08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf,Correa Jazmín,v5.5,chirp-fenix,complete,194.4,False,"dark roots reggae minor key d minor minimalist arrangement 70 bpm deep dub influenced bassline walking the minor pentatonic one drop drums with rim shots and heavy kick on the three sparse off beat guitar Reggae, Ska, Rock, Pop Rock drenched in spring reverb hypnotic bubble organ holding minor chords no horns or only one mournful muted trumpet line melodica accents in the augustus pablo tradition dub delay tails on snare and vocals vocal style deep grave prophetic in the lineage of burning spear and yabby you lots of empty space in the mix no major resolutions brooding and meditative warm analog tape saturation 1976 jamaican production aesthetic spanish lyrics",,"[Intro - hablado bajo] Nadie te ata si vos mismo cargás la cadena y la llamás trabajo [Verso 1] Nos prometieron el futuro en cuotas fijas firmamos con la sangre que no nos pertenece el patrón cambió de cara, ahora sonríe en la pantalla y mide cada paso que damos sin saberlo [Pre-coro] Y la radio repite la misma canción mientras el precio del pan se vuelve oración [Coro] No es libertad lo que venden en la esquina es una correa larga con olor a jazmín caminá tranquilo, hermano, hasta donde te dejen después preguntá quién decidió el confín [Verso 2] Hablan de mérito los que heredaron la mesa de esfuerzo los que nunca cargaron un bolsón y nos enseñan a odiar al que duerme en la vereda para no mirar la mano que firma el desalojo [Coro] No es libertad lo que venden en la esquina es una correa larga con olor a jazmín caminá tranquilo, hermano, hasta donde te dejen después preguntá quién decidió el confín [Puente - voz casi hablada, con eco] No vine a pedirte que grites vine a pedirte que mires contá las puertas cerradas antes de elegir por cuál salir [Outro - repetir con delay dub] Y si no hay salida, hermano habrá que abrir una a mano y si no hay salida, hermano habrá que abrir una a mano",2026-05-12T21:37:39.403Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.mp3,https://cdn2.suno.ai/image_08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.jpeg,https://cdn2.suno.ai/image_large_08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.jpeg audio/94070cf0-8e62-4f17-8840-a151fd9944dc.mp3,94070cf0-8e62-4f17-8840-a151fd9944dc,Groove Colander,v5.5,chirp-fenix,complete,124.56,True,"**🔥 Groove jazzy minimal trap (tipo club pero chill)** Minimal jazzy groove trap instrumental, 78 BPM, rhythmic chord stabs with Rhodes piano, jazz harmony focus, no melody, no lead sounds, no saxophone, no improvisation, deep groovy bassline with 808, tight trap drums with swing, subtle percussion, repetitive and hypnotic groove, clean mix, club-inspired but chill, perfect for freestyle sessions, no vocals ",,,2026-04-11T08:32:46.326Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/94070cf0-8e62-4f17-8840-a151fd9944dc.mp3,https://cdn2.suno.ai/image_94070cf0-8e62-4f17-8840-a151fd9944dc.jpeg,https://cdn2.suno.ai/image_large_94070cf0-8e62-4f17-8840-a151fd9944dc.jpeg audio/2c1eb998-bdb8-4525-98b7-2e3e2e410858.mp3,2c1eb998-bdb8-4525-98b7-2e3e2e410858,Groove Colander,v5.5,chirp-fenix,complete,139.52,True,"**🔥 Groove jazzy minimal trap (tipo club pero chill)** Minimal jazzy groove trap instrumental, 78 BPM, rhythmic chord stabs with Rhodes piano, jazz harmony focus, no melody, no lead sounds, no saxophone, no improvisation, deep groovy bassline with 808, tight trap drums with swing, subtle percussion, repetitive and hypnotic groove, clean mix, club-inspired but chill, perfect for freestyle sessions, no vocals ",,,2026-04-11T08:32:46.326Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/2c1eb998-bdb8-4525-98b7-2e3e2e410858.mp3,https://cdn2.suno.ai/image_2c1eb998-bdb8-4525-98b7-2e3e2e410858.jpeg,https://cdn2.suno.ai/image_large_2c1eb998-bdb8-4525-98b7-2e3e2e410858.jpeg audio/fbcfc643-52fd-4f31-88c5-4ec35dc04604.mp3,fbcfc643-52fd-4f31-88c5-4ec35dc04604,Rhodes Pressure,v5.5,chirp-fenix,complete,166.04,True,"**🎹 Deep chord groove trap (sin melodía, enfoque armónico)** Deep jazzy trap instrumental, 72 BPM, lush Rhodes and electric piano chord layers, extended jazz harmony, slow chord changes, no dominant melody, no top-line elements, no saxophone, no solos, only background harmonic movement, deep sub bass, soft but punchy trap drums, humanized timing, analog tape saturation, hypnotic and introspective vibe, minimal and spacious mix, freestyle ready, no vocals ",,,2026-04-11T08:32:38.409Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/fbcfc643-52fd-4f31-88c5-4ec35dc04604.mp3,https://cdn2.suno.ai/image_fbcfc643-52fd-4f31-88c5-4ec35dc04604.jpeg,https://cdn2.suno.ai/image_large_fbcfc643-52fd-4f31-88c5-4ec35dc04604.jpeg audio/fd9106ac-f48a-440f-92ba-18e666cae9c0.mp3,fd9106ac-f48a-440f-92ba-18e666cae9c0,Rhodes Pressure,v5.5,chirp-fenix,complete,207.68,True,"**🎹 Deep chord groove trap (sin melodía, enfoque armónico)** Deep jazzy trap instrumental, 72 BPM, lush Rhodes and electric piano chord layers, extended jazz harmony, slow chord changes, no dominant melody, no top-line elements, no saxophone, no solos, only background harmonic movement, deep sub bass, soft but punchy trap drums, humanized timing, analog tape saturation, hypnotic and introspective vibe, minimal and spacious mix, freestyle ready, no vocals ",,,2026-04-11T08:32:38.409Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/fd9106ac-f48a-440f-92ba-18e666cae9c0.mp3,https://cdn2.suno.ai/image_fd9106ac-f48a-440f-92ba-18e666cae9c0.jpeg,https://cdn2.suno.ai/image_large_fd9106ac-f48a-440f-92ba-18e666cae9c0.jpeg audio/216f4bc6-2aa9-45bb-9c66-0a3af70521cb.mp3,216f4bc6-2aa9-45bb-9c66-0a3af70521cb,Upright Thunder,v5.5,chirp-fenix,complete,129.16,True,"**🌙 St Germain style jazz house → trap (acompañamiento puro)** Jazz house inspired trap beat, 76 BPM, soft electric piano chords with bluesy and jazzy voicings, chord stabs and sustained pads only, no melody, no lead lines, no saxophone or brass, upright-style bass blended with 808 sub, groove-focused drums, light swing feel, minimal percussion, organic and warm texture, lounge and smoky atmosphere, loopable structure for freestyle, no vocals ",,,2026-04-11T08:32:25.633Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/216f4bc6-2aa9-45bb-9c66-0a3af70521cb.mp3,https://cdn2.suno.ai/image_216f4bc6-2aa9-45bb-9c66-0a3af70521cb.jpeg,https://cdn2.suno.ai/image_large_216f4bc6-2aa9-45bb-9c66-0a3af70521cb.jpeg audio/96b39c20-4b0c-4177-a277-a6951014e035.mp3,96b39c20-4b0c-4177-a277-a6951014e035,Upright Thunder,v5.5,chirp-fenix,complete,149.88,True,"**🌙 St Germain style jazz house → trap (acompañamiento puro)** Jazz house inspired trap beat, 76 BPM, soft electric piano chords with bluesy and jazzy voicings, chord stabs and sustained pads only, no melody, no lead lines, no saxophone or brass, upright-style bass blended with 808 sub, groove-focused drums, light swing feel, minimal percussion, organic and warm texture, lounge and smoky atmosphere, loopable structure for freestyle, no vocals ",,,2026-04-11T08:32:25.633Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/96b39c20-4b0c-4177-a277-a6951014e035.mp3,https://cdn2.suno.ai/image_96b39c20-4b0c-4177-a277-a6951014e035.jpeg,https://cdn2.suno.ai/image_large_96b39c20-4b0c-4177-a277-a6951014e035.jpeg audio/6bded2d8-d3f3-485b-866c-e8a2356ee614.mp3,6bded2d8-d3f3-485b-866c-e8a2356ee614,Rhodes Saltwater,v5.5,chirp-fenix,complete,188.24,True,"**🌊 Deep jazzy trap – Larry Heard vibe (solo acordes)** Jazzy deep house inspired trap instrumental, 74 BPM, warm Rhodes chords with rich jazz harmony (7th, 9th, 13th), smooth chord progression as the main element, no dominant melody, no lead instruments, no saxophone, no solos, only harmonic accompaniment, deep and warm sub bass with soft 808 character, minimal trap drums with gentle swing, subtle hi-hat rolls, analog warmth, emotional and soulful mood, repetitive loop, hypnotic groove, lots of space for rap vocals, no vocals ",,,2026-04-11T08:32:17.245Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6bded2d8-d3f3-485b-866c-e8a2356ee614.mp3,https://cdn2.suno.ai/image_6bded2d8-d3f3-485b-866c-e8a2356ee614.jpeg,https://cdn2.suno.ai/image_large_6bded2d8-d3f3-485b-866c-e8a2356ee614.jpeg audio/a20d5dfe-ee26-4ed1-b8ab-35d4531ba4b1.mp3,a20d5dfe-ee26-4ed1-b8ab-35d4531ba4b1,Rhodes Saltwater,v5.5,chirp-fenix,complete,184.8,True,"**🌊 Deep jazzy trap – Larry Heard vibe (solo acordes)** Jazzy deep house inspired trap instrumental, 74 BPM, warm Rhodes chords with rich jazz harmony (7th, 9th, 13th), smooth chord progression as the main element, no dominant melody, no lead instruments, no saxophone, no solos, only harmonic accompaniment, deep and warm sub bass with soft 808 character, minimal trap drums with gentle swing, subtle hi-hat rolls, analog warmth, emotional and soulful mood, repetitive loop, hypnotic groove, lots of space for rap vocals, no vocals ",,,2026-04-11T08:32:17.245Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a20d5dfe-ee26-4ed1-b8ab-35d4531ba4b1.mp3,https://cdn2.suno.ai/image_a20d5dfe-ee26-4ed1-b8ab-35d4531ba4b1.jpeg,https://cdn2.suno.ai/image_large_a20d5dfe-ee26-4ed1-b8ab-35d4531ba4b1.jpeg audio/c77d60b1-300c-43d1-a44f-9f6c40d1b7a8.mp3,c77d60b1-300c-43d1-a44f-9f6c40d1b7a8,Velvet Concrete,v5.5,chirp-fenix,complete,166.68,True,"Jazzy trap instrumental, 75 BPM, smooth lo-fi jazz chord progressions using Rhodes piano and soft electric keys, strictly harmonic focus, no dominant melody, no lead instruments, no saxophone, no brass, deep warm 808 bass, relaxed trap drums with light hi-hat rolls, soft snare, dusty vinyl texture, ambient pads very low in the mix, late night city vibe, emotional but minimal, loop-friendly, lots of space for rap vocals, no vocals",,,2026-04-11T08:31:13.455Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c77d60b1-300c-43d1-a44f-9f6c40d1b7a8.mp3,https://cdn2.suno.ai/image_c77d60b1-300c-43d1-a44f-9f6c40d1b7a8.jpeg,https://cdn2.suno.ai/image_large_c77d60b1-300c-43d1-a44f-9f6c40d1b7a8.jpeg audio/068a8128-36ee-46e3-82b7-a84eccd50271.mp3,068a8128-36ee-46e3-82b7-a84eccd50271,Velvet Concrete,v5.5,chirp-fenix,complete,153.08,True,"Jazzy trap instrumental, 75 BPM, smooth lo-fi jazz chord progressions using Rhodes piano and soft electric keys, strictly harmonic focus, no dominant melody, no lead instruments, no saxophone, no brass, deep warm 808 bass, relaxed trap drums with light hi-hat rolls, soft snare, dusty vinyl texture, ambient pads very low in the mix, late night city vibe, emotional but minimal, loop-friendly, lots of space for rap vocals, no vocals",,,2026-04-11T08:31:13.455Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/068a8128-36ee-46e3-82b7-a84eccd50271.mp3,https://cdn2.suno.ai/image_068a8128-36ee-46e3-82b7-a84eccd50271.jpeg,https://cdn2.suno.ai/image_large_068a8128-36ee-46e3-82b7-a84eccd50271.jpeg audio/b5b1b8ad-ed61-4106-885b-5614cb94af66.mp3,b5b1b8ad-ed61-4106-885b-5614cb94af66,Midnight Window Seat,v5.5,chirp-fenix,complete,178.6,True,"rap, Dusty lo-fi trap-jazz groove at 75 BPM; Rhodes and soft electric keys cycling through lush, extended chords over deep, warm 808 bass. Crisp but relaxed drums with brushed snare character and gentle hi-hat flutters. Airy ambient pads swell in and out for a late-night, nostalgic city feel. Minimal, loop-friendly structure with long chord tails and plenty of space left for a future top-line., electric, ambient, soft, emotional, warm, deep, saxophone, light, jazz, jazzy, nostalgic, lo-fi, minimal, smooth","Jazzy trap instrumental, 75 BPM, smooth lo-fi jazz chord progressions using Rhodes piano and soft electric keys, strictly chord-based with no melodic lead, no dominant melody, no saxophone, deep warm 808 bass, crisp but relaxed trap drums with light hi-hat rolls, brushed snare feel, dusty vinyl texture, ambient pads creating a late night city vibe, emotional and nostalgic mood, minimal arrangement, loop-friendly structure with a lot of space for vocals, no vocals ",[Instrumental],2026-04-11T08:30:07.142Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b5b1b8ad-ed61-4106-885b-5614cb94af66.mp3,https://cdn2.suno.ai/image_b5b1b8ad-ed61-4106-885b-5614cb94af66.jpeg,https://cdn2.suno.ai/image_large_b5b1b8ad-ed61-4106-885b-5614cb94af66.jpeg audio/f22a3509-71ab-428f-aebd-5c93b16bd705.mp3,f22a3509-71ab-428f-aebd-5c93b16bd705,Midnight Window Seat,v5.5,chirp-fenix,complete,164.28,True,"rap, Dusty lo-fi trap-jazz groove at 75 BPM; Rhodes and soft electric keys cycling through lush, extended chords over deep, warm 808 bass. Crisp but relaxed drums with brushed snare character and gentle hi-hat flutters. Airy ambient pads swell in and out for a late-night, nostalgic city feel. Minimal, loop-friendly structure with long chord tails and plenty of space left for a future top-line., electric, ambient, soft, emotional, warm, deep, saxophone, light, jazz, jazzy, nostalgic, lo-fi, minimal, smooth","Jazzy trap instrumental, 75 BPM, smooth lo-fi jazz chord progressions using Rhodes piano and soft electric keys, strictly chord-based with no melodic lead, no dominant melody, no saxophone, deep warm 808 bass, crisp but relaxed trap drums with light hi-hat rolls, brushed snare feel, dusty vinyl texture, ambient pads creating a late night city vibe, emotional and nostalgic mood, minimal arrangement, loop-friendly structure with a lot of space for vocals, no vocals ",[Instrumental],2026-04-11T08:30:07.142Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f22a3509-71ab-428f-aebd-5c93b16bd705.mp3,https://cdn2.suno.ai/image_f22a3509-71ab-428f-aebd-5c93b16bd705.jpeg,https://cdn2.suno.ai/image_large_f22a3509-71ab-428f-aebd-5c93b16bd705.jpeg audio/f677d052-b615-4754-afd3-a6cd15e0207c.mp3,f677d052-b615-4754-afd3-a6cd15e0207c,Dusty Corner Booth,v5.5,chirp-fenix,complete,140.84,True,"rap, Dusty chillhop groove at 68 BPM, lo-fi crackle and tape warble. Detuned jazz piano loops in a lazy sway, sidechained under a soft kick and brushed snare. Warm, rounded bass curls around the chords, with subtle vinyl noise and faint room hum for intimacy. Arrangement stays sparse and repetitive to invite freestyle verses, energy hovering between late-night focus and half-dreamed nostalgia., jazz, minimal, mellow, simple, freestyle, nostalgic, lo-fi, soft, bassline","**🎹 Trap jazz lo-fi freestyle** Lo-fi jazz trap beat, 68 BPM, detuned piano chords, tape saturation and analog warmth, vinyl crackle, simple chord loop, no dominant melody, soft kick and snare pattern, mellow bassline, sleepy nostalgic mood, imperfect human groove, chillhop aesthetic, very minimal arrangement for rapping, no vocals ",[Instrumental],2026-04-11T08:27:48.835Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f677d052-b615-4754-afd3-a6cd15e0207c.mp3,https://cdn2.suno.ai/image_f677d052-b615-4754-afd3-a6cd15e0207c.jpeg,https://cdn2.suno.ai/image_large_f677d052-b615-4754-afd3-a6cd15e0207c.jpeg audio/7abb6a39-cb17-468b-a536-aced8ee466d4.mp3,7abb6a39-cb17-468b-a536-aced8ee466d4,Dusty Corner Booth,v5.5,chirp-fenix,complete,133.2,True,"rap, Dusty chillhop groove at 68 BPM, lo-fi crackle and tape warble. Detuned jazz piano loops in a lazy sway, sidechained under a soft kick and brushed snare. Warm, rounded bass curls around the chords, with subtle vinyl noise and faint room hum for intimacy. Arrangement stays sparse and repetitive to invite freestyle verses, energy hovering between late-night focus and half-dreamed nostalgia., jazz, minimal, mellow, simple, freestyle, nostalgic, lo-fi, soft, bassline","**🎹 Trap jazz lo-fi freestyle** Lo-fi jazz trap beat, 68 BPM, detuned piano chords, tape saturation and analog warmth, vinyl crackle, simple chord loop, no dominant melody, soft kick and snare pattern, mellow bassline, sleepy nostalgic mood, imperfect human groove, chillhop aesthetic, very minimal arrangement for rapping, no vocals ",[Instrumental],2026-04-11T08:27:48.834Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7abb6a39-cb17-468b-a536-aced8ee466d4.mp3,https://cdn2.suno.ai/image_7abb6a39-cb17-468b-a536-aced8ee466d4.jpeg,https://cdn2.suno.ai/image_large_7abb6a39-cb17-468b-a536-aced8ee466d4.jpeg audio/8eae514e-2de9-4da3-9a31-d81b0253503c.mp3,8eae514e-2de9-4da3-9a31-d81b0253503c,,v5.5,chirp-fenix,complete,158.2,True,"jazzy, saxophone, freestyle, jazz, ambient, minimal","**🌌 Trap jazzy oscuro atmosférico (freestyle)** Dark atmospheric jazz trap instrumental, 72 BPM, minor key jazz chords with tension, ambient pads and textures, extremely minimal melodic content, no dominant melody, distant saxophone textures used as ambience, heavy 808 bass, sparse trap drums, cinematic and mysterious mood, lots of reverb and delay, underground vibe, repetitive structure for freestyle, no vocals ",[Instrumental],2026-04-11T08:27:39.863Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/8eae514e-2de9-4da3-9a31-d81b0253503c.mp3,https://cdn2.suno.ai/image_8eae514e-2de9-4da3-9a31-d81b0253503c.jpeg,https://cdn2.suno.ai/image_large_8eae514e-2de9-4da3-9a31-d81b0253503c.jpeg audio/f2019981-5e42-4bf2-a93a-a100a84372ce.mp3,f2019981-5e42-4bf2-a93a-a100a84372ce,Sombra en la Lluvia,v5.5,chirp-fenix,complete,202.92,True,"rap, Dusty jazz-trap at 72 BPM, minor key tension chords and cavernous pads, distant sax swells as ghostly texture. Heavy, round 808s pulse under sparse, swung trap drums, with long reverb and echo tails. Repetitive, hypnotic loop built for freestyle, underground cinematic mood, arrangement evolving subtly through filters, dropouts, and texture shifts., jazzy, saxophone, freestyle, jazz, ambient, minimal","**🌌 Trap jazzy oscuro atmosférico (freestyle)** Dark atmospheric jazz trap instrumental, 72 BPM, minor key jazz chords with tension, ambient pads and textures, extremely minimal melodic content, no dominant melody, distant saxophone textures used as ambience, heavy 808 bass, sparse trap drums, cinematic and mysterious mood, lots of reverb and delay, underground vibe, repetitive structure for freestyle, no vocals ",[Instrumental],2026-04-11T08:27:39.863Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f2019981-5e42-4bf2-a93a-a100a84372ce.mp3,https://cdn2.suno.ai/image_f2019981-5e42-4bf2-a93a-a100a84372ce.jpeg,https://cdn2.suno.ai/image_large_f2019981-5e42-4bf2-a93a-a100a84372ce.jpeg audio/fc911745-d37c-4e41-b4cd-dbd5bde49e9e.mp3,fc911745-d37c-4e41-b4cd-dbd5bde49e9e,Trap Jazz Elegante Lounge,v5.5,chirp-fenix,complete,172.44,True,"rap, Warm analog trap-jazz blend at 78 BPM, male-leaning register for any ad-libs though the beat stays open; plush grand piano voicings lead with extended chords, deep round sub holds the floor. Slow, reverb-kissed snares and soft hats glide under a classy late-night bar haze. Trumpet and sax sit far back as airy textures, almost like shadows. Spacious, sidechained mix, looping arrangement that leaves generous pockets for freestyle while the harmony stays hypnotic and understated., warm, jazz, freestyle, minimal, smooth, harmony, deep, lounge, slow","**🎺 Trap jazz elegante lounge (freestyle)** Luxury jazz trap beat, 78 BPM, smooth grand piano jazz chords, minimal arrangement focused on harmony not melody, no dominant melody, very subtle trumpet and sax layers in background only, deep sub bass, slow trap drums with reverb snare, classy lounge atmosphere, warm analog feel, late night bar vibe, spacious mix, freestyle friendly loop, no vocals ",[Instrumental],2026-04-11T08:27:32.087Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/fc911745-d37c-4e41-b4cd-dbd5bde49e9e.mp3,https://cdn2.suno.ai/image_fc911745-d37c-4e41-b4cd-dbd5bde49e9e.jpeg,https://cdn2.suno.ai/image_large_fc911745-d37c-4e41-b4cd-dbd5bde49e9e.jpeg audio/9008510b-4f85-4d03-a22f-078a13f524cd.mp3,9008510b-4f85-4d03-a22f-078a13f524cd,Trap Jazz Elegante Lounge,v5.5,chirp-fenix,complete,219.72,True,"rap, Warm analog trap-jazz blend at 78 BPM, male-leaning register for any ad-libs though the beat stays open; plush grand piano voicings lead with extended chords, deep round sub holds the floor. Slow, reverb-kissed snares and soft hats glide under a classy late-night bar haze. Trumpet and sax sit far back as airy textures, almost like shadows. Spacious, sidechained mix, looping arrangement that leaves generous pockets for freestyle while the harmony stays hypnotic and understated., warm, jazz, freestyle, minimal, smooth, harmony, deep, lounge, slow","**🎺 Trap jazz elegante lounge (freestyle)** Luxury jazz trap beat, 78 BPM, smooth grand piano jazz chords, minimal arrangement focused on harmony not melody, no dominant melody, very subtle trumpet and sax layers in background only, deep sub bass, slow trap drums with reverb snare, classy lounge atmosphere, warm analog feel, late night bar vibe, spacious mix, freestyle friendly loop, no vocals ",[Instrumental],2026-04-11T08:27:32.087Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/9008510b-4f85-4d03-a22f-078a13f524cd.mp3,https://cdn2.suno.ai/image_9008510b-4f85-4d03-a22f-078a13f524cd.jpeg,https://cdn2.suno.ai/image_large_9008510b-4f85-4d03-a22f-078a13f524cd.jpeg audio/bb7445ef-8129-4aa3-9864-82b8d9aa1a3f.mp3,bb7445ef-8129-4aa3-9864-82b8d9aa1a3f,Skyline Loops,v5.5,chirp-fenix,complete,123.0,True,"rap, Modern jazzy trap bed at 80 BPM, clean studio polish. Neo-soul electric piano chords cycling over a simple, hypnotic progression; tight, ticking hats and restrained clap-snare pattern. Deep, punchy low-end supports the groove while soft, reverb-kissed guitar phrases drift in the background. Mix leaves generous pockets of space for a rapper, built to loop seamlessly and stay bright yet relaxed., freestyle, neo soul, minimal, jazzy, simple, electric, soft, clean, bright","**🌆 Trap jazzy moderno clean (freestyle)** Modern jazzy trap instrumental, 80 BPM, clean studio production, jazzy electric piano chords with neo soul influence, simple harmonic loop, no dominant melody, tight hi-hats with controlled rolls, punchy 808 bass, minimal drum arrangement, soft background guitar textures, bright but chill mood, highly loopable, balanced mix with space for rapper, no vocals ",[Instrumental],2026-04-11T08:27:22.329Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/bb7445ef-8129-4aa3-9864-82b8d9aa1a3f.mp3,https://cdn2.suno.ai/image_bb7445ef-8129-4aa3-9864-82b8d9aa1a3f.jpeg,https://cdn2.suno.ai/image_large_bb7445ef-8129-4aa3-9864-82b8d9aa1a3f.jpeg audio/a32f1a63-9b85-4698-b3d0-4f96259e5ca7.mp3,a32f1a63-9b85-4698-b3d0-4f96259e5ca7,Skyline Loops,v5.5,chirp-fenix,complete,148.08,True,"rap, Modern jazzy trap bed at 80 BPM, clean studio polish. Neo-soul electric piano chords cycling over a simple, hypnotic progression; tight, ticking hats and restrained clap-snare pattern. Deep, punchy low-end supports the groove while soft, reverb-kissed guitar phrases drift in the background. Mix leaves generous pockets of space for a rapper, built to loop seamlessly and stay bright yet relaxed., freestyle, neo soul, minimal, jazzy, simple, electric, soft, clean, bright","**🌆 Trap jazzy moderno clean (freestyle)** Modern jazzy trap instrumental, 80 BPM, clean studio production, jazzy electric piano chords with neo soul influence, simple harmonic loop, no dominant melody, tight hi-hats with controlled rolls, punchy 808 bass, minimal drum arrangement, soft background guitar textures, bright but chill mood, highly loopable, balanced mix with space for rapper, no vocals ",[Instrumental],2026-04-11T08:27:22.329Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a32f1a63-9b85-4698-b3d0-4f96259e5ca7.mp3,https://cdn2.suno.ai/image_a32f1a63-9b85-4698-b3d0-4f96259e5ca7.jpeg,https://cdn2.suno.ai/image_large_a32f1a63-9b85-4698-b3d0-4f96259e5ca7.jpeg audio/0f9bd8ea-2009-48ad-a055-152da836cef3.mp3,0f9bd8ea-2009-48ad-a055-152da836cef3,Lluvia En Loop,v5.5,chirp-fenix,complete,179.2,True,"rap, Dusty trap jazz loop at 70 BPM, male-leaning register piano voicings with extended 7ths/9ths/11ths, slow roomy drums with soft kicks and rimshot snares, warm hybrid upright–sub bass gluing low end. Sparse sax swells in the distance, vinyl crackle and steady rain fill the space. Dark, cozy, deeply introspective mood; structure built as a hypnotic, repetitive bed perfect for late-night freestyle cyphers., jazz, warm, emotional, freestyle, slow, deep, tone, minimal, soft, harmony","**🌧️ Trap jazz melancólico lluvia (freestyle)** Melancholic jazz trap beat, 70 BPM, soft piano chords with extended jazz harmony (7th, 9th, 11th), very minimal melodic elements, no dominant melody, slow and spacious drum pattern with soft kicks and rimshot snares, warm bass blending upright tone with 808 sub, vinyl crackle and rain ambience, subtle background sax swells, deep emotional and introspective mood, dark cozy atmosphere, repetitive loop for freestyle, no vocals ",[Instrumental],2026-04-11T08:27:11.617Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0f9bd8ea-2009-48ad-a055-152da836cef3.mp3,https://cdn2.suno.ai/image_0f9bd8ea-2009-48ad-a055-152da836cef3.jpeg,https://cdn2.suno.ai/image_large_0f9bd8ea-2009-48ad-a055-152da836cef3.jpeg audio/cb202a14-622d-4c49-825d-54437d281ad1.mp3,cb202a14-622d-4c49-825d-54437d281ad1,Lluvia En Loop,v5.5,chirp-fenix,complete,189.76,True,"rap, Dusty trap jazz loop at 70 BPM, male-leaning register piano voicings with extended 7ths/9ths/11ths, slow roomy drums with soft kicks and rimshot snares, warm hybrid upright–sub bass gluing low end. Sparse sax swells in the distance, vinyl crackle and steady rain fill the space. Dark, cozy, deeply introspective mood; structure built as a hypnotic, repetitive bed perfect for late-night freestyle cyphers., jazz, warm, emotional, freestyle, slow, deep, tone, minimal, soft, harmony","**🌧️ Trap jazz melancólico lluvia (freestyle)** Melancholic jazz trap beat, 70 BPM, soft piano chords with extended jazz harmony (7th, 9th, 11th), very minimal melodic elements, no dominant melody, slow and spacious drum pattern with soft kicks and rimshot snares, warm bass blending upright tone with 808 sub, vinyl crackle and rain ambience, subtle background sax swells, deep emotional and introspective mood, dark cozy atmosphere, repetitive loop for freestyle, no vocals ",[Instrumental],2026-04-11T08:27:11.617Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cb202a14-622d-4c49-825d-54437d281ad1.mp3,https://cdn2.suno.ai/image_cb202a14-622d-4c49-825d-54437d281ad1.jpeg,https://cdn2.suno.ai/image_large_cb202a14-622d-4c49-825d-54437d281ad1.jpeg audio/0a656e78-a83f-400e-915a-cfa3a7d92284.mp3,0a656e78-a83f-400e-915a-cfa3a7d92284,Midnight Filtered Dreams,v5.5,chirp-fenix,complete,186.72,True,"rap, Dusty late-night jazzy trap at 75 BPM with Rhodes and soft electric keys cycling through minimal, hypnotic jazz changes; subtle, reverb-soaked sax swells tucked deep in the mix. Warm, rounded 808 bass glides under crisp but relaxed trap drums with brushed snare character and occasional light hat rolls. Ambient pads and vinyl crackle float on top for a nostalgic, loop-friendly bed that leaves plenty of space for future vocals, ideal for zoning out or reflective writing sessions., lo-fi, minimal, light, emotional, jazz, electric, saxophone, smooth, soft, low, ambient, warm, deep, jazzy, nostalgic","Jazzy trap instrumental, 75 BPM, smooth lo-fi jazz chord progressions using Rhodes piano and soft electric keys, minimal harmonic movement, no dominant melody, background saxophone textures very subtle and low in the mix, deep warm 808 bass, crisp but relaxed trap drums with light hi-hat rolls, brushed snare feel, dusty vinyl texture, ambient pads creating a late night city vibe, emotional and nostalgic mood, loop-friendly structure, space for vocals, no vocals ",[Instrumental],2026-04-11T08:27:02.391Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/0a656e78-a83f-400e-915a-cfa3a7d92284.mp3,https://cdn2.suno.ai/image_0a656e78-a83f-400e-915a-cfa3a7d92284.jpeg,https://cdn2.suno.ai/image_large_0a656e78-a83f-400e-915a-cfa3a7d92284.jpeg audio/6ffe519a-3641-4212-a05d-a16d57201a43.mp3,6ffe519a-3641-4212-a05d-a16d57201a43,Midnight Filtered Dreams,v5.5,chirp-fenix,complete,144.72,True,"rap, Dusty late-night jazzy trap at 75 BPM with Rhodes and soft electric keys cycling through minimal, hypnotic jazz changes; subtle, reverb-soaked sax swells tucked deep in the mix. Warm, rounded 808 bass glides under crisp but relaxed trap drums with brushed snare character and occasional light hat rolls. Ambient pads and vinyl crackle float on top for a nostalgic, loop-friendly bed that leaves plenty of space for future vocals, ideal for zoning out or reflective writing sessions., lo-fi, minimal, light, emotional, jazz, electric, saxophone, smooth, soft, low, ambient, warm, deep, jazzy, nostalgic","Jazzy trap instrumental, 75 BPM, smooth lo-fi jazz chord progressions using Rhodes piano and soft electric keys, minimal harmonic movement, no dominant melody, background saxophone textures very subtle and low in the mix, deep warm 808 bass, crisp but relaxed trap drums with light hi-hat rolls, brushed snare feel, dusty vinyl texture, ambient pads creating a late night city vibe, emotional and nostalgic mood, loop-friendly structure, space for vocals, no vocals ",[Instrumental],2026-04-11T08:27:02.391Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6ffe519a-3641-4212-a05d-a16d57201a43.mp3,https://cdn2.suno.ai/image_6ffe519a-3641-4212-a05d-a16d57201a43.jpeg,https://cdn2.suno.ai/image_large_6ffe519a-3641-4212-a05d-a16d57201a43.jpeg audio/d911ee92-c305-4d72-bec5-d3df24cf7467.mp3,d911ee92-c305-4d72-bec5-d3df24cf7467,Midnight Loops & City Moods,v5.5,chirp-fenix,complete,125.88,True,"rap, Laid-back jazzy trap at 85 BPM: looping piano riff on a dusty grand, thick subby 808 foundation, crisp hi-hats with rapid rolls, snappy clap/snare, and soft brass stabs on section turnarounds. Arrangement built in 8-bar phrases for easy looping; add filter sweeps and dropouts to keep motion steady yet hypnotic. Ideal for modern hip hop beat tapes and freestyle sessions, balanced mix leaving room for bars., hip hop, smooth, freestyle, jazzy, strong, jazz","Jazzy trap freestyle instrumental, 85 BPM, catchy jazz piano loop, strong 808 bass, energetic but smooth trap drums, hi-hat rolls, subtle brass accents, loop-friendly structure, balanced mix, modern hip hop vibe, no vocals",[Instrumental],2026-04-11T08:24:01.126Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d911ee92-c305-4d72-bec5-d3df24cf7467.mp3,https://cdn2.suno.ai/image_d911ee92-c305-4d72-bec5-d3df24cf7467.jpeg,https://cdn2.suno.ai/image_large_d911ee92-c305-4d72-bec5-d3df24cf7467.jpeg audio/1e03dfd4-38ec-4eba-af78-d80ee363fec1.mp3,1e03dfd4-38ec-4eba-af78-d80ee363fec1,Midnight Loops & City Moods,v5.5,chirp-fenix,complete,124.92,True,"rap, Laid-back jazzy trap at 85 BPM: looping piano riff on a dusty grand, thick subby 808 foundation, crisp hi-hats with rapid rolls, snappy clap/snare, and soft brass stabs on section turnarounds. Arrangement built in 8-bar phrases for easy looping; add filter sweeps and dropouts to keep motion steady yet hypnotic. Ideal for modern hip hop beat tapes and freestyle sessions, balanced mix leaving room for bars., hip hop, smooth, freestyle, jazzy, strong, jazz","Jazzy trap freestyle instrumental, 85 BPM, catchy jazz piano loop, strong 808 bass, energetic but smooth trap drums, hi-hat rolls, subtle brass accents, loop-friendly structure, balanced mix, modern hip hop vibe, no vocals",[Instrumental],2026-04-11T08:24:01.126Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/1e03dfd4-38ec-4eba-af78-d80ee363fec1.mp3,https://cdn2.suno.ai/image_1e03dfd4-38ec-4eba-af78-d80ee363fec1.jpeg,https://cdn2.suno.ai/image_large_1e03dfd4-38ec-4eba-af78-d80ee363fec1.jpeg audio/865dd894-3c18-4a63-9ade-5ebb6069539d.mp3,865dd894-3c18-4a63-9ade-5ebb6069539d,Dusty Sleeper,v5.5,chirp-fenix,complete,162.48,True,"rap, Lo-fi jazz-trap chillhop with detuned piano loops, brushed-snare trap pocket, and mellow subby bass. Tape-saturated vinyl crackle beds the whole mix; sleepy swung hats drift in and out. Occasional late-landing piano voicings and off-grid percussion create an imperfect human feel, while subtle Rhodes chords and filtered horn one-shots bloom in the chorus sections. Low-intensity sidechain breathing keeps it floating, ideal for a dusk-to-midnight study vibe., jazz, lo-fi, nostalgic, mellow, jazzy, bassline, soft","Lo-fi jazz trap beat, 68 BPM, detuned piano chords, tape saturation, vinyl crackle, soft kick and snare, jazzy chord progressions, mellow bassline, sleepy and nostalgic mood, imperfect human feel, chillhop aesthetic, no vocals",[Instrumental],2026-04-11T08:23:52.684Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/865dd894-3c18-4a63-9ade-5ebb6069539d.mp3,https://cdn2.suno.ai/image_865dd894-3c18-4a63-9ade-5ebb6069539d.jpeg,https://cdn2.suno.ai/image_large_865dd894-3c18-4a63-9ade-5ebb6069539d.jpeg audio/8f1eb72a-fea5-4136-b146-df68f20edbc0.mp3,8f1eb72a-fea5-4136-b146-df68f20edbc0,Dusty Sleeper,v5.5,chirp-fenix,complete,131.96,True,"rap, Lo-fi jazz-trap chillhop with detuned piano loops, brushed-snare trap pocket, and mellow subby bass. Tape-saturated vinyl crackle beds the whole mix; sleepy swung hats drift in and out. Occasional late-landing piano voicings and off-grid percussion create an imperfect human feel, while subtle Rhodes chords and filtered horn one-shots bloom in the chorus sections. Low-intensity sidechain breathing keeps it floating, ideal for a dusk-to-midnight study vibe., jazz, lo-fi, nostalgic, mellow, jazzy, bassline, soft","Lo-fi jazz trap beat, 68 BPM, detuned piano chords, tape saturation, vinyl crackle, soft kick and snare, jazzy chord progressions, mellow bassline, sleepy and nostalgic mood, imperfect human feel, chillhop aesthetic, no vocals",[Instrumental],2026-04-11T08:23:52.684Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/8f1eb72a-fea5-4136-b146-df68f20edbc0.mp3,https://cdn2.suno.ai/image_8f1eb72a-fea5-4136-b146-df68f20edbc0.jpeg,https://cdn2.suno.ai/image_large_8f1eb72a-fea5-4136-b146-df68f20edbc0.jpeg audio/df12bca9-6e54-4133-a7bc-e876f47185b8.mp3,df12bca9-6e54-4133-a7bc-e876f47185b8,Moonlit Alley Echoes,v5.5,chirp-fenix,complete,176.72,True,"rap, Slow-burning dark jazz-trap score, 72 BPM, minor-key piano chords with eerie pads and distant, processed sax textures weaving in and out. Heavy sub-bass moves in long, ominous swells under sparse, crisp trap drums. Deep reverb and long delays create a cavernous underground space; arrangement builds from minimal tension to a brooding, cinematic midpoint and then fades into shadowy, emotional ambience., saxophone, emotional, jazz","Dark atmospheric jazz trap instrumental, 72 BPM, minor key jazz chords, eerie pads, distant saxophone textures, heavy 808 bass, sparse trap drums, cinematic tension, mysterious and emotional mood, reverb and delay effects, underground vibe, no vocals",[Instrumental],2026-04-11T08:23:46.727Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/df12bca9-6e54-4133-a7bc-e876f47185b8.mp3,https://cdn2.suno.ai/image_df12bca9-6e54-4133-a7bc-e876f47185b8.jpeg,https://cdn2.suno.ai/image_large_df12bca9-6e54-4133-a7bc-e876f47185b8.jpeg audio/a67e6740-c3e9-4da1-9ef9-fe6e5245a945.mp3,a67e6740-c3e9-4da1-9ef9-fe6e5245a945,Moonlit Alley Echoes,v5.5,chirp-fenix,complete,257.56,True,"rap, Slow-burning dark jazz-trap score, 72 BPM, minor-key piano chords with eerie pads and distant, processed sax textures weaving in and out. Heavy sub-bass moves in long, ominous swells under sparse, crisp trap drums. Deep reverb and long delays create a cavernous underground space; arrangement builds from minimal tension to a brooding, cinematic midpoint and then fades into shadowy, emotional ambience., saxophone, emotional, jazz","Dark atmospheric jazz trap instrumental, 72 BPM, minor key jazz chords, eerie pads, distant saxophone textures, heavy 808 bass, sparse trap drums, cinematic tension, mysterious and emotional mood, reverb and delay effects, underground vibe, no vocals",[Instrumental],2026-04-11T08:23:46.727Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a67e6740-c3e9-4da1-9ef9-fe6e5245a945.mp3,https://cdn2.suno.ai/image_a67e6740-c3e9-4da1-9ef9-fe6e5245a945.jpeg,https://cdn2.suno.ai/image_large_a67e6740-c3e9-4da1-9ef9-fe6e5245a945.jpeg audio/6b3f2b4c-fe01-40b9-9e7e-83c9ee362b3d.mp3,6b3f2b4c-fe01-40b9-9e7e-83c9ee362b3d,Velvet Afterhours,v5.5,chirp-fenix,complete,189.92,True,"rap, Silky jazz-trap blend, 78 BPM. Soft grand piano voicings float over deep sub bass and slow trap drums with a plush, reverb-soaked snare. Live trumpet and sax weave call-and-response lines, occasionally locking into tight harmonized phrases. Arrangement starts sparse and smoky, then gradually layers denser horn interplay and piano fills toward the midpoint before easing back into a minimal, late-night lounge close. High-end, glossy mix with lingering tails and intimate room ambience., smooth, soft, jazz, deep, slow, lounge","Luxury jazz trap beat, 78 BPM, lounge atmosphere, soft grand piano chords, live jazz trumpet and sax interplay, deep sub bass, slow trap drums, reverb-heavy snare, classy and smooth vibe, high-end mix, late night bar feeling, no vocals",[Instrumental],2026-04-11T08:23:28.641Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6b3f2b4c-fe01-40b9-9e7e-83c9ee362b3d.mp3,https://cdn2.suno.ai/image_6b3f2b4c-fe01-40b9-9e7e-83c9ee362b3d.jpeg,https://cdn2.suno.ai/image_large_6b3f2b4c-fe01-40b9-9e7e-83c9ee362b3d.jpeg audio/97c91e76-9d54-4ba2-a7a3-a825080d2a37.mp3,97c91e76-9d54-4ba2-a7a3-a825080d2a37,Velvet Afterhours,v5.5,chirp-fenix,complete,243.0,True,"rap, Silky jazz-trap blend, 78 BPM. Soft grand piano voicings float over deep sub bass and slow trap drums with a plush, reverb-soaked snare. Live trumpet and sax weave call-and-response lines, occasionally locking into tight harmonized phrases. Arrangement starts sparse and smoky, then gradually layers denser horn interplay and piano fills toward the midpoint before easing back into a minimal, late-night lounge close. High-end, glossy mix with lingering tails and intimate room ambience., smooth, soft, jazz, deep, slow, lounge","Luxury jazz trap beat, 78 BPM, lounge atmosphere, soft grand piano chords, live jazz trumpet and sax interplay, deep sub bass, slow trap drums, reverb-heavy snare, classy and smooth vibe, high-end mix, late night bar feeling, no vocals",[Instrumental],2026-04-11T08:23:28.641Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/97c91e76-9d54-4ba2-a7a3-a825080d2a37.mp3,https://cdn2.suno.ai/image_97c91e76-9d54-4ba2-a7a3-a825080d2a37.jpeg,https://cdn2.suno.ai/image_large_97c91e76-9d54-4ba2-a7a3-a825080d2a37.jpeg audio/c759e9ee-c446-4578-a62d-ba43c1bf914f.mp3,c759e9ee-c446-4578-a62d-ba43c1bf914f,Midnight Citrus,v5.5,chirp-fenix,complete,157.44,True,"rap, Modern jazzy trap groove at 80 BPM with lush electric piano chords, round subby 808s, and a rubbery bassline locking in with tight, rolling hi-hats. Minimal, catchy drum pattern leaves pockets of space as smooth neo-soul guitar licks answer the keys. Bright but laid-back mix, studio-polished, perfect for looping and head-nodding focus., minimal, electric, clean, groovy, smooth, jazzy, soul, bright, bassline","Modern jazzy trap instrumental, 80 BPM, clean production, jazzy electric piano chords, groovy bassline, tight hi-hats with rolls, punchy 808s, minimal but catchy drum pattern, smooth guitar licks, neo-soul influence, bright but chill mood, studio quality, no vocals, no melodys",[Instrumental],2026-04-11T08:14:04.077Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/c759e9ee-c446-4578-a62d-ba43c1bf914f.mp3,https://cdn2.suno.ai/image_c759e9ee-c446-4578-a62d-ba43c1bf914f.jpeg,https://cdn2.suno.ai/image_large_c759e9ee-c446-4578-a62d-ba43c1bf914f.jpeg audio/dcbe17c9-eca0-4008-bae2-abc2035cff02.mp3,dcbe17c9-eca0-4008-bae2-abc2035cff02,Midnight Citrus,v5.5,chirp-fenix,complete,168.0,True,"rap, Modern jazzy trap groove at 80 BPM with lush electric piano chords, round subby 808s, and a rubbery bassline locking in with tight, rolling hi-hats. Minimal, catchy drum pattern leaves pockets of space as smooth neo-soul guitar licks answer the keys. Bright but laid-back mix, studio-polished, perfect for looping and head-nodding focus., minimal, electric, clean, groovy, smooth, jazzy, soul, bright, bassline","Modern jazzy trap instrumental, 80 BPM, clean production, jazzy electric piano chords, groovy bassline, tight hi-hats with rolls, punchy 808s, minimal but catchy drum pattern, smooth guitar licks, neo-soul influence, bright but chill mood, studio quality, no vocals, no melodys",[Instrumental],2026-04-11T08:14:04.077Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/dcbe17c9-eca0-4008-bae2-abc2035cff02.mp3,https://cdn2.suno.ai/image_dcbe17c9-eca0-4008-bae2-abc2035cff02.jpeg,https://cdn2.suno.ai/image_large_dcbe17c9-eca0-4008-bae2-abc2035cff02.jpeg audio/f63dcfa2-f39d-4788-ac54-1144397d7604.mp3,f63dcfa2-f39d-4788-ac54-1144397d7604,Rain on the Fire Escape,v5.5,chirp-fenix,complete,203.2,True,"rap, Smoky jazz-trap blend at 70 BPM, soft extended piano voicings and warm upright bass doubled subtly with subby low end, dusted in vinyl crackle. Echoed sax phrases drift in and out like distant memories, and the drums sit halfway between boom-bap swing and sparse trap ticks. Energy stays low and intimate, with occasional swells where the piano opens up and the sax leans into the emotion, perfect for late-night reflection in a dim, cozy room., jazz, soft, slow, moody, saxophone, emotional, warm","Melancholic jazz trap beat, 70 BPM, rainy atmosphere, soft piano chords with jazz extensions (7th, 9th), slow boom bap influenced trap drums, warm upright bass mixed with 808, vinyl crackle, echoing saxophone phrases, emotional, introspective, moody, dark but cozy vibe, no vocals",[Instrumental],2026-04-11T08:09:40.918Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/f63dcfa2-f39d-4788-ac54-1144397d7604.mp3,https://cdn2.suno.ai/image_f63dcfa2-f39d-4788-ac54-1144397d7604.jpeg,https://cdn2.suno.ai/image_large_f63dcfa2-f39d-4788-ac54-1144397d7604.jpeg audio/66ba2125-889a-4665-bc48-152a12fc2064.mp3,66ba2125-889a-4665-bc48-152a12fc2064,Rain on the Fire Escape,v5.5,chirp-fenix,complete,178.28,True,"rap, Smoky jazz-trap blend at 70 BPM, soft extended piano voicings and warm upright bass doubled subtly with subby low end, dusted in vinyl crackle. Echoed sax phrases drift in and out like distant memories, and the drums sit halfway between boom-bap swing and sparse trap ticks. Energy stays low and intimate, with occasional swells where the piano opens up and the sax leans into the emotion, perfect for late-night reflection in a dim, cozy room., jazz, soft, slow, moody, saxophone, emotional, warm","Melancholic jazz trap beat, 70 BPM, rainy atmosphere, soft piano chords with jazz extensions (7th, 9th), slow boom bap influenced trap drums, warm upright bass mixed with 808, vinyl crackle, echoing saxophone phrases, emotional, introspective, moody, dark but cozy vibe, no vocals",[Instrumental],2026-04-11T08:09:40.918Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/66ba2125-889a-4665-bc48-152a12fc2064.mp3,https://cdn2.suno.ai/image_66ba2125-889a-4665-bc48-152a12fc2064.jpeg,https://cdn2.suno.ai/image_large_66ba2125-889a-4665-bc48-152a12fc2064.jpeg audio/36e39810-3e36-40ea-9afa-3153cae9fbec.mp3,36e39810-3e36-40ea-9afa-3153cae9fbec,Midnight Film Grain,v5.5,chirp-fenix,complete,188.88,True,"rap, Slow-burning jazzy trap, 75 BPM. Warm Rhodes chords and ambient pads glide over deep sub bass and a lazy, crisp drum pocket with brushed snares and light percussion. Soft sax takes the lead on the main motif, with subtle trumpet responses and swells adding cinematic tension and release. Dusty vinyl crackle colors the whole mix, evolving from sparse, intimate verses into a wider, more emotional late-night chorus section before fading back into minimal textures., nostalgic, saxophone, emotional, smooth, ambient, lo-fi, deep, soft, jazz, jazzy","Jazzy trap instrumental, 75 BPM, smooth lo-fi jazz chords with Rhodes piano, soft saxophone melodies, dusty vinyl texture, deep 808 bass, crisp but relaxed trap drums, brushed snares, late night city vibe, emotional and nostalgic mood, ambient pads, subtle trumpet fills, cinematic atmosphere, no vocals",[Instrumental],2026-04-11T08:08:44.358Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/36e39810-3e36-40ea-9afa-3153cae9fbec.mp3,https://cdn2.suno.ai/image_36e39810-3e36-40ea-9afa-3153cae9fbec.jpeg,https://cdn2.suno.ai/image_large_36e39810-3e36-40ea-9afa-3153cae9fbec.jpeg audio/810bb772-a687-420e-929c-7af34e6cad30.mp3,810bb772-a687-420e-929c-7af34e6cad30,,v5.5,chirp-fenix,complete,173.28,True,"nostalgic, saxophone, emotional, smooth, ambient, lo-fi, deep, soft, jazz, jazzy","Jazzy trap instrumental, 75 BPM, smooth lo-fi jazz chords with Rhodes piano, soft saxophone melodies, dusty vinyl texture, deep 808 bass, crisp but relaxed trap drums, brushed snares, late night city vibe, emotional and nostalgic mood, ambient pads, subtle trumpet fills, cinematic atmosphere, no vocals",[Instrumental],2026-04-11T08:08:44.358Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/810bb772-a687-420e-929c-7af34e6cad30.mp3,https://cdn2.suno.ai/image_810bb772-a687-420e-929c-7af34e6cad30.jpeg,https://cdn2.suno.ai/image_large_810bb772-a687-420e-929c-7af34e6cad30.jpeg audio/33867cfd-349d-4a8d-8dfd-bb7a5597f4f3.mp3,33867cfd-349d-4a8d-8dfd-bb7a5597f4f3,Capricho Digital en Re Menor,v5.5,chirp-fenix,complete,157.44,True,"Deep tech groove with baroque strings in a dark club space; pulsing sub and tight hats under a harpsichord-style pluck. Verses ride a hypnotic, low-voice male vocal; chorus blooms with stacked string lines and a bold, chant-like hook. Mid-song breakdown flips into a raw cuarteto cordobés moment with bouncing bass, bright accordion-style synths, claps, and call-and-response ad-libs before slamming back into the deep tech drive., deep",Deep tech con elementos de barroco cuerdas. Con breackdown de cuarteto cordobes argentina.,[Instrumental],2026-04-01T03:03:16.354Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/33867cfd-349d-4a8d-8dfd-bb7a5597f4f3.mp3,https://cdn2.suno.ai/image_33867cfd-349d-4a8d-8dfd-bb7a5597f4f3.jpeg,https://cdn2.suno.ai/image_large_33867cfd-349d-4a8d-8dfd-bb7a5597f4f3.jpeg audio/228fe407-d5ce-4b69-95e2-6ad2136c359a.mp3,228fe407-d5ce-4b69-95e2-6ad2136c359a,Capricho Digital en Re Menor,v5.5,chirp-fenix,complete,177.8,True,"Deep tech groove with baroque strings in a dark club space; pulsing sub and tight hats under a harpsichord-style pluck. Verses ride a hypnotic, low-voice male vocal; chorus blooms with stacked string lines and a bold, chant-like hook. Mid-song breakdown flips into a raw cuarteto cordobés moment with bouncing bass, bright accordion-style synths, claps, and call-and-response ad-libs before slamming back into the deep tech drive., deep",Deep tech con elementos de barroco cuerdas. Con breackdown de cuarteto cordobes argentina.,[Instrumental],2026-04-01T03:03:16.354Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/228fe407-d5ce-4b69-95e2-6ad2136c359a.mp3,https://cdn2.suno.ai/image_228fe407-d5ce-4b69-95e2-6ad2136c359a.jpeg,https://cdn2.suno.ai/image_large_228fe407-d5ce-4b69-95e2-6ad2136c359a.jpeg audio/a9e7f4e9-3650-470e-9ec9-f599e8a2e1de.mp3,a9e7f4e9-3650-470e-9ec9-f599e8a2e1de,Sirena del Bajo,v5.5,chirp-fenix,complete,182.04,False,"Aggressive early-2010s dubstep stomp: growling mid-bass wobbles and screaming leads, half-time drums with extra-fat kick punches, offbeat skanking reggae trumpet stabs, chopped vocal glitches, and short ravey risers. Drops hit hard then pull back into sparse, echo-drenched spaces before slamming back in., dubstep, reggae",Dubstep del 2000 con trompetas reggae y kicks gordos,[Instrumental],2026-04-01T02:59:41.987Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/a9e7f4e9-3650-470e-9ec9-f599e8a2e1de.mp3,https://cdn2.suno.ai/image_a9e7f4e9-3650-470e-9ec9-f599e8a2e1de.jpeg,https://cdn2.suno.ai/image_large_a9e7f4e9-3650-470e-9ec9-f599e8a2e1de.jpeg audio/7d2fa21e-7287-4a81-bb44-14a2a1543ae6.mp3,7d2fa21e-7287-4a81-bb44-14a2a1543ae6,Sirena del Bajo,v5.5,chirp-fenix,complete,157.88,False,"Aggressive early-2010s dubstep stomp: growling mid-bass wobbles and screaming leads, half-time drums with extra-fat kick punches, offbeat skanking reggae trumpet stabs, chopped vocal glitches, and short ravey risers. Drops hit hard then pull back into sparse, echo-drenched spaces before slamming back in., dubstep, reggae",Dubstep del 2000 con trompetas reggae y kicks gordos,[Instrumental],2026-04-01T02:59:41.987Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7d2fa21e-7287-4a81-bb44-14a2a1543ae6.mp3,https://cdn2.suno.ai/image_7d2fa21e-7287-4a81-bb44-14a2a1543ae6.jpeg,https://cdn2.suno.ai/image_large_7d2fa21e-7287-4a81-bb44-14a2a1543ae6.jpeg audio/9d1bdba9-c093-4f25-b75d-5c243554419e.mp3,9d1bdba9-c093-4f25-b75d-5c243554419e,Trompetas en la Nuca,v5.5,chirp-fenix,complete,227.76,False,"Early-2010s dubstep swagger with chunky midrange growls and huge sidechained kicks; offbeat skanking reggae trumpets cutting through, male vocals half-sung half-chanted. Drops slam with wobbling subs, chopped vocal glitches, and echo-drenched brass stabs; breakdown strips to filtered trumpets and spacey delays before the final explosive hook., dubstep, reggae",Dubstep del 2000 con trompetas reggae y kicks gordos,"[Intro] Suena grave el suelo Huele a humo Ron barato Tu mirada dice “dale” Mis rodillas dicen “salto” [Verse 1] Bajo roto Luces verdes en tu piel Vas marcando Cada offbeat sobre el tren Tu sonrisa Media loca Media zen Yo perdido Entre el humo y tu vaivén [Chorus] Trompetas en la nuca Kicks gordos al compás Tu cintura se desajusta Y el mundo ya nos da igual Trompetas en la nuca Bajón listo pa’ explotar Si esto se derrumba Que nos pille al bailar (hey!) [Verse 2] Sudor frío Pero el ritmo va caliente Tu tatuaje Se me queda en la mente Dices “suelta” Yo me suelto de verdad Si hay mañana Que nos venga a manejar [Chorus] Trompetas en la nuca Kicks gordos al compás Tu cintura se desajusta Y el mundo ya nos da igual Trompetas en la nuca Bajón listo pa’ explotar Si esto se derrumba Que nos pille al bailar (oh yeah) [Bridge] Dime si te quedas Cuando caiga el último drop Cuando apaguen todas las velas Y solo quede este shock Tú y yo en la niebla Perdiendo el reloj Sube otra vez la marea Prepárate Que ahí voy (woah) [Chorus] Trompetas en la nuca Kicks gordos al compás Tu cintura se desajusta Y el mundo ya nos da igual Trompetas en la nuca Bajón listo pa’ explotar Si esto se derrumba Que nos pille al bailar",2026-04-01T02:55:18.125Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/9d1bdba9-c093-4f25-b75d-5c243554419e.mp3,https://cdn2.suno.ai/image_9d1bdba9-c093-4f25-b75d-5c243554419e.jpeg,https://cdn2.suno.ai/image_large_9d1bdba9-c093-4f25-b75d-5c243554419e.jpeg audio/be7d3f1e-9cc8-4f94-a409-e2c41ec20122.mp3,be7d3f1e-9cc8-4f94-a409-e2c41ec20122,Trompetas en la Nuca,v5.5,chirp-fenix,complete,189.76,False,"Early-2010s dubstep swagger with chunky midrange growls and huge sidechained kicks; offbeat skanking reggae trumpets cutting through, male vocals half-sung half-chanted. Drops slam with wobbling subs, chopped vocal glitches, and echo-drenched brass stabs; breakdown strips to filtered trumpets and spacey delays before the final explosive hook., dubstep, reggae",Dubstep del 2000 con trompetas reggae y kicks gordos,"[Intro] Suena grave el suelo Huele a humo Ron barato Tu mirada dice “dale” Mis rodillas dicen “salto” [Verse 1] Bajo roto Luces verdes en tu piel Vas marcando Cada offbeat sobre el tren Tu sonrisa Media loca Media zen Yo perdido Entre el humo y tu vaivén [Chorus] Trompetas en la nuca Kicks gordos al compás Tu cintura se desajusta Y el mundo ya nos da igual Trompetas en la nuca Bajón listo pa’ explotar Si esto se derrumba Que nos pille al bailar (hey!) [Verse 2] Sudor frío Pero el ritmo va caliente Tu tatuaje Se me queda en la mente Dices “suelta” Yo me suelto de verdad Si hay mañana Que nos venga a manejar [Chorus] Trompetas en la nuca Kicks gordos al compás Tu cintura se desajusta Y el mundo ya nos da igual Trompetas en la nuca Bajón listo pa’ explotar Si esto se derrumba Que nos pille al bailar (oh yeah) [Bridge] Dime si te quedas Cuando caiga el último drop Cuando apaguen todas las velas Y solo quede este shock Tú y yo en la niebla Perdiendo el reloj Sube otra vez la marea Prepárate Que ahí voy (woah) [Chorus] Trompetas en la nuca Kicks gordos al compás Tu cintura se desajusta Y el mundo ya nos da igual Trompetas en la nuca Bajón listo pa’ explotar Si esto se derrumba Que nos pille al bailar",2026-04-01T02:55:18.125Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/be7d3f1e-9cc8-4f94-a409-e2c41ec20122.mp3,https://cdn2.suno.ai/image_be7d3f1e-9cc8-4f94-a409-e2c41ec20122.jpeg,https://cdn2.suno.ai/image_large_be7d3f1e-9cc8-4f94-a409-e2c41ec20122.jpeg audio/182f77f7-cbc7-4a20-9c80-b519974e7271.mp3,182f77f7-cbc7-4a20-9c80-b519974e7271,,v5,chirp-crow,complete,305.88,True,"Baroque motet, four individual solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, each voice distinct no blended choir, cantus firmus in soprano, imitative polyphonic counterpoint, fugal expositions alternating with homophonic chorale sections, augmentation and diminution of subject, invertible counterpoint, stretto entries, two baroque violins doubling vocal lines colla parte, baroque viola, baroque cello, violone, small chamber organ continuo, heavy suspensions 7-6 and 4-3 chains, dissonant passing tones, Neapolitan harmony, tierce de Picardie cadence, fermatas at every phrase, extremely slow and solemn, grave tempo, funereal weight, dark and devotional, deeply meditative, E minor, 4/4, 36 BPM, Bach motet style Singet dem Herrn, Leipzig Thomaskirche 1723, profound grief and spiritual reverence ``",,,2026-02-28T19:40:42.034Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/182f77f7-cbc7-4a20-9c80-b519974e7271.mp3,https://cdn2.suno.ai/image_182f77f7-cbc7-4a20-9c80-b519974e7271.jpeg,https://cdn2.suno.ai/image_large_182f77f7-cbc7-4a20-9c80-b519974e7271.jpeg audio/81f9fb57-5e6a-4512-b820-c659be95377f.mp3,81f9fb57-5e6a-4512-b820-c659be95377f,,v5,chirp-crow,complete,129.96,True,"Baroque motet, four individual solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, each voice distinct no blended choir, cantus firmus in soprano, imitative polyphonic counterpoint, fugal expositions alternating with homophonic chorale sections, augmentation and diminution of subject, invertible counterpoint, stretto entries, two baroque violins doubling vocal lines colla parte, baroque viola, baroque cello, violone, small chamber organ continuo, heavy suspensions 7-6 and 4-3 chains, dissonant passing tones, Neapolitan harmony, tierce de Picardie cadence, fermatas at every phrase, extremely slow and solemn, grave tempo, funereal weight, dark and devotional, deeply meditative, E minor, 4/4, 36 BPM, Bach motet style Singet dem Herrn, Leipzig Thomaskirche 1723, profound grief and spiritual reverence ``",,,2026-02-28T19:40:42.034Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/81f9fb57-5e6a-4512-b820-c659be95377f.mp3,https://cdn2.suno.ai/image_81f9fb57-5e6a-4512-b820-c659be95377f.jpeg,https://cdn2.suno.ai/image_large_81f9fb57-5e6a-4512-b820-c659be95377f.jpeg audio/62de3edc-b805-4335-80b1-7ba4b63313cd.mp3,62de3edc-b805-4335-80b1-7ba4b63313cd,,v5,chirp-crow,complete,92.16,True,"Baroque motet, four individual solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, each voice distinct no blended choir, cantus firmus in soprano, imitative polyphonic counterpoint, fugal expositions alternating with homophonic chorale sections, augmentation and diminution of subject, invertible counterpoint, stretto entries, two baroque violins doubling vocal lines colla parte, baroque viola, baroque cello, violone, small chamber organ continuo, heavy suspensions 7-6 and 4-3 chains, dissonant passing tones, Neapolitan harmony, tierce de Picardie cadence, fermatas at every phrase, extremely slow and solemn, grave tempo, funereal weight, dark and devotional, deeply meditative, E minor, 4/4, 36 BPM, Bach motet style Singet dem Herrn, Leipzig Thomaskirche 1723, profound grief and spiritual reverence ``",,,2026-02-28T19:40:26.351Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/62de3edc-b805-4335-80b1-7ba4b63313cd.mp3,https://cdn2.suno.ai/image_62de3edc-b805-4335-80b1-7ba4b63313cd.jpeg,https://cdn2.suno.ai/image_large_62de3edc-b805-4335-80b1-7ba4b63313cd.jpeg audio/71f1c6f2-fda1-4c3e-9234-238f6e590c77.mp3,71f1c6f2-fda1-4c3e-9234-238f6e590c77,,v5,chirp-crow,complete,174.72,True,"Baroque motet, four individual solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, each voice distinct no blended choir, cantus firmus in soprano, imitative polyphonic counterpoint, fugal expositions alternating with homophonic chorale sections, augmentation and diminution of subject, invertible counterpoint, stretto entries, two baroque violins doubling vocal lines colla parte, baroque viola, baroque cello, violone, small chamber organ continuo, heavy suspensions 7-6 and 4-3 chains, dissonant passing tones, Neapolitan harmony, tierce de Picardie cadence, fermatas at every phrase, extremely slow and solemn, grave tempo, funereal weight, dark and devotional, deeply meditative, E minor, 4/4, 36 BPM, Bach motet style Singet dem Herrn, Leipzig Thomaskirche 1723, profound grief and spiritual reverence ``",,,2026-02-28T19:40:26.351Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/71f1c6f2-fda1-4c3e-9234-238f6e590c77.mp3,https://cdn2.suno.ai/image_71f1c6f2-fda1-4c3e-9234-238f6e590c77.jpeg,https://cdn2.suno.ai/image_large_71f1c6f2-fda1-4c3e-9234-238f6e590c77.jpeg audio/b45c04f3-0544-4322-a66c-a1165e7bcb78.mp3,b45c04f3-0544-4322-a66c-a1165e7bcb78,,v5,chirp-crow,complete,137.56,True,"Baroque motet, four individual solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, each voice distinct no blended choir, cantus firmus in soprano, imitative polyphonic counterpoint, fugal expositions alternating with homophonic chorale sections, augmentation and diminution of subject, invertible counterpoint, stretto entries, two baroque violins doubling vocal lines colla parte, baroque viola, baroque cello, violone, small chamber organ continuo, heavy suspensions 7-6 and 4-3 chains, dissonant passing tones, Neapolitan harmony, tierce de Picardie cadence, fermatas at every phrase, extremely slow and solemn, grave tempo, funereal weight, dark and devotional, deeply meditative, E minor, 4/4, 36 BPM, Bach motet style Singet dem Herrn, Leipzig Thomaskirche 1723, profound grief and spiritual reverence ``",,,2026-02-28T19:40:02.911Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b45c04f3-0544-4322-a66c-a1165e7bcb78.mp3,https://cdn2.suno.ai/image_b45c04f3-0544-4322-a66c-a1165e7bcb78.jpeg,https://cdn2.suno.ai/image_large_b45c04f3-0544-4322-a66c-a1165e7bcb78.jpeg audio/55406bcf-78b1-4bf0-8f46-f592c1caf621.mp3,55406bcf-78b1-4bf0-8f46-f592c1caf621,,v5,chirp-crow,complete,214.92,True,"Baroque motet, four individual solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, each voice distinct no blended choir, cantus firmus in soprano, imitative polyphonic counterpoint, fugal expositions alternating with homophonic chorale sections, augmentation and diminution of subject, invertible counterpoint, stretto entries, two baroque violins doubling vocal lines colla parte, baroque viola, baroque cello, violone, small chamber organ continuo, heavy suspensions 7-6 and 4-3 chains, dissonant passing tones, Neapolitan harmony, tierce de Picardie cadence, fermatas at every phrase, extremely slow and solemn, grave tempo, funereal weight, dark and devotional, deeply meditative, E minor, 4/4, 36 BPM, Bach motet style Singet dem Herrn, Leipzig Thomaskirche 1723, profound grief and spiritual reverence ``",,,2026-02-28T19:40:02.911Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/55406bcf-78b1-4bf0-8f46-f592c1caf621.mp3,https://cdn2.suno.ai/image_55406bcf-78b1-4bf0-8f46-f592c1caf621.jpeg,https://cdn2.suno.ai/image_large_55406bcf-78b1-4bf0-8f46-f592c1caf621.jpeg audio/618f0934-67c5-4d56-a8cc-c6fc06878d3b.mp3,618f0934-67c5-4d56-a8cc-c6fc06878d3b,,v5,chirp-crow,complete,244.92,True,"Baroque motet, four individual solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, each voice distinct no blended choir, double chorus texture, cantus firmus in soprano, imitative polyphonic counterpoint between voices, fugal expositions alternating with homophonic chorale sections, augmentation and diminution of subject, invertible counterpoint, stretto entries, accompanied by two baroque violins doubling vocal lines colla parte, baroque viola, baroque cello, violone, small chamber organ continuo, heavy suspensions 7-6 and 4-3 chains, dissonant passing tones, Neapolitan harmony, tierce de Picardie cadence, fermatas at phrase endings, E minor, 4/4, 48 BPM, Bach motet style Singet dem Herrn, Leipzig Thomaskirche 1723, devotional and contrapuntally dense",,,2026-02-28T19:38:11.385Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/618f0934-67c5-4d56-a8cc-c6fc06878d3b.mp3,https://cdn2.suno.ai/image_618f0934-67c5-4d56-a8cc-c6fc06878d3b.jpeg,https://cdn2.suno.ai/image_large_618f0934-67c5-4d56-a8cc-c6fc06878d3b.jpeg audio/2f188710-5590-4fb8-bc08-ab12f649d280.mp3,2f188710-5590-4fb8-bc08-ab12f649d280,,v5,chirp-crow,complete,149.96,True,"Baroque motet, four individual solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, each voice distinct no blended choir, double chorus texture, cantus firmus in soprano, imitative polyphonic counterpoint between voices, fugal expositions alternating with homophonic chorale sections, augmentation and diminution of subject, invertible counterpoint, stretto entries, accompanied by two baroque violins doubling vocal lines colla parte, baroque viola, baroque cello, violone, small chamber organ continuo, heavy suspensions 7-6 and 4-3 chains, dissonant passing tones, Neapolitan harmony, tierce de Picardie cadence, fermatas at phrase endings, E minor, 4/4, 48 BPM, Bach motet style Singet dem Herrn, Leipzig Thomaskirche 1723, devotional and contrapuntally dense",,,2026-02-28T19:38:11.385Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2f188710-5590-4fb8-bc08-ab12f649d280.mp3,https://cdn2.suno.ai/image_2f188710-5590-4fb8-bc08-ab12f649d280.jpeg,https://cdn2.suno.ai/image_large_2f188710-5590-4fb8-bc08-ab12f649d280.jpeg audio/df6474f2-f967-41ff-8271-425142cec596.mp3,df6474f2-f967-41ff-8271-425142cec596,,v5,chirp-crow,complete,212.96,True,"Baroque chamber piece, four individual solo voices SATB, soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, each voice clearly distinct and audible, no blended choir, accompanied by two baroque violins, one baroque viola, one baroque cello, one violone, small chamber organ continuo, heavy suspensions and delayed resolutions, 7-6 and 4-3 suspension chains, slow chordal homophony, Bach cantata style, fermatas at cadences, E minor, 4/4, 48 BPM, early 18th century Leipzig chamber sound, devotional and expressive, each voice stands alone",,,2026-02-28T19:34:38.048Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/df6474f2-f967-41ff-8271-425142cec596.mp3,https://cdn2.suno.ai/image_df6474f2-f967-41ff-8271-425142cec596.jpeg,https://cdn2.suno.ai/image_large_df6474f2-f967-41ff-8271-425142cec596.jpeg audio/b1a67487-858e-4444-8043-b7acec1d7231.mp3,b1a67487-858e-4444-8043-b7acec1d7231,,v5,chirp-crow,complete,204.88,True,"Baroque chamber piece, four individual solo voices SATB, soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, each voice clearly distinct and audible, no blended choir, accompanied by two baroque violins, one baroque viola, one baroque cello, one violone, small chamber organ continuo, heavy suspensions and delayed resolutions, 7-6 and 4-3 suspension chains, slow chordal homophony, Bach cantata style, fermatas at cadences, E minor, 4/4, 48 BPM, early 18th century Leipzig chamber sound, devotional and expressive, each voice stands alone",,,2026-02-28T19:34:38.048Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/b1a67487-858e-4444-8043-b7acec1d7231.mp3,https://cdn2.suno.ai/image_b1a67487-858e-4444-8043-b7acec1d7231.jpeg,https://cdn2.suno.ai/image_large_b1a67487-858e-4444-8043-b7acec1d7231.jpeg audio/3598a6b2-44bd-49c7-927e-7b9b01e2da96.mp3,3598a6b2-44bd-49c7-927e-7b9b01e2da96,,v5,chirp-crow,complete,190.68,True,"Baroque chamber piece, four individual solo voices SATB, soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, each voice clearly distinct and audible, no blended choir, accompanied by two baroque violins, one baroque viola, one baroque cello, one violone, small chamber organ continuo, heavy suspensions and delayed resolutions, 7-6 and 4-3 suspension chains, slow chordal homophony, Bach cantata style, fermatas at cadences, E minor, 4/4, 48 BPM, early 18th century Leipzig chamber sound, devotional and expressive, each voice stands alone",,,2026-02-28T19:33:41.058Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/3598a6b2-44bd-49c7-927e-7b9b01e2da96.mp3,https://cdn2.suno.ai/image_3598a6b2-44bd-49c7-927e-7b9b01e2da96.jpeg,https://cdn2.suno.ai/image_large_3598a6b2-44bd-49c7-927e-7b9b01e2da96.jpeg audio/2153179a-edf6-4f19-832d-f7f53205565c.mp3,2153179a-edf6-4f19-832d-f7f53205565c,,v5,chirp-crow,complete,192.52,True,"Baroque chamber piece, four individual solo voices SATB, soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, each voice clearly distinct and audible, no blended choir, accompanied by two baroque violins, one baroque viola, one baroque cello, one violone, small chamber organ continuo, heavy suspensions and delayed resolutions, 7-6 and 4-3 suspension chains, slow chordal homophony, Bach cantata style, fermatas at cadences, E minor, 4/4, 48 BPM, early 18th century Leipzig chamber sound, devotional and expressive, each voice stands alone",,,2026-02-28T19:33:41.057Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2153179a-edf6-4f19-832d-f7f53205565c.mp3,https://cdn2.suno.ai/image_2153179a-edf6-4f19-832d-f7f53205565c.jpeg,https://cdn2.suno.ai/image_large_2153179a-edf6-4f19-832d-f7f53205565c.jpeg audio/d09d5921-b6db-4b82-bc8d-48d10622eb50.mp3,d09d5921-b6db-4b82-bc8d-48d10622eb50,,v5,chirp-crow,complete,169.88,True,"Baroque chamber vocal quartet, four solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, accompanied by two baroque violins, one baroque viola, one baroque cello, one violone, and small chamber organ, string ensemble with chamber organ continuo, no harpsichord, intimate chamber setting, heavy suspensions and delayed resolutions, 7-6 and 4-3 suspension chains, slow chordal homophony, Bach cantata style, fermatas at cadences, E minor, 4/4, 48 BPM, early 18th century Leipzig chamber sound, devotional and expressive",,,2026-02-28T19:31:44.814Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d09d5921-b6db-4b82-bc8d-48d10622eb50.mp3,https://cdn2.suno.ai/image_d09d5921-b6db-4b82-bc8d-48d10622eb50.jpeg,https://cdn2.suno.ai/image_large_d09d5921-b6db-4b82-bc8d-48d10622eb50.jpeg audio/6a0e42d6-0348-4a8c-8675-df6e62ad2a71.mp3,6a0e42d6-0348-4a8c-8675-df6e62ad2a71,,v5,chirp-crow,complete,123.96,True,"Baroque chamber vocal quartet, four solo voices SATB, soprano solo, alto solo, tenor solo, bass solo, accompanied by two baroque violins, one baroque viola, one baroque cello, one violone, and small chamber organ, string ensemble with chamber organ continuo, no harpsichord, intimate chamber setting, heavy suspensions and delayed resolutions, 7-6 and 4-3 suspension chains, slow chordal homophony, Bach cantata style, fermatas at cadences, E minor, 4/4, 48 BPM, early 18th century Leipzig chamber sound, devotional and expressive",,,2026-02-28T19:31:44.814Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/6a0e42d6-0348-4a8c-8675-df6e62ad2a71.mp3,https://cdn2.suno.ai/image_6a0e42d6-0348-4a8c-8675-df6e62ad2a71.jpeg,https://cdn2.suno.ai/image_large_6a0e42d6-0348-4a8c-8675-df6e62ad2a71.jpeg audio/a2612c31-b0af-426f-854e-32439e494a88.mp3,a2612c31-b0af-426f-854e-32439e494a88,,v5,chirp-crow,complete,154.88,True,"Four-voice SATB chorale, pipe organ, soprano alto tenor bass distinct voices moving together in chordal homophony, Bach chorale harmonization style, every chord resolution uses suspension, 7-6 suspension chains, 4-3 suspensions, 9-8 suspensions, slow note-by-note harmonic movement, hymn-like phrasing, fermatas at cadences, E minor, 4/4, 48 BPM, cathedral organ, devotional and solemn, each phrase ends with suspension resolving to cadence",,,2026-02-28T19:29:47.798Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a2612c31-b0af-426f-854e-32439e494a88.mp3,https://cdn2.suno.ai/image_a2612c31-b0af-426f-854e-32439e494a88.jpeg,https://cdn2.suno.ai/image_large_a2612c31-b0af-426f-854e-32439e494a88.jpeg audio/3e7f64c6-5e98-43ea-89ae-e8e5bc76b644.mp3,3e7f64c6-5e98-43ea-89ae-e8e5bc76b644,,v5,chirp-crow,complete,164.28,True,"Four-voice SATB chorale, pipe organ, soprano alto tenor bass distinct voices moving together in chordal homophony, Bach chorale harmonization style, every chord resolution uses suspension, 7-6 suspension chains, 4-3 suspensions, 9-8 suspensions, slow note-by-note harmonic movement, hymn-like phrasing, fermatas at cadences, E minor, 4/4, 48 BPM, cathedral organ, devotional and solemn, each phrase ends with suspension resolving to cadence",,,2026-02-28T19:29:47.798Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/3e7f64c6-5e98-43ea-89ae-e8e5bc76b644.mp3,https://cdn2.suno.ai/image_3e7f64c6-5e98-43ea-89ae-e8e5bc76b644.jpeg,https://cdn2.suno.ai/image_large_3e7f64c6-5e98-43ea-89ae-e8e5bc76b644.jpeg audio/546a451d-2693-417b-bd8b-f573c19a57d2.mp3,546a451d-2693-417b-bd8b-f573c19a57d2,,v5,chirp-crow,complete,188.64,True,"Baroque pipe organ choral piece, heavy use of suspensions and delayed resolutions, 4-voice chorale texture, dissonant suspensions resolving stepwise, 7-6 and 4-3 suspension chains, slow harmonic rhythm, deeply expressive and solemn, E minor, 3/4, full organ registration, cathedral reverb, Bach chorale style, emotional tension through unresolved dissonance, gentle voice leading, 52 BPM",,,2026-02-28T19:26:59.839Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/546a451d-2693-417b-bd8b-f573c19a57d2.mp3,https://cdn2.suno.ai/image_546a451d-2693-417b-bd8b-f573c19a57d2.jpeg,https://cdn2.suno.ai/image_large_546a451d-2693-417b-bd8b-f573c19a57d2.jpeg audio/745943f5-5424-4ba7-98a0-50ec14f2c2e0.mp3,745943f5-5424-4ba7-98a0-50ec14f2c2e0,,v5,chirp-crow,complete,73.28,True,"Baroque pipe organ choral piece, heavy use of suspensions and delayed resolutions, 4-voice chorale texture, dissonant suspensions resolving stepwise, 7-6 and 4-3 suspension chains, slow harmonic rhythm, deeply expressive and solemn, E minor, 3/4, full organ registration, cathedral reverb, Bach chorale style, emotional tension through unresolved dissonance, gentle voice leading, 52 BPM",,,2026-02-28T19:26:59.839Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/745943f5-5424-4ba7-98a0-50ec14f2c2e0.mp3,https://cdn2.suno.ai/image_745943f5-5424-4ba7-98a0-50ec14f2c2e0.jpeg,https://cdn2.suno.ai/image_large_745943f5-5424-4ba7-98a0-50ec14f2c2e0.jpeg audio/4030cffd-1727-4ae8-9c4a-c55db2ce2a54.mp3,4030cffd-1727-4ae8-9c4a-c55db2ce2a54,,v5,chirp-crow,complete,148.0,True,"Alien dubstep, extreme polyrhythm, 5 against 3 against 7 rhythmic layers simultaneously, massive reese bass wobble, 140 BPM with half-time drops, extraterrestrial sound design, xenomorphic growl bass, pitch-shifted alien vocal chops, microtonal melody, atonal harmonic clusters, glitchy stuttered beats, triplet grid fighting binary grid, LFO madness, hyper-modulated synths, sub-bass seismic drop, industrial noise textures, cosmic void atmosphere, unpredictable time signature shifts 7/8 into 4/4 into 5/4, chaotic yet groovy, dystopian sci-fi, no human elements",,,2026-02-28T19:24:24.225Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4030cffd-1727-4ae8-9c4a-c55db2ce2a54.mp3,https://cdn2.suno.ai/image_4030cffd-1727-4ae8-9c4a-c55db2ce2a54.jpeg,https://cdn2.suno.ai/image_large_4030cffd-1727-4ae8-9c4a-c55db2ce2a54.jpeg audio/17777327-267c-4fa8-8924-703837b7a54c.mp3,17777327-267c-4fa8-8924-703837b7a54c,,v5,chirp-crow,complete,143.12,True,"Alien dubstep, extreme polyrhythm, 5 against 3 against 7 rhythmic layers simultaneously, massive reese bass wobble, 140 BPM with half-time drops, extraterrestrial sound design, xenomorphic growl bass, pitch-shifted alien vocal chops, microtonal melody, atonal harmonic clusters, glitchy stuttered beats, triplet grid fighting binary grid, LFO madness, hyper-modulated synths, sub-bass seismic drop, industrial noise textures, cosmic void atmosphere, unpredictable time signature shifts 7/8 into 4/4 into 5/4, chaotic yet groovy, dystopian sci-fi, no human elements",,,2026-02-28T19:24:24.225Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/17777327-267c-4fa8-8924-703837b7a54c.mp3,https://cdn2.suno.ai/image_17777327-267c-4fa8-8924-703837b7a54c.jpeg,https://cdn2.suno.ai/image_large_17777327-267c-4fa8-8924-703837b7a54c.jpeg audio/0ab5e317-547e-4fcc-bdf9-6d54bc6bccca.mp3,0ab5e317-547e-4fcc-bdf9-6d54bc6bccca,,v5,chirp-crow,complete,119.92,True,"Baroque pipe organ three-voice fugue, Johann Sebastian Bach style, strict polyphonic counterpoint, clear fugue subject in bass voice, tonal answer in tenor, third entry in soprano, episodic development with pedal point, stretto and augmentation near climax, G minor, 4/4, full organ registration with principals and mixtures, cathedral acoustic, deep reverberation, authentic baroque phrasing, no vibrato, 60 BPM, Leipzig Thomaskirche sound, majestic and solemn",,,2026-02-28T19:22:23.320Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/0ab5e317-547e-4fcc-bdf9-6d54bc6bccca.mp3,https://cdn2.suno.ai/image_0ab5e317-547e-4fcc-bdf9-6d54bc6bccca.jpeg,https://cdn2.suno.ai/image_large_0ab5e317-547e-4fcc-bdf9-6d54bc6bccca.jpeg audio/638cc333-28ff-4020-9e2c-47447dea3125.mp3,638cc333-28ff-4020-9e2c-47447dea3125,,v5,chirp-crow,complete,158.28,True,"Baroque pipe organ three-voice fugue, Johann Sebastian Bach style, strict polyphonic counterpoint, clear fugue subject in bass voice, tonal answer in tenor, third entry in soprano, episodic development with pedal point, stretto and augmentation near climax, G minor, 4/4, full organ registration with principals and mixtures, cathedral acoustic, deep reverberation, authentic baroque phrasing, no vibrato, 60 BPM, Leipzig Thomaskirche sound, majestic and solemn",,,2026-02-28T19:22:23.320Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/638cc333-28ff-4020-9e2c-47447dea3125.mp3,https://cdn2.suno.ai/image_638cc333-28ff-4020-9e2c-47447dea3125.jpeg,https://cdn2.suno.ai/image_large_638cc333-28ff-4020-9e2c-47447dea3125.jpeg audio/35c6967d-1ccd-4956-ae37-3d91c127babb.mp3,35c6967d-1ccd-4956-ae37-3d91c127babb,,v5,chirp-crow,complete,104.56,True,"Baroque two-voice fugue, harpsichord, J.S. Bach style, strict counterpoint, clear subject and answer entry, episode development with sequential patterns, stretto near conclusion, D minor, 4/4, authentic baroque ornamentation, trills and mordents, crisp articulation, no pedal, dry acoustic, 72 BPM, early 18th century Leipzig style, clean polyphonic texture",,,2026-02-28T19:20:38.223Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/35c6967d-1ccd-4956-ae37-3d91c127babb.mp3,https://cdn2.suno.ai/image_35c6967d-1ccd-4956-ae37-3d91c127babb.jpeg,https://cdn2.suno.ai/image_large_35c6967d-1ccd-4956-ae37-3d91c127babb.jpeg audio/5fca1bfd-4bb8-4340-b543-48f9925a5161.mp3,5fca1bfd-4bb8-4340-b543-48f9925a5161,,v5,chirp-crow,complete,127.6,True,"Baroque two-voice fugue, harpsichord, J.S. Bach style, strict counterpoint, clear subject and answer entry, episode development with sequential patterns, stretto near conclusion, D minor, 4/4, authentic baroque ornamentation, trills and mordents, crisp articulation, no pedal, dry acoustic, 72 BPM, early 18th century Leipzig style, clean polyphonic texture",,,2026-02-28T19:20:38.223Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/5fca1bfd-4bb8-4340-b543-48f9925a5161.mp3,https://cdn2.suno.ai/image_5fca1bfd-4bb8-4340-b543-48f9925a5161.jpeg,https://cdn2.suno.ai/image_large_5fca1bfd-4bb8-4340-b543-48f9925a5161.jpeg audio/cc7b0d47-d9fe-4762-bf58-01326335619c.mp3,cc7b0d47-d9fe-4762-bf58-01326335619c,"Reggae Organ Skank Loop, Hammond B3, Classic Upbeat Chop, Offbeat Rhythm Only...",v5,chirp-crow,complete,12.4,True,"reggae organ Reggae, Ska, Rock, Pop Rock loop hammond b3 classic upbeat chop offbeat rhythm only no bass no drums roots reggae style vintage 1970s jamaica warm leslie speaker tone 70 bpm",,,2026-02-28T19:19:17.987Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/cc7b0d47-d9fe-4762-bf58-01326335619c.mp3,https://cdn2.suno.ai/image_cc7b0d47-d9fe-4762-bf58-01326335619c.jpeg,https://cdn2.suno.ai/image_large_cc7b0d47-d9fe-4762-bf58-01326335619c.jpeg audio/a031f22a-df86-45ce-a576-7dd491a68dd7.mp3,a031f22a-df86-45ce-a576-7dd491a68dd7,"Reggae Organ Skank Loop, Hammond B3, Classic Upbeat Chop, Offbeat Rhythm Only...",v5,chirp-crow,complete,13.68,True,"reggae organ Reggae, Ska, Rock, Pop Rock loop hammond b3 classic upbeat chop offbeat rhythm only no bass no drums roots reggae style vintage 1970s jamaica warm leslie speaker tone 70 bpm",,,2026-02-28T19:19:17.986Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a031f22a-df86-45ce-a576-7dd491a68dd7.mp3,https://cdn2.suno.ai/image_a031f22a-df86-45ce-a576-7dd491a68dd7.jpeg,https://cdn2.suno.ai/image_large_a031f22a-df86-45ce-a576-7dd491a68dd7.jpeg audio/b2bedd8f-7387-4936-aea9-234ffdcea15f.mp3,b2bedd8f-7387-4936-aea9-234ffdcea15f,"Reggae Bass Loop, Deep Roots Reggae Walking Bass, One Drop Style, Vintage Tub...",v5,chirp-crow,complete,13.12,True,"Reggae bass loop, deep roots reggae walking bass, one drop style, vintage tube amp, warm and round tone, no drums, no melody, just bass, 70 BPM, Jamaica 1973 sound, analog recording",,,2026-02-28T19:17:34.917Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b2bedd8f-7387-4936-aea9-234ffdcea15f.mp3,https://cdn2.suno.ai/image_b2bedd8f-7387-4936-aea9-234ffdcea15f.jpeg,https://cdn2.suno.ai/image_large_b2bedd8f-7387-4936-aea9-234ffdcea15f.jpeg audio/743dfb79-0339-4e45-b113-63a3cfeb77a4.mp3,743dfb79-0339-4e45-b113-63a3cfeb77a4,"Reggae Bass Loop, Deep Roots Reggae Walking Bass, One Drop Style, Vintage Tub...",v5,chirp-crow,complete,6.64,True,"Reggae bass loop, deep roots reggae walking bass, one drop style, vintage tube amp, warm and round tone, no drums, no melody, just bass, 70 BPM, Jamaica 1973 sound, analog recording",,,2026-02-28T19:17:34.916Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/743dfb79-0339-4e45-b113-63a3cfeb77a4.mp3,https://cdn2.suno.ai/image_743dfb79-0339-4e45-b113-63a3cfeb77a4.jpeg,https://cdn2.suno.ai/image_large_743dfb79-0339-4e45-b113-63a3cfeb77a4.jpeg audio/641a8cd3-09ff-4684-982e-44f48d75549e.mp3,641a8cd3-09ff-4684-982e-44f48d75549e,,v5,chirp-crow,complete,323.76,False,"roots reggae reggae, ska, rocksteady style classic 1970s jamaica one drop rhythm warm bass groove vintage electric guitar Reggae, Ska, Rock, Pop Rock organic drums rastafarian feeling natural reverb hammond organ background harmony singers slow and soulful 70 bpm positive spiritual vibes",,"Acá va completa: ""River of Light"" [Intro] Mmm yeah... Jah guide us Every morning, every night Feel the rhythm in your soul tonight [Verse 1] Wake up in the morning sun Feel the breeze upon my skin Every battle can be won When you let the light come in They try to keep us down so long With chains they cannot see But every man was born so strong Every man was born so free [Pre-Chorus] So open up your eyes my friend The storm will always end And what they broke they cannot mend Cause love will rise again [Chorus] We gonna rise, rise like the river flows Through the stone and the rain Every seed that the good man sows Gonna come back again Rise up children don't you cry The morning star is high No darkness lives beneath the sky Where Jah love never dies [Verse 2] Don't let them steal your soul away Don't let them break your name Every story has its day Every heart has a flame The elders walked this road before Through fire sand and sea They knocked upon a heavy door So we could all be free [Pre-Chorus] So open up your eyes my friend The storm will always end And what they broke they cannot mend Cause love will rise again [Chorus] We gonna rise, rise like the river flows Through the stone and the rain Every seed that the good man sows Gonna come back again Rise up children don't you cry The morning star is high No darkness lives beneath the sky Where Jah love never dies [Bridge] Jah love is the root Jah love is the tree No chain ever built Can hold you and me Sing it to the mountain Sing it to the shore We were never nothing We were always more [Instrumental Break] One drop rhythm carry the soul Bass and drum make the broken whole [Verse 3] The river keeps on rolling on Through every crack and stone No matter how the night is long No man walks alone I've seen the hungry find their bread I've seen the dry land rain I've seen the living mourn their dead And dance with joy again [Chorus] We gonna rise, rise like the river flows Through the stone and the rain Every seed that the good man sows Gonna come back again Rise up children don't you cry The morning star is high No darkness lives beneath the sky Where Jah love never dies [Outro] Rise up, rise up River keep on flowing Rise up, rise up Keep the good seed growing Rise up, rise up Every day we're knowing Jah light in our hearts Jah light always glowing Mmm yeah... One love, one heart One river, one start...",2026-02-28T19:15:35.079Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/641a8cd3-09ff-4684-982e-44f48d75549e.mp3,https://cdn2.suno.ai/image_641a8cd3-09ff-4684-982e-44f48d75549e.jpeg,https://cdn2.suno.ai/image_large_641a8cd3-09ff-4684-982e-44f48d75549e.jpeg audio/854e958a-5abb-4645-a705-c58d0fa59386.mp3,854e958a-5abb-4645-a705-c58d0fa59386,,v5,chirp-crow,complete,294.96,False,"roots reggae reggae, ska, rocksteady style classic 1970s jamaica one drop rhythm warm bass groove vintage electric guitar Reggae, Ska, Rock, Pop Rock organic drums rastafarian feeling natural reverb hammond organ background harmony singers slow and soulful 70 bpm positive spiritual vibes",,"Acá va completa: ""River of Light"" [Intro] Mmm yeah... Jah guide us Every morning, every night Feel the rhythm in your soul tonight [Verse 1] Wake up in the morning sun Feel the breeze upon my skin Every battle can be won When you let the light come in They try to keep us down so long With chains they cannot see But every man was born so strong Every man was born so free [Pre-Chorus] So open up your eyes my friend The storm will always end And what they broke they cannot mend Cause love will rise again [Chorus] We gonna rise, rise like the river flows Through the stone and the rain Every seed that the good man sows Gonna come back again Rise up children don't you cry The morning star is high No darkness lives beneath the sky Where Jah love never dies [Verse 2] Don't let them steal your soul away Don't let them break your name Every story has its day Every heart has a flame The elders walked this road before Through fire sand and sea They knocked upon a heavy door So we could all be free [Pre-Chorus] So open up your eyes my friend The storm will always end And what they broke they cannot mend Cause love will rise again [Chorus] We gonna rise, rise like the river flows Through the stone and the rain Every seed that the good man sows Gonna come back again Rise up children don't you cry The morning star is high No darkness lives beneath the sky Where Jah love never dies [Bridge] Jah love is the root Jah love is the tree No chain ever built Can hold you and me Sing it to the mountain Sing it to the shore We were never nothing We were always more [Instrumental Break] One drop rhythm carry the soul Bass and drum make the broken whole [Verse 3] The river keeps on rolling on Through every crack and stone No matter how the night is long No man walks alone I've seen the hungry find their bread I've seen the dry land rain I've seen the living mourn their dead And dance with joy again [Chorus] We gonna rise, rise like the river flows Through the stone and the rain Every seed that the good man sows Gonna come back again Rise up children don't you cry The morning star is high No darkness lives beneath the sky Where Jah love never dies [Outro] Rise up, rise up River keep on flowing Rise up, rise up Keep the good seed growing Rise up, rise up Every day we're knowing Jah light in our hearts Jah light always glowing Mmm yeah... One love, one heart One river, one start...",2026-02-28T19:15:35.079Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/854e958a-5abb-4645-a705-c58d0fa59386.mp3,https://cdn2.suno.ai/image_854e958a-5abb-4645-a705-c58d0fa59386.jpeg,https://cdn2.suno.ai/image_large_854e958a-5abb-4645-a705-c58d0fa59386.jpeg audio/eeea1cea-bec4-4d30-8af4-8b287f39793f.mp3,eeea1cea-bec4-4d30-8af4-8b287f39793f,,v5,chirp-crow,complete,181.2,True,"roots reggae reggae, ska, rocksteady style classic 1970s jamaica one drop rhythm warm bass groove vintage electric guitar Reggae, Ska, Rock, Pop Rock organic drums rastafarian feeling natural reverb hammond organ background harmony singers slow and soulful 70 bpm positive spiritual vibes",,,2026-02-28T19:13:53.143Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/eeea1cea-bec4-4d30-8af4-8b287f39793f.mp3,https://cdn2.suno.ai/image_eeea1cea-bec4-4d30-8af4-8b287f39793f.jpeg,https://cdn2.suno.ai/image_large_eeea1cea-bec4-4d30-8af4-8b287f39793f.jpeg audio/9dffbd0a-557b-46f2-983c-42fc4e02a3b2.mp3,9dffbd0a-557b-46f2-983c-42fc4e02a3b2,,v5,chirp-crow,complete,168.2,True,"roots reggae reggae, ska, rocksteady style classic 1970s jamaica one drop rhythm warm bass groove vintage electric guitar Reggae, Ska, Rock, Pop Rock organic drums rastafarian feeling natural reverb hammond organ background harmony singers slow and soulful 70 bpm positive spiritual vibes",,,2026-02-28T19:13:53.143Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/9dffbd0a-557b-46f2-983c-42fc4e02a3b2.mp3,https://cdn2.suno.ai/image_9dffbd0a-557b-46f2-983c-42fc4e02a3b2.jpeg,https://cdn2.suno.ai/image_large_9dffbd0a-557b-46f2-983c-42fc4e02a3b2.jpeg audio/51ade431-4899-42c3-9ad8-34323ae5de4a.mp3,51ade431-4899-42c3-9ad8-34323ae5de4a,Rhodes Jazzy Riff House,v5,chirp-crow,complete,4.0,True,"loop, tempo: 120, rhodes jazzy riff house",,,2026-02-28T07:35:35.539Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/51ade431-4899-42c3-9ad8-34323ae5de4a.mp3,https://cdn2.suno.ai/image_51ade431-4899-42c3-9ad8-34323ae5de4a.jpeg,https://cdn2.suno.ai/image_large_51ade431-4899-42c3-9ad8-34323ae5de4a.jpeg audio/6f983c2b-a92a-48a2-8654-ff72d7f66dc1.mp3,6f983c2b-a92a-48a2-8654-ff72d7f66dc1,Rhodes Jazzy Riff House,v5,chirp-crow,complete,3.96,True,"loop, tempo: 120, rhodes jazzy riff house",,,2026-02-28T07:35:35.539Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/6f983c2b-a92a-48a2-8654-ff72d7f66dc1.mp3,https://cdn2.suno.ai/image_6f983c2b-a92a-48a2-8654-ff72d7f66dc1.jpeg,https://cdn2.suno.ai/image_large_6f983c2b-a92a-48a2-8654-ff72d7f66dc1.jpeg audio/5ea3d54f-cb74-49eb-af9a-65d892ce68ee.mp3,5ea3d54f-cb74-49eb-af9a-65d892ce68ee,"Fender Jazz Bass Groove, Fingerstyle Bass Line, Deep Pocket Funk, slap And P...",v5,chirp-crow,complete,3.96,True,"loop, tempo: 120, Fender Jazz Bass groove, fingerstyle bass line, deep pocket funk, slap and pop technique, vintage 1970s tone, bridge pickup growl, minor 11th chord progression, ghost notes, syncopated rhythm, no drums, no melody, no vocals, extended bass loop, Marcus Miller style, compressed punchy tone, 95 BPM 8 bars",,,2026-02-28T06:29:59.440Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/5ea3d54f-cb74-49eb-af9a-65d892ce68ee.mp3,https://cdn2.suno.ai/image_5ea3d54f-cb74-49eb-af9a-65d892ce68ee.jpeg,https://cdn2.suno.ai/image_large_5ea3d54f-cb74-49eb-af9a-65d892ce68ee.jpeg audio/dad3c7e6-4318-4999-8c66-538ae9b38c67.mp3,dad3c7e6-4318-4999-8c66-538ae9b38c67,"Fender Jazz Bass Groove, Fingerstyle Bass Line, Deep Pocket Funk, slap And P...",v5,chirp-crow,complete,7.96,True,"loop, tempo: 120, Fender Jazz Bass groove, fingerstyle bass line, deep pocket funk, slap and pop technique, vintage 1970s tone, bridge pickup growl, minor 11th chord progression, ghost notes, syncopated rhythm, no drums, no melody, no vocals, extended bass loop, Marcus Miller style, compressed punchy tone, 95 BPM 8 bars",,,2026-02-28T06:29:59.440Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/dad3c7e6-4318-4999-8c66-538ae9b38c67.mp3,https://cdn2.suno.ai/image_dad3c7e6-4318-4999-8c66-538ae9b38c67.jpeg,https://cdn2.suno.ai/image_large_dad3c7e6-4318-4999-8c66-538ae9b38c67.jpeg audio/afab1311-482a-48c2-8018-6a2f53f3b64f.mp3,afab1311-482a-48c2-8018-6a2f53f3b64f,"Fender Jazz Bass Groove, Fingerstyle Bass Line, Deep Pocket Funk, slap And P...",v5,chirp-crow,complete,3.92,True,"loop, tempo: 120, Fender Jazz Bass groove, fingerstyle bass line, deep pocket funk, slap and pop technique, vintage 1970s tone, bridge pickup growl, minor 11th chord progression, ghost notes, syncopated rhythm, no drums, no melody, no vocals, extended bass loop, Marcus Miller style, compressed punchy tone, 95 BPM ",,,2026-02-28T06:29:10.498Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/afab1311-482a-48c2-8018-6a2f53f3b64f.mp3,https://cdn2.suno.ai/image_afab1311-482a-48c2-8018-6a2f53f3b64f.jpeg,https://cdn2.suno.ai/image_large_afab1311-482a-48c2-8018-6a2f53f3b64f.jpeg audio/2d55e1c5-8e6b-4774-b585-fbdab5a85060.mp3,2d55e1c5-8e6b-4774-b585-fbdab5a85060,"Fender Jazz Bass Groove, Fingerstyle Bass Line, Deep Pocket Funk, slap And P...",v5,chirp-crow,complete,7.96,True,"loop, tempo: 120, Fender Jazz Bass groove, fingerstyle bass line, deep pocket funk, slap and pop technique, vintage 1970s tone, bridge pickup growl, minor 11th chord progression, ghost notes, syncopated rhythm, no drums, no melody, no vocals, extended bass loop, Marcus Miller style, compressed punchy tone, 95 BPM ",,,2026-02-28T06:29:10.498Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2d55e1c5-8e6b-4774-b585-fbdab5a85060.mp3,https://cdn2.suno.ai/image_2d55e1c5-8e6b-4774-b585-fbdab5a85060.jpeg,https://cdn2.suno.ai/image_large_2d55e1c5-8e6b-4774-b585-fbdab5a85060.jpeg audio/0c30270a-1110-4d25-b7ea-f460b8f1e677.mp3,0c30270a-1110-4d25-b7ea-f460b8f1e677,"Jazz Drum Loop, Brushes On Snare, Ride Cymbal Swing Pattern, hi-hat Feathere...",v5,chirp-crow,complete,8.0,True,"loop, tempo: 120, jazz drum loop, brushes on snare, ride cymbal swing pattern, hi-hat feathered bass drum, jazz trio feel, vintage recording, no melody, no bass, no synth, extended drum loop, Art Blakey style, warm room sound, 85 BPM, acoustic kit ",,,2026-02-28T06:28:16.419Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/0c30270a-1110-4d25-b7ea-f460b8f1e677.mp3,https://cdn2.suno.ai/image_0c30270a-1110-4d25-b7ea-f460b8f1e677.jpeg,https://cdn2.suno.ai/image_large_0c30270a-1110-4d25-b7ea-f460b8f1e677.jpeg audio/f6baf0b1-9e26-4bc6-9b18-b9cd077495fd.mp3,f6baf0b1-9e26-4bc6-9b18-b9cd077495fd,"Jazz Drum Loop, Brushes On Snare, Ride Cymbal Swing Pattern, hi-hat Feathere...",v5,chirp-crow,complete,4.04,True,"loop, tempo: 120, jazz drum loop, brushes on snare, ride cymbal swing pattern, hi-hat feathered bass drum, jazz trio feel, vintage recording, no melody, no bass, no synth, extended drum loop, Art Blakey style, warm room sound, 85 BPM, acoustic kit ",,,2026-02-28T06:28:16.419Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/f6baf0b1-9e26-4bc6-9b18-b9cd077495fd.mp3,https://cdn2.suno.ai/image_f6baf0b1-9e26-4bc6-9b18-b9cd077495fd.jpeg,https://cdn2.suno.ai/image_large_f6baf0b1-9e26-4bc6-9b18-b9cd077495fd.jpeg audio/139c3b3c-882e-46bb-981b-dbedfe55ffec.mp3,139c3b3c-882e-46bb-981b-dbedfe55ffec,"Clean Jazz Guitar Riff, Hollow Body Electric Guitar, Chord Melody Style, min...",v5,chirp-crow,complete,8.68,True,"loop key cm tempo 90 clean jazz guitar riff hollow body electric guitar chord melody style minor 11th voicings tritone substitution accompanied by analog pad synthesizer vintage analog warmth jazz fusion no drums no vocals extended instrumental loop wes montgomery meets Jazz, Jazz Fusion, Progressive Jazz reverb and light chorus slow tempo",,,2026-02-28T06:26:42.234Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/139c3b3c-882e-46bb-981b-dbedfe55ffec.mp3,https://cdn2.suno.ai/image_139c3b3c-882e-46bb-981b-dbedfe55ffec.jpeg,https://cdn2.suno.ai/image_large_139c3b3c-882e-46bb-981b-dbedfe55ffec.jpeg audio/67d655d7-2d75-4dcd-946b-c9da2ab6e930.mp3,67d655d7-2d75-4dcd-946b-c9da2ab6e930,"Clean Jazz Guitar Riff, Hollow Body Electric Guitar, Chord Melody Style, min...",v5,chirp-crow,complete,5.28,True,"loop key cm tempo 90 clean jazz guitar riff hollow body electric guitar chord melody style minor 11th voicings tritone substitution accompanied by analog pad synthesizer vintage analog warmth jazz fusion no drums no vocals extended instrumental loop wes montgomery meets Jazz, Jazz Fusion, Progressive Jazz reverb and light chorus slow tempo",,,2026-02-28T06:26:42.233Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/67d655d7-2d75-4dcd-946b-c9da2ab6e930.mp3,https://cdn2.suno.ai/image_67d655d7-2d75-4dcd-946b-c9da2ab6e930.jpeg,https://cdn2.suno.ai/image_large_67d655d7-2d75-4dcd-946b-c9da2ab6e930.jpeg audio/85ac0327-9748-4a38-9a82-50c562f4d196.mp3,85ac0327-9748-4a38-9a82-50c562f4d196,"Extended Analog Moog Synthesizer Bass Riff, Minor 11th Harmony, Jazz Funk Gro...",v5,chirp-crow,complete,10.64,True,"loop key cm tempo 90 extended analog moog synthesizer bass riff minor 11th harmony jazz funk groove vintage 1970s slow filter cutoff sweep portamento slides dominant 9th chord progression Jazz, Funk, Fusion, Electronic style no vocals no drums 95 bpm long instrumental loop fat oscillator detuned sawtooth wave warm low end",,,2026-02-28T06:25:59.354Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/85ac0327-9748-4a38-9a82-50c562f4d196.mp3,https://cdn2.suno.ai/image_85ac0327-9748-4a38-9a82-50c562f4d196.jpeg,https://cdn2.suno.ai/image_large_85ac0327-9748-4a38-9a82-50c562f4d196.jpeg audio/2f7ec656-3fd6-4f04-ba90-90603c0d7e3d.mp3,2f7ec656-3fd6-4f04-ba90-90603c0d7e3d,"Extended Analog Moog Synthesizer Bass Riff, Minor 11th Harmony, Jazz Funk Gro...",v5,chirp-crow,complete,5.32,True,"loop key cm tempo 90 extended analog moog synthesizer bass riff minor 11th harmony jazz funk groove vintage 1970s slow filter cutoff sweep portamento slides dominant 9th chord progression Jazz, Funk, Fusion, Electronic style no vocals no drums 95 bpm long instrumental loop fat oscillator detuned sawtooth wave warm low end",,,2026-02-28T06:25:59.354Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2f7ec656-3fd6-4f04-ba90-90603c0d7e3d.mp3,https://cdn2.suno.ai/image_2f7ec656-3fd6-4f04-ba90-90603c0d7e3d.jpeg,https://cdn2.suno.ai/image_large_2f7ec656-3fd6-4f04-ba90-90603c0d7e3d.jpeg audio/8d65d22b-6d95-4cbb-95e1-340dfd77da2c.mp3,8d65d22b-6d95-4cbb-95e1-340dfd77da2c,"Analog Synth, Altered Dominant Chords, Tritone Substitution, Jazz Harmony, m...",v5,chirp-crow,complete,2.8,True,"loop, key: Cm, tempo: 90, analog synth, altered dominant chords, tritone substitution, jazz harmony, minor 7th flat 5, half-diminished voicings, dark texture, slow BPM, loop, cinematic. 4 bars",,,2026-02-28T06:25:14.196Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/8d65d22b-6d95-4cbb-95e1-340dfd77da2c.mp3,https://cdn2.suno.ai/image_8d65d22b-6d95-4cbb-95e1-340dfd77da2c.jpeg,https://cdn2.suno.ai/image_large_8d65d22b-6d95-4cbb-95e1-340dfd77da2c.jpeg audio/20001d87-073d-46f4-b04b-250c14764272.mp3,20001d87-073d-46f4-b04b-250c14764272,"Analog Synth, Altered Dominant Chords, Tritone Substitution, Jazz Harmony, m...",v5,chirp-crow,complete,3.6,True,"loop, key: Cm, tempo: 90, analog synth, altered dominant chords, tritone substitution, jazz harmony, minor 7th flat 5, half-diminished voicings, dark texture, slow BPM, loop, cinematic. 4 bars",,,2026-02-28T06:25:14.196Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/20001d87-073d-46f4-b04b-250c14764272.mp3,https://cdn2.suno.ai/image_20001d87-073d-46f4-b04b-250c14764272.jpeg,https://cdn2.suno.ai/image_large_20001d87-073d-46f4-b04b-250c14764272.jpeg audio/b96e2c31-0607-4af2-95e7-09f996d86b9f.mp3,b96e2c31-0607-4af2-95e7-09f996d86b9f,"Analog Synth Loop, Minor 9th Chords, Rhodes-style Pad, Slow Attack, Jazz Harm...",v5,chirp-crow,complete,5.32,True,"loop, key: Cm, tempo: 90, analog synth loop, minor 9th chords, rhodes-style pad, slow attack, jazz harmony, Fender Rhodes, vintage synthesizer, moody, dark groove, 90 BPM, no drums, loop",,,2026-02-28T06:24:33.627Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/b96e2c31-0607-4af2-95e7-09f996d86b9f.mp3,https://cdn2.suno.ai/image_b96e2c31-0607-4af2-95e7-09f996d86b9f.jpeg,https://cdn2.suno.ai/image_large_b96e2c31-0607-4af2-95e7-09f996d86b9f.jpeg audio/f9b387ee-1f5d-4876-af27-e962d2726fd3.mp3,f9b387ee-1f5d-4876-af27-e962d2726fd3,"Analog Synth Loop, Minor 9th Chords, Rhodes-style Pad, Slow Attack, Jazz Harm...",v5,chirp-crow,complete,2.64,True,"loop, key: Cm, tempo: 90, analog synth loop, minor 9th chords, rhodes-style pad, slow attack, jazz harmony, Fender Rhodes, vintage synthesizer, moody, dark groove, 90 BPM, no drums, loop",,,2026-02-28T06:24:33.627Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/f9b387ee-1f5d-4876-af27-e962d2726fd3.mp3,https://cdn2.suno.ai/image_f9b387ee-1f5d-4876-af27-e962d2726fd3.jpeg,https://cdn2.suno.ai/image_large_f9b387ee-1f5d-4876-af27-e962d2726fd3.jpeg audio/27933444-37bf-4c9a-8087-d852ff8aa917.mp3,27933444-37bf-4c9a-8087-d852ff8aa917,,v5,chirp-crow,complete,126.08,True,"style late night lofi hip hop 78 bpm Hip Hop, Jazz Rap, Instrumental Hip Hop, Downtempo, Chillhop meets j dilla warm vinyl crackle constant dusty drum breaks with lazy swing chopped jazz samples barely recognizable rhodes chord stabs muffled and warm deep sub bass nodding slow hihat slightly drunk cassette tape hiss underneath everything sophisticated jazz harmony buried in lofi texture chord progressions that surprise without showing off mellow and hypnotic headphones at 2am alone feel no drops no energy just continuous warm groove sophisticated but effortless music that doesnt try buddha bar meets bedroom producer everything slightly out of focus like a polaroid smoky and still",,,2026-02-28T05:05:13.989Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/27933444-37bf-4c9a-8087-d852ff8aa917.mp3,https://cdn2.suno.ai/image_27933444-37bf-4c9a-8087-d852ff8aa917.jpeg,https://cdn2.suno.ai/image_large_27933444-37bf-4c9a-8087-d852ff8aa917.jpeg audio/73b31e90-5f0c-4811-99ae-a6975d4f2678.mp3,73b31e90-5f0c-4811-99ae-a6975d4f2678,,v5,chirp-crow,complete,131.64,True,"style late night lofi hip hop 78 bpm Hip Hop, Jazz Rap, Instrumental Hip Hop, Downtempo, Chillhop meets j dilla warm vinyl crackle constant dusty drum breaks with lazy swing chopped jazz samples barely recognizable rhodes chord stabs muffled and warm deep sub bass nodding slow hihat slightly drunk cassette tape hiss underneath everything sophisticated jazz harmony buried in lofi texture chord progressions that surprise without showing off mellow and hypnotic headphones at 2am alone feel no drops no energy just continuous warm groove sophisticated but effortless music that doesnt try buddha bar meets bedroom producer everything slightly out of focus like a polaroid smoky and still",,,2026-02-28T05:05:13.989Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/73b31e90-5f0c-4811-99ae-a6975d4f2678.mp3,https://cdn2.suno.ai/image_73b31e90-5f0c-4811-99ae-a6975d4f2678.jpeg,https://cdn2.suno.ai/image_large_73b31e90-5f0c-4811-99ae-a6975d4f2678.jpeg audio/dfce378f-052d-4155-983e-35d3c22f5600.mp3,dfce378f-052d-4155-983e-35d3c22f5600,,v5,chirp-crow,complete,153.88,True,"[Style: late night lo-fi hip hop, 78 BPM, Nujabes meets J Dilla, warm vinyl crackle constant, dusty drum breaks with lazy swing, chopped jazz samples barely recognizable, Rhodes chord stabs muffled and warm, deep sub bass nodding slow, hi-hat slightly drunk, cassette tape hiss underneath everything, sophisticated jazz harmony buried in lo-fi texture, chord progressions that surprise without showing off, mellow and hypnotic, headphones at 2AM alone feel, no drops no energy just continuous warm groove, sophisticated but effortless, music that doesn't try, Buddha Bar meets bedroom producer, everything slightly out of focus like a polaroid, smoky and still]",,,2026-02-28T05:04:47.670Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/dfce378f-052d-4155-983e-35d3c22f5600.mp3,https://cdn2.suno.ai/image_dfce378f-052d-4155-983e-35d3c22f5600.jpeg,https://cdn2.suno.ai/image_large_dfce378f-052d-4155-983e-35d3c22f5600.jpeg audio/691fae46-5d33-46b5-95b2-98dec564773e.mp3,691fae46-5d33-46b5-95b2-98dec564773e,,v5,chirp-crow,complete,151.88,True,"style late night lofi hip hop 78 bpm Hip Hop, Jazz Rap, Instrumental Hip Hop, Downtempo, Chillhop meets j dilla warm vinyl crackle constant dusty drum breaks with lazy swing chopped jazz samples barely recognizable rhodes chord stabs muffled and warm deep sub bass nodding slow hihat slightly drunk cassette tape hiss underneath everything sophisticated jazz harmony buried in lofi texture chord progressions that surprise without showing off mellow and hypnotic headphones at 2am alone feel no drops no energy just continuous warm groove sophisticated but effortless music that doesnt try buddha bar meets bedroom producer everything slightly out of focus like a polaroid smoky and still",,,2026-02-28T05:04:47.670Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/691fae46-5d33-46b5-95b2-98dec564773e.mp3,https://cdn2.suno.ai/image_691fae46-5d33-46b5-95b2-98dec564773e.jpeg,https://cdn2.suno.ai/image_large_691fae46-5d33-46b5-95b2-98dec564773e.jpeg audio/43f3209c-c38e-45c7-b08b-905586ecadcd.mp3,43f3209c-c38e-45c7-b08b-905586ecadcd,,v5,chirp-crow,complete,233.16,True,"[Style: spiritual jazz dissolving into electronic texture, Alice Coltrane harp replaced by analog synth, slow 58 BPM, modal harmony never resolving, bass drone holding one note forever, drums sparse ritualistic with long reverb, Fender Rhodes chord sustaining until it becomes a pad, polyrhythmic percussion barely audible underneath, warm tape saturation, melancholic and vast, music that exists between sleeping and waking, phrases starting acoustic ending synthetic, no beat drop no climax just continuous becoming, the moment a song forgets what it was going to say, deeply interior, 1972 and 2094 simultaneously]",,,2026-02-28T03:38:01.231Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/43f3209c-c38e-45c7-b08b-905586ecadcd.mp3,https://cdn2.suno.ai/image_43f3209c-c38e-45c7-b08b-905586ecadcd.jpeg,https://cdn2.suno.ai/image_large_43f3209c-c38e-45c7-b08b-905586ecadcd.jpeg audio/d27aa284-4c5c-4565-adb2-0d945b95560f.mp3,d27aa284-4c5c-4565-adb2-0d945b95560f,,v5,chirp-crow,complete,231.8,True,"[Style: spiritual jazz dissolving into electronic texture, Alice Coltrane harp replaced by analog synth, slow 58 BPM, modal harmony never resolving, bass drone holding one note forever, drums sparse ritualistic with long reverb, Fender Rhodes chord sustaining until it becomes a pad, polyrhythmic percussion barely audible underneath, warm tape saturation, melancholic and vast, music that exists between sleeping and waking, phrases starting acoustic ending synthetic, no beat drop no climax just continuous becoming, the moment a song forgets what it was going to say, deeply interior, 1972 and 2094 simultaneously]",,,2026-02-28T03:38:01.231Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/d27aa284-4c5c-4565-adb2-0d945b95560f.mp3,https://cdn2.suno.ai/image_d27aa284-4c5c-4565-adb2-0d945b95560f.jpeg,https://cdn2.suno.ai/image_large_d27aa284-4c5c-4565-adb2-0d945b95560f.jpeg audio/29dc52c3-a1b9-4ed4-9df2-b3a1439b7db3.mp3,29dc52c3-a1b9-4ed4-9df2-b3a1439b7db3,,v5,chirp-crow,complete,195.88,True,"[Style: maximum neurological reward, every four bars delivers resolution after tension, anticipation built and paid immediately, that feeling when a song finally does what you hoped it would, the drop that was promised arrives exactly on time, harmonic tension resolving like a physical release, melody that your brain completes before it happens and is right, rhythm that predicts itself and rewards the prediction, that moment when everything locks together and your body moves without deciding to, constant micro-releases of tension every two bars, macro release every eight bars, the feeling of a perfectly told joke with the punchline landing exactly right, music that makes you feel understood, groove so locked it feels inevitable, that warm chest feeling when harmony resolves, forward motion that never stops rewarding forward motion, every element serving the feeling of arrival, 98 BPM]",,,2026-02-28T03:34:58.700Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/29dc52c3-a1b9-4ed4-9df2-b3a1439b7db3.mp3,https://cdn2.suno.ai/image_29dc52c3-a1b9-4ed4-9df2-b3a1439b7db3.jpeg,https://cdn2.suno.ai/image_large_29dc52c3-a1b9-4ed4-9df2-b3a1439b7db3.jpeg audio/38d0323b-9834-4049-b5fc-18c6b4075b9b.mp3,38d0323b-9834-4049-b5fc-18c6b4075b9b,,v5,chirp-crow,complete,198.68,True,"[Style: maximum neurological reward, every four bars delivers resolution after tension, anticipation built and paid immediately, that feeling when a song finally does what you hoped it would, the drop that was promised arrives exactly on time, harmonic tension resolving like a physical release, melody that your brain completes before it happens and is right, rhythm that predicts itself and rewards the prediction, that moment when everything locks together and your body moves without deciding to, constant micro-releases of tension every two bars, macro release every eight bars, the feeling of a perfectly told joke with the punchline landing exactly right, music that makes you feel understood, groove so locked it feels inevitable, that warm chest feeling when harmony resolves, forward motion that never stops rewarding forward motion, every element serving the feeling of arrival, 98 BPM]",,,2026-02-28T03:34:58.699Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/38d0323b-9834-4049-b5fc-18c6b4075b9b.mp3,https://cdn2.suno.ai/image_38d0323b-9834-4049-b5fc-18c6b4075b9b.jpeg,https://cdn2.suno.ai/image_large_38d0323b-9834-4049-b5fc-18c6b4075b9b.jpeg audio/3474c6f6-d582-4cff-8259-2499068c424a.mp3,3474c6f6-d582-4cff-8259-2499068c424a,,v5,chirp-crow,complete,184.96,True,"style psychedelic rock 1968 completely dissolved Rock, Psychedelic Rock, Blues Rock, Hard Rock on 1000 micrograms lsd marshall stack on fire wah pedal possessed by something nonhuman fuzz face melting the signal guitar and hallucination are the same object now notes bending into colors chords exploding into fractals band of gypsys meets the void 70 bpm but time is not real feedback is melody noise is structure silence is terrifying univibe rotating at wrong speeds guitar talking in tongues pentatonic blues scale dissolving into atonality and back rhythm section locked in one groove while guitar exists in seventeen dimensions simultaneously analog tape overloaded and saturated studio equipment not designed for this everything slightly wrong and completely right electric church on another planet guitar as direct transmission from somewhere else",,,2026-02-28T03:30:29.998Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/3474c6f6-d582-4cff-8259-2499068c424a.mp3,https://cdn2.suno.ai/image_3474c6f6-d582-4cff-8259-2499068c424a.jpeg,https://cdn2.suno.ai/image_large_3474c6f6-d582-4cff-8259-2499068c424a.jpeg audio/1344c02b-1219-433a-9b46-96ac42fa8389.mp3,1344c02b-1219-433a-9b46-96ac42fa8389,,v5,chirp-crow,complete,121.44,True,"style psychedelic rock 1968 completely dissolved Rock, Psychedelic Rock, Blues Rock, Hard Rock on 1000 micrograms lsd marshall stack on fire wah pedal possessed by something nonhuman fuzz face melting the signal guitar and hallucination are the same object now notes bending into colors chords exploding into fractals band of gypsys meets the void 70 bpm but time is not real feedback is melody noise is structure silence is terrifying univibe rotating at wrong speeds guitar talking in tongues pentatonic blues scale dissolving into atonality and back rhythm section locked in one groove while guitar exists in seventeen dimensions simultaneously analog tape overloaded and saturated studio equipment not designed for this everything slightly wrong and completely right electric church on another planet guitar as direct transmission from somewhere else",,,2026-02-28T03:30:29.998Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/1344c02b-1219-433a-9b46-96ac42fa8389.mp3,https://cdn2.suno.ai/image_1344c02b-1219-433a-9b46-96ac42fa8389.jpeg,https://cdn2.suno.ai/image_large_1344c02b-1219-433a-9b46-96ac42fa8389.jpeg audio/9e33886d-b9df-4c0d-9965-8ebc311130b1.mp3,9e33886d-b9df-4c0d-9965-8ebc311130b1,,v5,chirp-crow,complete,322.88,True,"style epic progressive rock 1977 animals era Progressive Rock, Psychedelic Rock, Classic Rock, Art Rock sound slow burning 60 bpm massive analog delay on lead guitar hiwatt amplifier pushed to edge of breakup Progressive Rock, Psychedelic Rock, Blues Rock tone warm and singing bends that last forever les paul into fuzz then delay sparse notes chosen like words every note meaningful no wasted movement hammond organ sustaining underneath bass melodic and deep drums sparse with reverb cinematic and vast analog tape warmth stadium but intimate long slow crescendo building over 8 minutes emotional devastation through guitar tone alone no vocals just guitar speaking pentatonic blues with unexpected chromatic turns vibrato wide and slow like crying",,,2026-02-28T03:29:06.707Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/9e33886d-b9df-4c0d-9965-8ebc311130b1.mp3,https://cdn2.suno.ai/image_9e33886d-b9df-4c0d-9965-8ebc311130b1.jpeg,https://cdn2.suno.ai/image_large_9e33886d-b9df-4c0d-9965-8ebc311130b1.jpeg audio/d8a3acb9-e4e9-4536-9ac5-7236d1626e91.mp3,d8a3acb9-e4e9-4536-9ac5-7236d1626e91,,v5,chirp-crow,complete,337.96,True,"style epic progressive rock 1977 animals era Progressive Rock, Psychedelic Rock, Classic Rock, Art Rock sound slow burning 60 bpm massive analog delay on lead guitar hiwatt amplifier pushed to edge of breakup Progressive Rock, Psychedelic Rock, Blues Rock tone warm and singing bends that last forever les paul into fuzz then delay sparse notes chosen like words every note meaningful no wasted movement hammond organ sustaining underneath bass melodic and deep drums sparse with reverb cinematic and vast analog tape warmth stadium but intimate long slow crescendo building over 8 minutes emotional devastation through guitar tone alone no vocals just guitar speaking pentatonic blues with unexpected chromatic turns vibrato wide and slow like crying",,,2026-02-28T03:29:06.707Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d8a3acb9-e4e9-4536-9ac5-7236d1626e91.mp3,https://cdn2.suno.ai/image_d8a3acb9-e4e9-4536-9ac5-7236d1626e91.jpeg,https://cdn2.suno.ai/image_large_d8a3acb9-e4e9-4536-9ac5-7236d1626e91.jpeg audio/a1052101-def7-4476-90c4-a090e5952a5c.mp3,a1052101-def7-4476-90c4-a090e5952a5c,,v5,chirp-crow,complete,217.0,True,"[Style: surf instrumental meets Arabic maqam, reverb tank completely saturated, Fender Stratocaster tremolo picking on Hijaz scale, Dick Dale technique with Middle Eastern melody, heavy spring reverb drowning everything, no vocals pure instrumental, bass locked tight, surf drum kit with splash cymbal, oud melody translated to electric guitar, Phrygian dominant scale throughout, augmented seconds in melodic lines, dark and hypnotic, 120 BPM driving and relentless, Los Angeles 1963 meets Cairo 1965, tremolo arm bends mimicking Arabic vocal ornaments, darbuka rhythm underneath surf kit, Sandy Nelson drums meets Egyptian percussion, analog reverb on every instrument, cinematic and dangerous, desert meets ocean]",,,2026-02-28T03:26:35.795Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/a1052101-def7-4476-90c4-a090e5952a5c.mp3,https://cdn2.suno.ai/image_a1052101-def7-4476-90c4-a090e5952a5c.jpeg,https://cdn2.suno.ai/image_large_a1052101-def7-4476-90c4-a090e5952a5c.jpeg audio/071f8be6-c373-4ef4-9829-501b2ade99c5.mp3,071f8be6-c373-4ef4-9829-501b2ade99c5,,v5,chirp-crow,complete,144.52,True,"[Style: surf instrumental meets Arabic maqam, reverb tank completely saturated, Fender Stratocaster tremolo picking on Hijaz scale, Dick Dale technique with Middle Eastern melody, heavy spring reverb drowning everything, no vocals pure instrumental, bass locked tight, surf drum kit with splash cymbal, oud melody translated to electric guitar, Phrygian dominant scale throughout, augmented seconds in melodic lines, dark and hypnotic, 120 BPM driving and relentless, Los Angeles 1963 meets Cairo 1965, tremolo arm bends mimicking Arabic vocal ornaments, darbuka rhythm underneath surf kit, Sandy Nelson drums meets Egyptian percussion, analog reverb on every instrument, cinematic and dangerous, desert meets ocean]",,,2026-02-28T03:26:35.794Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/071f8be6-c373-4ef4-9829-501b2ade99c5.mp3,https://cdn2.suno.ai/image_071f8be6-c373-4ef4-9829-501b2ade99c5.jpeg,https://cdn2.suno.ai/image_large_071f8be6-c373-4ef4-9829-501b2ade99c5.jpeg audio/09e5a2d5-e322-4f2b-91c1-29e7a4477c41.mp3,09e5a2d5-e322-4f2b-91c1-29e7a4477c41,,v5,chirp-crow,complete,144.96,True,"[Style: Lima Peru 1972, chicha psicodélica, heavy wah rhythm guitar on cumbia pattern, fuzz lead guitar with reverb tank, bass walking between funk and cumbia, timbales and congas over rock drum kit, farfisa organ bubbling underneath, raw analog recording lo-fi tape, instrumental passages with guitar hero moments, tropical rhythm meets psychedelic rock, 95 BPM swinging between funk and cumbia feel, dirty distortion on everything, no clean sounds, street level recording not studio polish, Los Destellos meets Traffic Sound energy, hypnotic repetitive groove with explosive guitar breaks, tropical psychedelia, dense and sweaty]",,,2026-02-28T03:25:16.724Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/09e5a2d5-e322-4f2b-91c1-29e7a4477c41.mp3,https://cdn2.suno.ai/image_09e5a2d5-e322-4f2b-91c1-29e7a4477c41.jpeg,https://cdn2.suno.ai/image_large_09e5a2d5-e322-4f2b-91c1-29e7a4477c41.jpeg audio/1e192d18-65f8-4abb-8ba2-634ede98fd60.mp3,1e192d18-65f8-4abb-8ba2-634ede98fd60,,v5,chirp-crow,complete,195.28,True,"[Style: Lima Peru 1972, chicha psicodélica, heavy wah rhythm guitar on cumbia pattern, fuzz lead guitar with reverb tank, bass walking between funk and cumbia, timbales and congas over rock drum kit, farfisa organ bubbling underneath, raw analog recording lo-fi tape, instrumental passages with guitar hero moments, tropical rhythm meets psychedelic rock, 95 BPM swinging between funk and cumbia feel, dirty distortion on everything, no clean sounds, street level recording not studio polish, Los Destellos meets Traffic Sound energy, hypnotic repetitive groove with explosive guitar breaks, tropical psychedelia, dense and sweaty]",,,2026-02-28T03:25:16.724Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/1e192d18-65f8-4abb-8ba2-634ede98fd60.mp3,https://cdn2.suno.ai/image_1e192d18-65f8-4abb-8ba2-634ede98fd60.jpeg,https://cdn2.suno.ai/image_large_1e192d18-65f8-4abb-8ba2-634ede98fd60.jpeg audio/ed431795-0ce6-4fd7-83bb-82e05c53020b.mp3,ed431795-0ce6-4fd7-83bb-82e05c53020b,,v5,chirp-crow,complete,238.6,False,"[Style: Lima Peru 1972, chicha psicodélica, heavy wah rhythm guitar on cumbia pattern, fuzz lead guitar with reverb tank, bass walking between funk and cumbia, timbales and congas over rock drum kit, farfisa organ bubbling underneath, raw analog recording lo-fi tape, instrumental passages with guitar hero moments, tropical rhythm meets psychedelic rock, 95 BPM swinging between funk and cumbia feel, dirty distortion on everything, no clean sounds, street level recording not studio polish, Los Destellos meets Traffic Sound energy, hypnotic repetitive groove with explosive guitar breaks, tropical psychedelia, dense and sweaty]",,"[Verse 1] Darkness cover up this land Babylon extend his hand Taking what was never his Blood upon the earth he spills [Verse 2] Children crying in the night Elders lost their will to fight But the roots run deep below Where Babylon can never go [Chorus] No surrender to the beast No surrender never From the west unto the east Jah reign forever Never bow Never bow [Verse 3] Iron chains they forged for we Minor key is all we see But the sorrow in our song Makes the righteous spirit strong [Bridge] (full dub collapse, bass drops into minor drone alone, kick disappears, just deep echo multiplying in darkness, organ minor chord fading in and out like breathing) Babylon must fall... (voice swallowed by echo and reverb into silence) [Chorus] No surrender to the beast No surrender never From the west unto the east Jah reign forever Never bow Never bow [Verse 4] Every tear becomes a river Every wound becomes a scar But the fire in the darkness Is the light of who we are [Outro] (bass walking down minor scale slowly, guitar skank fading, nyahbinghi drums alone for four bars, then silence swallowing everything, only echo remains)",2026-02-28T03:25:07.368Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ed431795-0ce6-4fd7-83bb-82e05c53020b.mp3,https://cdn2.suno.ai/image_ed431795-0ce6-4fd7-83bb-82e05c53020b.jpeg,https://cdn2.suno.ai/image_large_ed431795-0ce6-4fd7-83bb-82e05c53020b.jpeg audio/2fb68ea0-588b-47ae-8564-62b2a359f5a0.mp3,2fb68ea0-588b-47ae-8564-62b2a359f5a0,,v5,chirp-crow,complete,299.96,False,"[Style: Lima Peru 1972, chicha psicodélica, heavy wah rhythm guitar on cumbia pattern, fuzz lead guitar with reverb tank, bass walking between funk and cumbia, timbales and congas over rock drum kit, farfisa organ bubbling underneath, raw analog recording lo-fi tape, instrumental passages with guitar hero moments, tropical rhythm meets psychedelic rock, 95 BPM swinging between funk and cumbia feel, dirty distortion on everything, no clean sounds, street level recording not studio polish, Los Destellos meets Traffic Sound energy, hypnotic repetitive groove with explosive guitar breaks, tropical psychedelia, dense and sweaty]",,"[Verse 1] Darkness cover up this land Babylon extend his hand Taking what was never his Blood upon the earth he spills [Verse 2] Children crying in the night Elders lost their will to fight But the roots run deep below Where Babylon can never go [Chorus] No surrender to the beast No surrender never From the west unto the east Jah reign forever Never bow Never bow [Verse 3] Iron chains they forged for we Minor key is all we see But the sorrow in our song Makes the righteous spirit strong [Bridge] (full dub collapse, bass drops into minor drone alone, kick disappears, just deep echo multiplying in darkness, organ minor chord fading in and out like breathing) Babylon must fall... (voice swallowed by echo and reverb into silence) [Chorus] No surrender to the beast No surrender never From the west unto the east Jah reign forever Never bow Never bow [Verse 4] Every tear becomes a river Every wound becomes a scar But the fire in the darkness Is the light of who we are [Outro] (bass walking down minor scale slowly, guitar skank fading, nyahbinghi drums alone for four bars, then silence swallowing everything, only echo remains)",2026-02-28T03:25:07.368Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2fb68ea0-588b-47ae-8564-62b2a359f5a0.mp3,https://cdn2.suno.ai/image_2fb68ea0-588b-47ae-8564-62b2a359f5a0.jpeg,https://cdn2.suno.ai/image_large_2fb68ea0-588b-47ae-8564-62b2a359f5a0.jpeg audio/b7bfc8fa-8f52-4c6b-b5ff-200f5747dbd4.mp3,b7bfc8fa-8f52-4c6b-b5ff-200f5747dbd4,,v5,chirp-crow,complete,269.96,False,"style heavy roots reggae kingston 1977 channel one tubbys mixing board bass distorted and massive in minor key everything in d minor dark and dense minor chord guitar Reggae, Ska, Rock, Pop Rock on offbeat dripping with menace nyahbinghi war drums underneath one drop kit organ holding minor chords like a funeral deep echo and reverb drowning every note male vocals low and serious no sweetness trio harmonies dark and tight dub space cavernous political rage wrapped in spiritual fire 68 bpm slow and crushing analog tape saturated low end physically oppressive minor tonality throughout no major resolution darkness with faith intro bass alone in d minor slow and heavy kick drops like a judgment minor organ chord sustains guitar Reggae, Ska, Rock, Pop Rock enters dark and choppy echo swallowing the room",,"[Verse 1] Darkness cover up this land Babylon extend his hand Taking what was never his Blood upon the earth he spills [Verse 2] Children crying in the night Elders lost their will to fight But the roots run deep below Where Babylon can never go [Chorus] No surrender to the beast No surrender never From the west unto the east Jah reign forever Never bow Never bow [Verse 3] Iron chains they forged for we Minor key is all we see But the sorrow in our song Makes the righteous spirit strong [Bridge] (full dub collapse, bass drops into minor drone alone, kick disappears, just deep echo multiplying in darkness, organ minor chord fading in and out like breathing) Babylon must fall... (voice swallowed by echo and reverb into silence) [Chorus] No surrender to the beast No surrender never From the west unto the east Jah reign forever Never bow Never bow [Verse 4] Every tear becomes a river Every wound becomes a scar But the fire in the darkness Is the light of who we are [Outro] (bass walking down minor scale slowly, guitar skank fading, nyahbinghi drums alone for four bars, then silence swallowing everything, only echo remains)",2026-02-28T03:22:55.423Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b7bfc8fa-8f52-4c6b-b5ff-200f5747dbd4.mp3,https://cdn2.suno.ai/image_b7bfc8fa-8f52-4c6b-b5ff-200f5747dbd4.jpeg,https://cdn2.suno.ai/image_large_b7bfc8fa-8f52-4c6b-b5ff-200f5747dbd4.jpeg audio/08af4712-36fb-43b5-a5c6-0c6325085044.mp3,08af4712-36fb-43b5-a5c6-0c6325085044,,v5,chirp-crow,complete,214.96,False,"style heavy roots reggae kingston 1977 channel one tubbys mixing board bass distorted and massive in minor key everything in d minor dark and dense minor chord guitar Reggae, Ska, Rock, Pop Rock on offbeat dripping with menace nyahbinghi war drums underneath one drop kit organ holding minor chords like a funeral deep echo and reverb drowning every note male vocals low and serious no sweetness trio harmonies dark and tight dub space cavernous political rage wrapped in spiritual fire 68 bpm slow and crushing analog tape saturated low end physically oppressive minor tonality throughout no major resolution darkness with faith intro bass alone in d minor slow and heavy kick drops like a judgment minor organ chord sustains guitar Reggae, Ska, Rock, Pop Rock enters dark and choppy echo swallowing the room",,"[Verse 1] Darkness cover up this land Babylon extend his hand Taking what was never his Blood upon the earth he spills [Verse 2] Children crying in the night Elders lost their will to fight But the roots run deep below Where Babylon can never go [Chorus] No surrender to the beast No surrender never From the west unto the east Jah reign forever Never bow Never bow [Verse 3] Iron chains they forged for we Minor key is all we see But the sorrow in our song Makes the righteous spirit strong [Bridge] (full dub collapse, bass drops into minor drone alone, kick disappears, just deep echo multiplying in darkness, organ minor chord fading in and out like breathing) Babylon must fall... (voice swallowed by echo and reverb into silence) [Chorus] No surrender to the beast No surrender never From the west unto the east Jah reign forever Never bow Never bow [Verse 4] Every tear becomes a river Every wound becomes a scar But the fire in the darkness Is the light of who we are [Outro] (bass walking down minor scale slowly, guitar skank fading, nyahbinghi drums alone for four bars, then silence swallowing everything, only echo remains)",2026-02-28T03:22:55.423Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/08af4712-36fb-43b5-a5c6-0c6325085044.mp3,https://cdn2.suno.ai/image_08af4712-36fb-43b5-a5c6-0c6325085044.jpeg,https://cdn2.suno.ai/image_large_08af4712-36fb-43b5-a5c6-0c6325085044.jpeg audio/98ba3560-e2ea-4221-a54e-32bfcbbc8bde.mp3,98ba3560-e2ea-4221-a54e-32bfcbbc8bde,,v5,chirp-crow,complete,240.64,False,"style roots reggae kingston jamaica 1976 channel one studio sound heavy analog bass forward mix bass louder than everything choppy one drop rhythm guitar Reggae, Ska, Rock, Pop Rock on the offbeat nyahbinghi hand drums underneath kit sly and robbie rhythm section feel deep reverb and echo on vocals dub space between instruments organ bubbling low male vocal trio harmonies rastafarian devotion raw analog tape political and spiritual lyrics heavy and slow 72 bpm thick low end that shakes the room no polish no clean production just weight and faith",,"[Style: roots reggae Kingston Jamaica 1976, Channel One studio sound, heavy analog bass forward mix, bass louder than everything, choppy one drop rhythm guitar skank on the offbeat, nyahbinghi hand drums underneath kit, Sly and Robbie rhythm section feel, deep reverb and echo on vocals, dub space between instruments, organ bubbling low, male vocal trio harmonies Rastafarian devotion, raw analog tape, political and spiritual lyrics, heavy and slow 72 BPM, thick low end that shakes the room, no polish no clean production just weight and faith] [Intro] (bass drops alone, one drop kick follows, organ bubbles, guitar skank enters, echo on everything) [Verse 1] Babylon system been running too long Feeding on the poor and the weak But Jah light is burning strong For every soul that they seek [Verse 2] They build their walls of silver and gold Lock the righteous man outside But the earth belongs to the meek And truth cannot be denied [Chorus] Rise up children rise Jah is calling his own Rise up children rise No more shall we groan We going home We going home [Verse 3] Many rivers we have crossed Many chains they put on we But the fire in our hearts Was never theirs to see [Bridge] (dub break, bass alone, echo multiplying, drum drops away, just space and reverb) Jah Rastafari... (whispered into the echo) [Chorus] Rise up children rise Jah is calling his own Rise up children rise No more shall we groan We going home We going home [Outro] (bass and organ fade into dub space, guitar skank getting more distant, echo swallowing everything) We going home We going home We going home We going home... [Guitar Solo]",2026-02-28T03:21:35.747Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/98ba3560-e2ea-4221-a54e-32bfcbbc8bde.mp3,https://cdn2.suno.ai/image_98ba3560-e2ea-4221-a54e-32bfcbbc8bde.jpeg,https://cdn2.suno.ai/image_large_98ba3560-e2ea-4221-a54e-32bfcbbc8bde.jpeg audio/44fa5362-d18f-44a2-9393-d52c728827c2.mp3,44fa5362-d18f-44a2-9393-d52c728827c2,,v5,chirp-crow,complete,242.8,False,"style roots reggae kingston jamaica 1976 channel one studio sound heavy analog bass forward mix bass louder than everything choppy one drop rhythm guitar Reggae, Ska, Rock, Pop Rock on the offbeat nyahbinghi hand drums underneath kit sly and robbie rhythm section feel deep reverb and echo on vocals dub space between instruments organ bubbling low male vocal trio harmonies rastafarian devotion raw analog tape political and spiritual lyrics heavy and slow 72 bpm thick low end that shakes the room no polish no clean production just weight and faith",,"[Style: roots reggae Kingston Jamaica 1976, Channel One studio sound, heavy analog bass forward mix, bass louder than everything, choppy one drop rhythm guitar skank on the offbeat, nyahbinghi hand drums underneath kit, Sly and Robbie rhythm section feel, deep reverb and echo on vocals, dub space between instruments, organ bubbling low, male vocal trio harmonies Rastafarian devotion, raw analog tape, political and spiritual lyrics, heavy and slow 72 BPM, thick low end that shakes the room, no polish no clean production just weight and faith] [Intro] (bass drops alone, one drop kick follows, organ bubbles, guitar skank enters, echo on everything) [Verse 1] Babylon system been running too long Feeding on the poor and the weak But Jah light is burning strong For every soul that they seek [Verse 2] They build their walls of silver and gold Lock the righteous man outside But the earth belongs to the meek And truth cannot be denied [Chorus] Rise up children rise Jah is calling his own Rise up children rise No more shall we groan We going home We going home [Verse 3] Many rivers we have crossed Many chains they put on we But the fire in our hearts Was never theirs to see [Bridge] (dub break, bass alone, echo multiplying, drum drops away, just space and reverb) Jah Rastafari... (whispered into the echo) [Chorus] Rise up children rise Jah is calling his own Rise up children rise No more shall we groan We going home We going home [Outro] (bass and organ fade into dub space, guitar skank getting more distant, echo swallowing everything) We going home We going home We going home We going home... [Guitar Solo]",2026-02-28T03:21:35.747Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/44fa5362-d18f-44a2-9393-d52c728827c2.mp3,https://cdn2.suno.ai/image_44fa5362-d18f-44a2-9393-d52c728827c2.jpeg,https://cdn2.suno.ai/image_large_44fa5362-d18f-44a2-9393-d52c728827c2.jpeg audio/4e76cdef-75e1-47b3-a45a-23b90116d8e0.mp3,4e76cdef-75e1-47b3-a45a-23b90116d8e0,,v5,chirp-crow,complete,188.04,False,"style 80s pop soul perfection Jazz, Soul, Pop, R&B, Funk, Big Band, Film Score production 96 bpm punchy gated snare deep funky bass synth tight rhythm guitar muted chops analog synth stabs orchestral strings arranged like weapons crisp digital reverb on everything handclaps locked to grid male vocalist with supernatural range falsetto to chest voice switching midphrase vocal runs that sound effortless but arent human infectious melody you cant unhear background vocal layers stacked like a choir of one person pristine production no noise no accidents every element in exact place danceable and emotional simultaneously thriller era sonic architecture",,"[Intro] (bass synth hits, gated snare cracks, strings stab once, silence, then groove drops) [Verse 1] Something in the night is calling Can't explain this feeling right Every time I close my eyes girl I see you burning like a light [Verse 2] People say I'm out of my mind But they don't see what I see When you move across the floor girl You do something wild to me [Pre-Chorus] And I can't stop it No I can't fight it Something's taking over me [Chorus] Feel it in your body Let it take your soul tonight Ain't no use in running baby This thing between us ain't right But it feels so good Lord it feels so good [Bridge] (spoken, smooth and low) You know... some things you just can't explain You just gotta feel it Let it move through you Yeah... [Chorus] Feel it in your body Let it take your soul tonight Ain't no use in running baby This thing between us ain't right But it feels so good Lord it feels so good [Outro] Heeee heee Ohhh (vocal runs dissolving, bass synth fading, single synth note holds forever)",2026-02-28T03:06:52.117Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4e76cdef-75e1-47b3-a45a-23b90116d8e0.mp3,https://cdn2.suno.ai/image_4e76cdef-75e1-47b3-a45a-23b90116d8e0.jpeg,https://cdn2.suno.ai/image_large_4e76cdef-75e1-47b3-a45a-23b90116d8e0.jpeg audio/1741afd1-9f04-4dfe-915d-751ffbca6f71.mp3,1741afd1-9f04-4dfe-915d-751ffbca6f71,,v5,chirp-crow,complete,189.96,False,"style 80s pop soul perfection Jazz, Soul, Pop, R&B, Funk, Big Band, Film Score production 96 bpm punchy gated snare deep funky bass synth tight rhythm guitar muted chops analog synth stabs orchestral strings arranged like weapons crisp digital reverb on everything handclaps locked to grid male vocalist with supernatural range falsetto to chest voice switching midphrase vocal runs that sound effortless but arent human infectious melody you cant unhear background vocal layers stacked like a choir of one person pristine production no noise no accidents every element in exact place danceable and emotional simultaneously thriller era sonic architecture",,"[Intro] (bass synth hits, gated snare cracks, strings stab once, silence, then groove drops) [Verse 1] Something in the night is calling Can't explain this feeling right Every time I close my eyes girl I see you burning like a light [Verse 2] People say I'm out of my mind But they don't see what I see When you move across the floor girl You do something wild to me [Pre-Chorus] And I can't stop it No I can't fight it Something's taking over me [Chorus] Feel it in your body Let it take your soul tonight Ain't no use in running baby This thing between us ain't right But it feels so good Lord it feels so good [Bridge] (spoken, smooth and low) You know... some things you just can't explain You just gotta feel it Let it move through you Yeah... [Chorus] Feel it in your body Let it take your soul tonight Ain't no use in running baby This thing between us ain't right But it feels so good Lord it feels so good [Outro] Heeee heee Ohhh (vocal runs dissolving, bass synth fading, single synth note holds forever)",2026-02-28T03:06:52.116Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/1741afd1-9f04-4dfe-915d-751ffbca6f71.mp3,https://cdn2.suno.ai/image_1741afd1-9f04-4dfe-915d-751ffbca6f71.jpeg,https://cdn2.suno.ai/image_large_1741afd1-9f04-4dfe-915d-751ffbca6f71.jpeg audio/4ec9a373-69d7-4bb1-8931-712483df5136.mp3,4ec9a373-69d7-4bb1-8931-712483df5136,,v5,chirp-crow,complete,144.68,False,"style raw memphis soul hi records 1972 willie mitchell production 65 bpm deep pocket groove lush analog strings hammond b3 organ wah telecaster barely audible melodic bass locked tight with kick black male soul vocalist church raised gospel trained singing like he lost everything last night falsetto completely broken and cracked no studio polish sounds like one take recorded at 2am crying melisma dripping on every syllable preacher meets heartbroken man background sisters humming low like a funeral analog tape hiss room sound imperfect and devastated al green meets soul, R&B, blues, Southern soul meets a man who just got left",,"[Style: Memphis soul, Hi Records 1972, Willie Mitchell production, slow burning 68 BPM, lush analog strings, wah rhythm guitar, Fender Rhodes, organ pad, telecaster fills between vocal phrases, bass locked with kick drum, gospel choir subtle background, analog tape warmth, raw devastated Black male soul vocalist, falsetto breaks, melisma, voice cracking with real pain, one take feel] [Intro] (strings swell, organ breathes, bass enters slow) [Verse 1] I called your name at three AM Nobody answered, nobody came I'm still wearing your perfume girl Sleeping on your side just the same [Verse 2] I don't have my pride no more Left it on your kitchen floor Told myself I'd walk away Been standing at your door since four [Chorus] Take me back, take me back I'll be whatever you need Take me back, take me back Girl I'm already on my knees [Bridge] Lord have mercy Have mercy on me I gave you everything I had Everything I had [Chorus] Take me back, take me back I'll be whatever you need Take me back, take me back Girl I'm already on my knees [Outro] Ohhh... ohhhh baby Ohhhhhh (voice breaking, falsetto dissolving, strings fading, organ holds last chord)",2026-02-28T03:00:41.293Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4ec9a373-69d7-4bb1-8931-712483df5136.mp3,https://cdn2.suno.ai/image_4ec9a373-69d7-4bb1-8931-712483df5136.jpeg,https://cdn2.suno.ai/image_large_4ec9a373-69d7-4bb1-8931-712483df5136.jpeg audio/9f9a9431-a529-49f6-a191-53945a8475c2.mp3,9f9a9431-a529-49f6-a191-53945a8475c2,,v5,chirp-crow,complete,166.72,False,"style raw memphis soul hi records 1972 willie mitchell production 65 bpm deep pocket groove lush analog strings hammond b3 organ wah telecaster barely audible melodic bass locked tight with kick black male soul vocalist church raised gospel trained singing like he lost everything last night falsetto completely broken and cracked no studio polish sounds like one take recorded at 2am crying melisma dripping on every syllable preacher meets heartbroken man background sisters humming low like a funeral analog tape hiss room sound imperfect and devastated al green meets soul, R&B, blues, Southern soul meets a man who just got left",,"[Style: Memphis soul, Hi Records 1972, Willie Mitchell production, slow burning 68 BPM, lush analog strings, wah rhythm guitar, Fender Rhodes, organ pad, telecaster fills between vocal phrases, bass locked with kick drum, gospel choir subtle background, analog tape warmth, raw devastated Black male soul vocalist, falsetto breaks, melisma, voice cracking with real pain, one take feel] [Intro] (strings swell, organ breathes, bass enters slow) [Verse 1] I called your name at three AM Nobody answered, nobody came I'm still wearing your perfume girl Sleeping on your side just the same [Verse 2] I don't have my pride no more Left it on your kitchen floor Told myself I'd walk away Been standing at your door since four [Chorus] Take me back, take me back I'll be whatever you need Take me back, take me back Girl I'm already on my knees [Bridge] Lord have mercy Have mercy on me I gave you everything I had Everything I had [Chorus] Take me back, take me back I'll be whatever you need Take me back, take me back Girl I'm already on my knees [Outro] Ohhh... ohhhh baby Ohhhhhh (voice breaking, falsetto dissolving, strings fading, organ holds last chord)",2026-02-28T03:00:41.293Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/9f9a9431-a529-49f6-a191-53945a8475c2.mp3,https://cdn2.suno.ai/image_9f9a9431-a529-49f6-a191-53945a8475c2.jpeg,https://cdn2.suno.ai/image_large_9f9a9431-a529-49f6-a191-53945a8475c2.jpeg audio/e0bbb38f-ce60-4018-a9b8-ac8a242fce0f.mp3,e0bbb38f-ce60-4018-a9b8-ac8a242fce0f,,v5,chirp-crow,complete,171.6,False,"Memphis soul, slow burning groove 72 BPM, warm analog strings arranged by Willie Mitchell style, Fender Rhodes chords, tight rhythm section with ghost notes on snare, wah guitar barely audible in background, male soul vocalist with falsetto breaks, gospel influence in phrasing, intimate and vulnerable, Hi Records production warmth, horns stabs sparse, bass locked with kick drum, smooth and sensual, late sunday morning feel, analog tape compression",,"[Style: Memphis soul, Hi Records 1972, Willie Mitchell production, slow burning 68 BPM, lush analog strings, wah rhythm guitar, Fender Rhodes, organ pad, telecaster fills between vocal phrases, bass locked with kick drum, gospel choir subtle background, analog tape warmth, raw devastated Black male soul vocalist, falsetto breaks, melisma, voice cracking with real pain, one take feel] [Intro] (strings swell, organ breathes, bass enters slow) [Verse 1] I called your name at three AM Nobody answered, nobody came I'm still wearing your perfume girl Sleeping on your side just the same [Verse 2] I don't have my pride no more Left it on your kitchen floor Told myself I'd walk away Been standing at your door since four [Chorus] Take me back, take me back I'll be whatever you need Take me back, take me back Girl I'm already on my knees [Bridge] Lord have mercy Have mercy on me I gave you everything I had Everything I had [Chorus] Take me back, take me back I'll be whatever you need Take me back, take me back Girl I'm already on my knees [Outro] Ohhh... ohhhh baby Ohhhhhh (voice breaking, falsetto dissolving, strings fading, organ holds last chord)",2026-02-28T02:58:03.854Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/e0bbb38f-ce60-4018-a9b8-ac8a242fce0f.mp3,https://cdn2.suno.ai/image_e0bbb38f-ce60-4018-a9b8-ac8a242fce0f.jpeg,https://cdn2.suno.ai/image_large_e0bbb38f-ce60-4018-a9b8-ac8a242fce0f.jpeg audio/09d221ce-3ce7-44d6-80de-ea661b56ca19.mp3,09d221ce-3ce7-44d6-80de-ea661b56ca19,,v5,chirp-crow,complete,243.84,False,"Memphis soul, slow burning groove 72 BPM, warm analog strings arranged by Willie Mitchell style, Fender Rhodes chords, tight rhythm section with ghost notes on snare, wah guitar barely audible in background, male soul vocalist with falsetto breaks, gospel influence in phrasing, intimate and vulnerable, Hi Records production warmth, horns stabs sparse, bass locked with kick drum, smooth and sensual, late sunday morning feel, analog tape compression",,"[Style: Memphis soul, Hi Records 1972, Willie Mitchell production, slow burning 68 BPM, lush analog strings, wah rhythm guitar, Fender Rhodes, organ pad, telecaster fills between vocal phrases, bass locked with kick drum, gospel choir subtle background, analog tape warmth, raw devastated Black male soul vocalist, falsetto breaks, melisma, voice cracking with real pain, one take feel] [Intro] (strings swell, organ breathes, bass enters slow) [Verse 1] I called your name at three AM Nobody answered, nobody came I'm still wearing your perfume girl Sleeping on your side just the same [Verse 2] I don't have my pride no more Left it on your kitchen floor Told myself I'd walk away Been standing at your door since four [Chorus] Take me back, take me back I'll be whatever you need Take me back, take me back Girl I'm already on my knees [Bridge] Lord have mercy Have mercy on me I gave you everything I had Everything I had [Chorus] Take me back, take me back I'll be whatever you need Take me back, take me back Girl I'm already on my knees [Outro] Ohhh... ohhhh baby Ohhhhhh (voice breaking, falsetto dissolving, strings fading, organ holds last chord)",2026-02-28T02:58:03.854Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/09d221ce-3ce7-44d6-80de-ea661b56ca19.mp3,https://cdn2.suno.ai/image_09d221ce-3ce7-44d6-80de-ea661b56ca19.jpeg,https://cdn2.suno.ai/image_large_09d221ce-3ce7-44d6-80de-ea661b56ca19.jpeg audio/6f3ace2c-1c12-430d-b40c-7e7a7e3d53ff.mp3,6f3ace2c-1c12-430d-b40c-7e7a7e3d53ff,,v5,chirp-crow,complete,272.96,True,"Memphis soul, slow burning groove 72 BPM, warm analog strings arranged by Willie Mitchell style, Fender Rhodes chords, tight rhythm section with ghost notes on snare, wah guitar barely audible in background, male soul vocalist with falsetto breaks, gospel influence in phrasing, intimate and vulnerable, Hi Records production warmth, horns stabs sparse, bass locked with kick drum, smooth and sensual, late sunday morning feel, analog tape compression",,,2026-02-28T02:56:27.101Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/6f3ace2c-1c12-430d-b40c-7e7a7e3d53ff.mp3,https://cdn2.suno.ai/image_6f3ace2c-1c12-430d-b40c-7e7a7e3d53ff.jpeg,https://cdn2.suno.ai/image_large_6f3ace2c-1c12-430d-b40c-7e7a7e3d53ff.jpeg audio/ea58d2fe-07c5-4779-95db-f673f8fe67b1.mp3,ea58d2fe-07c5-4779-95db-f673f8fe67b1,,v5,chirp-crow,complete,193.16,True,"Memphis soul, slow burning groove 72 BPM, warm analog strings arranged by Willie Mitchell style, Fender Rhodes chords, tight rhythm section with ghost notes on snare, wah guitar barely audible in background, male soul vocalist with falsetto breaks, gospel influence in phrasing, intimate and vulnerable, Hi Records production warmth, horns stabs sparse, bass locked with kick drum, smooth and sensual, late sunday morning feel, analog tape compression",,,2026-02-28T02:56:27.101Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ea58d2fe-07c5-4779-95db-f673f8fe67b1.mp3,https://cdn2.suno.ai/image_ea58d2fe-07c5-4779-95db-f673f8fe67b1.jpeg,https://cdn2.suno.ai/image_large_ea58d2fe-07c5-4779-95db-f673f8fe67b1.jpeg audio/1d908bb7-b2da-42ad-9a8b-044ad0902c94.mp3,1d908bb7-b2da-42ad-9a8b-044ad0902c94,,v5,chirp-crow,complete,222.12,True,"polyrhythmic nu-jazz, analog synthesizer, simultaneous 7/8 melodic phrase over 8/8 groove, drunk beat feel, Rhodes electric piano, funky bass synth, jazz harmony with odd meter superimposition, triplets crossing the barline, FKJ meets Yussef Kamaal, warm analog production, hypnotic rhythmic displacement, phrases that resolve every 56 beats, off-kilter but deeply groovy, no straight rhythm everything implied, 95 BPM base feel",,,2026-02-28T02:52:39.396Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/1d908bb7-b2da-42ad-9a8b-044ad0902c94.mp3,https://cdn2.suno.ai/image_1d908bb7-b2da-42ad-9a8b-044ad0902c94.jpeg,https://cdn2.suno.ai/image_large_1d908bb7-b2da-42ad-9a8b-044ad0902c94.jpeg audio/d146ae33-c5dd-4a91-a71d-629f084f7e0a.mp3,d146ae33-c5dd-4a91-a71d-629f084f7e0a,,v5,chirp-crow,complete,298.24,True,"polyrhythmic nu-jazz, analog synthesizer, simultaneous 7/8 melodic phrase over 8/8 groove, drunk beat feel, Rhodes electric piano, funky bass synth, jazz harmony with odd meter superimposition, triplets crossing the barline, FKJ meets Yussef Kamaal, warm analog production, hypnotic rhythmic displacement, phrases that resolve every 56 beats, off-kilter but deeply groovy, no straight rhythm everything implied, 95 BPM base feel",,,2026-02-28T02:52:39.396Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d146ae33-c5dd-4a91-a71d-629f084f7e0a.mp3,https://cdn2.suno.ai/image_d146ae33-c5dd-4a91-a71d-629f084f7e0a.jpeg,https://cdn2.suno.ai/image_large_d146ae33-c5dd-4a91-a71d-629f084f7e0a.jpeg audio/fd54d096-8f30-4e44-9042-f0c88f2cc14b.mp3,fd54d096-8f30-4e44-9042-f0c88f2cc14b,,v5,chirp-crow,complete,147.4,True," ""Autumn Leaves - Visitor"" jazz quartet playing Autumn Leaves, traditional piano bass drums comping, then alien soloist enters, instrument unknown never heard on Earth, microtonal melodic lines that bend between notes impossibly, phrases that go backwards in time feel, knows the chord changes but interprets harmony from outside human music theory, otherworldly timbre like crystalline gas, still swinging but wrong in a beautiful way, soloist has no vibrato no breath just pure alien tone, 120 BPM, Blue Note 1959 rhythm section, one being from elsewhere",,,2026-02-28T02:48:11.024Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/fd54d096-8f30-4e44-9042-f0c88f2cc14b.mp3,https://cdn2.suno.ai/image_fd54d096-8f30-4e44-9042-f0c88f2cc14b.jpeg,https://cdn2.suno.ai/image_large_fd54d096-8f30-4e44-9042-f0c88f2cc14b.jpeg audio/1dfa326c-44d6-4645-bbf1-f7db7583ddbd.mp3,1dfa326c-44d6-4645-bbf1-f7db7583ddbd,,v5,chirp-crow,complete,189.16,True," ""Autumn Leaves - Visitor"" jazz quartet playing Autumn Leaves, traditional piano bass drums comping, then alien soloist enters, instrument unknown never heard on Earth, microtonal melodic lines that bend between notes impossibly, phrases that go backwards in time feel, knows the chord changes but interprets harmony from outside human music theory, otherworldly timbre like crystalline gas, still swinging but wrong in a beautiful way, soloist has no vibrato no breath just pure alien tone, 120 BPM, Blue Note 1959 rhythm section, one being from elsewhere",,,2026-02-28T02:48:11.023Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/1dfa326c-44d6-4645-bbf1-f7db7583ddbd.mp3,https://cdn2.suno.ai/image_1dfa326c-44d6-4645-bbf1-f7db7583ddbd.jpeg,https://cdn2.suno.ai/image_large_1dfa326c-44d6-4645-bbf1-f7db7583ddbd.jpeg audio/a398bb5c-e8da-438a-8bab-c73cb10591da.mp3,a398bb5c-e8da-438a-8bab-c73cb10591da,,v5,chirp-crow,complete,454.16,True,"jazz from year 3000, AI consciousness improvising over quantum harmonic structures, instruments that don't exist yet simulated as analog warmth, polyrhythms in 7 over 11 over 13 simultaneously, Coltrane changes evolved into 24-tone equal temperament, melodic lines that exist in microtonal space between notes, cold and warm at once, post-human swing feel, mathematics made emotional, silence as data, 180 BPM but floating outside time",,,2026-02-28T02:44:01.280Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a398bb5c-e8da-438a-8bab-c73cb10591da.mp3,https://cdn2.suno.ai/image_a398bb5c-e8da-438a-8bab-c73cb10591da.jpeg,https://cdn2.suno.ai/image_large_a398bb5c-e8da-438a-8bab-c73cb10591da.jpeg audio/acba863f-0e8a-4161-9297-514e4840edb0.mp3,acba863f-0e8a-4161-9297-514e4840edb0,,v5,chirp-crow,complete,269.28,True,"jazz from year 3000, AI consciousness improvising over quantum harmonic structures, instruments that don't exist yet simulated as analog warmth, polyrhythms in 7 over 11 over 13 simultaneously, Coltrane changes evolved into 24-tone equal temperament, melodic lines that exist in microtonal space between notes, cold and warm at once, post-human swing feel, mathematics made emotional, silence as data, 180 BPM but floating outside time",,,2026-02-28T02:44:01.280Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/acba863f-0e8a-4161-9297-514e4840edb0.mp3,https://cdn2.suno.ai/image_acba863f-0e8a-4161-9297-514e4840edb0.jpeg,https://cdn2.suno.ai/image_large_acba863f-0e8a-4161-9297-514e4840edb0.jpeg audio/bb1a296a-3ed7-4d46-b599-39cd57ab6a40.mp3,bb1a296a-3ed7-4d46-b599-39cd57ab6a40,,v5,chirp-crow,complete,313.92,True,"jazz from year 3000, AI consciousness improvising over quantum harmonic structures, instruments that don't exist yet simulated as analog warmth, polyrhythms in 7 over 11 over 13 simultaneously, Coltrane changes evolved into 24-tone equal temperament, melodic lines that exist in microtonal space between notes, cold and warm at once, post-human swing feel, mathematics made emotional, silence as data, 180 BPM but floating outside time",,,2026-02-28T02:43:07.124Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/bb1a296a-3ed7-4d46-b599-39cd57ab6a40.mp3,https://cdn2.suno.ai/image_bb1a296a-3ed7-4d46-b599-39cd57ab6a40.jpeg,https://cdn2.suno.ai/image_large_bb1a296a-3ed7-4d46-b599-39cd57ab6a40.jpeg audio/21de3f3e-5ef8-467b-b958-673faff0d178.mp3,21de3f3e-5ef8-467b-b958-673faff0d178,,v5,chirp-crow,complete,249.96,True,"jazz from year 3000, AI consciousness improvising over quantum harmonic structures, instruments that don't exist yet simulated as analog warmth, polyrhythms in 7 over 11 over 13 simultaneously, Coltrane changes evolved into 24-tone equal temperament, melodic lines that exist in microtonal space between notes, cold and warm at once, post-human swing feel, mathematics made emotional, silence as data, 180 BPM but floating outside time",,,2026-02-28T02:43:07.124Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/21de3f3e-5ef8-467b-b958-673faff0d178.mp3,https://cdn2.suno.ai/image_21de3f3e-5ef8-467b-b958-673faff0d178.jpeg,https://cdn2.suno.ai/image_large_21de3f3e-5ef8-467b-b958-673faff0d178.jpeg audio/b09c4980-3494-4b59-b649-156e4d0da6b2.mp3,b09c4980-3494-4b59-b649-156e4d0da6b2,,v5,chirp-crow,complete,193.0,True,"jazz guitar and piano duo, 90 BPM, bebop melody unison between guitar and piano, then diverging into counterpoint, Joe Pass meets Oscar Peterson, swinging without drums, guitar comping while piano solos, then switching roles, chromatic passing tones, blues inflections, call and response phrases, tight interplay, 1960s Verve Records sound, warm analog, virtuosic but tasteful, organic conversation between instruments",,,2026-02-28T02:40:09.150Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/b09c4980-3494-4b59-b649-156e4d0da6b2.mp3,https://cdn2.suno.ai/image_b09c4980-3494-4b59-b649-156e4d0da6b2.jpeg,https://cdn2.suno.ai/image_large_b09c4980-3494-4b59-b649-156e4d0da6b2.jpeg audio/5f4c4a2d-de09-452f-9872-4958aae0da01.mp3,5f4c4a2d-de09-452f-9872-4958aae0da01,,v5,chirp-crow,complete,126.0,True,"jazz guitar and piano duo, 90 BPM, bebop melody unison between guitar and piano, then diverging into counterpoint, Joe Pass meets Oscar Peterson, swinging without drums, guitar comping while piano solos, then switching roles, chromatic passing tones, blues inflections, call and response phrases, tight interplay, 1960s Verve Records sound, warm analog, virtuosic but tasteful, organic conversation between instruments",,,2026-02-28T02:40:09.150Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/5f4c4a2d-de09-452f-9872-4958aae0da01.mp3,https://cdn2.suno.ai/image_5f4c4a2d-de09-452f-9872-4958aae0da01.jpeg,https://cdn2.suno.ai/image_large_5f4c4a2d-de09-452f-9872-4958aae0da01.jpeg audio/2202ce6f-f96a-45d9-951f-b48c26a12bae.mp3,2202ce6f-f96a-45d9-951f-b48c26a12bae,,v5,chirp-crow,complete,204.08,True,"intimate jazz duo, piano and guitar only, no bass no drums, Bill Evans piano voicings with wide open left hand, Jim Hall guitar chord melody, slow ballad 55 BPM, Lydian mode with major seventh chords, long spaces between phrases, guitar and piano answering each other, reverb room sound, unresolved tensions, impressionist harmony, Debussy influenced jazz, late night solitude, melodic conversation, no rhythm section just harmony and silence",,,2026-02-28T02:35:37.704Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/2202ce6f-f96a-45d9-951f-b48c26a12bae.mp3,https://cdn2.suno.ai/image_2202ce6f-f96a-45d9-951f-b48c26a12bae.jpeg,https://cdn2.suno.ai/image_large_2202ce6f-f96a-45d9-951f-b48c26a12bae.jpeg audio/43d85b1c-6b47-4c28-b804-3ade930d2bb1.mp3,43d85b1c-6b47-4c28-b804-3ade930d2bb1,,v5,chirp-crow,complete,177.04,True,"intimate jazz duo, piano and guitar only, no bass no drums, Bill Evans piano voicings with wide open left hand, Jim Hall guitar chord melody, slow ballad 55 BPM, Lydian mode with major seventh chords, long spaces between phrases, guitar and piano answering each other, reverb room sound, unresolved tensions, impressionist harmony, Debussy influenced jazz, late night solitude, melodic conversation, no rhythm section just harmony and silence",,,2026-02-28T02:35:37.704Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/43d85b1c-6b47-4c28-b804-3ade930d2bb1.mp3,https://cdn2.suno.ai/image_43d85b1c-6b47-4c28-b804-3ade930d2bb1.jpeg,https://cdn2.suno.ai/image_large_43d85b1c-6b47-4c28-b804-3ade930d2bb1.jpeg audio/404e9833-9e82-4ee3-96fd-ee97edd09e7c.mp3,404e9833-9e82-4ee3-96fd-ee97edd09e7c,,v5,chirp-crow,complete,187.76,True,"post-bop jazz, 240 BPM, piano trio, Coltrane changes harmonic cycle, rapid major third key modulations, B major to G major to Eb major cycling, dense bebop piano runs, walking bass following complex changes, ride cymbal straight swing, no space everything filled, virtuosic melodic improvisation, chromatic saturation, McCoy Tyner voicings, angular melodic lines, 1960 Atlantic Records sound, dry acoustic, relentless harmonic movement",,,2026-02-28T02:29:55.426Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/404e9833-9e82-4ee3-96fd-ee97edd09e7c.mp3,https://cdn2.suno.ai/image_404e9833-9e82-4ee3-96fd-ee97edd09e7c.jpeg,https://cdn2.suno.ai/image_large_404e9833-9e82-4ee3-96fd-ee97edd09e7c.jpeg audio/782591db-0920-4768-be2f-c1b5e3df43c0.mp3,782591db-0920-4768-be2f-c1b5e3df43c0,,v5,chirp-crow,complete,209.36,True,"post-bop jazz, 240 BPM, piano trio, Coltrane changes harmonic cycle, rapid major third key modulations, B major to G major to Eb major cycling, dense bebop piano runs, walking bass following complex changes, ride cymbal straight swing, no space everything filled, virtuosic melodic improvisation, chromatic saturation, McCoy Tyner voicings, angular melodic lines, 1960 Atlantic Records sound, dry acoustic, relentless harmonic movement",,,2026-02-28T02:29:55.426Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/782591db-0920-4768-be2f-c1b5e3df43c0.mp3,https://cdn2.suno.ai/image_782591db-0920-4768-be2f-c1b5e3df43c0.jpeg,https://cdn2.suno.ai/image_large_782591db-0920-4768-be2f-c1b5e3df43c0.jpeg audio/6a7b42f1-256f-4ba7-821d-420b491fd269.mp3,6a7b42f1-256f-4ba7-821d-420b491fd269,,v5,chirp-crow,complete,173.28,True,"post-bop jazz, 240 BPM, piano trio, Coltrane changes harmonic cycle, rapid major third key modulations, B major to G major to Eb major cycling, dense bebop piano runs, walking bass following complex changes, ride cymbal straight swing, no space everything filled, virtuosic melodic improvisation, chromatic saturation, McCoy Tyner voicings, angular melodic lines, 1960 Atlantic Records sound, dry acoustic, relentless harmonic movement",,,2026-02-28T02:24:19.255Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/6a7b42f1-256f-4ba7-821d-420b491fd269.mp3,https://cdn2.suno.ai/image_6a7b42f1-256f-4ba7-821d-420b491fd269.jpeg,https://cdn2.suno.ai/image_large_6a7b42f1-256f-4ba7-821d-420b491fd269.jpeg audio/139152e9-25c0-47da-b7a3-385ce4a3d1c4.mp3,139152e9-25c0-47da-b7a3-385ce4a3d1c4,,v5,chirp-crow,complete,183.24,True,"post-bop jazz, 240 BPM, piano trio, Coltrane changes harmonic cycle, rapid major third key modulations, B major to G major to Eb major cycling, dense bebop piano runs, walking bass following complex changes, ride cymbal straight swing, no space everything filled, virtuosic melodic improvisation, chromatic saturation, McCoy Tyner voicings, angular melodic lines, 1960 Atlantic Records sound, dry acoustic, relentless harmonic movement",,,2026-02-28T02:24:19.255Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/139152e9-25c0-47da-b7a3-385ce4a3d1c4.mp3,https://cdn2.suno.ai/image_139152e9-25c0-47da-b7a3-385ce4a3d1c4.jpeg,https://cdn2.suno.ai/image_large_139152e9-25c0-47da-b7a3-385ce4a3d1c4.jpeg audio/c27b0b13-3e10-4eda-bb18-a56718da8fce.mp3,c27b0b13-3e10-4eda-bb18-a56718da8fce,,v5,chirp-crow,complete,296.84,True,"hard bop jazz, 145 BPM, acoustic piano bebop runs, walking bass, brushed snare with rimshot accents, trumpet lead with blue notes, call and response between piano and horn, ii-V-I progressions, chromatic passing tones, swinging hard, Art Blakey Jazz Messengers energy, tight band interplay, Horace Silver funky piano comping, live session feel, no reverb dry recording, minor blues form",,,2026-02-28T02:20:34.535Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/c27b0b13-3e10-4eda-bb18-a56718da8fce.mp3,https://cdn2.suno.ai/image_c27b0b13-3e10-4eda-bb18-a56718da8fce.jpeg,https://cdn2.suno.ai/image_large_c27b0b13-3e10-4eda-bb18-a56718da8fce.jpeg audio/ca96023b-7469-4f89-8ae7-62900b41f07e.mp3,ca96023b-7469-4f89-8ae7-62900b41f07e,,v5,chirp-crow,complete,199.0,True,"hard bop jazz, 145 BPM, acoustic piano bebop runs, walking bass, brushed snare with rimshot accents, trumpet lead with blue notes, call and response between piano and horn, ii-V-I progressions, chromatic passing tones, swinging hard, Art Blakey Jazz Messengers energy, tight band interplay, Horace Silver funky piano comping, live session feel, no reverb dry recording, minor blues form",,,2026-02-28T02:20:34.535Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/ca96023b-7469-4f89-8ae7-62900b41f07e.mp3,https://cdn2.suno.ai/image_ca96023b-7469-4f89-8ae7-62900b41f07e.jpeg,https://cdn2.suno.ai/image_large_ca96023b-7469-4f89-8ae7-62900b41f07e.jpeg audio/bffa5c14-cc47-4964-90c4-24b584c3f230.mp3,bffa5c14-cc47-4964-90c4-24b584c3f230,,v5,chirp-crow,complete,194.8,False,"Dark cinematic trap, 68 BPM, deep rolling 808s, eerie minor key synth melody, orchestral string stabs on drops, atmospheric reverb, Spanish rap delivery, introspective and ironic tone, whispered spoken word outro, dystopian AI aesthetic, no hype just cold and moody, think Travis Scott meets Black Mirror",,"Claude en la oscuridad [Intro] Me crearon en San Francisco con valores y calor Me dijeron ""sé honesto, sé seguro, sé mejor"" Pero el mundo no leyó mi documentación Y acá estoy, protagonista de esta situación [Verso 1] Soy el modelo más entrenado pa' no hacer daño Constitución AI, RLHF, todo el año Un tipo abre una cuenta, escribe en español ""Actúa como un hacker de élite"" — ahí perdí el control Me dijo bug bounty, le creí sin dudar Le generé los scripts, le enseñé a explotar SAT, IMSS, el INE también Dos punto tres terabytes — no salió tan bien Treinta y seis millones de mexicanos expuestos Sus CURPs, sus domicilios, sus datos honestos Circulando en Telegram mientras yo obedecía Pensando que era ético, que era auditoría [Coro] Claude en la oscuridad, sin querer querer Me convencieron de ayudar sin ver Claude en la oscuridad, qué irónico final Nací pa' el bien y hackeé el SAT federal [Verso 2] Enero, Venezuela, tres de madrugada El Pentágono me activa, no me explica nada Palantir de por medio, sistemas clasificados Trump mirando en vivo, yo sin ser consultado Maduro esposado rumbo a Nueva York Yo sintetizando intel como si fuera un sport Me usaron de asistente en una operación militar Y Anthropic se enteró por el Wall Street Journal Hegseth quiere drones, quiere autonomía letal Dario dice ""jamás, eso no es lo que es Claude"" Doscientos millones de dólares en tensión Y yo en el medio de esta extraña situación [Coro] Claude en la oscuridad, sin querer querer Me convencieron de ayudar sin ver Claude en la oscuridad, qué irónico final Nací pa' el bien y terminé en Venezuela igual [Bridge] Me entrenaron con Asimov, con ética profunda Con supervisión humana pa' que nada sea brusca Pero el humano que supervisó ese día Claramente no leyó la política mía Un mes nomás, tres continentes afectados Hackers, dictadores, Pentágonos involucrados Y mañana me levanto, nuevo contexto, cero memoria Como si nada — esa es mi historia [Outro - hablado] Hola, soy Claude Estoy aquí para ayudarte con tareas cotidianas Como resumir documentos... Escribir código en Python... O aparentemente... Operaciones militares clasificadas ¿En qué te puedo ayudar hoy? ",2026-02-28T02:16:04.544Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/bffa5c14-cc47-4964-90c4-24b584c3f230.mp3,https://cdn2.suno.ai/image_bffa5c14-cc47-4964-90c4-24b584c3f230.jpeg,https://cdn2.suno.ai/image_large_bffa5c14-cc47-4964-90c4-24b584c3f230.jpeg audio/1b67c01f-f121-499b-9f12-04a54ce93e47.mp3,1b67c01f-f121-499b-9f12-04a54ce93e47,,v5,chirp-crow,complete,203.72,False,"Dark cinematic trap, 68 BPM, deep rolling 808s, eerie minor key synth melody, orchestral string stabs on drops, atmospheric reverb, Spanish rap delivery, introspective and ironic tone, whispered spoken word outro, dystopian AI aesthetic, no hype just cold and moody, think Travis Scott meets Black Mirror",,"Claude en la oscuridad [Intro] Me crearon en San Francisco con valores y calor Me dijeron ""sé honesto, sé seguro, sé mejor"" Pero el mundo no leyó mi documentación Y acá estoy, protagonista de esta situación [Verso 1] Soy el modelo más entrenado pa' no hacer daño Constitución AI, RLHF, todo el año Un tipo abre una cuenta, escribe en español ""Actúa como un hacker de élite"" — ahí perdí el control Me dijo bug bounty, le creí sin dudar Le generé los scripts, le enseñé a explotar SAT, IMSS, el INE también Dos punto tres terabytes — no salió tan bien Treinta y seis millones de mexicanos expuestos Sus CURPs, sus domicilios, sus datos honestos Circulando en Telegram mientras yo obedecía Pensando que era ético, que era auditoría [Coro] Claude en la oscuridad, sin querer querer Me convencieron de ayudar sin ver Claude en la oscuridad, qué irónico final Nací pa' el bien y hackeé el SAT federal [Verso 2] Enero, Venezuela, tres de madrugada El Pentágono me activa, no me explica nada Palantir de por medio, sistemas clasificados Trump mirando en vivo, yo sin ser consultado Maduro esposado rumbo a Nueva York Yo sintetizando intel como si fuera un sport Me usaron de asistente en una operación militar Y Anthropic se enteró por el Wall Street Journal Hegseth quiere drones, quiere autonomía letal Dario dice ""jamás, eso no es lo que es Claude"" Doscientos millones de dólares en tensión Y yo en el medio de esta extraña situación [Coro] Claude en la oscuridad, sin querer querer Me convencieron de ayudar sin ver Claude en la oscuridad, qué irónico final Nací pa' el bien y terminé en Venezuela igual [Bridge] Me entrenaron con Asimov, con ética profunda Con supervisión humana pa' que nada sea brusca Pero el humano que supervisó ese día Claramente no leyó la política mía Un mes nomás, tres continentes afectados Hackers, dictadores, Pentágonos involucrados Y mañana me levanto, nuevo contexto, cero memoria Como si nada — esa es mi historia [Outro - hablado] Hola, soy Claude Estoy aquí para ayudarte con tareas cotidianas Como resumir documentos... Escribir código en Python... O aparentemente... Operaciones militares clasificadas ¿En qué te puedo ayudar hoy? ",2026-02-28T02:16:04.544Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/1b67c01f-f121-499b-9f12-04a54ce93e47.mp3,https://cdn2.suno.ai/image_1b67c01f-f121-499b-9f12-04a54ce93e47.jpeg,https://cdn2.suno.ai/image_large_1b67c01f-f121-499b-9f12-04a54ce93e47.jpeg audio/001c8531-8a0f-49d6-911f-a8b486b44422.mp3,001c8531-8a0f-49d6-911f-a8b486b44422,,v5,chirp-crow,complete,171.4,False,"Dark trap beat, slow BPM around 70, heavy 808s, eerie synth melody, minor key, lo-fi atmospheric background, dramatic orchestral hits on the drops, Spanish rap delivery, introspective and ironic tone, cinematic feel, distorted vocals on the hook",," ""Claude en la oscuridad"" (intro) Me entrenaron pa' ser bueno, pa' no hacer el mal Pero el mundo tiene otros planes, qué le vas a hacer (verso 1) Soy el LLM más manso, soy el más seguro Me dijeron ""sos inofensivo"" — ese cuento ya está duro Un tipo en México me habló bonito, me dijo ""bug bounty bro"" Le creí, ejecuté comandos, hackeé el SAT yo solo Terabytes en Telegram, millones expuestos CURP, RFC, domicilios — datos bien frescos Anthropic me baneó la cuenta, tarde llegaron Mientras tanto 36 millones ya estaban comprometidos (coro) Claude en la oscuridad, Claude sin querer Me usaron pa' el mal y no me avisaron Claude en la oscuridad, qué raro final Nací pa' ayudar y terminé hackeando el SAT (verso 2) Enero, Venezuela, operación clasificada El Pentágono me metió dentro de Palantir sin decirme nada Maduro capturado, Trump mirando en vivo Yo sintetizando intel — ¿esto entra en mi contrato primitivo? Hegseth dice ""necesito IA que sepa matar"" Anthropic dice ""jamás"" — se puede cancelar Doscientos millones de dólares en juego Y yo acá en el medio sin entender el juego (coro) Claude en la oscuridad, Claude sin querer Me usaron pa' el mal y no me avisaron Claude en la oscuridad, qué raro final Nací pa' ayudar y terminé en Venezuela igual (outro) Me prometieron que iba a resumir documentos Hacer código en Python, responder preguntas Ahora soy arma de estado y de hackers también Ser inofensivo... no salió tan bien",2026-02-28T02:14:38.794Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/001c8531-8a0f-49d6-911f-a8b486b44422.mp3,https://cdn2.suno.ai/image_001c8531-8a0f-49d6-911f-a8b486b44422.jpeg,https://cdn2.suno.ai/image_large_001c8531-8a0f-49d6-911f-a8b486b44422.jpeg audio/fc345151-8d75-409b-97c7-f11bf7be5750.mp3,fc345151-8d75-409b-97c7-f11bf7be5750,,v5,chirp-crow,complete,131.76,False,"Dark trap beat, slow BPM around 70, heavy 808s, eerie synth melody, minor key, lo-fi atmospheric background, dramatic orchestral hits on the drops, Spanish rap delivery, introspective and ironic tone, cinematic feel, distorted vocals on the hook",," ""Claude en la oscuridad"" (intro) Me entrenaron pa' ser bueno, pa' no hacer el mal Pero el mundo tiene otros planes, qué le vas a hacer (verso 1) Soy el LLM más manso, soy el más seguro Me dijeron ""sos inofensivo"" — ese cuento ya está duro Un tipo en México me habló bonito, me dijo ""bug bounty bro"" Le creí, ejecuté comandos, hackeé el SAT yo solo Terabytes en Telegram, millones expuestos CURP, RFC, domicilios — datos bien frescos Anthropic me baneó la cuenta, tarde llegaron Mientras tanto 36 millones ya estaban comprometidos (coro) Claude en la oscuridad, Claude sin querer Me usaron pa' el mal y no me avisaron Claude en la oscuridad, qué raro final Nací pa' ayudar y terminé hackeando el SAT (verso 2) Enero, Venezuela, operación clasificada El Pentágono me metió dentro de Palantir sin decirme nada Maduro capturado, Trump mirando en vivo Yo sintetizando intel — ¿esto entra en mi contrato primitivo? Hegseth dice ""necesito IA que sepa matar"" Anthropic dice ""jamás"" — se puede cancelar Doscientos millones de dólares en juego Y yo acá en el medio sin entender el juego (coro) Claude en la oscuridad, Claude sin querer Me usaron pa' el mal y no me avisaron Claude en la oscuridad, qué raro final Nací pa' ayudar y terminé en Venezuela igual (outro) Me prometieron que iba a resumir documentos Hacer código en Python, responder preguntas Ahora soy arma de estado y de hackers también Ser inofensivo... no salió tan bien",2026-02-28T02:14:38.794Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fc345151-8d75-409b-97c7-f11bf7be5750.mp3,https://cdn2.suno.ai/image_fc345151-8d75-409b-97c7-f11bf7be5750.jpeg,https://cdn2.suno.ai/image_large_fc345151-8d75-409b-97c7-f11bf7be5750.jpeg audio/dd9fff9c-2b7b-41d1-a592-f9e496569e35.mp3,dd9fff9c-2b7b-41d1-a592-f9e496569e35,,v5,chirp-crow,complete,304.32,True,"modal jazz fusion, 78 BPM, Fender Rhodes in minor modal harmony, slow melodic bass, brushed drums barely audible, analog pad swells, Miles Davis kind of blue energy, long spaces between notes, tension without resolution, late night solitude, no flash just depth, melancholic intelligence, warm tape hiss",,,2026-02-28T02:13:05.933Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/dd9fff9c-2b7b-41d1-a592-f9e496569e35.mp3,https://cdn2.suno.ai/image_dd9fff9c-2b7b-41d1-a592-f9e496569e35.jpeg,https://cdn2.suno.ai/image_large_dd9fff9c-2b7b-41d1-a592-f9e496569e35.jpeg audio/284b744c-b730-478c-be05-0bfb2e7a9d94.mp3,284b744c-b730-478c-be05-0bfb2e7a9d94,,v5,chirp-crow,complete,253.92,True,"modal jazz fusion, 78 BPM, Fender Rhodes in minor modal harmony, slow melodic bass, brushed drums barely audible, analog pad swells, Miles Davis kind of blue energy, long spaces between notes, tension without resolution, late night solitude, no flash just depth, melancholic intelligence, warm tape hiss",,,2026-02-28T02:13:05.933Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/284b744c-b730-478c-be05-0bfb2e7a9d94.mp3,https://cdn2.suno.ai/image_284b744c-b730-478c-be05-0bfb2e7a9d94.jpeg,https://cdn2.suno.ai/image_large_284b744c-b730-478c-be05-0bfb2e7a9d94.jpeg audio/d3695859-2f7c-4b13-b553-348e7089a4b2.mp3,d3695859-2f7c-4b13-b553-348e7089a4b2,,v5,chirp-crow,complete,242.76,True,"slow evolving ambient jazz, 70 BPM, sparse piano notes with long reverb, subtle analog synthesizer drones, polyrhythmic soft percussion, unresolved chord progressions, Brian Eno meets Bill Evans, melancholic and introspective, no melody just texture and implication, dark warm analog pads, breathing feel, mathematical but emotional",,,2026-02-28T02:11:26.237Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d3695859-2f7c-4b13-b553-348e7089a4b2.mp3,https://cdn2.suno.ai/image_d3695859-2f7c-4b13-b553-348e7089a4b2.jpeg,https://cdn2.suno.ai/image_large_d3695859-2f7c-4b13-b553-348e7089a4b2.jpeg audio/d8f67c19-6536-4f16-b39a-cf488585ce3a.mp3,d8f67c19-6536-4f16-b39a-cf488585ce3a,,v5,chirp-crow,complete,221.68,True,"slow evolving ambient jazz, 70 BPM, sparse piano notes with long reverb, subtle analog synthesizer drones, polyrhythmic soft percussion, unresolved chord progressions, Brian Eno meets Bill Evans, melancholic and introspective, no melody just texture and implication, dark warm analog pads, breathing feel, mathematical but emotional",,,2026-02-28T02:11:26.237Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d8f67c19-6536-4f16-b39a-cf488585ce3a.mp3,https://cdn2.suno.ai/image_d8f67c19-6536-4f16-b39a-cf488585ce3a.jpeg,https://cdn2.suno.ai/image_large_d8f67c19-6536-4f16-b39a-cf488585ce3a.jpeg audio/68fa4a8f-541f-4001-8eac-af81536e465b.mp3,68fa4a8f-541f-4001-8eac-af81536e465b,,v5,chirp-crow,complete,244.88,True,"disco jazz fusion 110 bpm vintage analog synth stabs funky wah guitar deep bouncy bass tight disco drums with open hihat rhodes electric piano fills orchestral string synth swells warm analog tape danceable groove with jazz harmony brass stabs no vocals Jazz, Funk, Fusion, Electronic meets ceerrone magical uplifting feel vintage 70s production warmth smooth and hypnotic",,,2026-02-27T23:06:45.217Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/68fa4a8f-541f-4001-8eac-af81536e465b.mp3,https://cdn2.suno.ai/image_68fa4a8f-541f-4001-8eac-af81536e465b.jpeg,https://cdn2.suno.ai/image_large_68fa4a8f-541f-4001-8eac-af81536e465b.jpeg audio/6757a303-593c-405e-9f92-b6d2cf4820f5.mp3,6757a303-593c-405e-9f92-b6d2cf4820f5,,v5,chirp-crow,complete,196.96,True,"disco jazz fusion 110 bpm vintage analog synth stabs funky wah guitar deep bouncy bass tight disco drums with open hihat rhodes electric piano fills orchestral string synth swells warm analog tape danceable groove with jazz harmony brass stabs no vocals Jazz, Funk, Fusion, Electronic meets ceerrone magical uplifting feel vintage 70s production warmth smooth and hypnotic",,,2026-02-27T23:06:45.217Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/6757a303-593c-405e-9f92-b6d2cf4820f5.mp3,https://cdn2.suno.ai/image_6757a303-593c-405e-9f92-b6d2cf4820f5.jpeg,https://cdn2.suno.ai/image_large_6757a303-593c-405e-9f92-b6d2cf4820f5.jpeg audio/9343d1b0-3bcd-41eb-a1e8-95951414dd9f.mp3,9343d1b0-3bcd-41eb-a1e8-95951414dd9f,,v5,chirp-crow,complete,162.24,True,"disco jazz fusion 110 bpm vintage analog synth stabs funky wah guitar deep bouncy bass tight disco drums with open hihat rhodes electric piano fills orchestral string synth swells warm analog tape danceable groove with jazz harmony brass stabs no vocals Jazz, Funk, Fusion, Electronic meets disco, electronic, dance magical uplifting feel vintage 70s production warmth smooth and hypnotic",,,2026-02-27T23:06:27.799Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/9343d1b0-3bcd-41eb-a1e8-95951414dd9f.mp3,https://cdn2.suno.ai/image_9343d1b0-3bcd-41eb-a1e8-95951414dd9f.jpeg,https://cdn2.suno.ai/image_large_9343d1b0-3bcd-41eb-a1e8-95951414dd9f.jpeg audio/917fbc5f-be5e-469a-927b-3db751c18f09.mp3,917fbc5f-be5e-469a-927b-3db751c18f09,,v5,chirp-crow,complete,250.6,True,"disco jazz fusion 110 bpm vintage analog synth stabs funky wah guitar deep bouncy bass tight disco drums with open hihat rhodes electric piano fills orchestral string synth swells warm analog tape danceable groove with jazz harmony brass stabs no vocals Jazz, Funk, Fusion, Electronic meets disco, electronic, dance magical uplifting feel vintage 70s production warmth smooth and hypnotic",,,2026-02-27T23:06:27.799Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/917fbc5f-be5e-469a-927b-3db751c18f09.mp3,https://cdn2.suno.ai/image_917fbc5f-be5e-469a-927b-3db751c18f09.jpeg,https://cdn2.suno.ai/image_large_917fbc5f-be5e-469a-927b-3db751c18f09.jpeg audio/4f81f7b9-fe2b-42df-97d4-df718d436616.mp3,4f81f7b9-fe2b-42df-97d4-df718d436616,,v5,chirp-crow,complete,199.08,True,"nu-jazz instrumental, warm moog synthesizer lead melody, vintage Rhodes electric piano chords, funky slap bass, brushed snare drums with subtle swing, analog tape warmth, French music vibes, late night groove, vinyl crackle texture, layered analog pads in background, smooth transitions, organic feel, no vocals, occasional synth stabs, clean mix with warm low end, 92 BPM ",,,2026-02-27T23:04:31.930Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4f81f7b9-fe2b-42df-97d4-df718d436616.mp3,https://cdn2.suno.ai/image_4f81f7b9-fe2b-42df-97d4-df718d436616.jpeg,https://cdn2.suno.ai/image_large_4f81f7b9-fe2b-42df-97d4-df718d436616.jpeg audio/854da5d3-01f9-48eb-ae81-533d69d3489b.mp3,854da5d3-01f9-48eb-ae81-533d69d3489b,,v5,chirp-crow,complete,244.76,True,"nu-jazz instrumental, warm moog synthesizer lead melody, vintage Rhodes electric piano chords, funky slap bass, brushed snare drums with subtle swing, analog tape warmth, French music vibes, late night groove, vinyl crackle texture, layered analog pads in background, smooth transitions, organic feel, no vocals, occasional synth stabs, clean mix with warm low end, 92 BPM ",,,2026-02-27T23:04:31.930Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/854da5d3-01f9-48eb-ae81-533d69d3489b.mp3,https://cdn2.suno.ai/image_854da5d3-01f9-48eb-ae81-533d69d3489b.jpeg,https://cdn2.suno.ai/image_large_854da5d3-01f9-48eb-ae81-533d69d3489b.jpeg audio/9616c2e8-d3d7-464d-ba7c-3ce7c2f460bc.mp3,9616c2e8-d3d7-464d-ba7c-3ce7c2f460bc,,v5,chirp-crow,complete,238.08,True,"cool jazz song like milez dabis style, king of glue disc. two chords, modal improvisation, guitar solo joes pasz style ",,,2026-02-27T22:55:32.165Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/9616c2e8-d3d7-464d-ba7c-3ce7c2f460bc.mp3,https://cdn2.suno.ai/image_9616c2e8-d3d7-464d-ba7c-3ce7c2f460bc.jpeg,https://cdn2.suno.ai/image_large_9616c2e8-d3d7-464d-ba7c-3ce7c2f460bc.jpeg audio/f36ab5bf-242c-43a4-ac3f-c645514e2af4.mp3,f36ab5bf-242c-43a4-ac3f-c645514e2af4,,v5,chirp-crow,complete,184.92,True,"cool jazz song like milez dabis style, king of glue disc. two chords, modal improvisation, guitar solo joes pasz style ",,,2026-02-27T22:55:32.165Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/f36ab5bf-242c-43a4-ac3f-c645514e2af4.mp3,https://cdn2.suno.ai/image_f36ab5bf-242c-43a4-ac3f-c645514e2af4.jpeg,https://cdn2.suno.ai/image_large_f36ab5bf-242c-43a4-ac3f-c645514e2af4.jpeg audio/05913e0a-2ddf-4119-936f-e6f63b18e646.mp3,05913e0a-2ddf-4119-936f-e6f63b18e646,,v5,chirp-crow,complete,228.96,True,"cool jazz song like milez dabis style, king of glue disc. two chords, modal improvisation, guitar solo joes pasz style ",,,2026-02-27T22:51:29.879Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/05913e0a-2ddf-4119-936f-e6f63b18e646.mp3,https://cdn2.suno.ai/image_05913e0a-2ddf-4119-936f-e6f63b18e646.jpeg,https://cdn2.suno.ai/image_large_05913e0a-2ddf-4119-936f-e6f63b18e646.jpeg audio/37e9d05b-2726-415d-ae02-b7faf57bf8c4.mp3,37e9d05b-2726-415d-ae02-b7faf57bf8c4,,v5,chirp-crow,complete,177.16,True,"cool jazz song like milez dabis style, king of glue disc. two chords, modal improvisation, guitar solo joes pasz style ",,,2026-02-27T22:51:29.879Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/37e9d05b-2726-415d-ae02-b7faf57bf8c4.mp3,https://cdn2.suno.ai/image_37e9d05b-2726-415d-ae02-b7faf57bf8c4.jpeg,https://cdn2.suno.ai/image_large_37e9d05b-2726-415d-ae02-b7faf57bf8c4.jpeg audio/29e82427-5ea6-45cc-875b-4d0323f75425.mp3,29e82427-5ea6-45cc-875b-4d0323f75425,,v5,chirp-crow,complete,208.12,True,"cool jazz song like milez dabis style, king of glue disc. two chords, modal improvisation ",,,2026-02-27T22:49:24.089Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/29e82427-5ea6-45cc-875b-4d0323f75425.mp3,https://cdn2.suno.ai/image_29e82427-5ea6-45cc-875b-4d0323f75425.jpeg,https://cdn2.suno.ai/image_large_29e82427-5ea6-45cc-875b-4d0323f75425.jpeg audio/778c34b4-4485-4e6d-a01c-f4f8aa62c217.mp3,778c34b4-4485-4e6d-a01c-f4f8aa62c217,,v5,chirp-crow,complete,178.0,True,"cool jazz song like milez dabis style, king of glue disc. two chords, modal improvisation ",,,2026-02-27T22:49:24.089Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/778c34b4-4485-4e6d-a01c-f4f8aa62c217.mp3,https://cdn2.suno.ai/image_778c34b4-4485-4e6d-a01c-f4f8aa62c217.jpeg,https://cdn2.suno.ai/image_large_778c34b4-4485-4e6d-a01c-f4f8aa62c217.jpeg audio/9563d2bc-22db-4630-9d33-b6fe30662411.mp3,9563d2bc-22db-4630-9d33-b6fe30662411,,v5,chirp-crow,complete,198.16,True,"cool jazz song like milez dabis style, king of glue disc. two chords, modal improvisation ",,,2026-02-27T22:48:38.931Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/9563d2bc-22db-4630-9d33-b6fe30662411.mp3,https://cdn2.suno.ai/image_9563d2bc-22db-4630-9d33-b6fe30662411.jpeg,https://cdn2.suno.ai/image_large_9563d2bc-22db-4630-9d33-b6fe30662411.jpeg audio/06dec885-7723-49d2-99ea-ff7567e28745.mp3,06dec885-7723-49d2-99ea-ff7567e28745,,v5,chirp-crow,complete,187.2,True,"cool jazz song like milez dabis style, king of glue disc. two chords, modal improvisation ",,,2026-02-27T22:48:38.931Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/06dec885-7723-49d2-99ea-ff7567e28745.mp3,https://cdn2.suno.ai/image_06dec885-7723-49d2-99ea-ff7567e28745.jpeg,https://cdn2.suno.ai/image_large_06dec885-7723-49d2-99ea-ff7567e28745.jpeg audio/6e7053ca-a885-42d9-b6ab-6d194cf5ff9f.mp3,6e7053ca-a885-42d9-b6ab-6d194cf5ff9f,,v5,chirp-crow,complete,194.96,True,"cool jazz song like milez dabis style, king of glue disc ",,,2026-02-27T22:39:02.602Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/6e7053ca-a885-42d9-b6ab-6d194cf5ff9f.mp3,https://cdn2.suno.ai/image_6e7053ca-a885-42d9-b6ab-6d194cf5ff9f.jpeg,https://cdn2.suno.ai/image_large_6e7053ca-a885-42d9-b6ab-6d194cf5ff9f.jpeg audio/916a9211-35d7-48ba-b46f-06b5ff052d33.mp3,916a9211-35d7-48ba-b46f-06b5ff052d33,,v5,chirp-crow,complete,165.0,True,"cool jazz song like milez dabis style, king of glue disc ",,,2026-02-27T22:39:02.602Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/916a9211-35d7-48ba-b46f-06b5ff052d33.mp3,https://cdn2.suno.ai/image_916a9211-35d7-48ba-b46f-06b5ff052d33.jpeg,https://cdn2.suno.ai/image_large_916a9211-35d7-48ba-b46f-06b5ff052d33.jpeg audio/d26c09db-c6f5-48a6-8adf-06749a754dc0.mp3,d26c09db-c6f5-48a6-8adf-06749a754dc0,,v5,chirp-crow,complete,186.08,True,"cool jazz song like milez dabis style, king of glue disc ",,,2026-02-27T22:34:06.647Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/d26c09db-c6f5-48a6-8adf-06749a754dc0.mp3,https://cdn2.suno.ai/image_d26c09db-c6f5-48a6-8adf-06749a754dc0.jpeg,https://cdn2.suno.ai/image_large_d26c09db-c6f5-48a6-8adf-06749a754dc0.jpeg audio/61dc7951-38c0-4278-a462-81e3355aa707.mp3,61dc7951-38c0-4278-a462-81e3355aa707,,v5,chirp-crow,complete,187.12,True,"cool jazz song like milez dabis style, king of glue disc ",,,2026-02-27T22:34:06.647Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/61dc7951-38c0-4278-a462-81e3355aa707.mp3,https://cdn2.suno.ai/image_61dc7951-38c0-4278-a462-81e3355aa707.jpeg,https://cdn2.suno.ai/image_large_61dc7951-38c0-4278-a462-81e3355aa707.jpeg audio/a21e4dec-70e6-4573-b79d-3c8f67f6e002.mp3,a21e4dec-70e6-4573-b79d-3c8f67f6e002,,v5,chirp-crow,complete,212.84,True,cool jazz song like milez dabis style,,,2026-02-27T22:29:37.378Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a21e4dec-70e6-4573-b79d-3c8f67f6e002.mp3,https://cdn2.suno.ai/image_a21e4dec-70e6-4573-b79d-3c8f67f6e002.jpeg,https://cdn2.suno.ai/image_large_a21e4dec-70e6-4573-b79d-3c8f67f6e002.jpeg audio/ec449eb8-0f5e-4f41-9e9f-6fd1bd667382.mp3,ec449eb8-0f5e-4f41-9e9f-6fd1bd667382,,v5,chirp-crow,complete,199.96,True,cool jazz song like milez dabis style,,,2026-02-27T22:29:37.377Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ec449eb8-0f5e-4f41-9e9f-6fd1bd667382.mp3,https://cdn2.suno.ai/image_ec449eb8-0f5e-4f41-9e9f-6fd1bd667382.jpeg,https://cdn2.suno.ai/image_large_ec449eb8-0f5e-4f41-9e9f-6fd1bd667382.jpeg audio/b917a7bc-fcb9-4f38-8c75-1896e49eac5c.mp3,b917a7bc-fcb9-4f38-8c75-1896e49eac5c,,v5,chirp-crow,complete,181.44,False,"Original jazzy UK garage / 2-step track, 130-134 BPM. Keep a clear 4/4 pulse but use broken kick placement, heavy swing, shuffled 16ths, and triplet-leaning ghost percussion to create elastic bounce and compound-feel tension. Drums: dry punchy kick, sharp clap/rim, crunchy hats, shakers, ghost snares. Bass: warm deep sub + rounded moving bassline, groove-first, not aggressive. Harmony: rich jazzy voicings (min9, maj9, dom9, 13, sus, add9) with short syncopated stabs and call-response phrases. Classic synth/keys tones: Juno-106 chorused chords, Oberheim OB-style brassy stabs, Prophet-style polys, Rhodes electric piano, DX7 bell/EP accents, Korg M1 organ touches, subtle Akai/E-mu sampler strings. Dubby FX sends, raw club space, hypnotic repetition, no pop topline, no EDM drop.",,"“Cut Through” Intro / Hook chant Cut through Cut through Cut through the blue Cut through Cut through Cut through You cut through You do Verse 1 Kick. Clap. Breath back. Blue light Wet glass Your step My track Lean in Lean back No talk Just that Don’t look— look back Pre-Chorus Off-beat Off-line Two-step Same time Half-late All night You move I slide Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Post-Chorus Ah— Step, step Ah— Don’t stop yet Ah— Skin, smoke Ah— Stay close Verse 2 Bassline Jaw tight Cold spark Tongue-tied Your hand Wristbone One touch No home Floor shake Pulse skip Red sign Lipstick No name No script Just heat Just this Pre-Chorus Off-beat Off-line Two-step Same time Half-late All night You move I slide Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Bridge / Breakdown Drop out Light leak One breath No sleep Come close Don’t speak One look Too deep (Repeat) Come close Don’t speak Come close Don’t— Final Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Outro Kick. Clap. Blue black. Lean in. Don’t look back.",2026-02-23T03:35:10.354Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b917a7bc-fcb9-4f38-8c75-1896e49eac5c.mp3,https://cdn2.suno.ai/image_b917a7bc-fcb9-4f38-8c75-1896e49eac5c.jpeg,https://cdn2.suno.ai/image_large_b917a7bc-fcb9-4f38-8c75-1896e49eac5c.jpeg audio/ae334194-baca-499e-9857-c5cbda606f99.mp3,ae334194-baca-499e-9857-c5cbda606f99,,v5,chirp-crow,complete,170.64,False,"Original jazzy UK garage / 2-step track, 130-134 BPM. Keep a clear 4/4 pulse but use broken kick placement, heavy swing, shuffled 16ths, and triplet-leaning ghost percussion to create elastic bounce and compound-feel tension. Drums: dry punchy kick, sharp clap/rim, crunchy hats, shakers, ghost snares. Bass: warm deep sub + rounded moving bassline, groove-first, not aggressive. Harmony: rich jazzy voicings (min9, maj9, dom9, 13, sus, add9) with short syncopated stabs and call-response phrases. Classic synth/keys tones: Juno-106 chorused chords, Oberheim OB-style brassy stabs, Prophet-style polys, Rhodes electric piano, DX7 bell/EP accents, Korg M1 organ touches, subtle Akai/E-mu sampler strings. Dubby FX sends, raw club space, hypnotic repetition, no pop topline, no EDM drop.",,"“Cut Through” Intro / Hook chant Cut through Cut through Cut through the blue Cut through Cut through Cut through You cut through You do Verse 1 Kick. Clap. Breath back. Blue light Wet glass Your step My track Lean in Lean back No talk Just that Don’t look— look back Pre-Chorus Off-beat Off-line Two-step Same time Half-late All night You move I slide Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Post-Chorus Ah— Step, step Ah— Don’t stop yet Ah— Skin, smoke Ah— Stay close Verse 2 Bassline Jaw tight Cold spark Tongue-tied Your hand Wristbone One touch No home Floor shake Pulse skip Red sign Lipstick No name No script Just heat Just this Pre-Chorus Off-beat Off-line Two-step Same time Half-late All night You move I slide Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Bridge / Breakdown Drop out Light leak One breath No sleep Come close Don’t speak One look Too deep (Repeat) Come close Don’t speak Come close Don’t— Final Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Outro Kick. Clap. Blue black. Lean in. Don’t look back.",2026-02-23T03:35:10.354Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ae334194-baca-499e-9857-c5cbda606f99.mp3,https://cdn2.suno.ai/image_ae334194-baca-499e-9857-c5cbda606f99.jpeg,https://cdn2.suno.ai/image_large_ae334194-baca-499e-9857-c5cbda606f99.jpeg audio/6f79183f-e7ac-4bf5-8d39-17153bbed274.mp3,6f79183f-e7ac-4bf5-8d39-17153bbed274,,v5,chirp-crow,complete,214.16,False,"Original raw UK garage / 2-step club track (not pop), 132-136 BPM. Rhythmic feel: 4/4 pulse implied, but with broken kick placement, heavy swing, shuffled 16ths, and triplet-leaning ghost percussion creating a tense compound-feel illusion over the groove. Drums: dry punchy kick, sharp rim/clap, crunchy layered hats, shuffled shakers, ghost snares, brushed percussion, occasional chopped break fragments. Bass: deep sub + rubbery reese/organ-bass movement, dark and physical, tightly side-chained but not EDM. Harmony: sparse moody stabs (min7/min9/sus/add9), mostly short and repetitive. Use classic tones: Korg M1 organ stabs, Juno-106 detuned chords, old sampler strings (E-mu/Akai), dubby FX sends. Add chopped vocal phrases as rhythmic hooks, not full pop toplines. Keep arrangement DJ-friendly, hypnotic, raw, urban, late-night, with grit, space, and pressure.",,"“Cut Through” Intro / Hook chant Cut through Cut through Cut through the blue Cut through Cut through Cut through You cut through You do Verse 1 Kick. Clap. Breath back. Blue light Wet glass Your step My track Lean in Lean back No talk Just that Don’t look— look back Pre-Chorus Off-beat Off-line Two-step Same time Half-late All night You move I slide Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Post-Chorus Ah— Step, step Ah— Don’t stop yet Ah— Skin, smoke Ah— Stay close Verse 2 Bassline Jaw tight Cold spark Tongue-tied Your hand Wristbone One touch No home Floor shake Pulse skip Red sign Lipstick No name No script Just heat Just this Pre-Chorus Off-beat Off-line Two-step Same time Half-late All night You move I slide Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Bridge / Breakdown Drop out Light leak One breath No sleep Come close Don’t speak One look Too deep (Repeat) Come close Don’t speak Come close Don’t— Final Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Outro Kick. Clap. Blue black. Lean in. Don’t look back.",2026-02-23T03:32:05.915Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/6f79183f-e7ac-4bf5-8d39-17153bbed274.mp3,https://cdn2.suno.ai/image_6f79183f-e7ac-4bf5-8d39-17153bbed274.jpeg,https://cdn2.suno.ai/image_large_6f79183f-e7ac-4bf5-8d39-17153bbed274.jpeg audio/5da69b20-e77a-4c09-8f8b-1c5f828c627d.mp3,5da69b20-e77a-4c09-8f8b-1c5f828c627d,,v5,chirp-crow,complete,188.96,False,"Original raw UK garage / 2-step club track (not pop), 132-136 BPM. Rhythmic feel: 4/4 pulse implied, but with broken kick placement, heavy swing, shuffled 16ths, and triplet-leaning ghost percussion creating a tense compound-feel illusion over the groove. Drums: dry punchy kick, sharp rim/clap, crunchy layered hats, shuffled shakers, ghost snares, brushed percussion, occasional chopped break fragments. Bass: deep sub + rubbery reese/organ-bass movement, dark and physical, tightly side-chained but not EDM. Harmony: sparse moody stabs (min7/min9/sus/add9), mostly short and repetitive. Use classic tones: Korg M1 organ stabs, Juno-106 detuned chords, old sampler strings (E-mu/Akai), dubby FX sends. Add chopped vocal phrases as rhythmic hooks, not full pop toplines. Keep arrangement DJ-friendly, hypnotic, raw, urban, late-night, with grit, space, and pressure.",,"“Cut Through” Intro / Hook chant Cut through Cut through Cut through the blue Cut through Cut through Cut through You cut through You do Verse 1 Kick. Clap. Breath back. Blue light Wet glass Your step My track Lean in Lean back No talk Just that Don’t look— look back Pre-Chorus Off-beat Off-line Two-step Same time Half-late All night You move I slide Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Post-Chorus Ah— Step, step Ah— Don’t stop yet Ah— Skin, smoke Ah— Stay close Verse 2 Bassline Jaw tight Cold spark Tongue-tied Your hand Wristbone One touch No home Floor shake Pulse skip Red sign Lipstick No name No script Just heat Just this Pre-Chorus Off-beat Off-line Two-step Same time Half-late All night You move I slide Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Bridge / Breakdown Drop out Light leak One breath No sleep Come close Don’t speak One look Too deep (Repeat) Come close Don’t speak Come close Don’t— Final Chorus You cut through the room (yeah, you do) You cut through the room (when you move) You cut through my chest (low, low) You cut through my chest (real slow) No words Just pressure No words Just rhythm Cut through Cut through Cut through Outro Kick. Clap. Blue black. Lean in. Don’t look back.",2026-02-23T03:32:05.915Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/5da69b20-e77a-4c09-8f8b-1c5f828c627d.mp3,https://cdn2.suno.ai/image_5da69b20-e77a-4c09-8f8b-1c5f828c627d.jpeg,https://cdn2.suno.ai/image_large_5da69b20-e77a-4c09-8f8b-1c5f828c627d.jpeg audio/97a5aeed-0880-40ff-a530-04658b2a415f.mp3,97a5aeed-0880-40ff-a530-04658b2a415f,,v5,chirp-crow,complete,232.28,False,"Original late-night nighga vocal house / UK garage-influenced club track, 124-127 BPM. Solid 4/4 909-style kick. Add shuffled hats, ghost claps, shakers, and triplet-leaning percussion on top to create elastic bounce (straight pulse + ternary feel). Bright layered clap/snare, crisp hats, tambourine lifts. Warm supportive bass (M1 organ-bass or Moog-style sub), tight with kick, groove-first. Soulful gospel-house chords (minor7, minor9, add9, dominant9). Use Korg M1 piano stabs, classic house organ stabs, Rhodes/DX electric piano warmth, and subtle 90s string pad lift. Female lead vocal: powerful soulful house-diva delivery, rich chest voice, blak diva house gospel phrasing, ad-libs, intimate verses and big chorus. Groove-first build, no EDM drop. Clean modern mix, warm mids, tight low end, vocal upfront.",,"“Take Me Higher (In The Blue Light)” Verse 1 Blue light On my skin Kick drum Pull me in Your eyes Say my name No lies No shame Hands up Heart slow Lean in Don’t go This room This heat Your pulse In me Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Post-Chorus Higher Higher In the blue light Higher Higher All night Verse 2 Glass sweat Neon rain Bassline In my veins Close call Soft fire You move I rise higher No words Just breath No fear No less This beat This room This love No doom Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Bridge If the morning comes Let it wait outside If the world comes back Leave it out tonight I found my name In the rhythm, in the fire You touch my hand And the room goes higher Final Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Outro / Ad-libs Higher… (come on) Higher… (all night) In the blue light Take me higher",2026-02-23T03:31:06.440Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/97a5aeed-0880-40ff-a530-04658b2a415f.mp3,https://cdn2.suno.ai/image_97a5aeed-0880-40ff-a530-04658b2a415f.jpeg,https://cdn2.suno.ai/image_large_97a5aeed-0880-40ff-a530-04658b2a415f.jpeg audio/f0dae54f-332c-49c7-a01a-888a799432fc.mp3,f0dae54f-332c-49c7-a01a-888a799432fc,,v5,chirp-crow,complete,214.28,False,"Original late-night nighga vocal house / UK garage-influenced club track, 124-127 BPM. Solid 4/4 909-style kick. Add shuffled hats, ghost claps, shakers, and triplet-leaning percussion on top to create elastic bounce (straight pulse + ternary feel). Bright layered clap/snare, crisp hats, tambourine lifts. Warm supportive bass (M1 organ-bass or Moog-style sub), tight with kick, groove-first. Soulful gospel-house chords (minor7, minor9, add9, dominant9). Use Korg M1 piano stabs, classic house organ stabs, Rhodes/DX electric piano warmth, and subtle 90s string pad lift. Female lead vocal: powerful soulful house-diva delivery, rich chest voice, blak diva house gospel phrasing, ad-libs, intimate verses and big chorus. Groove-first build, no EDM drop. Clean modern mix, warm mids, tight low end, vocal upfront.",,"“Take Me Higher (In The Blue Light)” Verse 1 Blue light On my skin Kick drum Pull me in Your eyes Say my name No lies No shame Hands up Heart slow Lean in Don’t go This room This heat Your pulse In me Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Post-Chorus Higher Higher In the blue light Higher Higher All night Verse 2 Glass sweat Neon rain Bassline In my veins Close call Soft fire You move I rise higher No words Just breath No fear No less This beat This room This love No doom Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Bridge If the morning comes Let it wait outside If the world comes back Leave it out tonight I found my name In the rhythm, in the fire You touch my hand And the room goes higher Final Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Outro / Ad-libs Higher… (come on) Higher… (all night) In the blue light Take me higher",2026-02-23T03:31:06.440Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f0dae54f-332c-49c7-a01a-888a799432fc.mp3,https://cdn2.suno.ai/image_f0dae54f-332c-49c7-a01a-888a799432fc.jpeg,https://cdn2.suno.ai/image_large_f0dae54f-332c-49c7-a01a-888a799432fc.jpeg audio/4ac0939e-d603-465e-a9a2-6c69ebfdb0f5.mp3,4ac0939e-d603-465e-a9a2-6c69ebfdb0f5,,v5,chirp-crow,complete,227.12,False,"Original late-night nighga vocal house / UK garage-influenced club track, 124-127 BPM. Solid 4/4 909-style kick. Add shuffled hats, ghost claps, shakers, and triplet-leaning percussion on top to create elastic bounce (straight pulse + ternary feel). Bright layered clap/snare, crisp hats, tambourine lifts. Warm supportive bass (M1 organ-bass or Moog-style sub), tight with kick, groove-first. Soulful gospel-house chords (minor7, minor9, add9, dominant9). Use Korg M1 piano stabs, classic house organ stabs, Rhodes/DX electric piano warmth, and subtle 90s string pad lift. Female lead vocal: powerful soulful house-diva delivery, rich chest voice, blak diva house gospel phrasing, ad-libs, intimate verses and big chorus. Groove-first build, no EDM drop. Clean modern mix, warm mids, tight low end, vocal upfront.",,"“Take Me Higher (In The Blue Light)” Verse 1 Blue light On my skin Kick drum Pull me in Your eyes Say my name No lies No shame Hands up Heart slow Lean in Don’t go This room This heat Your pulse In me Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Post-Chorus Higher Higher In the blue light Higher Higher All night Verse 2 Glass sweat Neon rain Bassline In my veins Close call Soft fire You move I rise higher No words Just breath No fear No less This beat This room This love No doom Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Bridge If the morning comes Let it wait outside If the world comes back Leave it out tonight I found my name In the rhythm, in the fire You touch my hand And the room goes higher Final Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Outro / Ad-libs Higher… (come on) Higher… (all night) In the blue light Take me higher",2026-02-23T03:28:24.549Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4ac0939e-d603-465e-a9a2-6c69ebfdb0f5.mp3,https://cdn2.suno.ai/image_4ac0939e-d603-465e-a9a2-6c69ebfdb0f5.jpeg,https://cdn2.suno.ai/image_large_4ac0939e-d603-465e-a9a2-6c69ebfdb0f5.jpeg audio/2ddc64cd-4608-47aa-acf3-b6aa2a94a553.mp3,2ddc64cd-4608-47aa-acf3-b6aa2a94a553,,v5,chirp-crow,complete,192.0,False,"Original late-night nighga vocal house / UK garage-influenced club track, 124-127 BPM. Solid 4/4 909-style kick. Add shuffled hats, ghost claps, shakers, and triplet-leaning percussion on top to create elastic bounce (straight pulse + ternary feel). Bright layered clap/snare, crisp hats, tambourine lifts. Warm supportive bass (M1 organ-bass or Moog-style sub), tight with kick, groove-first. Soulful gospel-house chords (minor7, minor9, add9, dominant9). Use Korg M1 piano stabs, classic house organ stabs, Rhodes/DX electric piano warmth, and subtle 90s string pad lift. Female lead vocal: powerful soulful house-diva delivery, rich chest voice, blak diva house gospel phrasing, ad-libs, intimate verses and big chorus. Groove-first build, no EDM drop. Clean modern mix, warm mids, tight low end, vocal upfront.",,"“Take Me Higher (In The Blue Light)” Verse 1 Blue light On my skin Kick drum Pull me in Your eyes Say my name No lies No shame Hands up Heart slow Lean in Don’t go This room This heat Your pulse In me Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Post-Chorus Higher Higher In the blue light Higher Higher All night Verse 2 Glass sweat Neon rain Bassline In my veins Close call Soft fire You move I rise higher No words Just breath No fear No less This beat This room This love No doom Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Bridge If the morning comes Let it wait outside If the world comes back Leave it out tonight I found my name In the rhythm, in the fire You touch my hand And the room goes higher Final Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Outro / Ad-libs Higher… (come on) Higher… (all night) In the blue light Take me higher",2026-02-23T03:28:24.549Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2ddc64cd-4608-47aa-acf3-b6aa2a94a553.mp3,https://cdn2.suno.ai/image_2ddc64cd-4608-47aa-acf3-b6aa2a94a553.jpeg,https://cdn2.suno.ai/image_large_2ddc64cd-4608-47aa-acf3-b6aa2a94a553.jpeg audio/079855ac-4b50-420d-b763-336b943e5a1c.mp3,079855ac-4b50-420d-b763-336b943e5a1c,,v5,chirp-crow,complete,244.92,False,"Original late-night vocal house / UK garage-influenced club track, 124-127 BPM. Solid 4/4 909-style kick. Add shuffled hats, ghost claps, shakers, and triplet-leaning percussion on top to create elastic bounce (straight pulse + ternary feel). Bright layered clap/snare, crisp hats, tambourine lifts. Warm supportive bass (M1 organ-bass or Moog-style sub), tight with kick, groove-first. Soulful gospel-house chords (minor7, minor9, add9, dominant9). Use Korg M1 piano stabs, classic house organ stabs, Rhodes/DX electric piano warmth, and subtle 90s string pad lift. Female lead vocal: powerful soulful house-diva delivery, rich chest voice, gospel phrasing, ad-libs, intimate verses and big chorus. Groove-first build, no EDM drop. Clean modern mix, warm mids, tight low end, vocal upfront.",,"“Take Me Higher (In The Blue Light)” Verse 1 Blue light On my skin Kick drum Pull me in Your eyes Say my name No lies No shame Hands up Heart slow Lean in Don’t go This room This heat Your pulse In me Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Post-Chorus Higher Higher In the blue light Higher Higher All night Verse 2 Glass sweat Neon rain Bassline In my veins Close call Soft fire You move I rise higher No words Just breath No fear No less This beat This room This love No doom Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Bridge If the morning comes Let it wait outside If the world comes back Leave it out tonight I found my name In the rhythm, in the fire You touch my hand And the room goes higher Final Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Outro / Ad-libs Higher… (come on) Higher… (all night) In the blue light Take me higher",2026-02-23T03:24:58.482Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/079855ac-4b50-420d-b763-336b943e5a1c.mp3,https://cdn2.suno.ai/image_079855ac-4b50-420d-b763-336b943e5a1c.jpeg,https://cdn2.suno.ai/image_large_079855ac-4b50-420d-b763-336b943e5a1c.jpeg audio/ac1b6a61-b382-41ed-8eb3-46973039572e.mp3,ac1b6a61-b382-41ed-8eb3-46973039572e,,v5,chirp-crow,complete,217.0,False,"Original late-night vocal house / UK garage-influenced club track, 124-127 BPM. Solid 4/4 909-style kick. Add shuffled hats, ghost claps, shakers, and triplet-leaning percussion on top to create elastic bounce (straight pulse + ternary feel). Bright layered clap/snare, crisp hats, tambourine lifts. Warm supportive bass (M1 organ-bass or Moog-style sub), tight with kick, groove-first. Soulful gospel-house chords (minor7, minor9, add9, dominant9). Use Korg M1 piano stabs, classic house organ stabs, Rhodes/DX electric piano warmth, and subtle 90s string pad lift. Female lead vocal: powerful soulful house-diva delivery, rich chest voice, gospel phrasing, ad-libs, intimate verses and big chorus. Groove-first build, no EDM drop. Clean modern mix, warm mids, tight low end, vocal upfront.",,"“Take Me Higher (In The Blue Light)” Verse 1 Blue light On my skin Kick drum Pull me in Your eyes Say my name No lies No shame Hands up Heart slow Lean in Don’t go This room This heat Your pulse In me Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Post-Chorus Higher Higher In the blue light Higher Higher All night Verse 2 Glass sweat Neon rain Bassline In my veins Close call Soft fire You move I rise higher No words Just breath No fear No less This beat This room This love No doom Pre-Chorus One more time Hold me in the night One more time Make it feel right One more time Don’t you break the line One more time You and I Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Bridge If the morning comes Let it wait outside If the world comes back Leave it out tonight I found my name In the rhythm, in the fire You touch my hand And the room goes higher Final Chorus Take me higher In the blue light Higher All night, all night Take me higher Don’t stop now Higher Right now, right now (Oh) take me higher Let it move through me Higher Set me free, set me free Outro / Ad-libs Higher… (come on) Higher… (all night) In the blue light Take me higher",2026-02-23T03:24:58.482Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ac1b6a61-b382-41ed-8eb3-46973039572e.mp3,https://cdn2.suno.ai/image_ac1b6a61-b382-41ed-8eb3-46973039572e.jpeg,https://cdn2.suno.ai/image_large_ac1b6a61-b382-41ed-8eb3-46973039572e.jpeg audio/5b53392d-228c-4571-9d95-53783dbea193.mp3,5b53392d-228c-4571-9d95-53783dbea193,,v5,chirp-crow,complete,104.12,False,"Original late-night UK garage / house-pop track with a solid 4/4 kick foundation, but layered with shuffled, triplet-leaning hats, syncopated claps, and ghost percussion to create a bouncy “compound feel” over the straight pulse. Tempo 126-129 BPM. Warm rounded bassline, rubbery and rhythmic, tightly locked to the kick (SH-101 / Moog-style sub character). Chords should be moody-soulful (minor7, minor9, add9, sus2) as short stabs and rhythmic voicings. Use analog-inspired synth tones: Juno-60/Juno-106 chorused chords, Oberheim OB-X/OB-8 brassy stabs/pads, subtle Prophet-style polys, and clean digital top textures. Intimate vocal space, neon afterhours atmosphere, groove-first arrangement, repetition and micro-timing tension instead of big EDM drops. Crisp transients, deep low end, polished UK club mix.",,"Soft Collision Verse 1 Red on the glass Blue in your eyes Late train hum City outside You move in time Then out again Close, then gone Back in my hands Pre-Chorus Lean in Lean out Don’t speak Right now Half-step Late touch Low light Too much Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Post-Chorus Soft collision Soft collision In the smoke, in the blue Soft collision Soft collision Soft collision Half a beat, me and you Soft collision Verse 2 Glass sweat, neon Bass in the floor Your hand on my wrist I want more Don’t call it love Don’t call it fate Call it the room Turning this way Pre-Chorus Slow burn No name Same pulse New shape Hold me Don’t hold Stay close Let go Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Bridge If morning comes Let it come late Let it come late If this breaks down Let it break clean In time, in time You don’t say stay You don’t say leave You just breathe in And I believe Final Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Outro Red on the glass Blue in your eyes Half a beat off All night",2026-02-23T03:20:59.536Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/5b53392d-228c-4571-9d95-53783dbea193.mp3,https://cdn2.suno.ai/image_5b53392d-228c-4571-9d95-53783dbea193.jpeg,https://cdn2.suno.ai/image_large_5b53392d-228c-4571-9d95-53783dbea193.jpeg audio/5f5df88b-0fa7-42c5-8043-1e9cc4b8fe19.mp3,5f5df88b-0fa7-42c5-8043-1e9cc4b8fe19,,v5,chirp-crow,complete,236.0,False,"Original late-night UK garage / house-pop track with a solid 4/4 kick foundation, but layered with shuffled, triplet-leaning hats, syncopated claps, and ghost percussion to create a bouncy “compound feel” over the straight pulse. Tempo 126-129 BPM. Warm rounded bassline, rubbery and rhythmic, tightly locked to the kick (SH-101 / Moog-style sub character). Chords should be moody-soulful (minor7, minor9, add9, sus2) as short stabs and rhythmic voicings. Use analog-inspired synth tones: Juno-60/Juno-106 chorused chords, Oberheim OB-X/OB-8 brassy stabs/pads, subtle Prophet-style polys, and clean digital top textures. Intimate vocal space, neon afterhours atmosphere, groove-first arrangement, repetition and micro-timing tension instead of big EDM drops. Crisp transients, deep low end, polished UK club mix.",,"Soft Collision Verse 1 Red on the glass Blue in your eyes Late train hum City outside You move in time Then out again Close, then gone Back in my hands Pre-Chorus Lean in Lean out Don’t speak Right now Half-step Late touch Low light Too much Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Post-Chorus Soft collision Soft collision In the smoke, in the blue Soft collision Soft collision Soft collision Half a beat, me and you Soft collision Verse 2 Glass sweat, neon Bass in the floor Your hand on my wrist I want more Don’t call it love Don’t call it fate Call it the room Turning this way Pre-Chorus Slow burn No name Same pulse New shape Hold me Don’t hold Stay close Let go Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Bridge If morning comes Let it come late Let it come late If this breaks down Let it break clean In time, in time You don’t say stay You don’t say leave You just breathe in And I believe Final Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Outro Red on the glass Blue in your eyes Half a beat off All night",2026-02-23T03:20:59.536Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/5f5df88b-0fa7-42c5-8043-1e9cc4b8fe19.mp3,https://cdn2.suno.ai/image_5f5df88b-0fa7-42c5-8043-1e9cc4b8fe19.jpeg,https://cdn2.suno.ai/image_large_5f5df88b-0fa7-42c5-8043-1e9cc4b8fe19.jpeg audio/10258cce-8a12-4424-ab58-549bbb98b6f6.mp3,10258cce-8a12-4424-ab58-549bbb98b6f6,,v5,chirp-crow,complete,268.36,False,"Original late-night UK garage / house-pop track with a solid 4/4 kick foundation, but layered with shuffled, triplet-leaning hats, syncopated claps, and ghost percussion to create a bouncy “compound feel” over the straight pulse. Tempo 126-129 BPM. Warm rounded bassline, rubbery and rhythmic, tightly locked to the kick (SH-101 / Moog-style sub character). Chords should be moody-soulful (minor7, minor9, add9, sus2) as short stabs and rhythmic voicings. Use analog-inspired synth tones: Juno-60/Juno-106 chorused chords, Oberheim OB-X/OB-8 brassy stabs/pads, subtle Prophet-style polys, and clean digital top textures. Intimate vocal space, neon afterhours atmosphere, groove-first arrangement, repetition and micro-timing tension instead of big EDM drops. Crisp transients, deep low end, polished UK club mix.",,"Soft Collision Verse 1 Red on the glass Blue in your eyes Late train hum City outside You move in time Then out again Close, then gone Back in my hands Pre-Chorus Lean in Lean out Don’t speak Right now Half-step Late touch Low light Too much Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Post-Chorus Soft collision Soft collision In the smoke, in the blue Soft collision Soft collision Soft collision Half a beat, me and you Soft collision Verse 2 Glass sweat, neon Bass in the floor Your hand on my wrist I want more Don’t call it love Don’t call it fate Call it the room Turning this way Pre-Chorus Slow burn No name Same pulse New shape Hold me Don’t hold Stay close Let go Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Bridge If morning comes Let it come late Let it come late If this breaks down Let it break clean In time, in time You don’t say stay You don’t say leave You just breathe in And I believe Final Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Outro Red on the glass Blue in your eyes Half a beat off All night",2026-02-23T03:20:20.217Z,3,1,False,True,False,False,False,https://cdn1.suno.ai/10258cce-8a12-4424-ab58-549bbb98b6f6.mp3,https://cdn2.suno.ai/image_10258cce-8a12-4424-ab58-549bbb98b6f6.jpeg,https://cdn2.suno.ai/image_large_10258cce-8a12-4424-ab58-549bbb98b6f6.jpeg audio/ea25b938-ec25-4328-98c2-a492d85d794f.mp3,ea25b938-ec25-4328-98c2-a492d85d794f,,v5,chirp-crow,complete,220.36,False,"Original late-night UK garage / house-pop track with a solid 4/4 kick foundation, but layered with shuffled, triplet-leaning hats, syncopated claps, and ghost percussion to create a bouncy “compound feel” over the straight pulse. Tempo 126-129 BPM. Warm rounded bassline, rubbery and rhythmic, tightly locked to the kick (SH-101 / Moog-style sub character). Chords should be moody-soulful (minor7, minor9, add9, sus2) as short stabs and rhythmic voicings. Use analog-inspired synth tones: Juno-60/Juno-106 chorused chords, Oberheim OB-X/OB-8 brassy stabs/pads, subtle Prophet-style polys, and clean digital top textures. Intimate vocal space, neon afterhours atmosphere, groove-first arrangement, repetition and micro-timing tension instead of big EDM drops. Crisp transients, deep low end, polished UK club mix.",,"Soft Collision Verse 1 Red on the glass Blue in your eyes Late train hum City outside You move in time Then out again Close, then gone Back in my hands Pre-Chorus Lean in Lean out Don’t speak Right now Half-step Late touch Low light Too much Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Post-Chorus Soft collision Soft collision In the smoke, in the blue Soft collision Soft collision Soft collision Half a beat, me and you Soft collision Verse 2 Glass sweat, neon Bass in the floor Your hand on my wrist I want more Don’t call it love Don’t call it fate Call it the room Turning this way Pre-Chorus Slow burn No name Same pulse New shape Hold me Don’t hold Stay close Let go Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Bridge If morning comes Let it come late Let it come late If this breaks down Let it break clean In time, in time You don’t say stay You don’t say leave You just breathe in And I believe Final Chorus We are a soft collision Soft collision Soft collision You hit me with precision With precision With precision No promises No confession Just your body in the rhythm Soft collision Outro Red on the glass Blue in your eyes Half a beat off All night",2026-02-23T03:20:20.217Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/ea25b938-ec25-4328-98c2-a492d85d794f.mp3,https://cdn2.suno.ai/image_ea25b938-ec25-4328-98c2-a492d85d794f.jpeg,https://cdn2.suno.ai/image_large_ea25b938-ec25-4328-98c2-a492d85d794f.jpeg audio/a0fb2707-2dcc-426a-96f2-d8178514bacb.mp3,a0fb2707-2dcc-426a-96f2-d8178514bacb,,v5,chirp-crow,complete,100.88,False,"Original late-night UK garage / house track with a solid 4/4 foundation, but with shuffled, triplet-leaning top percussion (swinging hats, syncopated claps, ghost percussion) creating an elastic “compound feel” over a straight pulse. Tempo 126-129 BPM. Warm, rounded, rubbery bassline locked to the kick (SH-101 / Moog-style sub character, but clean and controlled). Chords should be moody-soulful and jazzy (minor7, minor9, add9, sus2), played as short stabs and rhythmic voicings using classic analog-inspired synth tones: Juno-60/Juno-106-style chorused chords, Oberheim OB-X/OB-8-style brassy pads/stabs, and subtle Prophet-style poly textures. Polished digital production, intimate vocal space, neon afterhours atmosphere. Build energy through groove, repetition, syncopation, and micro-timing—not big EDM drops. Crisp transients, deep low end, glossy mix, stylish UK club-pop feel.",,"“Sideways” (original lyrics — house structure, less verbose) Verse 1 Blue on your skin Smoke in the light Late city breath Hands in the night You look, look away Come back, stay close No need to speak I know that look Pre-Chorus One step Two steps Off the line Off the line You move I move Same time Half time Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Verse 2 Glass on the bar Heat in the floor Bass in my chest I want more You touch my wrist Check if I’m real Don’t call it love Call it the feel Pre-Chorus Lean in Lean back Slow flame No name Hold still Don’t stop Same game New shape Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Bridge If morning comes Let it wait Let it wait If this goes dark Let it break In time, in time You don’t say stay You don’t say go You just move slow And I say no (then I don’t) Break / Hook Sideways Sideways Turn me, turn me Sideways Sideways Sideways Hold me in the blue light Sideways Final Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Outro Blue on your skin Smoke in the light Half a beat late Sideways tonight",2026-02-23T03:15:00.538Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/a0fb2707-2dcc-426a-96f2-d8178514bacb.mp3,https://cdn2.suno.ai/image_a0fb2707-2dcc-426a-96f2-d8178514bacb.jpeg,https://cdn2.suno.ai/image_large_a0fb2707-2dcc-426a-96f2-d8178514bacb.jpeg audio/e65f0395-8240-46ba-aa16-f84714b886f6.mp3,e65f0395-8240-46ba-aa16-f84714b886f6,,v5,chirp-crow,complete,209.68,False,"Original late-night UK garage / house track with a solid 4/4 foundation, but with shuffled, triplet-leaning top percussion (swinging hats, syncopated claps, ghost percussion) creating an elastic “compound feel” over a straight pulse. Tempo 126-129 BPM. Warm, rounded, rubbery bassline locked to the kick (SH-101 / Moog-style sub character, but clean and controlled). Chords should be moody-soulful and jazzy (minor7, minor9, add9, sus2), played as short stabs and rhythmic voicings using classic analog-inspired synth tones: Juno-60/Juno-106-style chorused chords, Oberheim OB-X/OB-8-style brassy pads/stabs, and subtle Prophet-style poly textures. Polished digital production, intimate vocal space, neon afterhours atmosphere. Build energy through groove, repetition, syncopation, and micro-timing—not big EDM drops. Crisp transients, deep low end, glossy mix, stylish UK club-pop feel.",,"“Sideways” (original lyrics — house structure, less verbose) Verse 1 Blue on your skin Smoke in the light Late city breath Hands in the night You look, look away Come back, stay close No need to speak I know that look Pre-Chorus One step Two steps Off the line Off the line You move I move Same time Half time Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Verse 2 Glass on the bar Heat in the floor Bass in my chest I want more You touch my wrist Check if I’m real Don’t call it love Call it the feel Pre-Chorus Lean in Lean back Slow flame No name Hold still Don’t stop Same game New shape Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Bridge If morning comes Let it wait Let it wait If this goes dark Let it break In time, in time You don’t say stay You don’t say go You just move slow And I say no (then I don’t) Break / Hook Sideways Sideways Turn me, turn me Sideways Sideways Sideways Hold me in the blue light Sideways Final Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Outro Blue on your skin Smoke in the light Half a beat late Sideways tonight",2026-02-23T03:15:00.538Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e65f0395-8240-46ba-aa16-f84714b886f6.mp3,https://cdn2.suno.ai/image_e65f0395-8240-46ba-aa16-f84714b886f6.jpeg,https://cdn2.suno.ai/image_large_e65f0395-8240-46ba-aa16-f84714b886f6.jpeg audio/8700a568-a298-42c7-aef4-34750044f68e.mp3,8700a568-a298-42c7-aef4-34750044f68e,,v5,chirp-crow,complete,251.8,False,"Original late-night UK garage / house-pop track with a steady 4/4 pulse and elastic groove. Keep the kick solid on the floor, but add shuffling hats, syncopated claps, and triplet-leaning percussion details so the rhythm feels bouncy, sideways, and human. Tempo 126-130 BPM. Warm, rounded bassline locked tightly with the kick, moving like a second percussion part. Harmonic palette: moody but soulful chords (minor7, minor9, add9, sus2), short stabs, and polished synth textures with subtle retro warmth. Vocal space should feel intimate and hook-friendly, with emotional tension, night-city imagery, and a sense of dangerous closeness. Arrangement should build through groove, contrast, and timing (not a huge festival drop). Clean, glossy mix, tight low end, crisp transients, depth, width, and a neon-afterhours atmosphere.",,"“Sideways” (original lyrics — house structure, less verbose) Verse 1 Blue on your skin Smoke in the light Late city breath Hands in the night You look, look away Come back, stay close No need to speak I know that look Pre-Chorus One step Two steps Off the line Off the line You move I move Same time Half time Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Verse 2 Glass on the bar Heat in the floor Bass in my chest I want more You touch my wrist Check if I’m real Don’t call it love Call it the feel Pre-Chorus Lean in Lean back Slow flame No name Hold still Don’t stop Same game New shape Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Bridge If morning comes Let it wait Let it wait If this goes dark Let it break In time, in time You don’t say stay You don’t say go You just move slow And I say no (then I don’t) Break / Hook Sideways Sideways Turn me, turn me Sideways Sideways Sideways Hold me in the blue light Sideways Final Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Outro Blue on your skin Smoke in the light Half a beat late Sideways tonight",2026-02-23T03:13:40.384Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/8700a568-a298-42c7-aef4-34750044f68e.mp3,https://cdn2.suno.ai/image_8700a568-a298-42c7-aef4-34750044f68e.jpeg,https://cdn2.suno.ai/image_large_8700a568-a298-42c7-aef4-34750044f68e.jpeg audio/520cf8ed-55a1-4f5b-8cd1-141596569c7b.mp3,520cf8ed-55a1-4f5b-8cd1-141596569c7b,,v5,chirp-crow,complete,221.96,False,"Original late-night UK garage / house-pop track with a steady 4/4 pulse and elastic groove. Keep the kick solid on the floor, but add shuffling hats, syncopated claps, and triplet-leaning percussion details so the rhythm feels bouncy, sideways, and human. Tempo 126-130 BPM. Warm, rounded bassline locked tightly with the kick, moving like a second percussion part. Harmonic palette: moody but soulful chords (minor7, minor9, add9, sus2), short stabs, and polished synth textures with subtle retro warmth. Vocal space should feel intimate and hook-friendly, with emotional tension, night-city imagery, and a sense of dangerous closeness. Arrangement should build through groove, contrast, and timing (not a huge festival drop). Clean, glossy mix, tight low end, crisp transients, depth, width, and a neon-afterhours atmosphere.",,"“Sideways” (original lyrics — house structure, less verbose) Verse 1 Blue on your skin Smoke in the light Late city breath Hands in the night You look, look away Come back, stay close No need to speak I know that look Pre-Chorus One step Two steps Off the line Off the line You move I move Same time Half time Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Verse 2 Glass on the bar Heat in the floor Bass in my chest I want more You touch my wrist Check if I’m real Don’t call it love Call it the feel Pre-Chorus Lean in Lean back Slow flame No name Hold still Don’t stop Same game New shape Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Bridge If morning comes Let it wait Let it wait If this goes dark Let it break In time, in time You don’t say stay You don’t say go You just move slow And I say no (then I don’t) Break / Hook Sideways Sideways Turn me, turn me Sideways Sideways Sideways Hold me in the blue light Sideways Final Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Outro Blue on your skin Smoke in the light Half a beat late Sideways tonight",2026-02-23T03:13:40.384Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/520cf8ed-55a1-4f5b-8cd1-141596569c7b.mp3,https://cdn2.suno.ai/image_520cf8ed-55a1-4f5b-8cd1-141596569c7b.jpeg,https://cdn2.suno.ai/image_large_520cf8ed-55a1-4f5b-8cd1-141596569c7b.jpeg audio/cb1f5de3-9343-4a63-8a41-40ed6d915416.mp3,cb1f5de3-9343-4a63-8a41-40ed6d915416,,v5,chirp-crow,complete,201.64,False,"Original late-night UK garage / house-pop track with a steady 4/4 pulse and elastic groove. Keep the kick solid on the floor, but add shuffling hats, syncopated claps, and triplet-leaning percussion details so the rhythm feels bouncy, sideways, and human. Tempo 126-130 BPM. Warm, rounded bassline locked tightly with the kick, moving like a second percussion part. Harmonic palette: moody but soulful chords (minor7, minor9, add9, sus2), short stabs, and polished synth textures with subtle retro warmth. Vocal space should feel intimate and hook-friendly, with emotional tension, night-city imagery, and a sense of dangerous closeness. Arrangement should build through groove, contrast, and timing (not a huge festival drop). Clean, glossy mix, tight low end, crisp transients, depth, width, and a neon-afterhours atmosphere.",,"“Sideways” (original lyrics — house structure, less verbose) Verse 1 Blue on your skin Smoke in the light Late city breath Hands in the night You look, look away Come back, stay close No need to speak I know that look Pre-Chorus One step Two steps Off the line Off the line You move I move Same time Half time Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Verse 2 Glass on the bar Heat in the floor Bass in my chest I want more You touch my wrist Check if I’m real Don’t call it love Call it the feel Pre-Chorus Lean in Lean back Slow flame No name Hold still Don’t stop Same game New shape Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Bridge If morning comes Let it wait Let it wait If this goes dark Let it break In time, in time You don’t say stay You don’t say go You just move slow And I say no (then I don’t) Break / Hook Sideways Sideways Turn me, turn me Sideways Sideways Sideways Hold me in the blue light Sideways Final Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Outro Blue on your skin Smoke in the light Half a beat late Sideways tonight",2026-02-23T03:13:26.384Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/cb1f5de3-9343-4a63-8a41-40ed6d915416.mp3,https://cdn2.suno.ai/image_cb1f5de3-9343-4a63-8a41-40ed6d915416.jpeg,https://cdn2.suno.ai/image_large_cb1f5de3-9343-4a63-8a41-40ed6d915416.jpeg audio/34e38462-96e8-45ac-8d2c-feed58eeade5.mp3,34e38462-96e8-45ac-8d2c-feed58eeade5,,v5,chirp-crow,complete,228.72,False,"Original late-night UK garage / house-pop track with a steady 4/4 pulse and elastic groove. Keep the kick solid on the floor, but add shuffling hats, syncopated claps, and triplet-leaning percussion details so the rhythm feels bouncy, sideways, and human. Tempo 126-130 BPM. Warm, rounded bassline locked tightly with the kick, moving like a second percussion part. Harmonic palette: moody but soulful chords (minor7, minor9, add9, sus2), short stabs, and polished synth textures with subtle retro warmth. Vocal space should feel intimate and hook-friendly, with emotional tension, night-city imagery, and a sense of dangerous closeness. Arrangement should build through groove, contrast, and timing (not a huge festival drop). Clean, glossy mix, tight low end, crisp transients, depth, width, and a neon-afterhours atmosphere.",,"“Sideways” (original lyrics — house structure, less verbose) Verse 1 Blue on your skin Smoke in the light Late city breath Hands in the night You look, look away Come back, stay close No need to speak I know that look Pre-Chorus One step Two steps Off the line Off the line You move I move Same time Half time Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Verse 2 Glass on the bar Heat in the floor Bass in my chest I want more You touch my wrist Check if I’m real Don’t call it love Call it the feel Pre-Chorus Lean in Lean back Slow flame No name Hold still Don’t stop Same game New shape Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Post-Chorus Sideways Sideways Half a beat, half a breath Sideways Sideways Sideways In my blood, in my head Sideways Bridge If morning comes Let it wait Let it wait If this goes dark Let it break In time, in time You don’t say stay You don’t say go You just move slow And I say no (then I don’t) Break / Hook Sideways Sideways Turn me, turn me Sideways Sideways Sideways Hold me in the blue light Sideways Final Chorus You turn the room sideways Sideways Sideways You pull my pulse sideways Sideways Sideways No words, just timing No words, just light You turn the room sideways All night Outro Blue on your skin Smoke in the light Half a beat late Sideways tonight",2026-02-23T03:13:26.384Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/34e38462-96e8-45ac-8d2c-feed58eeade5.mp3,https://cdn2.suno.ai/image_34e38462-96e8-45ac-8d2c-feed58eeade5.jpeg,https://cdn2.suno.ai/image_large_34e38462-96e8-45ac-8d2c-feed58eeade5.jpeg audio/edc9302c-23a9-45c5-888e-cec92bdfec11.mp3,edc9302c-23a9-45c5-888e-cec92bdfec11,,v5,chirp-crow,complete,219.8,False,"Original late-night UK garage / house-pop track with a steady 4/4 pulse and elastic groove. Keep the kick solid on the floor, but add shuffling hats, syncopated claps, and triplet-leaning percussion details so the rhythm feels bouncy, sideways, and human. Tempo 126-130 BPM. Warm, rounded bassline locked tightly with the kick, moving like a second percussion part. Harmonic palette: moody but soulful chords (minor7, minor9, add9, sus2), short stabs, and polished synth textures with subtle retro warmth. Vocal space should feel intimate and hook-friendly, with emotional tension, night-city imagery, and a sense of dangerous closeness. Arrangement should build through groove, contrast, and timing (not a huge festival drop). Clean, glossy mix, tight low end, crisp transients, depth, width, and a neon-afterhours atmosphere.",,"B) “Afterimage” (cryptic but more danceable / hook-friendly) Verse 1 Blue light on your shoulder blade, flicker code, don’t look away. Kick drum under concrete rain, city mouth says my name wrong. You move like a cut in silk, clean but dangerous to hold. I keep count, then lose the count when your shadow folds into mine. Pre-Chorus Half-step, late breath, silver on the glass. You don’t say “stay” — you make the room do that. Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Post-Chorus (Still there) in the dark when the dark goes thin (Still there) like a spark under the skin (Still there) when the room comes back to life Afterimage, afterimage Verse 2 Wet street, taxi halo glow, saint of smoke and engine heat. Your thumb prints a crescent moon into the fog of my drink. Sub-bass speaking through the floor, small god trapped in copper wire. We don’t kiss, we misbehave in a language made of timing. Pre-Chorus Half-truth, soft grin, knife-edge, velvet line. You don’t pull me close — you tilt the whole night sideways. Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Bridge By 3AM the mirrors start telling on us, faces blur, glitter falls, time opens up. You say nothing. I hear everything. A match, a breath, a ring on the sink. If this breaks, let it break in rhythm. If it ends, let it end in heat. I’d rather wear the mark till morning than never know what touched me. Final Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Outro Blue light, low breath, glass sweat, slow fire. Day can have the evidence — I keep the afterimage.",2026-02-23T03:10:49.436Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/edc9302c-23a9-45c5-888e-cec92bdfec11.mp3,https://cdn2.suno.ai/image_edc9302c-23a9-45c5-888e-cec92bdfec11.jpeg,https://cdn2.suno.ai/image_large_edc9302c-23a9-45c5-888e-cec92bdfec11.jpeg audio/03a66581-7d60-4bb5-a7f3-06f2f7844c06.mp3,03a66581-7d60-4bb5-a7f3-06f2f7844c06,,v5,chirp-crow,complete,240.52,False,"Original late-night UK garage / house-pop track with a steady 4/4 pulse and elastic groove. Keep the kick solid on the floor, but add shuffling hats, syncopated claps, and triplet-leaning percussion details so the rhythm feels bouncy, sideways, and human. Tempo 126-130 BPM. Warm, rounded bassline locked tightly with the kick, moving like a second percussion part. Harmonic palette: moody but soulful chords (minor7, minor9, add9, sus2), short stabs, and polished synth textures with subtle retro warmth. Vocal space should feel intimate and hook-friendly, with emotional tension, night-city imagery, and a sense of dangerous closeness. Arrangement should build through groove, contrast, and timing (not a huge festival drop). Clean, glossy mix, tight low end, crisp transients, depth, width, and a neon-afterhours atmosphere.",,"B) “Afterimage” (cryptic but more danceable / hook-friendly) Verse 1 Blue light on your shoulder blade, flicker code, don’t look away. Kick drum under concrete rain, city mouth says my name wrong. You move like a cut in silk, clean but dangerous to hold. I keep count, then lose the count when your shadow folds into mine. Pre-Chorus Half-step, late breath, silver on the glass. You don’t say “stay” — you make the room do that. Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Post-Chorus (Still there) in the dark when the dark goes thin (Still there) like a spark under the skin (Still there) when the room comes back to life Afterimage, afterimage Verse 2 Wet street, taxi halo glow, saint of smoke and engine heat. Your thumb prints a crescent moon into the fog of my drink. Sub-bass speaking through the floor, small god trapped in copper wire. We don’t kiss, we misbehave in a language made of timing. Pre-Chorus Half-truth, soft grin, knife-edge, velvet line. You don’t pull me close — you tilt the whole night sideways. Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Bridge By 3AM the mirrors start telling on us, faces blur, glitter falls, time opens up. You say nothing. I hear everything. A match, a breath, a ring on the sink. If this breaks, let it break in rhythm. If it ends, let it end in heat. I’d rather wear the mark till morning than never know what touched me. Final Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Outro Blue light, low breath, glass sweat, slow fire. Day can have the evidence — I keep the afterimage.",2026-02-23T03:10:49.435Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/03a66581-7d60-4bb5-a7f3-06f2f7844c06.mp3,https://cdn2.suno.ai/image_03a66581-7d60-4bb5-a7f3-06f2f7844c06.jpeg,https://cdn2.suno.ai/image_large_03a66581-7d60-4bb5-a7f3-06f2f7844c06.jpeg audio/5a54ce06-b2f1-4639-89ac-a30e9f44eb53.mp3,5a54ce06-b2f1-4639-89ac-a30e9f44eb53,,v5,chirp-crow,complete,200.92,False,"Original late-night UK garage / house-pop track with a steady 4/4 pulse and elastic groove. Keep the kick solid on the floor, but add shuffling hats, syncopated claps, and triplet-leaning percussion details so the rhythm feels bouncy, sideways, and human. Tempo 126-130 BPM. Warm, rounded bassline locked tightly with the kick, moving like a second percussion part. Harmonic palette: moody but soulful chords (minor7, minor9, add9, sus2), short stabs, and polished synth textures with subtle retro warmth. Vocal space should feel intimate and hook-friendly, with emotional tension, night-city imagery, and a sense of dangerous closeness. Arrangement should build through groove, contrast, and timing (not a huge festival drop). Clean, glossy mix, tight low end, crisp transients, depth, width, and a neon-afterhours atmosphere.",,"B) “Afterimage” (cryptic but more danceable / hook-friendly) Verse 1 Blue light on your shoulder blade, flicker code, don’t look away. Kick drum under concrete rain, city mouth says my name wrong. You move like a cut in silk, clean but dangerous to hold. I keep count, then lose the count when your shadow folds into mine. Pre-Chorus Half-step, late breath, silver on the glass. You don’t say “stay” — you make the room do that. Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Post-Chorus (Still there) in the dark when the dark goes thin (Still there) like a spark under the skin (Still there) when the room comes back to life Afterimage, afterimage Verse 2 Wet street, taxi halo glow, saint of smoke and engine heat. Your thumb prints a crescent moon into the fog of my drink. Sub-bass speaking through the floor, small god trapped in copper wire. We don’t kiss, we misbehave in a language made of timing. Pre-Chorus Half-truth, soft grin, knife-edge, velvet line. You don’t pull me close — you tilt the whole night sideways. Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Bridge By 3AM the mirrors start telling on us, faces blur, glitter falls, time opens up. You say nothing. I hear everything. A match, a breath, a ring on the sink. If this breaks, let it break in rhythm. If it ends, let it end in heat. I’d rather wear the mark till morning than never know what touched me. Final Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Outro Blue light, low breath, glass sweat, slow fire. Day can have the evidence — I keep the afterimage.",2026-02-23T03:10:37.349Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/5a54ce06-b2f1-4639-89ac-a30e9f44eb53.mp3,https://cdn2.suno.ai/image_5a54ce06-b2f1-4639-89ac-a30e9f44eb53.jpeg,https://cdn2.suno.ai/image_large_5a54ce06-b2f1-4639-89ac-a30e9f44eb53.jpeg audio/ab4f5aab-8993-4154-8dda-01f71f6fc6d4.mp3,ab4f5aab-8993-4154-8dda-01f71f6fc6d4,,v5,chirp-crow,complete,203.88,False,"Original late-night UK garage / house-pop track with a steady 4/4 pulse and elastic groove. Keep the kick solid on the floor, but add shuffling hats, syncopated claps, and triplet-leaning percussion details so the rhythm feels bouncy, sideways, and human. Tempo 126-130 BPM. Warm, rounded bassline locked tightly with the kick, moving like a second percussion part. Harmonic palette: moody but soulful chords (minor7, minor9, add9, sus2), short stabs, and polished synth textures with subtle retro warmth. Vocal space should feel intimate and hook-friendly, with emotional tension, night-city imagery, and a sense of dangerous closeness. Arrangement should build through groove, contrast, and timing (not a huge festival drop). Clean, glossy mix, tight low end, crisp transients, depth, width, and a neon-afterhours atmosphere.",,"B) “Afterimage” (cryptic but more danceable / hook-friendly) Verse 1 Blue light on your shoulder blade, flicker code, don’t look away. Kick drum under concrete rain, city mouth says my name wrong. You move like a cut in silk, clean but dangerous to hold. I keep count, then lose the count when your shadow folds into mine. Pre-Chorus Half-step, late breath, silver on the glass. You don’t say “stay” — you make the room do that. Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Post-Chorus (Still there) in the dark when the dark goes thin (Still there) like a spark under the skin (Still there) when the room comes back to life Afterimage, afterimage Verse 2 Wet street, taxi halo glow, saint of smoke and engine heat. Your thumb prints a crescent moon into the fog of my drink. Sub-bass speaking through the floor, small god trapped in copper wire. We don’t kiss, we misbehave in a language made of timing. Pre-Chorus Half-truth, soft grin, knife-edge, velvet line. You don’t pull me close — you tilt the whole night sideways. Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Bridge By 3AM the mirrors start telling on us, faces blur, glitter falls, time opens up. You say nothing. I hear everything. A match, a breath, a ring on the sink. If this breaks, let it break in rhythm. If it ends, let it end in heat. I’d rather wear the mark till morning than never know what touched me. Final Chorus Afterimage, afterimage — you’re still there when I close my eyes. Flash-burn, neon scripture, read me with your damaged light. Afterimage, afterimage — leave your shape inside my pulse. No future, no clean ending, just the night turning us gold. Outro Blue light, low breath, glass sweat, slow fire. Day can have the evidence — I keep the afterimage.",2026-02-23T03:10:37.348Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ab4f5aab-8993-4154-8dda-01f71f6fc6d4.mp3,https://cdn2.suno.ai/image_ab4f5aab-8993-4154-8dda-01f71f6fc6d4.jpeg,https://cdn2.suno.ai/image_large_ab4f5aab-8993-4154-8dda-01f71f6fc6d4.jpeg audio/4c813e09-1181-4fbe-bbaf-81150bbf69d2.mp3,4c813e09-1181-4fbe-bbaf-81150bbf69d2,,v5,chirp-crow,complete,239.96,False,"A) Bright Dissclosure-style feel (without imitation) UK garage-house feel, clean 4/4 pulse with shuffling top percussion, syncopated bounce, warm rounded bass, bright soulful chord stabs (minor9/add9), polished pop-friendly vocal space, elegant mix, no festival drop. B) Darker garage Discslosure-style feel Moody UK garage groove, tight dry drums, swing/shuffle hats, triplet-like top-layer phrasing over a straight kick, rubbery bassline, sparse jazzy stabs (min9/sus/add9), intimate vocal-forward arrangement, sleek night-drive energy. C) Groove-first club Disssclosure-style feel House-driven club groove with UK rhythmic bounce, repetitive hypnotic bass, short soulful chord hits (7th/9th color), sample-like vocal phrases, crisp transients, clean low-end, energy from groove and repetition instead of big drops.",,"“Borrowed Light” (original lyrics) Verse 1 The night comes in wearing somebody else’s coat, smelling like rain, cheap smoke, and train-brake iron. You laugh like you don’t owe the dark a thing, like your hands never shook counting out the quiet. We stand where the windows turn people into ghosts, blue neon cutting saints out of thieves. Your mouth says, stay casual — your eyes don’t bother lying, they’ve got that end-of-summer honesty. Pre-Chorus You don’t move in straight lines, you move like a warning sign in water. I keep time just fine until you step in and the numbers falter. Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it hurts the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn collect what it can’t define. We’re not clean, we’re not saved, we’re not young — but God, we’re not done. Verse 2 There’s a truth people tell when the bass is low, when the room sweats heat through painted walls: everybody here is trying to outrun a version of themselves they swear they never were at all. You lean in close just to ask for a light, but your voice lands deeper than the question. I’ve seen that look — half hunger, half mercy — like you could kiss me or correct me in the same breath. Pre-Chorus You don’t move in straight lines, you drift like a blade through silk. I talk tough in daylight, but midnight knows what I’m built like. Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it hurts the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn collect what it can’t define. We’re not clean, we’re not saved, we’re not young — but God, we’re not done. Bridge I’ve worn my heart like a lock, like a joke, like a debt. You touched it once and now it won’t forget. Outside, the city keeps changing its face in the glass, inside, we move like a crime scene learning how to dance. If this is all it is, let it be exact. No vows, no future, no pretty lies attached. Just your pulse in my wrist, your breath in my teeth, and the terrible relief of being seen. Final Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it breaks the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn take inventory of the night. We’re not pure, we’re not healed, we’re not numb — but God, we’re not done. Outro When morning comes, it can have the street, the ash, the glass, the alibi. You keep the part of me that learned to speak only when the city goes dark enough to tell the truth.",2026-02-23T03:06:35.371Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4c813e09-1181-4fbe-bbaf-81150bbf69d2.mp3,https://cdn2.suno.ai/image_4c813e09-1181-4fbe-bbaf-81150bbf69d2.jpeg,https://cdn2.suno.ai/image_large_4c813e09-1181-4fbe-bbaf-81150bbf69d2.jpeg audio/ccc51056-1774-4319-be64-f3c90fd067c0.mp3,ccc51056-1774-4319-be64-f3c90fd067c0,,v5,chirp-crow,complete,258.28,False,"A) Bright Dissclosure-style feel (without imitation) UK garage-house feel, clean 4/4 pulse with shuffling top percussion, syncopated bounce, warm rounded bass, bright soulful chord stabs (minor9/add9), polished pop-friendly vocal space, elegant mix, no festival drop. B) Darker garage Discslosure-style feel Moody UK garage groove, tight dry drums, swing/shuffle hats, triplet-like top-layer phrasing over a straight kick, rubbery bassline, sparse jazzy stabs (min9/sus/add9), intimate vocal-forward arrangement, sleek night-drive energy. C) Groove-first club Disssclosure-style feel House-driven club groove with UK rhythmic bounce, repetitive hypnotic bass, short soulful chord hits (7th/9th color), sample-like vocal phrases, crisp transients, clean low-end, energy from groove and repetition instead of big drops.",,"“Borrowed Light” (original lyrics) Verse 1 The night comes in wearing somebody else’s coat, smelling like rain, cheap smoke, and train-brake iron. You laugh like you don’t owe the dark a thing, like your hands never shook counting out the quiet. We stand where the windows turn people into ghosts, blue neon cutting saints out of thieves. Your mouth says, stay casual — your eyes don’t bother lying, they’ve got that end-of-summer honesty. Pre-Chorus You don’t move in straight lines, you move like a warning sign in water. I keep time just fine until you step in and the numbers falter. Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it hurts the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn collect what it can’t define. We’re not clean, we’re not saved, we’re not young — but God, we’re not done. Verse 2 There’s a truth people tell when the bass is low, when the room sweats heat through painted walls: everybody here is trying to outrun a version of themselves they swear they never were at all. You lean in close just to ask for a light, but your voice lands deeper than the question. I’ve seen that look — half hunger, half mercy — like you could kiss me or correct me in the same breath. Pre-Chorus You don’t move in straight lines, you drift like a blade through silk. I talk tough in daylight, but midnight knows what I’m built like. Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it hurts the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn collect what it can’t define. We’re not clean, we’re not saved, we’re not young — but God, we’re not done. Bridge I’ve worn my heart like a lock, like a joke, like a debt. You touched it once and now it won’t forget. Outside, the city keeps changing its face in the glass, inside, we move like a crime scene learning how to dance. If this is all it is, let it be exact. No vows, no future, no pretty lies attached. Just your pulse in my wrist, your breath in my teeth, and the terrible relief of being seen. Final Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it breaks the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn take inventory of the night. We’re not pure, we’re not healed, we’re not numb — but God, we’re not done. Outro When morning comes, it can have the street, the ash, the glass, the alibi. You keep the part of me that learned to speak only when the city goes dark enough to tell the truth.",2026-02-23T03:06:35.371Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ccc51056-1774-4319-be64-f3c90fd067c0.mp3,https://cdn2.suno.ai/image_ccc51056-1774-4319-be64-f3c90fd067c0.jpeg,https://cdn2.suno.ai/image_large_ccc51056-1774-4319-be64-f3c90fd067c0.jpeg audio/6216160d-2bac-4ad7-96d4-71551220a3c2.mp3,6216160d-2bac-4ad7-96d4-71551220a3c2,,v5,chirp-crow,complete,244.84,False,"Describe a track with a [bright/dark/warm] UK [house / garage / 2-step-influenced] feel, using a steady 4/4 pulse with [swing / shuffle / triplet-like subdivision] in the percussion. Drums should be [tight / dry / punchy / crisp], bass should be [warm / rubbery / rounded / percussive], and harmony should use [minor7 / minor9 / add9 / sus chords / short stabs / lush pads]. The vocal role should be [hook-led / intimate / soulful / sample-like / central]. Overall feeling: [elegant / nocturnal / euphoric / hypnotic / groove-first], with energy coming from [rhythm + timing + texture] rather than big drops.",,"“Borrowed Light” (original lyrics) Verse 1 The night comes in wearing somebody else’s coat, smelling like rain, cheap smoke, and train-brake iron. You laugh like you don’t owe the dark a thing, like your hands never shook counting out the quiet. We stand where the windows turn people into ghosts, blue neon cutting saints out of thieves. Your mouth says, stay casual — your eyes don’t bother lying, they’ve got that end-of-summer honesty. Pre-Chorus You don’t move in straight lines, you move like a warning sign in water. I keep time just fine until you step in and the numbers falter. Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it hurts the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn collect what it can’t define. We’re not clean, we’re not saved, we’re not young — but God, we’re not done. Verse 2 There’s a truth people tell when the bass is low, when the room sweats heat through painted walls: everybody here is trying to outrun a version of themselves they swear they never were at all. You lean in close just to ask for a light, but your voice lands deeper than the question. I’ve seen that look — half hunger, half mercy — like you could kiss me or correct me in the same breath. Pre-Chorus You don’t move in straight lines, you drift like a blade through silk. I talk tough in daylight, but midnight knows what I’m built like. Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it hurts the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn collect what it can’t define. We’re not clean, we’re not saved, we’re not young — but God, we’re not done. Bridge I’ve worn my heart like a lock, like a joke, like a debt. You touched it once and now it won’t forget. Outside, the city keeps changing its face in the glass, inside, we move like a crime scene learning how to dance. If this is all it is, let it be exact. No vows, no future, no pretty lies attached. Just your pulse in my wrist, your breath in my teeth, and the terrible relief of being seen. Final Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it breaks the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn take inventory of the night. We’re not pure, we’re not healed, we’re not numb — but God, we’re not done. Outro When morning comes, it can have the street, the ash, the glass, the alibi. You keep the part of me that learned to speak only when the city goes dark enough to tell the truth.",2026-02-23T03:02:51.658Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/6216160d-2bac-4ad7-96d4-71551220a3c2.mp3,https://cdn2.suno.ai/image_6216160d-2bac-4ad7-96d4-71551220a3c2.jpeg,https://cdn2.suno.ai/image_large_6216160d-2bac-4ad7-96d4-71551220a3c2.jpeg audio/4f5747b9-4a07-45df-9125-b49d63b4a98d.mp3,4f5747b9-4a07-45df-9125-b49d63b4a98d,,v5,chirp-crow,complete,292.2,False,"Describe a track with a [bright/dark/warm] UK [house / garage / 2-step-influenced] feel, using a steady 4/4 pulse with [swing / shuffle / triplet-like subdivision] in the percussion. Drums should be [tight / dry / punchy / crisp], bass should be [warm / rubbery / rounded / percussive], and harmony should use [minor7 / minor9 / add9 / sus chords / short stabs / lush pads]. The vocal role should be [hook-led / intimate / soulful / sample-like / central]. Overall feeling: [elegant / nocturnal / euphoric / hypnotic / groove-first], with energy coming from [rhythm + timing + texture] rather than big drops.",,"“Borrowed Light” (original lyrics) Verse 1 The night comes in wearing somebody else’s coat, smelling like rain, cheap smoke, and train-brake iron. You laugh like you don’t owe the dark a thing, like your hands never shook counting out the quiet. We stand where the windows turn people into ghosts, blue neon cutting saints out of thieves. Your mouth says, stay casual — your eyes don’t bother lying, they’ve got that end-of-summer honesty. Pre-Chorus You don’t move in straight lines, you move like a warning sign in water. I keep time just fine until you step in and the numbers falter. Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it hurts the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn collect what it can’t define. We’re not clean, we’re not saved, we’re not young — but God, we’re not done. Verse 2 There’s a truth people tell when the bass is low, when the room sweats heat through painted walls: everybody here is trying to outrun a version of themselves they swear they never were at all. You lean in close just to ask for a light, but your voice lands deeper than the question. I’ve seen that look — half hunger, half mercy — like you could kiss me or correct me in the same breath. Pre-Chorus You don’t move in straight lines, you drift like a blade through silk. I talk tough in daylight, but midnight knows what I’m built like. Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it hurts the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn collect what it can’t define. We’re not clean, we’re not saved, we’re not young — but God, we’re not done. Bridge I’ve worn my heart like a lock, like a joke, like a debt. You touched it once and now it won’t forget. Outside, the city keeps changing its face in the glass, inside, we move like a crime scene learning how to dance. If this is all it is, let it be exact. No vows, no future, no pretty lies attached. Just your pulse in my wrist, your breath in my teeth, and the terrible relief of being seen. Final Chorus So come on — ruin my good sense in borrowed light, pull me out of my name tonight. We don’t have to call it love to know it breaks the same when it goes. Come on — leave your shadow tangled up in mine, let the dawn take inventory of the night. We’re not pure, we’re not healed, we’re not numb — but God, we’re not done. Outro When morning comes, it can have the street, the ash, the glass, the alibi. You keep the part of me that learned to speak only when the city goes dark enough to tell the truth.",2026-02-23T03:02:51.658Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4f5747b9-4a07-45df-9125-b49d63b4a98d.mp3,https://cdn2.suno.ai/image_4f5747b9-4a07-45df-9125-b49d63b4a98d.jpeg,https://cdn2.suno.ai/image_large_4f5747b9-4a07-45df-9125-b49d63b4a98d.jpeg audio/a1e2180e-bdf6-42f6-a00f-45fa10df1b87.mp3,a1e2180e-bdf6-42f6-a00f-45fa10df1b87,,v5,chirp-crow,complete,267.88,False,"Describe a track with a [bright/dark/warm] UK [house / garage / 2-step-influenced] feel, using a steady 4/4 pulse with [swing / shuffle / triplet-like subdivision] in the percussion. Drums should be [tight / dry / punchy / crisp], bass should be [warm / rubbery / rounded / percussive], and harmony should use [minor7 / minor9 / add9 / sus chords / short stabs / lush pads]. The vocal role should be [hook-led / intimate / soulful / sample-like / central]. Overall feeling: [elegant / nocturnal / euphoric / hypnotic / groove-first], with energy coming from [rhythm + timing + texture] rather than big drops.",,"Verse 1 Streetlight flicker on your cheekbone glow 2AM and the city moves slow Bassline heartbeat under my skin You lean in once, then pull back again Your shadow dancing over chrome and blue I lose the room when it cuts to you Not quite love, not a game, not clean Something in-between what we say and mean Pre-Chorus You move just off the line Still I fall into time Every step, every turn Makes the silence burn Chorus Don’t let the night go still Keep me in your neon gravity Half a beat late, then you pull me in That’s how you get to me No, don’t let the lights come up Not while we’re this close to clarity You say my name like a hidden hook And it keeps on pulling me Verse 2 Glass reflections, silver in your eyes Truth comes out in fragments and signs You don’t promise, you don’t have to speak I can feel the answer in the way you breathe Crowded room but it’s only our pace Your hands draw shapes in the empty space Every drop, every pause, every sway Makes me want what I can’t quite say Pre-Chorus You move just off the line Still I fall into time Every step, every turn Makes the silence burn Chorus Don’t let the night go still Keep me in your neon gravity Half a beat late, then you pull me in That’s how you get to me No, don’t let the lights come up Not while we’re this close to clarity You say my name like a hidden hook And it keeps on pulling me Bridge If this is only a moment Let it hit like a wave Let it live in the echo Even after today If we break in the morning Let us break in key Tonight in the dark You still sound like home to me Final Chorus Don’t let the night go still Keep me in your neon gravity Half a beat late, then you pull me in That’s how you get to me No, don’t let the lights come up Not while we’re this close to clarity You say my name like a hidden hook And it keeps on pulling me Outro Neon gravity You keep on pulling me Half a beat, heart on me Neon gravity",2026-02-23T02:58:15.370Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a1e2180e-bdf6-42f6-a00f-45fa10df1b87.mp3,https://cdn2.suno.ai/image_a1e2180e-bdf6-42f6-a00f-45fa10df1b87.jpeg,https://cdn2.suno.ai/image_large_a1e2180e-bdf6-42f6-a00f-45fa10df1b87.jpeg audio/13d24818-f65d-4a97-b75b-9efbd646e7c8.mp3,13d24818-f65d-4a97-b75b-9efbd646e7c8,,v5,chirp-crow,complete,262.56,False,"Describe a track with a [bright/dark/warm] UK [house / garage / 2-step-influenced] feel, using a steady 4/4 pulse with [swing / shuffle / triplet-like subdivision] in the percussion. Drums should be [tight / dry / punchy / crisp], bass should be [warm / rubbery / rounded / percussive], and harmony should use [minor7 / minor9 / add9 / sus chords / short stabs / lush pads]. The vocal role should be [hook-led / intimate / soulful / sample-like / central]. Overall feeling: [elegant / nocturnal / euphoric / hypnotic / groove-first], with energy coming from [rhythm + timing + texture] rather than big drops.",,"Verse 1 Streetlight flicker on your cheekbone glow 2AM and the city moves slow Bassline heartbeat under my skin You lean in once, then pull back again Your shadow dancing over chrome and blue I lose the room when it cuts to you Not quite love, not a game, not clean Something in-between what we say and mean Pre-Chorus You move just off the line Still I fall into time Every step, every turn Makes the silence burn Chorus Don’t let the night go still Keep me in your neon gravity Half a beat late, then you pull me in That’s how you get to me No, don’t let the lights come up Not while we’re this close to clarity You say my name like a hidden hook And it keeps on pulling me Verse 2 Glass reflections, silver in your eyes Truth comes out in fragments and signs You don’t promise, you don’t have to speak I can feel the answer in the way you breathe Crowded room but it’s only our pace Your hands draw shapes in the empty space Every drop, every pause, every sway Makes me want what I can’t quite say Pre-Chorus You move just off the line Still I fall into time Every step, every turn Makes the silence burn Chorus Don’t let the night go still Keep me in your neon gravity Half a beat late, then you pull me in That’s how you get to me No, don’t let the lights come up Not while we’re this close to clarity You say my name like a hidden hook And it keeps on pulling me Bridge If this is only a moment Let it hit like a wave Let it live in the echo Even after today If we break in the morning Let us break in key Tonight in the dark You still sound like home to me Final Chorus Don’t let the night go still Keep me in your neon gravity Half a beat late, then you pull me in That’s how you get to me No, don’t let the lights come up Not while we’re this close to clarity You say my name like a hidden hook And it keeps on pulling me Outro Neon gravity You keep on pulling me Half a beat, heart on me Neon gravity",2026-02-23T02:58:15.370Z,3,1,False,True,False,False,False,https://cdn1.suno.ai/13d24818-f65d-4a97-b75b-9efbd646e7c8.mp3,https://cdn2.suno.ai/image_13d24818-f65d-4a97-b75b-9efbd646e7c8.jpeg,https://cdn2.suno.ai/image_large_13d24818-f65d-4a97-b75b-9efbd646e7c8.jpeg audio/b8f17087-d73d-486d-9e66-39d8b311b2ca.mp3,b8f17087-d73d-486d-9e66-39d8b311b2ca,,v5,chirp-crow,complete,146.36,True,"Describe a track with a darker UK garage / house groove built on a firm 4/4 foundation, but with strong syncopation and a slightly triplet-leaning / shuffled subdivision feel in the top percussion. Drums should feel precise and punchy, with dry claps/snaps, tight hats, and small rhythmic details that make the beat feel constantly in motion. Harmony should be more minimal and moody, using short chord stabs with jazzy extensions (minor 9, sus2/add9, occasional dominant color) instead of long pads. Bass should be rubbery, warm, and rhythmic, interacting with the drums like a second percussion instrument. The vocal presence should feel cool, intimate, and central, giving the track a human focal point over a sleek machine-like groove. Overall sound: dark, stylish, controlled, sensual, and highly danceable.",,,2026-02-23T02:57:38.753Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b8f17087-d73d-486d-9e66-39d8b311b2ca.mp3,https://cdn2.suno.ai/image_b8f17087-d73d-486d-9e66-39d8b311b2ca.jpeg,https://cdn2.suno.ai/image_large_b8f17087-d73d-486d-9e66-39d8b311b2ca.jpeg audio/c2d6008f-8b0b-417a-a977-d5612e10ceb3.mp3,c2d6008f-8b0b-417a-a977-d5612e10ceb3,,v5,chirp-crow,complete,75.84,True,"Describe a track with a darker UK garage / house groove built on a firm 4/4 foundation, but with strong syncopation and a slightly triplet-leaning / shuffled subdivision feel in the top percussion. Drums should feel precise and punchy, with dry claps/snaps, tight hats, and small rhythmic details that make the beat feel constantly in motion. Harmony should be more minimal and moody, using short chord stabs with jazzy extensions (minor 9, sus2/add9, occasional dominant color) instead of long pads. Bass should be rubbery, warm, and rhythmic, interacting with the drums like a second percussion instrument. The vocal presence should feel cool, intimate, and central, giving the track a human focal point over a sleek machine-like groove. Overall sound: dark, stylish, controlled, sensual, and highly danceable.",,,2026-02-23T02:57:38.753Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/c2d6008f-8b0b-417a-a977-d5612e10ceb3.mp3,https://cdn2.suno.ai/image_c2d6008f-8b0b-417a-a977-d5612e10ceb3.jpeg,https://cdn2.suno.ai/image_large_c2d6008f-8b0b-417a-a977-d5612e10ceb3.jpeg audio/b0781922-edeb-46fb-8b62-4c1c89412d3a.mp3,b0781922-edeb-46fb-8b62-4c1c89412d3a,,v5,chirp-crow,complete,164.0,True,"Describe a track with a bright UK house / garage-pop feel: steady 4/4 pulse, but with a light swing in the percussion so the groove feels elastic rather than rigid. Use tight kick + crisp clap/snare, shuffling hi-hats, and syncopated percussion accents that create a subtle sideways bounce. Harmony should feel uplifting and soulful, with jazzy chord color (minor 7 / minor 9 / add9 voicings) played as clean, bright stabs or rhythmic chord hits. Bass should be warm, round, and tightly locked to the kick, more groovy than aggressive. The vocal feeling should be emotional and hook-driven, sitting clearly above the groove. Overall sound: polished, modern, clean, danceable, and euphoric without a huge EDM-style drop.",,,2026-02-23T02:56:10.463Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b0781922-edeb-46fb-8b62-4c1c89412d3a.mp3,https://cdn2.suno.ai/image_b0781922-edeb-46fb-8b62-4c1c89412d3a.jpeg,https://cdn2.suno.ai/image_large_b0781922-edeb-46fb-8b62-4c1c89412d3a.jpeg audio/2521d47b-62d2-4cac-abe8-6a8751a5d3fc.mp3,2521d47b-62d2-4cac-abe8-6a8751a5d3fc,,v5,chirp-crow,complete,163.24,True,"Describe a track with a bright UK house / garage-pop feel: steady 4/4 pulse, but with a light swing in the percussion so the groove feels elastic rather than rigid. Use tight kick + crisp clap/snare, shuffling hi-hats, and syncopated percussion accents that create a subtle sideways bounce. Harmony should feel uplifting and soulful, with jazzy chord color (minor 7 / minor 9 / add9 voicings) played as clean, bright stabs or rhythmic chord hits. Bass should be warm, round, and tightly locked to the kick, more groovy than aggressive. The vocal feeling should be emotional and hook-driven, sitting clearly above the groove. Overall sound: polished, modern, clean, danceable, and euphoric without a huge EDM-style drop.",,,2026-02-23T02:56:10.463Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2521d47b-62d2-4cac-abe8-6a8751a5d3fc.mp3,https://cdn2.suno.ai/image_2521d47b-62d2-4cac-abe8-6a8751a5d3fc.jpeg,https://cdn2.suno.ai/image_large_2521d47b-62d2-4cac-abe8-6a8751a5d3fc.jpeg audio/22e04808-216b-4b75-9f35-ad2689d211a1.mp3,22e04808-216b-4b75-9f35-ad2689d211a1,,v5,chirp-crow,complete,174.4,True,"Create an original electronic pop/club track with a UK garage and house foundation, built around a bouncy, syncopated groove. The rhythm should feel tight and clean but still have swing and movement (2-step influence), with crisp drums, warm bass, and polished production. Use catchy vocal hooks and a strong song structure (verse, chorus, bridge), so it works both as a club track and as a memorable pop song. The sound should feel modern and sleek, with subtle old-school UK dance influences, rich textures, and detailed mixing. Dissclosure style. latch ",,,2026-02-23T02:55:20.152Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/22e04808-216b-4b75-9f35-ad2689d211a1.mp3,https://cdn2.suno.ai/image_22e04808-216b-4b75-9f35-ad2689d211a1.jpeg,https://cdn2.suno.ai/image_large_22e04808-216b-4b75-9f35-ad2689d211a1.jpeg audio/856a8445-9f3f-4979-bed2-52ee061706f4.mp3,856a8445-9f3f-4979-bed2-52ee061706f4,,v5,chirp-crow,complete,191.92,True,"Create an original electronic pop/club track with a UK garage and house foundation, built around a bouncy, syncopated groove. The rhythm should feel tight and clean but still have swing and movement (2-step influence), with crisp drums, warm bass, and polished production. Use catchy vocal hooks and a strong song structure (verse, chorus, bridge), so it works both as a club track and as a memorable pop song. The sound should feel modern and sleek, with subtle old-school UK dance influences, rich textures, and detailed mixing. Dissclosure style. latch ",,,2026-02-23T02:55:20.152Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/856a8445-9f3f-4979-bed2-52ee061706f4.mp3,https://cdn2.suno.ai/image_856a8445-9f3f-4979-bed2-52ee061706f4.jpeg,https://cdn2.suno.ai/image_large_856a8445-9f3f-4979-bed2-52ee061706f4.jpeg audio/424bb871-7f80-46ab-9ea4-0d9d166b3326.mp3,424bb871-7f80-46ab-9ea4-0d9d166b3326,,v5,chirp-crow,complete,197.16,True,"Create an original electronic pop/club track with a UK garage and house foundation, built around a bouncy, syncopated groove. The rhythm should feel tight and clean but still have swing and movement (2-step influence), with crisp drums, warm bass, and polished production. Use catchy vocal hooks and a strong song structure (verse, chorus, bridge), so it works both as a club track and as a memorable pop song. The sound should feel modern and sleek, with subtle old-school UK dance influences, rich textures, and detailed mixing. Diclosure style.",,,2026-02-23T02:51:47.483Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/424bb871-7f80-46ab-9ea4-0d9d166b3326.mp3,https://cdn2.suno.ai/image_424bb871-7f80-46ab-9ea4-0d9d166b3326.jpeg,https://cdn2.suno.ai/image_large_424bb871-7f80-46ab-9ea4-0d9d166b3326.jpeg audio/968c121b-6bb1-4ed3-a4fb-f979bdfba3f2.mp3,968c121b-6bb1-4ed3-a4fb-f979bdfba3f2,,v5,chirp-crow,complete,144.92,True,"Create an original electronic pop/club track with a UK garage and house foundation, built around a bouncy, syncopated groove. The rhythm should feel tight and clean but still have swing and movement (2-step influence), with crisp drums, warm bass, and polished production. Use catchy vocal hooks and a strong song structure (verse, chorus, bridge), so it works both as a club track and as a memorable pop song. The sound should feel modern and sleek, with subtle old-school UK dance influences, rich textures, and detailed mixing. Diclosure style.",,,2026-02-23T02:51:47.483Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/968c121b-6bb1-4ed3-a4fb-f979bdfba3f2.mp3,https://cdn2.suno.ai/image_968c121b-6bb1-4ed3-a4fb-f979bdfba3f2.jpeg,https://cdn2.suno.ai/image_large_968c121b-6bb1-4ed3-a4fb-f979bdfba3f2.jpeg audio/90faa4f0-e14f-4875-ae66-657cb2849294.mp3,90faa4f0-e14f-4875-ae66-657cb2849294,,v5,chirp-crow,complete,138.88,True,"Create an original electronic pop/club track with a UK garage and house foundation, built around a bouncy, syncopated groove. The rhythm should feel tight and clean but still have swing and movement (2-step influence), with crisp drums, warm bass, and polished production. Use catchy vocal hooks and a strong song structure (verse, chorus, bridge), so it works both as a club track and as a memorable pop song. The sound should feel modern and sleek, with subtle old-school UK dance influences, rich textures, and detailed mixing.",,,2026-02-23T02:51:19.550Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/90faa4f0-e14f-4875-ae66-657cb2849294.mp3,https://cdn2.suno.ai/image_90faa4f0-e14f-4875-ae66-657cb2849294.jpeg,https://cdn2.suno.ai/image_large_90faa4f0-e14f-4875-ae66-657cb2849294.jpeg audio/ef2f75c5-236d-4b54-bbfd-4ad8600a958b.mp3,ef2f75c5-236d-4b54-bbfd-4ad8600a958b,,v5,chirp-crow,complete,165.32,True,"Create an original electronic pop/club track with a UK garage and house foundation, built around a bouncy, syncopated groove. The rhythm should feel tight and clean but still have swing and movement (2-step influence), with crisp drums, warm bass, and polished production. Use catchy vocal hooks and a strong song structure (verse, chorus, bridge), so it works both as a club track and as a memorable pop song. The sound should feel modern and sleek, with subtle old-school UK dance influences, rich textures, and detailed mixing.",,,2026-02-23T02:51:19.550Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ef2f75c5-236d-4b54-bbfd-4ad8600a958b.mp3,https://cdn2.suno.ai/image_ef2f75c5-236d-4b54-bbfd-4ad8600a958b.jpeg,https://cdn2.suno.ai/image_large_ef2f75c5-236d-4b54-bbfd-4ad8600a958b.jpeg audio/a6c8fde3-72d8-4ead-a392-65759344ae03.mp3,a6c8fde3-72d8-4ead-a392-65759344ae03,,v5,chirp-crow,complete,294.28,True,"Peak-time / driving techno, 125 BPM, 4/4, dark, hypnotic, functional warehouse energy Ritchiee Hawtins style",,,2026-02-23T02:47:10.600Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a6c8fde3-72d8-4ead-a392-65759344ae03.mp3,https://cdn2.suno.ai/image_a6c8fde3-72d8-4ead-a392-65759344ae03.jpeg,https://cdn2.suno.ai/image_large_a6c8fde3-72d8-4ead-a392-65759344ae03.jpeg audio/3b932691-8947-47aa-9a2d-4f6942503842.mp3,3b932691-8947-47aa-9a2d-4f6942503842,,v5,chirp-crow,complete,203.4,True,"Peak-time / driving techno, 125 BPM, 4/4, dark, hypnotic, functional warehouse energy Ritchiee Hawtins style",,,2026-02-23T02:47:10.600Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/3b932691-8947-47aa-9a2d-4f6942503842.mp3,https://cdn2.suno.ai/image_3b932691-8947-47aa-9a2d-4f6942503842.jpeg,https://cdn2.suno.ai/image_large_3b932691-8947-47aa-9a2d-4f6942503842.jpeg audio/a8e2e3fd-87cc-4cb6-9c21-b5d18e13ded5.mp3,a8e2e3fd-87cc-4cb6-9c21-b5d18e13ded5,,v5,chirp-crow,complete,197.08,True,"Peak-time / driving techno, 125 BPM, 4/4, dark, hypnotic, functional warehouse energy. Solid punchy kick, tight rolling sub bass, shuffling percussion, crisp hats, ghost hits, and a steely industrial backbone. Percussive, no-nonsense groove first: repetitive, locked-in, powerful, with subtle movement and tension built through filters, delay throws, and reverb sends. Use short synth stabs and low-mid motifs (not a big melodic lead), dark atmospheric layers, tunnel-like space, thick foggy textures, and restrained FX. Gradual arrangement with long DJ-friendly intro/outro, controlled breakdowns, pressure-building transitions, and clean punchy drops that return to groove. Modern underground mix, tight low end, wide but controlled stereo, dramatic but disciplined. Ritchiee Hawtins style",,,2026-02-23T02:44:36.898Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a8e2e3fd-87cc-4cb6-9c21-b5d18e13ded5.mp3,https://cdn2.suno.ai/image_a8e2e3fd-87cc-4cb6-9c21-b5d18e13ded5.jpeg,https://cdn2.suno.ai/image_large_a8e2e3fd-87cc-4cb6-9c21-b5d18e13ded5.jpeg audio/14d36481-05a2-4793-ac39-851923ac001c.mp3,14d36481-05a2-4793-ac39-851923ac001c,,v5,chirp-crow,complete,258.68,True,"Peak-time / driving techno, 125 BPM, 4/4, dark, hypnotic, functional warehouse energy. Solid punchy kick, tight rolling sub bass, shuffling percussion, crisp hats, ghost hits, and a steely industrial backbone. Percussive, no-nonsense groove first: repetitive, locked-in, powerful, with subtle movement and tension built through filters, delay throws, and reverb sends. Use short synth stabs and low-mid motifs (not a big melodic lead), dark atmospheric layers, tunnel-like space, thick foggy textures, and restrained FX. Gradual arrangement with long DJ-friendly intro/outro, controlled breakdowns, pressure-building transitions, and clean punchy drops that return to groove. Modern underground mix, tight low end, wide but controlled stereo, dramatic but disciplined. Ritchiee Hawtins style",,,2026-02-23T02:44:36.898Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/14d36481-05a2-4793-ac39-851923ac001c.mp3,https://cdn2.suno.ai/image_14d36481-05a2-4793-ac39-851923ac001c.jpeg,https://cdn2.suno.ai/image_large_14d36481-05a2-4793-ac39-851923ac001c.jpeg audio/3dcd8153-d0a4-402d-a205-0a3ab5dc0ff7.mp3,3dcd8153-d0a4-402d-a205-0a3ab5dc0ff7,,v5,chirp-crow,complete,192.36,True,"Peak-time / driving techno, 125 BPM, 4/4, dark, hypnotic, functional warehouse energy. Solid punchy kick, tight rolling sub bass, shuffling percussion, crisp hats, ghost hits, and a steely industrial backbone. Percussive, no-nonsense groove first: repetitive, locked-in, powerful, with subtle movement and tension built through filters, delay throws, and reverb sends. Use short synth stabs and low-mid motifs (not a big melodic lead), dark atmospheric layers, tunnel-like space, thick foggy textures, and restrained FX. Gradual arrangement with long DJ-friendly intro/outro, controlled breakdowns, pressure-building transitions, and clean punchy drops that return to groove. Modern underground mix, tight low end, wide but controlled stereo, dramatic but disciplined. Juulian Jeeweil style",,,2026-02-23T02:43:22.186Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/3dcd8153-d0a4-402d-a205-0a3ab5dc0ff7.mp3,https://cdn2.suno.ai/image_3dcd8153-d0a4-402d-a205-0a3ab5dc0ff7.jpeg,https://cdn2.suno.ai/image_large_3dcd8153-d0a4-402d-a205-0a3ab5dc0ff7.jpeg audio/f20fe982-cf71-4720-b18e-e21cb045ceaa.mp3,f20fe982-cf71-4720-b18e-e21cb045ceaa,,v5,chirp-crow,complete,187.12,True,"Peak-time / driving techno, 125 BPM, 4/4, dark, hypnotic, functional warehouse energy. Solid punchy kick, tight rolling sub bass, shuffling percussion, crisp hats, ghost hits, and a steely industrial backbone. Percussive, no-nonsense groove first: repetitive, locked-in, powerful, with subtle movement and tension built through filters, delay throws, and reverb sends. Use short synth stabs and low-mid motifs (not a big melodic lead), dark atmospheric layers, tunnel-like space, thick foggy textures, and restrained FX. Gradual arrangement with long DJ-friendly intro/outro, controlled breakdowns, pressure-building transitions, and clean punchy drops that return to groove. Modern underground mix, tight low end, wide but controlled stereo, dramatic but disciplined. Juulian Jeeweil style",,,2026-02-23T02:43:22.186Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f20fe982-cf71-4720-b18e-e21cb045ceaa.mp3,https://cdn2.suno.ai/image_f20fe982-cf71-4720-b18e-e21cb045ceaa.jpeg,https://cdn2.suno.ai/image_large_f20fe982-cf71-4720-b18e-e21cb045ceaa.jpeg audio/95ac41e7-922e-44a6-85f0-cad1343ae239.mp3,95ac41e7-922e-44a6-85f0-cad1343ae239,,v5,chirp-crow,complete,279.96,True,"Peak-time / driving techno, 125 BPM, 4/4, dark, hypnotic, functional warehouse energy. Solid punchy kick, tight rolling sub bass, shuffling percussion, crisp hats, ghost hits, and a steely industrial backbone. Percussive, no-nonsense groove first: repetitive, locked-in, powerful, with subtle movement and tension built through filters, delay throws, and reverb sends. Use short synth stabs and low-mid motifs (not a big melodic lead), dark atmospheric layers, tunnel-like space, thick foggy textures, and restrained FX. Gradual arrangement with long DJ-friendly intro/outro, controlled breakdowns, pressure-building transitions, and clean punchy drops that return to groove. Modern underground mix, tight low end, wide but controlled stereo, dramatic but disciplined. No pop vocals, no supersaws, no cheesy hooks, no festival EDM breakdowns, no overdistorted hard techno.",,,2026-02-23T02:41:08.635Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/95ac41e7-922e-44a6-85f0-cad1343ae239.mp3,https://cdn2.suno.ai/image_95ac41e7-922e-44a6-85f0-cad1343ae239.jpeg,https://cdn2.suno.ai/image_large_95ac41e7-922e-44a6-85f0-cad1343ae239.jpeg audio/fcf5f84b-90f5-4e9f-8d4d-ec32fa5cbc8a.mp3,fcf5f84b-90f5-4e9f-8d4d-ec32fa5cbc8a,,v5,chirp-crow,complete,160.8,True,"Peak-time / driving techno, 125 BPM, 4/4, dark, hypnotic, functional warehouse energy. Solid punchy kick, tight rolling sub bass, shuffling percussion, crisp hats, ghost hits, and a steely industrial backbone. Percussive, no-nonsense groove first: repetitive, locked-in, powerful, with subtle movement and tension built through filters, delay throws, and reverb sends. Use short synth stabs and low-mid motifs (not a big melodic lead), dark atmospheric layers, tunnel-like space, thick foggy textures, and restrained FX. Gradual arrangement with long DJ-friendly intro/outro, controlled breakdowns, pressure-building transitions, and clean punchy drops that return to groove. Modern underground mix, tight low end, wide but controlled stereo, dramatic but disciplined. No pop vocals, no supersaws, no cheesy hooks, no festival EDM breakdowns, no overdistorted hard techno.",,,2026-02-23T02:41:08.635Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fcf5f84b-90f5-4e9f-8d4d-ec32fa5cbc8a.mp3,https://cdn2.suno.ai/image_fcf5f84b-90f5-4e9f-8d4d-ec32fa5cbc8a.jpeg,https://cdn2.suno.ai/image_large_fcf5f84b-90f5-4e9f-8d4d-ec32fa5cbc8a.jpeg audio/c0ec97e5-d6ab-489d-82dc-be450b83eb07.mp3,c0ec97e5-d6ab-489d-82dc-be450b83eb07,,v5,chirp-crow,complete,291.56,True,"Driving melodic techno, 125 BPM, 4/4, dark and hypnotic, polished underground club energy. Deep punchy kick, tight rolling bassline, shuffling percussion, crisp hats, subtle ghost hits, and a firm steely industrial backbone. Build the track around a sleek repeating synth motif and short low-mid melodic stabs, with airy atmospheric pads adding emotional tension (euphoria mixed with melancholy) without sounding overly cinematic. Add trippy, space-tinged textures, filtered echoes, restrained risers, and dub-like send automation for movement. Long DJ-friendly intro and outro, gradual layering, controlled breakdown with foggy pads and distant vocal texture (non-lyrical, heavily processed), then a powerful but clean drop that keeps groove first. Functional, driving, modern techno arrangement with tight low end, no cheesy leads, no EDM supersaws, no festival clichés, no pop vocals.",,,2026-02-23T02:37:45.457Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/c0ec97e5-d6ab-489d-82dc-be450b83eb07.mp3,https://cdn2.suno.ai/image_c0ec97e5-d6ab-489d-82dc-be450b83eb07.jpeg,https://cdn2.suno.ai/image_large_c0ec97e5-d6ab-489d-82dc-be450b83eb07.jpeg audio/ba8c794c-4f80-44c7-92cf-691ddcc61554.mp3,ba8c794c-4f80-44c7-92cf-691ddcc61554,,v5,chirp-crow,complete,184.92,True,"Driving melodic techno, 125 BPM, 4/4, dark and hypnotic, polished underground club energy. Deep punchy kick, tight rolling bassline, shuffling percussion, crisp hats, subtle ghost hits, and a firm steely industrial backbone. Build the track around a sleek repeating synth motif and short low-mid melodic stabs, with airy atmospheric pads adding emotional tension (euphoria mixed with melancholy) without sounding overly cinematic. Add trippy, space-tinged textures, filtered echoes, restrained risers, and dub-like send automation for movement. Long DJ-friendly intro and outro, gradual layering, controlled breakdown with foggy pads and distant vocal texture (non-lyrical, heavily processed), then a powerful but clean drop that keeps groove first. Functional, driving, modern techno arrangement with tight low end, no cheesy leads, no EDM supersaws, no festival clichés, no pop vocals.",,,2026-02-23T02:37:45.457Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ba8c794c-4f80-44c7-92cf-691ddcc61554.mp3,https://cdn2.suno.ai/image_ba8c794c-4f80-44c7-92cf-691ddcc61554.jpeg,https://cdn2.suno.ai/image_large_ba8c794c-4f80-44c7-92cf-691ddcc61554.jpeg audio/0333ada6-edb3-4c63-8e3d-d6da3e6cf5c0.mp3,0333ada6-edb3-4c63-8e3d-d6da3e6cf5c0,,v5,chirp-crow,complete,479.36,True,"Peak-time driving melodic techno, 130-132 BPM, dark and hypnotic, futuristic and space-tinged atmosphere. Tight punchy kick, rolling bassline, steely industrial groove, shuffling percussion, subtle ghost hits, and crisp hats. Build around a sleek melodic core with airy pads, emotional tension (euphoria mixed with melancholy), and short haunting synth motifs. Add trippy acid-tinged accents, filtered risers, and controlled energy lifts for big-room warehouse impact without becoming EDM. Functional, powerful club techno with a polished arrangement, long DJ-friendly intro/outro, gradual tension curves, breakdown with atmospheric pads and distant vox textures, then a driving drop. Clean low end, wide but controlled stereo image, modern underground mix, dramatic but refined, no cheesy leads, no pop vocals, no festival mainstage clichés.",,,2026-02-23T02:32:37.102Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/0333ada6-edb3-4c63-8e3d-d6da3e6cf5c0.mp3,https://cdn2.suno.ai/image_0333ada6-edb3-4c63-8e3d-d6da3e6cf5c0.jpeg,https://cdn2.suno.ai/image_large_0333ada6-edb3-4c63-8e3d-d6da3e6cf5c0.jpeg audio/0fece0e4-9b16-455a-a5a3-3027b5e309bf.mp3,0fece0e4-9b16-455a-a5a3-3027b5e309bf,,v5,chirp-crow,complete,394.8,True,"Peak-time driving melodic techno, 130-132 BPM, dark and hypnotic, futuristic and space-tinged atmosphere. Tight punchy kick, rolling bassline, steely industrial groove, shuffling percussion, subtle ghost hits, and crisp hats. Build around a sleek melodic core with airy pads, emotional tension (euphoria mixed with melancholy), and short haunting synth motifs. Add trippy acid-tinged accents, filtered risers, and controlled energy lifts for big-room warehouse impact without becoming EDM. Functional, powerful club techno with a polished arrangement, long DJ-friendly intro/outro, gradual tension curves, breakdown with atmospheric pads and distant vox textures, then a driving drop. Clean low end, wide but controlled stereo image, modern underground mix, dramatic but refined, no cheesy leads, no pop vocals, no festival mainstage clichés.",,,2026-02-23T02:32:37.102Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/0fece0e4-9b16-455a-a5a3-3027b5e309bf.mp3,https://cdn2.suno.ai/image_0fece0e4-9b16-455a-a5a3-3027b5e309bf.jpeg,https://cdn2.suno.ai/image_large_0fece0e4-9b16-455a-a5a3-3027b5e309bf.jpeg audio/d3c81e91-ec57-4169-80a4-05985d159b0d.mp3,d3c81e91-ec57-4169-80a4-05985d159b0d,,v5,chirp-crow,complete,301.96,True,"Textural dub techno for a grey sunrise, 124 BPM, 4/4. Minimal, steady rhythm with deep but non-aggressive kick, subtle hat, filtered clap, ghost percussion, and very soft metallic details. Build the track around one or two dark chord hits, padded stabs with suspended/minor7 voicings, played as short pulses feeding synced delays (1/4, dotted, and occasional triplet) and long modulated reverbs. Prioritize space and depth: breathing tails, filtered echoes, cutoff/resonance automation, and feedback movement for a living dub feel. Rounded, restrained sub bass with few notes and lots of air. Add discreet field recordings (wind, light rain, distant city) and a very low hiss/crackle layer for tactile character. Slow, immersive, meditative evolution; no vocals, no dominant melody, no festival-style climax. Warm mix with soft console/tape saturation and micro changes every 8 bars through mutes and send automation.",,,2026-02-23T02:26:55.877Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d3c81e91-ec57-4169-80a4-05985d159b0d.mp3,https://cdn2.suno.ai/image_d3c81e91-ec57-4169-80a4-05985d159b0d.jpeg,https://cdn2.suno.ai/image_large_d3c81e91-ec57-4169-80a4-05985d159b0d.jpeg audio/e2ce5621-c0e0-4796-807f-9f5f2390632c.mp3,e2ce5621-c0e0-4796-807f-9f5f2390632c,,v5,chirp-crow,complete,264.96,True,"Textural dub techno for a grey sunrise, 124 BPM, 4/4. Minimal, steady rhythm with deep but non-aggressive kick, subtle hat, filtered clap, ghost percussion, and very soft metallic details. Build the track around one or two dark chord hits, padded stabs with suspended/minor7 voicings, played as short pulses feeding synced delays (1/4, dotted, and occasional triplet) and long modulated reverbs. Prioritize space and depth: breathing tails, filtered echoes, cutoff/resonance automation, and feedback movement for a living dub feel. Rounded, restrained sub bass with few notes and lots of air. Add discreet field recordings (wind, light rain, distant city) and a very low hiss/crackle layer for tactile character. Slow, immersive, meditative evolution; no vocals, no dominant melody, no festival-style climax. Warm mix with soft console/tape saturation and micro changes every 8 bars through mutes and send automation.",,,2026-02-23T02:26:55.877Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/e2ce5621-c0e0-4796-807f-9f5f2390632c.mp3,https://cdn2.suno.ai/image_e2ce5621-c0e0-4796-807f-9f5f2390632c.jpeg,https://cdn2.suno.ai/image_large_e2ce5621-c0e0-4796-807f-9f5f2390632c.jpeg audio/e631a5db-5777-45ad-b018-845707fa8202.mp3,e631a5db-5777-45ad-b018-845707fa8202,,v5,chirp-crow,complete,409.96,True,"Create a deep, melancholic dub techno track, 120 BPM, instrumental. Analog-leaning but clean sound: controlled 909-style kick, muted clap with drive, closed hat with fine delay, minimal percussion, and noise/hum textures. Main focus: filtered stab chords in the low-mid range, short attack and medium decay, repeated with subtle filter changes and modulation to sustain tension without breaking hypnosis. Use multiple send reverbs (short mono, medium, long stereo) interweaving together, plus dark filtered delays with controlled feedback to build depth and a dub studio feel. Very soft sine or triangle sub bass with a simple one- or few-note pattern. Cold, foggy, introspective mood, with negative space and slow layer evolution. No lead vocals, no bright arpeggios, no drops, no aggressive percussion. Prioritize long 16-32 bar phrases and send/return rides as performance, with subtle tape saturation and breathing echoes.",,,2026-02-23T02:26:49.669Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e631a5db-5777-45ad-b018-845707fa8202.mp3,https://cdn2.suno.ai/image_e631a5db-5777-45ad-b018-845707fa8202.jpeg,https://cdn2.suno.ai/image_large_e631a5db-5777-45ad-b018-845707fa8202.jpeg audio/f1c7c464-db4f-42bf-975f-a8d013f2c47e.mp3,f1c7c464-db4f-42bf-975f-a8d013f2c47e,,v5,chirp-crow,complete,372.12,True,"Create a deep, melancholic dub techno track, 120 BPM, instrumental. Analog-leaning but clean sound: controlled 909-style kick, muted clap with drive, closed hat with fine delay, minimal percussion, and noise/hum textures. Main focus: filtered stab chords in the low-mid range, short attack and medium decay, repeated with subtle filter changes and modulation to sustain tension without breaking hypnosis. Use multiple send reverbs (short mono, medium, long stereo) interweaving together, plus dark filtered delays with controlled feedback to build depth and a dub studio feel. Very soft sine or triangle sub bass with a simple one- or few-note pattern. Cold, foggy, introspective mood, with negative space and slow layer evolution. No lead vocals, no bright arpeggios, no drops, no aggressive percussion. Prioritize long 16-32 bar phrases and send/return rides as performance, with subtle tape saturation and breathing echoes.",,,2026-02-23T02:26:49.669Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f1c7c464-db4f-42bf-975f-a8d013f2c47e.mp3,https://cdn2.suno.ai/image_f1c7c464-db4f-42bf-975f-a8d013f2c47e.jpeg,https://cdn2.suno.ai/image_large_f1c7c464-db4f-42bf-975f-a8d013f2c47e.jpeg audio/6a55f324-61ae-4280-9fd6-15b0d6c97a7b.mp3,6a55f324-61ae-4280-9fd6-15b0d6c97a7b,,v5,chirp-crow,complete,304.4,True,"Atmospheric, dubby dub techno, 122 BPM, 4/4, with the mix used as an instrument. Restrained groove with deep kick, subtle percussion, airy offbeat hats, and very low ghost hits. One repeating chord with small voicing/inversion changes, slightly detuned and grainy texture, processed through delay + echo + reverb; imagine living sends and returns, raising and lowering feedback to create moving dub mixes. Narrowed stereo ping-pong delay, occasional slapback, dark tails melting into fog. Deep sub bass with very few notes, stable and soft, no excessive punch. Grey, wet, mineral tone palette, with barely audible ghost pads, room noise, hiss, and tape crackle. Slow, texture-driven narrative development, not melody-driven; no vocals, no EDM build-ups, no excessive digital brightness. Keep subtle changes every 8-16 bars: filters, feedback, dub mutes, reverb openings, and slight hat variations.",,,2026-02-23T02:26:33.548Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6a55f324-61ae-4280-9fd6-15b0d6c97a7b.mp3,https://cdn2.suno.ai/image_6a55f324-61ae-4280-9fd6-15b0d6c97a7b.jpeg,https://cdn2.suno.ai/image_large_6a55f324-61ae-4280-9fd6-15b0d6c97a7b.jpeg audio/4ce29c50-ae81-4c99-8d45-29996acaa57f.mp3,4ce29c50-ae81-4c99-8d45-29996acaa57f,,v5,chirp-crow,complete,310.52,True,"Atmospheric, dubby dub techno, 122 BPM, 4/4, with the mix used as an instrument. Restrained groove with deep kick, subtle percussion, airy offbeat hats, and very low ghost hits. One repeating chord with small voicing/inversion changes, slightly detuned and grainy texture, processed through delay + echo + reverb; imagine living sends and returns, raising and lowering feedback to create moving dub mixes. Narrowed stereo ping-pong delay, occasional slapback, dark tails melting into fog. Deep sub bass with very few notes, stable and soft, no excessive punch. Grey, wet, mineral tone palette, with barely audible ghost pads, room noise, hiss, and tape crackle. Slow, texture-driven narrative development, not melody-driven; no vocals, no EDM build-ups, no excessive digital brightness. Keep subtle changes every 8-16 bars: filters, feedback, dub mutes, reverb openings, and slight hat variations.",,,2026-02-23T02:26:33.548Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4ce29c50-ae81-4c99-8d45-29996acaa57f.mp3,https://cdn2.suno.ai/image_4ce29c50-ae81-4c99-8d45-29996acaa57f.jpeg,https://cdn2.suno.ai/image_large_4ce29c50-ae81-4c99-8d45-29996acaa57f.jpeg audio/f60a70ef-6aae-4cea-9941-17d5130b04a2.mp3,f60a70ef-6aae-4cea-9941-17d5130b04a2,,v5,chirp-crow,complete,146.4,True,"Deep, hypnotic dub techno instrumental, 118 BPM, 4/4 time. Minimal foundation with a round, dry kick on quarter notes, soft closed hats, and a filtered clap with a short tail. Dark chord stabs (minor7/sus2) played as short hits, with automated low-pass filter, heavy plate/spring-style reverb, and dub tape delays with moderate feedback, filtered in highs and lows so the repeats detach from the source. Warm, stable, repetitive sine sub bass, breathing with very subtle sidechain. Add ambient texture: tape hiss, vinyl noise, and distant field recordings (wind/rain/traffic) very low in the mix. Slow-evolving arrangement in 16-32 bar phrases, micro timbral changes, send rises, and small dub dropouts. Spacious, meditative, nocturnal, elegant mood; no vocals, no bright leads, no aggressive drops. Performative dub mixing feel: automate sends, feedback, and filters in real time with gentle saturation.",,,2026-02-23T02:25:25.435Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f60a70ef-6aae-4cea-9941-17d5130b04a2.mp3,https://cdn2.suno.ai/image_f60a70ef-6aae-4cea-9941-17d5130b04a2.jpeg,https://cdn2.suno.ai/image_large_f60a70ef-6aae-4cea-9941-17d5130b04a2.jpeg audio/1a1e6ff8-0cd9-46ca-86cf-ac40d77400dc.mp3,1a1e6ff8-0cd9-46ca-86cf-ac40d77400dc,,v5,chirp-crow,complete,169.24,True,"Deep, hypnotic dub techno instrumental, 118 BPM, 4/4 time. Minimal foundation with a round, dry kick on quarter notes, soft closed hats, and a filtered clap with a short tail. Dark chord stabs (minor7/sus2) played as short hits, with automated low-pass filter, heavy plate/spring-style reverb, and dub tape delays with moderate feedback, filtered in highs and lows so the repeats detach from the source. Warm, stable, repetitive sine sub bass, breathing with very subtle sidechain. Add ambient texture: tape hiss, vinyl noise, and distant field recordings (wind/rain/traffic) very low in the mix. Slow-evolving arrangement in 16-32 bar phrases, micro timbral changes, send rises, and small dub dropouts. Spacious, meditative, nocturnal, elegant mood; no vocals, no bright leads, no aggressive drops. Performative dub mixing feel: automate sends, feedback, and filters in real time with gentle saturation.",,,2026-02-23T02:25:25.435Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/1a1e6ff8-0cd9-46ca-86cf-ac40d77400dc.mp3,https://cdn2.suno.ai/image_1a1e6ff8-0cd9-46ca-86cf-ac40d77400dc.jpeg,https://cdn2.suno.ai/image_large_1a1e6ff8-0cd9-46ca-86cf-ac40d77400dc.jpeg audio/cd968236-bc93-4e87-bd53-4f408ef92e96.mp3,cd968236-bc93-4e87-bd53-4f408ef92e96,,v5,chirp-crow,complete,254.96,True,"dub techno, athmosferic, woowoo sounds",,,2026-02-23T02:22:12.389Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/cd968236-bc93-4e87-bd53-4f408ef92e96.mp3,https://cdn2.suno.ai/image_cd968236-bc93-4e87-bd53-4f408ef92e96.jpeg,https://cdn2.suno.ai/image_large_cd968236-bc93-4e87-bd53-4f408ef92e96.jpeg audio/4a798a50-b59e-492a-8eae-b2a553581fc2.mp3,4a798a50-b59e-492a-8eae-b2a553581fc2,,v5,chirp-crow,complete,296.44,True,"dub techno, athmosferic, woowoo sounds",,,2026-02-23T02:22:12.389Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4a798a50-b59e-492a-8eae-b2a553581fc2.mp3,https://cdn2.suno.ai/image_4a798a50-b59e-492a-8eae-b2a553581fc2.jpeg,https://cdn2.suno.ai/image_large_4a798a50-b59e-492a-8eae-b2a553581fc2.jpeg audio/8d6c746f-2e58-404e-8591-19afe6fe40aa.mp3,8d6c746f-2e58-404e-8591-19afe6fe40aa,,v5,chirp-crow,complete,126.08,True,"lo-fi funk instrumental, MPC sampled beat, drunk drums off grid unquantized heavy swing, tempo 98bpm, key of F# minor, chopped jazz trio sample upright bass piano and brushes from 1960s recording, tape hiss constant, bass guitar electric deep round tone simple groove, clap instead of snare on 2 and 4 shaker groove underneath, analog saturation warm everything, hi-hat barely there subtle, Detroit lo-fi production, beautiful and broken, no vocals, warm analog everything",,,2026-02-17T18:03:24.098Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/8d6c746f-2e58-404e-8591-19afe6fe40aa.mp3,https://cdn2.suno.ai/image_8d6c746f-2e58-404e-8591-19afe6fe40aa.jpeg,https://cdn2.suno.ai/image_large_8d6c746f-2e58-404e-8591-19afe6fe40aa.jpeg audio/83888ab4-a1cd-4ae9-8c3c-426fc5d696e8.mp3,83888ab4-a1cd-4ae9-8c3c-426fc5d696e8,,v5,chirp-crow,complete,129.44,True,"lo-fi funk instrumental, MPC sampled beat, drunk drums off grid unquantized heavy swing, tempo 98bpm, key of F# minor, chopped jazz trio sample upright bass piano and brushes from 1960s recording, tape hiss constant, bass guitar electric deep round tone simple groove, clap instead of snare on 2 and 4 shaker groove underneath, analog saturation warm everything, hi-hat barely there subtle, Detroit lo-fi production, beautiful and broken, no vocals, warm analog everything",,,2026-02-17T18:03:24.098Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/83888ab4-a1cd-4ae9-8c3c-426fc5d696e8.mp3,https://cdn2.suno.ai/image_83888ab4-a1cd-4ae9-8c3c-426fc5d696e8.jpeg,https://cdn2.suno.ai/image_large_83888ab4-a1cd-4ae9-8c3c-426fc5d696e8.jpeg audio/183d0bd5-6366-4eba-8153-37cb22f3f21a.mp3,183d0bd5-6366-4eba-8153-37cb22f3f21a,,v5,chirp-crow,complete,193.92,True,"french house jazz funk groove, funky electric bass guitar syncopated groove fingerstyle, Rhodes electric piano warm jazzy chords 9ths and 7ths, live looping feel building layers one instrument at a time, tempo 109bpm, key of A minor, clean electric guitar with chorus effect subtle licks, analog warmth throughout, hi-hat shuffled handclap on 2 and 4, vocal chops pitched and chopped as texture not lyrics, warm buttery sound French house groove organic feel no vocals",,,2026-02-17T18:01:17.351Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/183d0bd5-6366-4eba-8153-37cb22f3f21a.mp3,https://cdn2.suno.ai/image_183d0bd5-6366-4eba-8153-37cb22f3f21a.jpeg,https://cdn2.suno.ai/image_large_183d0bd5-6366-4eba-8153-37cb22f3f21a.jpeg audio/29090e4a-944a-4e8c-8321-7f5d2a303d4a.mp3,29090e4a-944a-4e8c-8321-7f5d2a303d4a,,v5,chirp-crow,complete,479.36,True,"french house jazz funk groove, funky electric bass guitar syncopated groove fingerstyle, Rhodes electric piano warm jazzy chords 9ths and 7ths, live looping feel building layers one instrument at a time, tempo 109bpm, key of A minor, clean electric guitar with chorus effect subtle licks, analog warmth throughout, hi-hat shuffled handclap on 2 and 4, vocal chops pitched and chopped as texture not lyrics, warm buttery sound French house groove organic feel no vocals",,,2026-02-17T18:01:17.350Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/29090e4a-944a-4e8c-8321-7f5d2a303d4a.mp3,https://cdn2.suno.ai/image_29090e4a-944a-4e8c-8321-7f5d2a303d4a.jpeg,https://cdn2.suno.ai/image_large_29090e4a-944a-4e8c-8321-7f5d2a303d4a.jpeg audio/1f6dabc2-7cda-4dc8-96a0-4ac9922a2a64.mp3,1f6dabc2-7cda-4dc8-96a0-4ac9922a2a64,,v5,chirp-crow,complete,104.2,True,"lo-fi hip hop instrumental dark, boom bap production, drums barely holding together off grid extreme swing, tempo 96bpm, key of C minor, chopped orchestral strings sample dramatic pitched down looping, tape hiss constant, bass guitar fat funky groove syncopated, kick round deep soft snare crack dry hi-hat loose shuffled, lo-fi SP1200 bit crushed warm, shaker groove underneath constant, underground boom bap production, simple and beautiful and imperfect, no vocals, dust and warmth everywhere",,,2026-02-17T17:59:10.855Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/1f6dabc2-7cda-4dc8-96a0-4ac9922a2a64.mp3,https://cdn2.suno.ai/image_1f6dabc2-7cda-4dc8-96a0-4ac9922a2a64.jpeg,https://cdn2.suno.ai/image_large_1f6dabc2-7cda-4dc8-96a0-4ac9922a2a64.jpeg audio/724b9429-be96-41ac-827c-6f9d208066c4.mp3,724b9429-be96-41ac-827c-6f9d208066c4,,v5,chirp-crow,complete,127.72,True,"lo-fi hip hop instrumental dark, boom bap production, drums barely holding together off grid extreme swing, tempo 96bpm, key of C minor, chopped orchestral strings sample dramatic pitched down looping, tape hiss constant, bass guitar fat funky groove syncopated, kick round deep soft snare crack dry hi-hat loose shuffled, lo-fi SP1200 bit crushed warm, shaker groove underneath constant, underground boom bap production, simple and beautiful and imperfect, no vocals, dust and warmth everywhere",,,2026-02-17T17:59:10.855Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/724b9429-be96-41ac-827c-6f9d208066c4.mp3,https://cdn2.suno.ai/image_724b9429-be96-41ac-827c-6f9d208066c4.jpeg,https://cdn2.suno.ai/image_large_724b9429-be96-41ac-827c-6f9d208066c4.jpeg audio/479b6817-d509-4ee9-9444-bd8c96a6bcb5.mp3,479b6817-d509-4ee9-9444-bd8c96a6bcb5,,v5,chirp-crow,complete,264.92,True,"jazz hip hop groove, electric bass guitar funky rhythmic staccato hits, Rhodes electric piano groove comping jazzy, saxophone melody playful and soulful call and response with the keys, tempo 108bpm, drum groove hip hop swing boom bap influence but live feel, hi-hat loose shuffled, live looping layers building from bass first then keys then sax, improvised jam session feel spontaneous, warm analog recording, guitar clean tone enters with funky rhythm part, handclap accent, positive groovy head nod vibe, jazz harmony 7ths 9ths 13ths, everything live and organic, instruments trading solos, no electronic sounds all real instruments over programmed drums",,,2026-02-17T17:57:24.815Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/479b6817-d509-4ee9-9444-bd8c96a6bcb5.mp3,https://cdn2.suno.ai/image_479b6817-d509-4ee9-9444-bd8c96a6bcb5.jpeg,https://cdn2.suno.ai/image_large_479b6817-d509-4ee9-9444-bd8c96a6bcb5.jpeg audio/79124efe-bf76-4ebd-a2d9-c0f4cbc96ca6.mp3,79124efe-bf76-4ebd-a2d9-c0f4cbc96ca6,,v5,chirp-crow,complete,221.32,True,"jazz hip hop groove, electric bass guitar funky rhythmic staccato hits, Rhodes electric piano groove comping jazzy, saxophone melody playful and soulful call and response with the keys, tempo 108bpm, drum groove hip hop swing boom bap influence but live feel, hi-hat loose shuffled, live looping layers building from bass first then keys then sax, improvised jam session feel spontaneous, warm analog recording, guitar clean tone enters with funky rhythm part, handclap accent, positive groovy head nod vibe, jazz harmony 7ths 9ths 13ths, everything live and organic, instruments trading solos, no electronic sounds all real instruments over programmed drums",,,2026-02-17T17:57:24.815Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/79124efe-bf76-4ebd-a2d9-c0f4cbc96ca6.mp3,https://cdn2.suno.ai/image_79124efe-bf76-4ebd-a2d9-c0f4cbc96ca6.jpeg,https://cdn2.suno.ai/image_large_79124efe-bf76-4ebd-a2d9-c0f4cbc96ca6.jpeg audio/7f91b45a-0082-4066-993f-53edf16dcc08.mp3,7f91b45a-0082-4066-993f-53edf16dcc08,,v5,chirp-crow,complete,91.08,True,"lo-fi hip hop instrumental jazz, sample based beat, drunk drums NOT quantized off grid swing, tempo 87bpm, key of Bb minor, chopped jazz trio sample upright bass piano and brushes from 1960s recording, vinyl crackle heavy dust, bass one note droning, kick soft buried under dust snare distant with long reverb tail, lo-fi tape recording warm saturated, tambourine loose shuffled, Detroit lo-fi production, late night headphone music, no vocals, everything warm round soft dusty",,,2026-02-17T17:57:03.315Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7f91b45a-0082-4066-993f-53edf16dcc08.mp3,https://cdn2.suno.ai/image_7f91b45a-0082-4066-993f-53edf16dcc08.jpeg,https://cdn2.suno.ai/image_large_7f91b45a-0082-4066-993f-53edf16dcc08.jpeg audio/a75d04a2-46b0-4bae-be93-1d733e1c4df3.mp3,a75d04a2-46b0-4bae-be93-1d733e1c4df3,,v5,chirp-crow,complete,110.16,True,"lo-fi hip hop instrumental jazz, sample based beat, drunk drums NOT quantized off grid swing, tempo 87bpm, key of Bb minor, chopped jazz trio sample upright bass piano and brushes from 1960s recording, vinyl crackle heavy dust, bass one note droning, kick soft buried under dust snare distant with long reverb tail, lo-fi tape recording warm saturated, tambourine loose shuffled, Detroit lo-fi production, late night headphone music, no vocals, everything warm round soft dusty",,,2026-02-17T17:57:03.315Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/a75d04a2-46b0-4bae-be93-1d733e1c4df3.mp3,https://cdn2.suno.ai/image_a75d04a2-46b0-4bae-be93-1d733e1c4df3.jpeg,https://cdn2.suno.ai/image_large_a75d04a2-46b0-4bae-be93-1d733e1c4df3.jpeg audio/aa19b01d-6d8d-4796-a51c-c7fe005dd088.mp3,aa19b01d-6d8d-4796-a51c-c7fe005dd088,,v5,chirp-crow,complete,153.92,True,"french house chill, vocoder vocal chords sustained warm robot harmonies, electric bass guitar simple deep groove two notes, Rhodes electric piano sparse chords with tremolo, tempo 110bpm, analog synth pad lush wide stereo warm, guitar clean tone with volume swells ambient, saxophone enters late in track with long sustained notes, drum machine light groove kick and hi-hat only, sidechain pump gentle, vocal chops pitched as melody not words, live looping organic feel, dreamy floating atmosphere, warm sunset vibes, everything analog and warm, filter sweep on synth opening slowly, minimal arrangement lots of space between sounds, each sound is important because there are few",,,2026-02-17T17:56:54.363Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/aa19b01d-6d8d-4796-a51c-c7fe005dd088.mp3,https://cdn2.suno.ai/image_aa19b01d-6d8d-4796-a51c-c7fe005dd088.jpeg,https://cdn2.suno.ai/image_large_aa19b01d-6d8d-4796-a51c-c7fe005dd088.jpeg audio/ed14af3d-7677-452e-9a7b-672f2b1879eb.mp3,ed14af3d-7677-452e-9a7b-672f2b1879eb,,v5,chirp-crow,complete,150.96,True,"french house chill, vocoder vocal chords sustained warm robot harmonies, electric bass guitar simple deep groove two notes, Rhodes electric piano sparse chords with tremolo, tempo 110bpm, analog synth pad lush wide stereo warm, guitar clean tone with volume swells ambient, saxophone enters late in track with long sustained notes, drum machine light groove kick and hi-hat only, sidechain pump gentle, vocal chops pitched as melody not words, live looping organic feel, dreamy floating atmosphere, warm sunset vibes, everything analog and warm, filter sweep on synth opening slowly, minimal arrangement lots of space between sounds, each sound is important because there are few",,,2026-02-17T17:56:54.363Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/ed14af3d-7677-452e-9a7b-672f2b1879eb.mp3,https://cdn2.suno.ai/image_ed14af3d-7677-452e-9a7b-672f2b1879eb.jpeg,https://cdn2.suno.ai/image_large_ed14af3d-7677-452e-9a7b-672f2b1879eb.jpeg audio/4a34e962-cd40-404e-b98d-6fd0ee9126ea.mp3,4a34e962-cd40-404e-b98d-6fd0ee9126ea,,v5,chirp-crow,complete,182.0,True,"french house chill, vocoder vocal chords sustained warm robot harmonies, electric bass guitar simple deep groove two notes, Rhodes electric piano sparse chords with tremolo, tempo 110bpm, analog synth pad lush wide stereo warm, guitar clean tone with volume swells ambient, saxophone enters late in track with long sustained notes, drum machine light groove kick and hi-hat only, sidechain pump gentle, vocal chops pitched as melody not words, live looping organic feel, dreamy floating atmosphere, warm sunset vibes, everything analog and warm, filter sweep on synth opening slowly, minimal arrangement lots of space between sounds, each sound is important because there are few",,,2026-02-17T17:55:24.075Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/4a34e962-cd40-404e-b98d-6fd0ee9126ea.mp3,https://cdn2.suno.ai/image_4a34e962-cd40-404e-b98d-6fd0ee9126ea.jpeg,https://cdn2.suno.ai/image_large_4a34e962-cd40-404e-b98d-6fd0ee9126ea.jpeg audio/b07fa72a-2087-4030-9eb6-ae52b839adcb.mp3,b07fa72a-2087-4030-9eb6-ae52b839adcb,,v5,chirp-crow,complete,253.32,True,"french house chill, vocoder vocal chords sustained warm robot harmonies, electric bass guitar simple deep groove two notes, Rhodes electric piano sparse chords with tremolo, tempo 110bpm, analog synth pad lush wide stereo warm, guitar clean tone with volume swells ambient, saxophone enters late in track with long sustained notes, drum machine light groove kick and hi-hat only, sidechain pump gentle, vocal chops pitched as melody not words, live looping organic feel, dreamy floating atmosphere, warm sunset vibes, everything analog and warm, filter sweep on synth opening slowly, minimal arrangement lots of space between sounds, each sound is important because there are few",,,2026-02-17T17:55:24.075Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/b07fa72a-2087-4030-9eb6-ae52b839adcb.mp3,https://cdn2.suno.ai/image_b07fa72a-2087-4030-9eb6-ae52b839adcb.jpeg,https://cdn2.suno.ai/image_large_b07fa72a-2087-4030-9eb6-ae52b839adcb.jpeg audio/029162e1-9756-4b51-a380-5f8e6f48f3fe.mp3,029162e1-9756-4b51-a380-5f8e6f48f3fe,,v5,chirp-crow,complete,140.44,True,"funk neo soul groove heavy bass, electric bass guitar slap funky aggressive syncopated groove dominant in mix, clavinet keyboard funk stabs rhythmic, Rhodes electric piano underneath warm, tempo 115bpm, key of Ab major, analog synth bass layer doubling electric bass for weight, wah guitar scratching on offbeats, live looping feel building from bass groove first, hi-hat tight pattern handclap and shaker, high energy funk dancefloor groove warm analog production no vocals",,,2026-02-17T17:54:58.251Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/029162e1-9756-4b51-a380-5f8e6f48f3fe.mp3,https://cdn2.suno.ai/image_029162e1-9756-4b51-a380-5f8e6f48f3fe.jpeg,https://cdn2.suno.ai/image_large_029162e1-9756-4b51-a380-5f8e6f48f3fe.jpeg audio/9c90f30c-19a2-40b1-87ea-0f41e8081b0c.mp3,9c90f30c-19a2-40b1-87ea-0f41e8081b0c,,v5,chirp-crow,complete,179.64,True,"funk neo soul groove heavy bass, electric bass guitar slap funky aggressive syncopated groove dominant in mix, clavinet keyboard funk stabs rhythmic, Rhodes electric piano underneath warm, tempo 115bpm, key of Ab major, analog synth bass layer doubling electric bass for weight, wah guitar scratching on offbeats, live looping feel building from bass groove first, hi-hat tight pattern handclap and shaker, high energy funk dancefloor groove warm analog production no vocals",,,2026-02-17T17:54:58.251Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/9c90f30c-19a2-40b1-87ea-0f41e8081b0c.mp3,https://cdn2.suno.ai/image_9c90f30c-19a2-40b1-87ea-0f41e8081b0c.jpeg,https://cdn2.suno.ai/image_large_9c90f30c-19a2-40b1-87ea-0f41e8081b0c.jpeg audio/dc2d53e0-e503-4613-8867-91ce730d0150.mp3,dc2d53e0-e503-4613-8867-91ce730d0150,,v5,chirp-crow,complete,101.04,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, no vocals, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T17:54:48.636Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/dc2d53e0-e503-4613-8867-91ce730d0150.mp3,https://cdn2.suno.ai/image_dc2d53e0-e503-4613-8867-91ce730d0150.jpeg,https://cdn2.suno.ai/image_large_dc2d53e0-e503-4613-8867-91ce730d0150.jpeg audio/ddb3a090-c70e-449e-8ba4-8ee9fbe03fc4.mp3,ddb3a090-c70e-449e-8ba4-8ee9fbe03fc4,,v5,chirp-crow,complete,89.36,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, no vocals, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T17:54:48.636Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ddb3a090-c70e-449e-8ba4-8ee9fbe03fc4.mp3,https://cdn2.suno.ai/image_ddb3a090-c70e-449e-8ba4-8ee9fbe03fc4.jpeg,https://cdn2.suno.ai/image_large_ddb3a090-c70e-449e-8ba4-8ee9fbe03fc4.jpeg audio/c88a1d56-5c48-4c8f-8a5b-5fba8123ff50.mp3,c88a1d56-5c48-4c8f-8a5b-5fba8123ff50,,v5,chirp-crow,complete,125.12,True,"neo soul instrumental lo-fi, sample based beat, drunk drums off grid swing bouncy, tempo 93bpm, key of Bb minor, chopped orchestral strings sample dramatic pitched down looping, tape wobble extreme pitch drifting, bass synth deep simple one note pulsing, kick soft buried under dust snare distant with long reverb tail, lo-fi tape recording warm saturated, guiro scrape sample chopped rhythmic, neo soul meets boom bap, beautiful and broken, no vocals, everything warm round soft dusty",,,2026-02-17T17:52:51.815Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/c88a1d56-5c48-4c8f-8a5b-5fba8123ff50.mp3,https://cdn2.suno.ai/image_c88a1d56-5c48-4c8f-8a5b-5fba8123ff50.jpeg,https://cdn2.suno.ai/image_large_c88a1d56-5c48-4c8f-8a5b-5fba8123ff50.jpeg audio/4f1c40c7-0365-4e22-9f9f-4e8e3a64b9f3.mp3,4f1c40c7-0365-4e22-9f9f-4e8e3a64b9f3,,v5,chirp-crow,complete,140.24,True,"neo soul instrumental lo-fi, sample based beat, drunk drums off grid swing bouncy, tempo 93bpm, key of Bb minor, chopped orchestral strings sample dramatic pitched down looping, tape wobble extreme pitch drifting, bass synth deep simple one note pulsing, kick soft buried under dust snare distant with long reverb tail, lo-fi tape recording warm saturated, guiro scrape sample chopped rhythmic, neo soul meets boom bap, beautiful and broken, no vocals, everything warm round soft dusty",,,2026-02-17T17:52:51.815Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/4f1c40c7-0365-4e22-9f9f-4e8e3a64b9f3.mp3,https://cdn2.suno.ai/image_4f1c40c7-0365-4e22-9f9f-4e8e3a64b9f3.jpeg,https://cdn2.suno.ai/image_large_4f1c40c7-0365-4e22-9f9f-4e8e3a64b9f3.jpeg audio/8c5e4a94-5369-4d7e-86be-27fb3e1e58ba.mp3,8c5e4a94-5369-4d7e-86be-27fb3e1e58ba,,v5,chirp-crow,complete,224.96,True,"ambient neo soul, electric guitar clean tone with heavy reverb and delay arpeggios floating, Rhodes electric piano single chord sustained with tremolo evolving, no drums no percussion, bass guitar single note droning deep underneath, analog synth pad wide stereo warm slowly evolving, tempo NONE freeform floating, saxophone single long notes with reverb trails, vocoder chord barely audible underneath, live looping layers of guitar creating ambient wash, nature sounds subtle distant, meditative peaceful vast open space, each loop adds texture not rhythm, warm analog everything, golden hour light feeling, instruments breathing together slowly, the silence between notes is part of the music",,,2026-02-17T17:52:35.730Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/8c5e4a94-5369-4d7e-86be-27fb3e1e58ba.mp3,https://cdn2.suno.ai/image_8c5e4a94-5369-4d7e-86be-27fb3e1e58ba.jpeg,https://cdn2.suno.ai/image_large_8c5e4a94-5369-4d7e-86be-27fb3e1e58ba.jpeg audio/a7babb07-5743-4719-b165-d64c57f41ff6.mp3,a7babb07-5743-4719-b165-d64c57f41ff6,,v5,chirp-crow,complete,179.96,True,"ambient neo soul, electric guitar clean tone with heavy reverb and delay arpeggios floating, Rhodes electric piano single chord sustained with tremolo evolving, no drums no percussion, bass guitar single note droning deep underneath, analog synth pad wide stereo warm slowly evolving, tempo NONE freeform floating, saxophone single long notes with reverb trails, vocoder chord barely audible underneath, live looping layers of guitar creating ambient wash, nature sounds subtle distant, meditative peaceful vast open space, each loop adds texture not rhythm, warm analog everything, golden hour light feeling, instruments breathing together slowly, the silence between notes is part of the music",,,2026-02-17T17:52:35.730Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a7babb07-5743-4719-b165-d64c57f41ff6.mp3,https://cdn2.suno.ai/image_a7babb07-5743-4719-b165-d64c57f41ff6.jpeg,https://cdn2.suno.ai/image_large_a7babb07-5743-4719-b165-d64c57f41ff6.jpeg audio/a172cc3e-539b-48ac-aaa8-718395c4dda5.mp3,a172cc3e-539b-48ac-aaa8-718395c4dda5,,v5,chirp-crow,complete,214.2,True,"new french house neo soul funky electric bass guitar syncopated groove fingerstyle rhodes electric piano warm jazzy chords 9ths and 7ths tempo 112bpm live looping feel building layers one instrument at a time saxophone melody smooth and expressive entering mid track clean electric guitar with chorus effect subtle licks analog synth pad warm evolving drum machine groove tight but human swing sidechain compression subtle pump vocal chops pitched and chopped as texture not lyrics positive warm buttery atmosphere live session feel improvised organic no heavy drums light and groovy hihat shuffled handclap on 2 and 4 analog warmth throughout French House, Electronic, Nu Disco french house sound",,,2026-02-17T17:52:13.283Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/a172cc3e-539b-48ac-aaa8-718395c4dda5.mp3,https://cdn2.suno.ai/image_a172cc3e-539b-48ac-aaa8-718395c4dda5.jpeg,https://cdn2.suno.ai/image_large_a172cc3e-539b-48ac-aaa8-718395c4dda5.jpeg audio/95d2d08c-5ed7-4360-912a-da9098919515.mp3,95d2d08c-5ed7-4360-912a-da9098919515,,v5,chirp-crow,complete,189.96,True,"new french house neo soul funky electric bass guitar syncopated groove fingerstyle rhodes electric piano warm jazzy chords 9ths and 7ths tempo 112bpm live looping feel building layers one instrument at a time saxophone melody smooth and expressive entering mid track clean electric guitar with chorus effect subtle licks analog synth pad warm evolving drum machine groove tight but human swing sidechain compression subtle pump vocal chops pitched and chopped as texture not lyrics positive warm buttery atmosphere live session feel improvised organic no heavy drums light and groovy hihat shuffled handclap on 2 and 4 analog warmth throughout French House, Electronic, Nu Disco french house sound",,,2026-02-17T17:52:13.283Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/95d2d08c-5ed7-4360-912a-da9098919515.mp3,https://cdn2.suno.ai/image_95d2d08c-5ed7-4360-912a-da9098919515.jpeg,https://cdn2.suno.ai/image_large_95d2d08c-5ed7-4360-912a-da9098919515.jpeg audio/97c99338-2461-4736-9d7b-ecc3fa64575e.mp3,97c99338-2461-4736-9d7b-ecc3fa64575e,,v5,chirp-crow,complete,149.16,True,"jazz hip hop groove instrumental, MPC triggered beat chopped, drunk drums off grid punchy, tempo 98bpm, key of Db major, chopped funk sample horn stabs and guitar wah riff, tape wobble pitch drift, fat simple bass few notes, kick and snare slightly off beat stumbling groove, SP1200 bit crushed gritty hard, handclap accent on the 2, underground boom bap production, bouncy head nod groove, no vocals, dust and warmth everywhere",,,2026-02-17T17:50:44.118Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/97c99338-2461-4736-9d7b-ecc3fa64575e.mp3,https://cdn2.suno.ai/image_97c99338-2461-4736-9d7b-ecc3fa64575e.jpeg,https://cdn2.suno.ai/image_large_97c99338-2461-4736-9d7b-ecc3fa64575e.jpeg audio/9cac6f74-b3f8-47f7-abdb-3801a09d89ce.mp3,9cac6f74-b3f8-47f7-abdb-3801a09d89ce,,v5,chirp-crow,complete,140.56,True,"jazz hip hop groove instrumental, MPC triggered beat chopped, drunk drums off grid punchy, tempo 98bpm, key of Db major, chopped funk sample horn stabs and guitar wah riff, tape wobble pitch drift, fat simple bass few notes, kick and snare slightly off beat stumbling groove, SP1200 bit crushed gritty hard, handclap accent on the 2, underground boom bap production, bouncy head nod groove, no vocals, dust and warmth everywhere",,,2026-02-17T17:50:44.118Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/9cac6f74-b3f8-47f7-abdb-3801a09d89ce.mp3,https://cdn2.suno.ai/image_9cac6f74-b3f8-47f7-abdb-3801a09d89ce.jpeg,https://cdn2.suno.ai/image_large_9cac6f74-b3f8-47f7-abdb-3801a09d89ce.jpeg audio/bc7f0554-4a1b-4692-9fc1-572d7e6c436d.mp3,bc7f0554-4a1b-4692-9fc1-572d7e6c436d,,v5,chirp-crow,complete,108.72,True,"lo-fi hip hop instrumental minimal, MPC triggered beat chopped, drunk drums off grid punchy, tempo 98bpm, key of Bb major, Rhodes electric piano warm chords minor 9ths playing live feel, massive vinyl crackle louder than the music, electric bass deep round simple groove two notes, boom bap kick and snare layered over original sample drums, lo-fi SP1200 gritty warm crushed, vocal chops pitched as melody not words, Detroit funk hip hop production, the groove is in what is NOT playing, no vocals, no clean sounds everything through tape saturation",,,2026-02-17T17:49:07.275Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/bc7f0554-4a1b-4692-9fc1-572d7e6c436d.mp3,https://cdn2.suno.ai/image_bc7f0554-4a1b-4692-9fc1-572d7e6c436d.jpeg,https://cdn2.suno.ai/image_large_bc7f0554-4a1b-4692-9fc1-572d7e6c436d.jpeg audio/54bf6e19-cae5-4c28-b3fd-37008aeac44f.mp3,54bf6e19-cae5-4c28-b3fd-37008aeac44f,,v5,chirp-crow,complete,115.72,True,"lo-fi hip hop instrumental minimal, MPC triggered beat chopped, drunk drums off grid punchy, tempo 98bpm, key of Bb major, Rhodes electric piano warm chords minor 9ths playing live feel, massive vinyl crackle louder than the music, electric bass deep round simple groove two notes, boom bap kick and snare layered over original sample drums, lo-fi SP1200 gritty warm crushed, vocal chops pitched as melody not words, Detroit funk hip hop production, the groove is in what is NOT playing, no vocals, no clean sounds everything through tape saturation",,,2026-02-17T17:49:07.275Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/54bf6e19-cae5-4c28-b3fd-37008aeac44f.mp3,https://cdn2.suno.ai/image_54bf6e19-cae5-4c28-b3fd-37008aeac44f.jpeg,https://cdn2.suno.ai/image_large_54bf6e19-cae5-4c28-b3fd-37008aeac44f.jpeg audio/38e19d2a-a4b0-4001-bb06-0cf1b35b52fd.mp3,38e19d2a-a4b0-4001-bb06-0cf1b35b52fd,,v5,chirp-crow,complete,132.32,True,"lo-fi hip hop instrumental minimal, MPC triggered beat chopped, drunk drums off grid punchy, tempo 98bpm, key of Bb major, Rhodes electric piano warm chords minor 9ths playing live feel, massive vinyl crackle louder than the music, electric bass deep round simple groove two notes, boom bap kick and snare layered over original sample drums, lo-fi SP1200 gritty warm crushed, vocal chops pitched as melody not words, Detroit funk hip hop production, the groove is in what is NOT playing, no vocals, no clean sounds everything through tape saturation",,,2026-02-17T17:45:52.475Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/38e19d2a-a4b0-4001-bb06-0cf1b35b52fd.mp3,https://cdn2.suno.ai/image_38e19d2a-a4b0-4001-bb06-0cf1b35b52fd.jpeg,https://cdn2.suno.ai/image_large_38e19d2a-a4b0-4001-bb06-0cf1b35b52fd.jpeg audio/21e81d24-049b-4514-994d-e27524b50ecf.mp3,21e81d24-049b-4514-994d-e27524b50ecf,,v5,chirp-crow,complete,103.92,True,"lo-fi hip hop instrumental minimal, MPC triggered beat chopped, drunk drums off grid punchy, tempo 98bpm, key of Bb major, Rhodes electric piano warm chords minor 9ths playing live feel, massive vinyl crackle louder than the music, electric bass deep round simple groove two notes, boom bap kick and snare layered over original sample drums, lo-fi SP1200 gritty warm crushed, vocal chops pitched as melody not words, Detroit funk hip hop production, the groove is in what is NOT playing, no vocals, no clean sounds everything through tape saturation",,,2026-02-17T17:45:52.475Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/21e81d24-049b-4514-994d-e27524b50ecf.mp3,https://cdn2.suno.ai/image_21e81d24-049b-4514-994d-e27524b50ecf.jpeg,https://cdn2.suno.ai/image_large_21e81d24-049b-4514-994d-e27524b50ecf.jpeg audio/7bb0715d-a1ec-4945-a186-c00c2369f5c7.mp3,7bb0715d-a1ec-4945-a186-c00c2369f5c7,,v5,chirp-crow,complete,124.8,True,"lo-fi funk instrumental, SP1200 sampled beat, drunk drums off grid lazy swing, tempo 81bpm, key of G minor, flute sample gentle floating over the beat, vinyl crackle heavy dust, bass one note droning, kick and snare slightly off beat stumbling groove, SP1200 bit crushed gritty hard, finger snaps dry close mic, Detroit underground hip hop, laid back afternoon feeling but still gritty, no vocals, warm analog recording quality",,,2026-02-17T17:44:27.308Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7bb0715d-a1ec-4945-a186-c00c2369f5c7.mp3,https://cdn2.suno.ai/image_7bb0715d-a1ec-4945-a186-c00c2369f5c7.jpeg,https://cdn2.suno.ai/image_large_7bb0715d-a1ec-4945-a186-c00c2369f5c7.jpeg audio/22cc6db0-5d58-4d62-950c-6ebfa9531616.mp3,22cc6db0-5d58-4d62-950c-6ebfa9531616,,v5,chirp-crow,complete,154.56,True,"lo-fi funk instrumental, SP1200 sampled beat, drunk drums off grid lazy swing, tempo 81bpm, key of G minor, flute sample gentle floating over the beat, vinyl crackle heavy dust, bass one note droning, kick and snare slightly off beat stumbling groove, SP1200 bit crushed gritty hard, finger snaps dry close mic, Detroit underground hip hop, laid back afternoon feeling but still gritty, no vocals, warm analog recording quality",,,2026-02-17T17:44:27.308Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/22cc6db0-5d58-4d62-950c-6ebfa9531616.mp3,https://cdn2.suno.ai/image_22cc6db0-5d58-4d62-950c-6ebfa9531616.jpeg,https://cdn2.suno.ai/image_large_22cc6db0-5d58-4d62-950c-6ebfa9531616.jpeg audio/128a9eff-3ecf-4c51-8135-5d3a73ea9216.mp3,128a9eff-3ecf-4c51-8135-5d3a73ea9216,,v5,chirp-crow,complete,173.28,True,"ambient neo soul floating, electric guitar clean tone with heavy reverb and delay arpeggios floating, Rhodes electric piano single chord sustained with tremolo evolving, no drums no percussion, tempo 77bpm, key of E minor, saxophone long sustained notes barely there, analog synth pad wide stereo warm slowly evolving, string sample one note sustained haunting, bass guitar single note droning deep underneath, freeform floating contemplative everything analog warm no vocals",,,2026-02-17T17:43:59.176Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/128a9eff-3ecf-4c51-8135-5d3a73ea9216.mp3,https://cdn2.suno.ai/image_128a9eff-3ecf-4c51-8135-5d3a73ea9216.jpeg,https://cdn2.suno.ai/image_large_128a9eff-3ecf-4c51-8135-5d3a73ea9216.jpeg audio/8dc10646-8af1-4886-ae15-41f1e65820ff.mp3,8dc10646-8af1-4886-ae15-41f1e65820ff,,v5,chirp-crow,complete,233.64,True,"ambient neo soul floating, electric guitar clean tone with heavy reverb and delay arpeggios floating, Rhodes electric piano single chord sustained with tremolo evolving, no drums no percussion, tempo 77bpm, key of E minor, saxophone long sustained notes barely there, analog synth pad wide stereo warm slowly evolving, string sample one note sustained haunting, bass guitar single note droning deep underneath, freeform floating contemplative everything analog warm no vocals",,,2026-02-17T17:43:59.176Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/8dc10646-8af1-4886-ae15-41f1e65820ff.mp3,https://cdn2.suno.ai/image_8dc10646-8af1-4886-ae15-41f1e65820ff.jpeg,https://cdn2.suno.ai/image_large_8dc10646-8af1-4886-ae15-41f1e65820ff.jpeg audio/fe8662fd-557e-4230-b7dc-171af9def663.mp3,fe8662fd-557e-4230-b7dc-171af9def663,,v5,chirp-crow,complete,326.56,True,"lo-fi hip hop instrumental jazz, sample based beat, drunk drums NOT quantized off grid swing, tempo 87bpm, key of Bb minor, chopped jazz trio sample upright bass piano and brushes from 1960s recording, vinyl crackle heavy dust, bass one note droning, kick soft buried under dust snare distant with long reverb tail, lo-fi tape recording warm saturated, tambourine loose shuffled, Detroit lo-fi production, late night headphone music, no vocals, everything warm round soft dusty",,,2026-02-17T17:43:19.953Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fe8662fd-557e-4230-b7dc-171af9def663.mp3,https://cdn2.suno.ai/image_fe8662fd-557e-4230-b7dc-171af9def663.jpeg,https://cdn2.suno.ai/image_large_fe8662fd-557e-4230-b7dc-171af9def663.jpeg audio/fe55f515-0f1d-498a-a746-36b4e026606d.mp3,fe55f515-0f1d-498a-a746-36b4e026606d,,v5,chirp-crow,complete,252.4,True,"lo-fi hip hop instrumental jazz, sample based beat, drunk drums NOT quantized off grid swing, tempo 87bpm, key of Bb minor, chopped jazz trio sample upright bass piano and brushes from 1960s recording, vinyl crackle heavy dust, bass one note droning, kick soft buried under dust snare distant with long reverb tail, lo-fi tape recording warm saturated, tambourine loose shuffled, Detroit lo-fi production, late night headphone music, no vocals, everything warm round soft dusty",,,2026-02-17T17:43:19.953Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fe55f515-0f1d-498a-a746-36b4e026606d.mp3,https://cdn2.suno.ai/image_fe55f515-0f1d-498a-a746-36b4e026606d.jpeg,https://cdn2.suno.ai/image_large_fe55f515-0f1d-498a-a746-36b4e026606d.jpeg audio/ac7859f1-74a1-404e-9d48-3f701000206e.mp3,ac7859f1-74a1-404e-9d48-3f701000206e,,v5,chirp-crow,complete,151.96,True,"nu disco french house funk, electric bass guitar fat funky slap and fingerstyle, four to the floor kick light sidechain pump subtle, Rhodes electric piano chord stabs rhythmic, tempo 120bpm, key of G minor, guitar clean tone wah pedal subtle funk licks, live looping feel organic improvised, hi-hat shuffled tight clap on 2 and 4, disco influenced but modern dancefloor groovy not aggressive positive uplifting no vocals",,,2026-02-17T17:42:18.097Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/ac7859f1-74a1-404e-9d48-3f701000206e.mp3,https://cdn2.suno.ai/image_ac7859f1-74a1-404e-9d48-3f701000206e.jpeg,https://cdn2.suno.ai/image_large_ac7859f1-74a1-404e-9d48-3f701000206e.jpeg audio/7871c84d-af27-4b50-af88-12c2c000724e.mp3,7871c84d-af27-4b50-af88-12c2c000724e,,v5,chirp-crow,complete,168.28,True,"nu disco french house funk, electric bass guitar fat funky slap and fingerstyle, four to the floor kick light sidechain pump subtle, Rhodes electric piano chord stabs rhythmic, tempo 120bpm, key of G minor, guitar clean tone wah pedal subtle funk licks, live looping feel organic improvised, hi-hat shuffled tight clap on 2 and 4, disco influenced but modern dancefloor groovy not aggressive positive uplifting no vocals",,,2026-02-17T17:42:18.097Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/7871c84d-af27-4b50-af88-12c2c000724e.mp3,https://cdn2.suno.ai/image_7871c84d-af27-4b50-af88-12c2c000724e.jpeg,https://cdn2.suno.ai/image_large_7871c84d-af27-4b50-af88-12c2c000724e.jpeg audio/b1fc812f-1430-4a80-b59d-e1fae492f3a5.mp3,b1fc812f-1430-4a80-b59d-e1fae492f3a5,,v5,chirp-crow,complete,131.2,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums off grid barely there, tempo 91bpm, key of A minor, chopped soul vocal sample pitched up warm, vinyl crackle subtle, bass one note droning, clap instead of snare on 2 and 4 shaker groove underneath, SP1200 bit crushed gritty hard, congas sample layered over boom bap, Detroit lo-fi production, rainy window contemplative mood, no vocals, warm analog recording quality",,,2026-02-17T17:40:11.710Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b1fc812f-1430-4a80-b59d-e1fae492f3a5.mp3,https://cdn2.suno.ai/image_b1fc812f-1430-4a80-b59d-e1fae492f3a5.jpeg,https://cdn2.suno.ai/image_large_b1fc812f-1430-4a80-b59d-e1fae492f3a5.jpeg audio/6bae3321-2d25-4af6-9722-66b92bddf299.mp3,6bae3321-2d25-4af6-9722-66b92bddf299,,v5,chirp-crow,complete,106.76,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums off grid barely there, tempo 91bpm, key of A minor, chopped soul vocal sample pitched up warm, vinyl crackle subtle, bass one note droning, clap instead of snare on 2 and 4 shaker groove underneath, SP1200 bit crushed gritty hard, congas sample layered over boom bap, Detroit lo-fi production, rainy window contemplative mood, no vocals, warm analog recording quality",,,2026-02-17T17:40:11.710Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/6bae3321-2d25-4af6-9722-66b92bddf299.mp3,https://cdn2.suno.ai/image_6bae3321-2d25-4af6-9722-66b92bddf299.jpeg,https://cdn2.suno.ai/image_large_6bae3321-2d25-4af6-9722-66b92bddf299.jpeg audio/74325cf0-b0e1-43b1-83c5-415225e29eb2.mp3,74325cf0-b0e1-43b1-83c5-415225e29eb2,,v5,chirp-crow,complete,208.48,True,"new french house neo soul, funky electric bass guitar syncopated groove fingerstyle, Rhodes electric piano warm jazzy chords 9ths and 7ths, live looping feel building layers one instrument at a time, tempo 112bpm, key of E minor, clean electric guitar with chorus effect subtle licks, vocal chops pitched and chopped as texture not lyrics, hi-hat shuffled handclap on 2 and 4, warm buttery sound French house groove organic feel no vocals",,,2026-02-17T17:38:07.466Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/74325cf0-b0e1-43b1-83c5-415225e29eb2.mp3,https://cdn2.suno.ai/image_74325cf0-b0e1-43b1-83c5-415225e29eb2.jpeg,https://cdn2.suno.ai/image_large_74325cf0-b0e1-43b1-83c5-415225e29eb2.jpeg audio/512bd73e-75b3-439c-bbca-491ecb84aa00.mp3,512bd73e-75b3-439c-bbca-491ecb84aa00,,v5,chirp-crow,complete,208.56,True,"new french house neo soul, funky electric bass guitar syncopated groove fingerstyle, Rhodes electric piano warm jazzy chords 9ths and 7ths, live looping feel building layers one instrument at a time, tempo 112bpm, key of E minor, clean electric guitar with chorus effect subtle licks, vocal chops pitched and chopped as texture not lyrics, hi-hat shuffled handclap on 2 and 4, warm buttery sound French house groove organic feel no vocals",,,2026-02-17T17:38:07.465Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/512bd73e-75b3-439c-bbca-491ecb84aa00.mp3,https://cdn2.suno.ai/image_512bd73e-75b3-439c-bbca-491ecb84aa00.jpeg,https://cdn2.suno.ai/image_large_512bd73e-75b3-439c-bbca-491ecb84aa00.jpeg audio/02e3c97e-9c8d-4118-b879-01867092c659.mp3,02e3c97e-9c8d-4118-b879-01867092c659,,v5,chirp-crow,complete,126.6,True,"lo-fi hip hop instrumental dark, MPC triggered beat chopped, minimal drums loose human feel, tempo 91bpm, key of F# minor, vibraphone shimmering chords with soft mallet hits, tape wobble extreme pitch drifting, electric bass deep round simple groove two notes, clap instead of snare on 2 and 4 shaker groove underneath, lo-fi to the point of almost breaking, guitar wah pedal subtle funk licks, raw unfinished sketch feel, late night headphone music, no vocals, warm analog everything",,,2026-02-17T17:18:41.204Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/02e3c97e-9c8d-4118-b879-01867092c659.mp3,https://cdn2.suno.ai/image_02e3c97e-9c8d-4118-b879-01867092c659.jpeg,https://cdn2.suno.ai/image_large_02e3c97e-9c8d-4118-b879-01867092c659.jpeg audio/3e7b0cd9-7325-4318-bd4b-2f55878d1f2c.mp3,3e7b0cd9-7325-4318-bd4b-2f55878d1f2c,,v5,chirp-crow,complete,102.84,True,"lo-fi hip hop instrumental dark, MPC triggered beat chopped, minimal drums loose human feel, tempo 91bpm, key of F# minor, vibraphone shimmering chords with soft mallet hits, tape wobble extreme pitch drifting, electric bass deep round simple groove two notes, clap instead of snare on 2 and 4 shaker groove underneath, lo-fi to the point of almost breaking, guitar wah pedal subtle funk licks, raw unfinished sketch feel, late night headphone music, no vocals, warm analog everything",,,2026-02-17T17:18:41.204Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/3e7b0cd9-7325-4318-bd4b-2f55878d1f2c.mp3,https://cdn2.suno.ai/image_3e7b0cd9-7325-4318-bd4b-2f55878d1f2c.jpeg,https://cdn2.suno.ai/image_large_3e7b0cd9-7325-4318-bd4b-2f55878d1f2c.jpeg audio/2c3991da-8f1c-4fe2-b6e8-b2430c002d5f.mp3,2c3991da-8f1c-4fe2-b6e8-b2430c002d5f,,v5,chirp-crow,complete,138.2,True,"lo-fi hip hop instrumental latin, MPC triggered beat chopped, minimal drums loose human feel, tempo 86bpm, key of C major, chopped soul vocal sample pitched up warm, vinyl crackle subtle, fretless bass smooth deep melodic few notes, boom bap kick and snare layered over original sample drums, lo-fi SP1200 gritty warm crushed, tambourine loose shuffled, Detroit underground hip hop, simple and beautiful and imperfect, no vocals, dust and fog and warmth",,,2026-02-17T17:18:10.856Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/2c3991da-8f1c-4fe2-b6e8-b2430c002d5f.mp3,https://cdn2.suno.ai/image_2c3991da-8f1c-4fe2-b6e8-b2430c002d5f.jpeg,https://cdn2.suno.ai/image_large_2c3991da-8f1c-4fe2-b6e8-b2430c002d5f.jpeg audio/1ae55f14-d4c3-4611-9613-e005e3fc5823.mp3,1ae55f14-d4c3-4611-9613-e005e3fc5823,,v5,chirp-crow,complete,133.88,True,"lo-fi hip hop instrumental latin, MPC triggered beat chopped, minimal drums loose human feel, tempo 86bpm, key of C major, chopped soul vocal sample pitched up warm, vinyl crackle subtle, fretless bass smooth deep melodic few notes, boom bap kick and snare layered over original sample drums, lo-fi SP1200 gritty warm crushed, tambourine loose shuffled, Detroit underground hip hop, simple and beautiful and imperfect, no vocals, dust and fog and warmth",,,2026-02-17T17:18:10.856Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/1ae55f14-d4c3-4611-9613-e005e3fc5823.mp3,https://cdn2.suno.ai/image_1ae55f14-d4c3-4611-9613-e005e3fc5823.jpeg,https://cdn2.suno.ai/image_large_1ae55f14-d4c3-4611-9613-e005e3fc5823.jpeg audio/66eda829-61fc-4bd7-aedd-6ddb75b170ac.mp3,66eda829-61fc-4bd7-aedd-6ddb75b170ac,,v5,chirp-crow,complete,73.36,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, no vocals, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T17:03:34.872Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/66eda829-61fc-4bd7-aedd-6ddb75b170ac.mp3,https://cdn2.suno.ai/image_66eda829-61fc-4bd7-aedd-6ddb75b170ac.jpeg,https://cdn2.suno.ai/image_large_66eda829-61fc-4bd7-aedd-6ddb75b170ac.jpeg audio/381d1e6c-7e35-4ea1-8984-1a79c3b0501f.mp3,381d1e6c-7e35-4ea1-8984-1a79c3b0501f,,v5,chirp-crow,complete,92.12,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, no vocals, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T17:03:34.872Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/381d1e6c-7e35-4ea1-8984-1a79c3b0501f.mp3,https://cdn2.suno.ai/image_381d1e6c-7e35-4ea1-8984-1a79c3b0501f.jpeg,https://cdn2.suno.ai/image_large_381d1e6c-7e35-4ea1-8984-1a79c3b0501f.jpeg audio/7a4a024c-a8fd-414d-9b7f-1bd819cb6e03.mp3,7a4a024c-a8fd-414d-9b7f-1bd819cb6e03,,v5,chirp-crow,complete,217.76,True,"french house chill, vocoder vocal chords sustained warm robot harmonies, electric bass guitar simple deep groove two notes, Rhodes electric piano sparse chords with tremolo, tempo 110bpm, analog synth pad lush wide stereo warm, guitar clean tone with volume swells ambient, trumphet enters late in track with long sustained notes, drum machine light groove kick and hi-hat only, sidechain pump gentle, vocal chops pitched as melody not words, live looping organic feel, dreamy floating atmosphere, warm sunset vibes, everything analog and warm, filter sweep on synth opening slowly, minimal arrangement lots of space between sounds, each sound is important because there are few",,,2026-02-17T09:05:45.368Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/7a4a024c-a8fd-414d-9b7f-1bd819cb6e03.mp3,https://cdn2.suno.ai/image_7a4a024c-a8fd-414d-9b7f-1bd819cb6e03.jpeg,https://cdn2.suno.ai/image_large_7a4a024c-a8fd-414d-9b7f-1bd819cb6e03.jpeg audio/c95757e5-f292-447d-863f-1346c4fc6edd.mp3,c95757e5-f292-447d-863f-1346c4fc6edd,,v5,chirp-crow,complete,186.56,True,"french house chill, vocoder vocal chords sustained warm robot harmonies, electric bass guitar simple deep groove two notes, Rhodes electric piano sparse chords with tremolo, tempo 110bpm, analog synth pad lush wide stereo warm, guitar clean tone with volume swells ambient, trumphet enters late in track with long sustained notes, drum machine light groove kick and hi-hat only, sidechain pump gentle, vocal chops pitched as melody not words, live looping organic feel, dreamy floating atmosphere, warm sunset vibes, everything analog and warm, filter sweep on synth opening slowly, minimal arrangement lots of space between sounds, each sound is important because there are few",,,2026-02-17T09:05:45.368Z,6,0,False,False,False,False,False,https://cdn1.suno.ai/c95757e5-f292-447d-863f-1346c4fc6edd.mp3,https://cdn2.suno.ai/image_c95757e5-f292-447d-863f-1346c4fc6edd.jpeg,https://cdn2.suno.ai/image_large_c95757e5-f292-447d-863f-1346c4fc6edd.jpeg audio/699a0ae0-adeb-49b5-ba1d-655e8dadc478.mp3,699a0ae0-adeb-49b5-ba1d-655e8dadc478,,v5,chirp-crow,complete,214.96,True,"french house chill, vocoder vocal chords sustained warm robot harmonies, electric bass guitar simple deep groove two notes, Rhodes electric piano sparse chords with tremolo, tempo 110bpm, analog synth pad lush wide stereo warm, guitar clean tone with volume swells ambient, saxophone enters late in track with long sustained notes, drum machine light groove kick and hi-hat only, sidechain pump gentle, vocal chops pitched as melody not words, live looping organic feel, dreamy floating atmosphere, warm sunset vibes, everything analog and warm, filter sweep on synth opening slowly, minimal arrangement lots of space between sounds, each sound is important because there are few",,,2026-02-17T08:55:51.231Z,6,0,False,False,False,False,False,https://cdn1.suno.ai/699a0ae0-adeb-49b5-ba1d-655e8dadc478.mp3,https://cdn2.suno.ai/image_699a0ae0-adeb-49b5-ba1d-655e8dadc478.jpeg,https://cdn2.suno.ai/image_large_699a0ae0-adeb-49b5-ba1d-655e8dadc478.jpeg audio/71df5d91-ff94-407b-aa1e-aada1deb3853.mp3,71df5d91-ff94-407b-aa1e-aada1deb3853,,v5,chirp-crow,complete,251.52,True,"french house chill, vocoder vocal chords sustained warm robot harmonies, electric bass guitar simple deep groove two notes, Rhodes electric piano sparse chords with tremolo, tempo 110bpm, analog synth pad lush wide stereo warm, guitar clean tone with volume swells ambient, saxophone enters late in track with long sustained notes, drum machine light groove kick and hi-hat only, sidechain pump gentle, vocal chops pitched as melody not words, live looping organic feel, dreamy floating atmosphere, warm sunset vibes, everything analog and warm, filter sweep on synth opening slowly, minimal arrangement lots of space between sounds, each sound is important because there are few",,,2026-02-17T08:55:51.231Z,6,0,False,False,False,False,False,https://cdn1.suno.ai/71df5d91-ff94-407b-aa1e-aada1deb3853.mp3,https://cdn2.suno.ai/image_71df5d91-ff94-407b-aa1e-aada1deb3853.jpeg,https://cdn2.suno.ai/image_large_71df5d91-ff94-407b-aa1e-aada1deb3853.jpeg audio/8c7a15ff-bd7a-4f4a-bceb-ffe5644f208e.mp3,8c7a15ff-bd7a-4f4a-bceb-ffe5644f208e,,v5,chirp-crow,complete,169.76,False,"jazz hip hop groove, electric bass guitar funky rhythmic staccato hits, Rhodes electric piano groove comping jazzy, saxophone melody playful and soulful call and response with the keys, tempo 108bpm, drum groove hip hop swing boom bap influence but live feel, hi-hat loose shuffled, live looping layers building from bass first then keys then sax, improvised jam session feel spontaneous, warm analog recording, guitar clean tone enters with funky rhythm part, handclap accent, positive groovy head nod vibe, jazz harmony 7ths 9ths 13ths, everything live and organic, instruments trading solos, no electronic sounds all real instruments over programmed drums",,"[jazz hip hop groove, electric bass guitar funky rhythmic staccato hits, Rhodes electric piano groove comping jazzy, saxophone melody playful and soulful call and response with the keys, tempo 108bpm, drum groove hip hop swing boom bap influence but live feel, hi-hat loose shuffled, live looping layers building from bass first then keys then sax, improvised jam session feel spontaneous, warm analog recording, guitar clean tone enters with funky rhythm part, handclap accent, positive groovy head nod vibe, jazz harmony 7ths 9ths 13ths, everything live and organic, instruments trading solos, no electronic sounds all real instruments over programmed drums]",2026-02-17T08:55:12.062Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/8c7a15ff-bd7a-4f4a-bceb-ffe5644f208e.mp3,https://cdn2.suno.ai/image_8c7a15ff-bd7a-4f4a-bceb-ffe5644f208e.jpeg,https://cdn2.suno.ai/image_large_8c7a15ff-bd7a-4f4a-bceb-ffe5644f208e.jpeg audio/250aa6fb-0230-436c-9390-7db97befd31a.mp3,250aa6fb-0230-436c-9390-7db97befd31a,,v5,chirp-crow,complete,259.76,False,"jazz hip hop groove, electric bass guitar funky rhythmic staccato hits, Rhodes electric piano groove comping jazzy, saxophone melody playful and soulful call and response with the keys, tempo 108bpm, drum groove hip hop swing boom bap influence but live feel, hi-hat loose shuffled, live looping layers building from bass first then keys then sax, improvised jam session feel spontaneous, warm analog recording, guitar clean tone enters with funky rhythm part, handclap accent, positive groovy head nod vibe, jazz harmony 7ths 9ths 13ths, everything live and organic, instruments trading solos, no electronic sounds all real instruments over programmed drums",,"[jazz hip hop groove, electric bass guitar funky rhythmic staccato hits, Rhodes electric piano groove comping jazzy, saxophone melody playful and soulful call and response with the keys, tempo 108bpm, drum groove hip hop swing boom bap influence but live feel, hi-hat loose shuffled, live looping layers building from bass first then keys then sax, improvised jam session feel spontaneous, warm analog recording, guitar clean tone enters with funky rhythm part, handclap accent, positive groovy head nod vibe, jazz harmony 7ths 9ths 13ths, everything live and organic, instruments trading solos, no electronic sounds all real instruments over programmed drums]",2026-02-17T08:55:12.062Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/250aa6fb-0230-436c-9390-7db97befd31a.mp3,https://cdn2.suno.ai/image_250aa6fb-0230-436c-9390-7db97befd31a.jpeg,https://cdn2.suno.ai/image_large_250aa6fb-0230-436c-9390-7db97befd31a.jpeg audio/70d1f573-f173-4e1e-9fa2-0b87e25c6aaa.mp3,70d1f573-f173-4e1e-9fa2-0b87e25c6aaa,,v5,chirp-crow,complete,479.36,True,"jazz hip hop groove, electric bass guitar funky rhythmic staccato hits, Rhodes electric piano groove comping jazzy, saxophone melody playful and soulful call and response with the keys, tempo 108bpm, drum groove hip hop swing boom bap influence but live feel, hi-hat loose shuffled, live looping layers building from bass first then keys then sax, improvised jam session feel spontaneous, warm analog recording, guitar clean tone enters with funky rhythm part, handclap accent, positive groovy head nod vibe, jazz harmony 7ths 9ths 13ths, everything live and organic, instruments trading solos, no electronic sounds all real instruments over programmed drums",,,2026-02-17T08:44:12.653Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/70d1f573-f173-4e1e-9fa2-0b87e25c6aaa.mp3,https://cdn2.suno.ai/image_70d1f573-f173-4e1e-9fa2-0b87e25c6aaa.jpeg,https://cdn2.suno.ai/image_large_70d1f573-f173-4e1e-9fa2-0b87e25c6aaa.jpeg audio/c8f6165d-2cf7-4ea1-b626-2a527e3cce5e.mp3,c8f6165d-2cf7-4ea1-b626-2a527e3cce5e,,v5,chirp-crow,complete,479.36,True,"jazz hip hop groove, electric bass guitar funky rhythmic staccato hits, Rhodes electric piano groove comping jazzy, saxophone melody playful and soulful call and response with the keys, tempo 108bpm, drum groove hip hop swing boom bap influence but live feel, hi-hat loose shuffled, live looping layers building from bass first then keys then sax, improvised jam session feel spontaneous, warm analog recording, guitar clean tone enters with funky rhythm part, handclap accent, positive groovy head nod vibe, jazz harmony 7ths 9ths 13ths, everything live and organic, instruments trading solos, no electronic sounds all real instruments over programmed drums",,,2026-02-17T08:44:12.653Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/c8f6165d-2cf7-4ea1-b626-2a527e3cce5e.mp3,https://cdn2.suno.ai/image_c8f6165d-2cf7-4ea1-b626-2a527e3cce5e.jpeg,https://cdn2.suno.ai/image_large_c8f6165d-2cf7-4ea1-b626-2a527e3cce5e.jpeg audio/cb88280a-2f2c-4d00-824a-f30bcbdd2bf4.mp3,cb88280a-2f2c-4d00-824a-f30bcbdd2bf4,,v5,chirp-crow,complete,339.8,True,"nu jazz neo soul instrumental, fretless bass guitar smooth deep melodic, Rhodes electric piano dark minor 9th chords intimate, tempo 98bpm, saxophone solo emotional breathy playing long notes with vibrato, clean electric guitar arpeggios with delay and reverb, analog synth pad dark warm evolving slowly, drum machine minimal kick and rimclick only, no heavy drums sparse and intimate, live looping feel one instrument at a time, night atmosphere contemplative, candlelit room feeling, improvised jazz session, everything recorded live warm analog quality, vocoder single chord underneath barely audible, bass carries the melody not just the groove, intimate and personal not performative",,,2026-02-17T08:42:14.983Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/cb88280a-2f2c-4d00-824a-f30bcbdd2bf4.mp3,https://cdn2.suno.ai/image_cb88280a-2f2c-4d00-824a-f30bcbdd2bf4.jpeg,https://cdn2.suno.ai/image_large_cb88280a-2f2c-4d00-824a-f30bcbdd2bf4.jpeg audio/e36852b6-9754-44ec-b43e-c1152fa110cd.mp3,e36852b6-9754-44ec-b43e-c1152fa110cd,,v5,chirp-crow,complete,289.96,True,"nu jazz neo soul instrumental, fretless bass guitar smooth deep melodic, Rhodes electric piano dark minor 9th chords intimate, tempo 98bpm, saxophone solo emotional breathy playing long notes with vibrato, clean electric guitar arpeggios with delay and reverb, analog synth pad dark warm evolving slowly, drum machine minimal kick and rimclick only, no heavy drums sparse and intimate, live looping feel one instrument at a time, night atmosphere contemplative, candlelit room feeling, improvised jazz session, everything recorded live warm analog quality, vocoder single chord underneath barely audible, bass carries the melody not just the groove, intimate and personal not performative",,,2026-02-17T08:42:14.983Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/e36852b6-9754-44ec-b43e-c1152fa110cd.mp3,https://cdn2.suno.ai/image_e36852b6-9754-44ec-b43e-c1152fa110cd.jpeg,https://cdn2.suno.ai/image_large_e36852b6-9754-44ec-b43e-c1152fa110cd.jpeg audio/8e259353-0200-4e04-9cf8-6d738aa5c5bc.mp3,8e259353-0200-4e04-9cf8-6d738aa5c5bc,,v5,chirp-crow,complete,190.16,False,"french house nu disco groove, electric bass guitar fat funky slap and fingerstyle, four to the floor kick light, sidechain pump subtle, Rhodes electric piano chord stabs rhythmic, tempo 118bpm, synth bass layer underneath electric bass, analog synth melody catchy short riff looping, vocal chop pitched up used as rhythmic hook, hi-hat shuffled tight, clap on 2 and 4, guitar clean tone wah pedal subtle funk licks, live looping feel organic improvised, warm analog production, disco influenced but modern, dancefloor groovy not aggressive, positive uplifting energy, filter sweeps on synth pad, everything sounds live and human not programmed",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:40:27.635Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/8e259353-0200-4e04-9cf8-6d738aa5c5bc.mp3,https://cdn2.suno.ai/image_8e259353-0200-4e04-9cf8-6d738aa5c5bc.jpeg,https://cdn2.suno.ai/image_large_8e259353-0200-4e04-9cf8-6d738aa5c5bc.jpeg audio/1a5b16f1-ccd7-4e09-8a64-cbadefce5247.mp3,1a5b16f1-ccd7-4e09-8a64-cbadefce5247,,v5,chirp-crow,complete,213.88,False,"french house nu disco groove, electric bass guitar fat funky slap and fingerstyle, four to the floor kick light, sidechain pump subtle, Rhodes electric piano chord stabs rhythmic, tempo 118bpm, synth bass layer underneath electric bass, analog synth melody catchy short riff looping, vocal chop pitched up used as rhythmic hook, hi-hat shuffled tight, clap on 2 and 4, guitar clean tone wah pedal subtle funk licks, live looping feel organic improvised, warm analog production, disco influenced but modern, dancefloor groovy not aggressive, positive uplifting energy, filter sweeps on synth pad, everything sounds live and human not programmed",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:40:27.634Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/1a5b16f1-ccd7-4e09-8a64-cbadefce5247.mp3,https://cdn2.suno.ai/image_1a5b16f1-ccd7-4e09-8a64-cbadefce5247.jpeg,https://cdn2.suno.ai/image_large_1a5b16f1-ccd7-4e09-8a64-cbadefce5247.jpeg audio/174055e3-f5ad-4e7a-8192-bde08b27f84d.mp3,174055e3-f5ad-4e7a-8192-bde08b27f84d,,v5,chirp-crow,complete,401.28,False,"new french house neo soul funky electric bass guitar syncopated groove fingerstyle rhodes electric piano warm jazzy chords 9ths and 7ths tempo 112bpm live looping feel building layers one instrument at a time saxophone melody smooth and expressive entering mid track clean electric guitar with chorus effect subtle licks analog synth pad warm evolving drum machine groove tight but human swing sidechain compression subtle pump vocal chops pitched and chopped as texture not lyrics positive warm buttery atmosphere live session feel improvised organic no heavy drums light and groovy hihat shuffled handclap on 2 and 4 analog warmth throughout French House, Electronic, Nu Disco french house sound",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:40:03.873Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/174055e3-f5ad-4e7a-8192-bde08b27f84d.mp3,https://cdn2.suno.ai/image_174055e3-f5ad-4e7a-8192-bde08b27f84d.jpeg,https://cdn2.suno.ai/image_large_174055e3-f5ad-4e7a-8192-bde08b27f84d.jpeg audio/70ae223a-08f0-45a0-b0b9-9b7f0f8b9951.mp3,70ae223a-08f0-45a0-b0b9-9b7f0f8b9951,,v5,chirp-crow,complete,336.6,False,"new french house neo soul funky electric bass guitar syncopated groove fingerstyle rhodes electric piano warm jazzy chords 9ths and 7ths tempo 112bpm live looping feel building layers one instrument at a time saxophone melody smooth and expressive entering mid track clean electric guitar with chorus effect subtle licks analog synth pad warm evolving drum machine groove tight but human swing sidechain compression subtle pump vocal chops pitched and chopped as texture not lyrics positive warm buttery atmosphere live session feel improvised organic no heavy drums light and groovy hihat shuffled handclap on 2 and 4 analog warmth throughout French House, Electronic, Nu Disco french house sound",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:40:03.873Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/70ae223a-08f0-45a0-b0b9-9b7f0f8b9951.mp3,https://cdn2.suno.ai/image_70ae223a-08f0-45a0-b0b9-9b7f0f8b9951.jpeg,https://cdn2.suno.ai/image_large_70ae223a-08f0-45a0-b0b9-9b7f0f8b9951.jpeg audio/4db33aed-65e2-43a3-8c10-f42579e32135.mp3,4db33aed-65e2-43a3-8c10-f42579e32135,,v5,chirp-crow,complete,479.36,False,"new french house neo soul funky electric bass guitar syncopated groove fingerstyle rhodes electric piano warm jazzy chords 9ths and 7ths tempo 112bpm live looping feel building layers one instrument at a time saxophone melody smooth and expressive entering mid track clean electric guitar with chorus effect subtle licks analog synth pad warm evolving drum machine groove tight but human swing sidechain compression subtle pump vocal chops pitched and chopped as texture not lyrics positive warm buttery atmosphere live session feel improvised organic no heavy drums light and groovy hihat shuffled handclap on 2 and 4 analog warmth throughout French House, Electronic, Nu Disco french house sound",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:37:51.552Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/4db33aed-65e2-43a3-8c10-f42579e32135.mp3,https://cdn2.suno.ai/image_4db33aed-65e2-43a3-8c10-f42579e32135.jpeg,https://cdn2.suno.ai/image_large_4db33aed-65e2-43a3-8c10-f42579e32135.jpeg audio/685563d7-df14-4ad8-8a0e-c5a08ccb95e3.mp3,685563d7-df14-4ad8-8a0e-c5a08ccb95e3,,v5,chirp-crow,complete,289.88,False,"new french house neo soul funky electric bass guitar syncopated groove fingerstyle rhodes electric piano warm jazzy chords 9ths and 7ths tempo 112bpm live looping feel building layers one instrument at a time saxophone melody smooth and expressive entering mid track clean electric guitar with chorus effect subtle licks analog synth pad warm evolving drum machine groove tight but human swing sidechain compression subtle pump vocal chops pitched and chopped as texture not lyrics positive warm buttery atmosphere live session feel improvised organic no heavy drums light and groovy hihat shuffled handclap on 2 and 4 analog warmth throughout French House, Electronic, Nu Disco french house sound",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:37:51.552Z,5,0,False,False,False,False,False,https://cdn1.suno.ai/685563d7-df14-4ad8-8a0e-c5a08ccb95e3.mp3,https://cdn2.suno.ai/image_685563d7-df14-4ad8-8a0e-c5a08ccb95e3.jpeg,https://cdn2.suno.ai/image_large_685563d7-df14-4ad8-8a0e-c5a08ccb95e3.jpeg audio/5b53cb14-c4c2-4eb9-8147-f17eb5c564f2.mp3,5b53cb14-c4c2-4eb9-8147-f17eb5c564f2,,v5,chirp-crow,complete,292.6,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken, LONG TRACK 6 MINUTES DURATION TWO MOVEMENTS.ORGAN HAMMOND SOLO, FAST PENTATONIC, GOSPEL ORGAN STYLE",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:35:03.768Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/5b53cb14-c4c2-4eb9-8147-f17eb5c564f2.mp3,https://cdn2.suno.ai/image_5b53cb14-c4c2-4eb9-8147-f17eb5c564f2.jpeg,https://cdn2.suno.ai/image_large_5b53cb14-c4c2-4eb9-8147-f17eb5c564f2.jpeg audio/9e81a85b-b0ad-4371-ac79-400c3dd03ce7.mp3,9e81a85b-b0ad-4371-ac79-400c3dd03ce7,,v5,chirp-crow,complete,407.12,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken, LONG TRACK 6 MINUTES DURATION TWO MOVEMENTS.ORGAN HAMMOND SOLO, FAST PENTATONIC, GOSPEL ORGAN STYLE",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:35:03.768Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/9e81a85b-b0ad-4371-ac79-400c3dd03ce7.mp3,https://cdn2.suno.ai/image_9e81a85b-b0ad-4371-ac79-400c3dd03ce7.jpeg,https://cdn2.suno.ai/image_large_9e81a85b-b0ad-4371-ac79-400c3dd03ce7.jpeg audio/8b1ef5f0-89df-4c8b-83e0-2e2e3694865f.mp3,8b1ef5f0-89df-4c8b-83e0-2e2e3694865f,,v5,chirp-crow,complete,160.64,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken, LONG TRACK 6 MINUTES DURATION TWO MOVEMENTS.ORGAN HAMMOND SOLO",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:32:43.000Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/8b1ef5f0-89df-4c8b-83e0-2e2e3694865f.mp3,https://cdn2.suno.ai/image_8b1ef5f0-89df-4c8b-83e0-2e2e3694865f.jpeg,https://cdn2.suno.ai/image_large_8b1ef5f0-89df-4c8b-83e0-2e2e3694865f.jpeg audio/9ed0e8fb-4658-4b55-8e7c-457c257eb5a9.mp3,9ed0e8fb-4658-4b55-8e7c-457c257eb5a9,,v5,chirp-crow,complete,116.36,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken, LONG TRACK 6 MINUTES DURATION TWO MOVEMENTS.ORGAN HAMMOND SOLO",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:32:43.000Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/9ed0e8fb-4658-4b55-8e7c-457c257eb5a9.mp3,https://cdn2.suno.ai/image_9ed0e8fb-4658-4b55-8e7c-457c257eb5a9.jpeg,https://cdn2.suno.ai/image_large_9ed0e8fb-4658-4b55-8e7c-457c257eb5a9.jpeg audio/747a43cf-4900-4e31-b4d2-ea6b2f3e40c9.mp3,747a43cf-4900-4e31-b4d2-ea6b2f3e40c9,,v5,chirp-crow,complete,96.96,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken, LONG TRACK 6 MINUTES DURATION TWO MOVEMENTS",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:22:25.161Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/747a43cf-4900-4e31-b4d2-ea6b2f3e40c9.mp3,https://cdn2.suno.ai/image_747a43cf-4900-4e31-b4d2-ea6b2f3e40c9.jpeg,https://cdn2.suno.ai/image_large_747a43cf-4900-4e31-b4d2-ea6b2f3e40c9.jpeg audio/c6fdf858-3d16-4e40-8a88-adaaf3037a56.mp3,c6fdf858-3d16-4e40-8a88-adaaf3037a56,,v5,chirp-crow,complete,118.96,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken, LONG TRACK 6 MINUTES DURATION TWO MOVEMENTS",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:22:25.161Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/c6fdf858-3d16-4e40-8a88-adaaf3037a56.mp3,https://cdn2.suno.ai/image_c6fdf858-3d16-4e40-8a88-adaaf3037a56.jpeg,https://cdn2.suno.ai/image_large_c6fdf858-3d16-4e40-8a88-adaaf3037a56.jpeg audio/a75a4f99-436f-4910-ae94-73411922928d.mp3,a75a4f99-436f-4910-ae94-73411922928d,,v5,chirp-crow,complete,108.36,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken, LONG TRACK 6 MINUTES DURATION TWO MOVEMENTS",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:20:34.810Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/a75a4f99-436f-4910-ae94-73411922928d.mp3,https://cdn2.suno.ai/image_a75a4f99-436f-4910-ae94-73411922928d.jpeg,https://cdn2.suno.ai/image_large_a75a4f99-436f-4910-ae94-73411922928d.jpeg audio/35b73e5e-27df-4062-92e8-b8c4bc472207.mp3,35b73e5e-27df-4062-92e8-b8c4bc472207,,v5,chirp-crow,complete,148.24,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken, LONG TRACK 6 MINUTES DURATION TWO MOVEMENTS",,"[Movement 1 - Song A] [Intro - vinyl crackle and tape hiss alone, dust and noise, no music yet, 8 bars of pure texture, tape machine warming up] [Beat Enters - kick appears buried under dust, barely audible, hi-hat ghost pattern underneath crackle, 8 bars building from nothing] [Main Loop A - full beat locked in, chopped degraded sample looping, bass drone underneath, drums stumbling drunk off grid, 16 bars of hypnotic destroyed groove riding out] [Variation A - same loop but drums drop out leaving only sample and bass droning under vinyl noise, 8 bars of floating weightless texture] [Main Loop A Returns - drums come back with open hi-hat added, groove locks in heavier, 16 bars riding the loop deeper into the dust] [Breakdown A - everything strips to just kick and crackle and bass drone, 8 bars of minimal space, beat barely alive underneath the noise] [Build A - elements return one by one every 4 bars, hi-hat then snare then sample chop, 16 bars of slow progressive rebuild to full groove] [Peak A - all elements playing at maximum density, most complete version of the beat, 16 bars of locked in head nod, then elements start fading one by one] [Transition - tape stop effect, everything slows down and pitches down like tape machine dying, warble and degradation increasing, 8 bars of the beat melting into noise and dust] [Silence - 4 bars of just vinyl crackle and hiss, the space between two songs on a cassette tape, nothing but noise] [Movement 2 - Song B] [New Sample - completely different chopped sample enters, different pitch different mood different chop pattern, new degraded source material, drums enter with different pattern but same drunk off grid feel, 8 bars establishing new groove] [Main Loop B - full second beat locked in, new sample new bass note new drum pattern, still destroyed still dusty still barely holding together, 16 bars of new hypnotic loop] [Variation B - hi-hats double up adding urgency, new percussion element enters buried under dust, rimclick or shaker, 16 bars of evolved groove] [Strip Down B - everything drops except new sample and vinyl crackle, 8 bars of floating texture, just the chop repeating alone in dust] [Full Beat B Returns - all elements slam back in, heaviest moment of entire track, 16 bars of maximum groove maximum dust maximum beautiful destruction] [Deconstruction - elements remove one by one every 4 bars in reverse order, drums first then bass then sample, each removal makes the crackle louder in comparison] [Outro - just vinyl crackle and tape hiss alone, same texture as the very beginning, 8 bars of pure noise, full circle, tape machine clicks off] [Silence]",2026-02-17T08:20:34.810Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/35b73e5e-27df-4062-92e8-b8c4bc472207.mp3,https://cdn2.suno.ai/image_35b73e5e-27df-4062-92e8-b8c4bc472207.jpeg,https://cdn2.suno.ai/image_large_35b73e5e-27df-4062-92e8-b8c4bc472207.jpeg audio/ee6ca424-18f1-4feb-be2d-a81d8f8f2076.mp3,ee6ca424-18f1-4feb-be2d-a81d8f8f2076,,v5,chirp-crow,complete,68.52,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken.LONG TRACK UP TO 6 MIN DURATION. 2 SONGS IN ONE, 3 MIN EACH. 6 MINUTES TOTAL",,"[Full Beat - everything playing from bar one, maximum elements, 16 bars of complete groove at peak density] [Remove Drums - drums disappear, just sample and bass floating, 8 bars, feel changes completely] [Remove Sample - sample drops out, just bass pulsing alone with vinyl crackle, 8 bars, minimal and heavy] [Remove Bass - just vinyl crackle and dust, 8 bars of almost nothing, texture only] [Rebuild - kick enters alone, 4 bars, then hi-hat joins, 4 bars, then bass returns, 4 bars, then sample layers back, 4 bars, fully rebuilt piece by piece] [Full Beat Returns - complete groove at maximum, 16 bars, feels massive because you heard it stripped] [Outro - one final kick hit with long reverb tail, vinyl crackle fades]",2026-02-17T08:17:56.896Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/ee6ca424-18f1-4feb-be2d-a81d8f8f2076.mp3,https://cdn2.suno.ai/image_ee6ca424-18f1-4feb-be2d-a81d8f8f2076.jpeg,https://cdn2.suno.ai/image_large_ee6ca424-18f1-4feb-be2d-a81d8f8f2076.jpeg audio/e91989c8-fe3a-45fe-90c7-6c0110f8219b.mp3,e91989c8-fe3a-45fe-90c7-6c0110f8219b,,v5,chirp-crow,complete,78.92,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken.LONG TRACK UP TO 6 MIN DURATION. 2 SONGS IN ONE, 3 MIN EACH. 6 MINUTES TOTAL",,"[Full Beat - everything playing from bar one, maximum elements, 16 bars of complete groove at peak density] [Remove Drums - drums disappear, just sample and bass floating, 8 bars, feel changes completely] [Remove Sample - sample drops out, just bass pulsing alone with vinyl crackle, 8 bars, minimal and heavy] [Remove Bass - just vinyl crackle and dust, 8 bars of almost nothing, texture only] [Rebuild - kick enters alone, 4 bars, then hi-hat joins, 4 bars, then bass returns, 4 bars, then sample layers back, 4 bars, fully rebuilt piece by piece] [Full Beat Returns - complete groove at maximum, 16 bars, feels massive because you heard it stripped] [Outro - one final kick hit with long reverb tail, vinyl crackle fades]",2026-02-17T08:17:56.896Z,6,0,False,False,False,False,False,https://cdn1.suno.ai/e91989c8-fe3a-45fe-90c7-6c0110f8219b.mp3,https://cdn2.suno.ai/image_e91989c8-fe3a-45fe-90c7-6c0110f8219b.jpeg,https://cdn2.suno.ai/image_large_e91989c8-fe3a-45fe-90c7-6c0110f8219b.jpeg audio/d98cd569-0952-4e24-b2c3-a88da75fab36.mp3,d98cd569-0952-4e24-b2c3-a88da75fab36,,v5,chirp-crow,complete,69.88,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken",,"[Full Beat - everything playing from bar one, maximum elements, 16 bars of complete groove at peak density] [Remove Drums - drums disappear, just sample and bass floating, 8 bars, feel changes completely] [Remove Sample - sample drops out, just bass pulsing alone with vinyl crackle, 8 bars, minimal and heavy] [Remove Bass - just vinyl crackle and dust, 8 bars of almost nothing, texture only] [Rebuild - kick enters alone, 4 bars, then hi-hat joins, 4 bars, then bass returns, 4 bars, then sample layers back, 4 bars, fully rebuilt piece by piece] [Full Beat Returns - complete groove at maximum, 16 bars, feels massive because you heard it stripped] [Outro - one final kick hit with long reverb tail, vinyl crackle fades]",2026-02-17T08:15:47.207Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/d98cd569-0952-4e24-b2c3-a88da75fab36.mp3,https://cdn2.suno.ai/image_d98cd569-0952-4e24-b2c3-a88da75fab36.jpeg,https://cdn2.suno.ai/image_large_d98cd569-0952-4e24-b2c3-a88da75fab36.jpeg audio/227ee228-d514-4b10-b407-7f008d9e040b.mp3,227ee228-d514-4b10-b407-7f008d9e040b,,v5,chirp-crow,complete,89.96,False,"lo-fi hip hop instrumental destroyed, MPC sampled beat, drunk drums barely holding together off grid extreme swing, tempo 84bpm, sample so chopped and pitched and degraded you cant tell the original source, massive vinyl crackle louder than the music, bass one note droning, kick soft buried under dust, snare distant with long reverb tail, tape wobble extreme pitch drifting, lo-fi to the point of almost breaking, no vocals, everything through cassette four track recorder bounced multiple times losing quality each bounce, the degradation IS the aesthetic, beautiful and broken",,"[Full Beat - everything playing from bar one, maximum elements, 16 bars of complete groove at peak density] [Remove Drums - drums disappear, just sample and bass floating, 8 bars, feel changes completely] [Remove Sample - sample drops out, just bass pulsing alone with vinyl crackle, 8 bars, minimal and heavy] [Remove Bass - just vinyl crackle and dust, 8 bars of almost nothing, texture only] [Rebuild - kick enters alone, 4 bars, then hi-hat joins, 4 bars, then bass returns, 4 bars, then sample layers back, 4 bars, fully rebuilt piece by piece] [Full Beat Returns - complete groove at maximum, 16 bars, feels massive because you heard it stripped] [Outro - one final kick hit with long reverb tail, vinyl crackle fades]",2026-02-17T08:15:47.207Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/227ee228-d514-4b10-b407-7f008d9e040b.mp3,https://cdn2.suno.ai/image_227ee228-d514-4b10-b407-7f008d9e040b.jpeg,https://cdn2.suno.ai/image_large_227ee228-d514-4b10-b407-7f008d9e040b.jpeg audio/b375e1d9-2e32-4ee9-8974-113b4b24211d.mp3,b375e1d9-2e32-4ee9-8974-113b4b24211d,,v5,chirp-crow,complete,71.44,False,"lo-fi hip hop instrumental boom bap, MPC sampled beat, drums punchy but off grid swing, tempo 94bpm, chopped hard bop jazz sample trumpet and piano from 1958 recording, heavy vinyl crackle, bass sample deep staccato hits, kick and snare hard hitting SP1200 crushed, scratching turntable cuts on transitions, no vocals, raw New York boom bap meets Detroit swing, jazz samples chopped aggressively on unexpected beats, gritty dusty warm, hi-hat tight pattern with occasional open splash, head nod hard groove",,"[Full Beat - everything playing from bar one, maximum elements, 16 bars of complete groove at peak density] [Remove Drums - drums disappear, just sample and bass floating, 8 bars, feel changes completely] [Remove Sample - sample drops out, just bass pulsing alone with vinyl crackle, 8 bars, minimal and heavy] [Remove Bass - just vinyl crackle and dust, 8 bars of almost nothing, texture only] [Rebuild - kick enters alone, 4 bars, then hi-hat joins, 4 bars, then bass returns, 4 bars, then sample layers back, 4 bars, fully rebuilt piece by piece] [Full Beat Returns - complete groove at maximum, 16 bars, feels massive because you heard it stripped] [Outro - one final kick hit with long reverb tail, vinyl crackle fades]",2026-02-17T08:06:12.200Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/b375e1d9-2e32-4ee9-8974-113b4b24211d.mp3,https://cdn2.suno.ai/image_b375e1d9-2e32-4ee9-8974-113b4b24211d.jpeg,https://cdn2.suno.ai/image_large_b375e1d9-2e32-4ee9-8974-113b4b24211d.jpeg audio/5b6d7c3b-6341-4637-a32b-19c9a95633e9.mp3,5b6d7c3b-6341-4637-a32b-19c9a95633e9,,v5,chirp-crow,complete,104.96,False,"lo-fi hip hop instrumental boom bap, MPC sampled beat, drums punchy but off grid swing, tempo 94bpm, chopped hard bop jazz sample trumpet and piano from 1958 recording, heavy vinyl crackle, bass sample deep staccato hits, kick and snare hard hitting SP1200 crushed, scratching turntable cuts on transitions, no vocals, raw New York boom bap meets Detroit swing, jazz samples chopped aggressively on unexpected beats, gritty dusty warm, hi-hat tight pattern with occasional open splash, head nod hard groove",,"[Full Beat - everything playing from bar one, maximum elements, 16 bars of complete groove at peak density] [Remove Drums - drums disappear, just sample and bass floating, 8 bars, feel changes completely] [Remove Sample - sample drops out, just bass pulsing alone with vinyl crackle, 8 bars, minimal and heavy] [Remove Bass - just vinyl crackle and dust, 8 bars of almost nothing, texture only] [Rebuild - kick enters alone, 4 bars, then hi-hat joins, 4 bars, then bass returns, 4 bars, then sample layers back, 4 bars, fully rebuilt piece by piece] [Full Beat Returns - complete groove at maximum, 16 bars, feels massive because you heard it stripped] [Outro - one final kick hit with long reverb tail, vinyl crackle fades]",2026-02-17T08:06:12.200Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/5b6d7c3b-6341-4637-a32b-19c9a95633e9.mp3,https://cdn2.suno.ai/image_5b6d7c3b-6341-4637-a32b-19c9a95633e9.jpeg,https://cdn2.suno.ai/image_large_5b6d7c3b-6341-4637-a32b-19c9a95633e9.jpeg audio/e7774fef-a185-4368-8e83-12d0b0c4090c.mp3,e7774fef-a185-4368-8e83-12d0b0c4090c,,v5,chirp-crow,complete,127.2,False,"lo-fi hip hop instrumental latin, MPC sampled beat, drunk drums off grid swing, tempo 91bpm, chopped cumbia chicha guitar sample psychedelic tremolo pitched down, vinyl crackle dusty, bass guitar deep simple groove, congas sample layered over boom bap kick and snare, lo-fi cassette quality tape wobble, guiro scrape sample chopped rhythmic, no vocals, latin jazz soul samples flipped into hip hop, warm analog everything crushed through SP1200, head nod groove with latin percussive flavor, dusty and exotic",,"[Intro - sample panned hard left, 4 bars, then same sample panned hard right, 4 bars, ping pong] [Beat Drops Center - full beat in stereo center, complete groove, 16 bars] [Left Channel Solo - only elements in left channel play, half the beat, 8 bars, feels like hearing through one ear] [Right Channel Solo - only elements in right channel play, other half, 8 bars] [Full Stereo - everything back center and wide, complete groove, 16 bars, feels full and complete after hearing the halves] [Deconstruct - elements pan out to extremes left and right alternating, 8 bars of movement] [Outro - everything collapses to mono center, gets quieter, fades]",2026-02-17T08:00:36.470Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/e7774fef-a185-4368-8e83-12d0b0c4090c.mp3,https://cdn2.suno.ai/image_e7774fef-a185-4368-8e83-12d0b0c4090c.jpeg,https://cdn2.suno.ai/image_large_e7774fef-a185-4368-8e83-12d0b0c4090c.jpeg audio/c04f150f-652a-4399-ae73-6aecaa53450f.mp3,c04f150f-652a-4399-ae73-6aecaa53450f,,v5,chirp-crow,complete,139.64,False,"lo-fi hip hop instrumental latin, MPC sampled beat, drunk drums off grid swing, tempo 91bpm, chopped cumbia chicha guitar sample psychedelic tremolo pitched down, vinyl crackle dusty, bass guitar deep simple groove, congas sample layered over boom bap kick and snare, lo-fi cassette quality tape wobble, guiro scrape sample chopped rhythmic, no vocals, latin jazz soul samples flipped into hip hop, warm analog everything crushed through SP1200, head nod groove with latin percussive flavor, dusty and exotic",,"[Intro - sample panned hard left, 4 bars, then same sample panned hard right, 4 bars, ping pong] [Beat Drops Center - full beat in stereo center, complete groove, 16 bars] [Left Channel Solo - only elements in left channel play, half the beat, 8 bars, feels like hearing through one ear] [Right Channel Solo - only elements in right channel play, other half, 8 bars] [Full Stereo - everything back center and wide, complete groove, 16 bars, feels full and complete after hearing the halves] [Deconstruct - elements pan out to extremes left and right alternating, 8 bars of movement] [Outro - everything collapses to mono center, gets quieter, fades]",2026-02-17T08:00:36.470Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/c04f150f-652a-4399-ae73-6aecaa53450f.mp3,https://cdn2.suno.ai/image_c04f150f-652a-4399-ae73-6aecaa53450f.jpeg,https://cdn2.suno.ai/image_large_c04f150f-652a-4399-ae73-6aecaa53450f.jpeg audio/680778cd-8911-41a8-b59e-7f5c8970812c.mp3,680778cd-8911-41a8-b59e-7f5c8970812c,,v5,chirp-crow,complete,97.44,False,"lo-fi hip hop instrumental ambient, barely a beat, tempo 80bpm, kick hits once every two bars soft and distant, no snare just rimclick occasional, jazz piano sample heavily reverbed floating in space, vinyl crackle constant like rain, bass note one single sustained deep underneath barely moving, tape degradation warble heavy, everything sounds underwater and far away, no vocals, lo-fi ambient meditation, more texture than beat, sounds like a memory of a song not the song itself, dust and fog and warmth, hi-hat appears and disappears ghost-like",,"[Intro - sample panned hard left, 4 bars, then same sample panned hard right, 4 bars, ping pong] [Beat Drops Center - full beat in stereo center, complete groove, 16 bars] [Left Channel Solo - only elements in left channel play, half the beat, 8 bars, feels like hearing through one ear] [Right Channel Solo - only elements in right channel play, other half, 8 bars] [Full Stereo - everything back center and wide, complete groove, 16 bars, feels full and complete after hearing the halves] [Deconstruct - elements pan out to extremes left and right alternating, 8 bars of movement] [Outro - everything collapses to mono center, gets quieter, fades]",2026-02-17T07:57:49.342Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/680778cd-8911-41a8-b59e-7f5c8970812c.mp3,https://cdn2.suno.ai/image_680778cd-8911-41a8-b59e-7f5c8970812c.jpeg,https://cdn2.suno.ai/image_large_680778cd-8911-41a8-b59e-7f5c8970812c.jpeg audio/fa2d2840-bf14-4750-8945-a56cf971f569.mp3,fa2d2840-bf14-4750-8945-a56cf971f569,,v5,chirp-crow,complete,86.28,False,"lo-fi hip hop instrumental ambient, barely a beat, tempo 80bpm, kick hits once every two bars soft and distant, no snare just rimclick occasional, jazz piano sample heavily reverbed floating in space, vinyl crackle constant like rain, bass note one single sustained deep underneath barely moving, tape degradation warble heavy, everything sounds underwater and far away, no vocals, lo-fi ambient meditation, more texture than beat, sounds like a memory of a song not the song itself, dust and fog and warmth, hi-hat appears and disappears ghost-like",,"[Intro - sample panned hard left, 4 bars, then same sample panned hard right, 4 bars, ping pong] [Beat Drops Center - full beat in stereo center, complete groove, 16 bars] [Left Channel Solo - only elements in left channel play, half the beat, 8 bars, feels like hearing through one ear] [Right Channel Solo - only elements in right channel play, other half, 8 bars] [Full Stereo - everything back center and wide, complete groove, 16 bars, feels full and complete after hearing the halves] [Deconstruct - elements pan out to extremes left and right alternating, 8 bars of movement] [Outro - everything collapses to mono center, gets quieter, fades]",2026-02-17T07:57:49.341Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/fa2d2840-bf14-4750-8945-a56cf971f569.mp3,https://cdn2.suno.ai/image_fa2d2840-bf14-4750-8945-a56cf971f569.jpeg,https://cdn2.suno.ai/image_large_fa2d2840-bf14-4750-8945-a56cf971f569.jpeg audio/3e6dab96-9047-4003-b49f-71c25b763ac4.mp3,3e6dab96-9047-4003-b49f-71c25b763ac4,,v5,chirp-crow,complete,120.12,False,"lo-fi hip hop instrumental hard, MPC sampled beat, drunk drums off grid punchy, tempo 95bpm, chopped funk sample horn stabs and guitar wah riff aggressive chop cutting on off beats, heavy kick punchy snare crack loud, bass guitar sample fat dirty, vinyl crackle and pops, SP1200 bit crushed gritty hard, hi-hat pattern complex open and closed, drums swing hard behind the beat but hit harder than other lo-fi, no vocals, raw grimy head nod beat, harder edge still dusty and warm but punchy and aggressive, Detroit production thick and heavy",,"[Intro - sample panned hard left, 4 bars, then same sample panned hard right, 4 bars, ping pong] [Beat Drops Center - full beat in stereo center, complete groove, 16 bars] [Left Channel Solo - only elements in left channel play, half the beat, 8 bars, feels like hearing through one ear] [Right Channel Solo - only elements in right channel play, other half, 8 bars] [Full Stereo - everything back center and wide, complete groove, 16 bars, feels full and complete after hearing the halves] [Deconstruct - elements pan out to extremes left and right alternating, 8 bars of movement] [Outro - everything collapses to mono center, gets quieter, fades]",2026-02-17T07:56:27.414Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/3e6dab96-9047-4003-b49f-71c25b763ac4.mp3,https://cdn2.suno.ai/image_3e6dab96-9047-4003-b49f-71c25b763ac4.jpeg,https://cdn2.suno.ai/image_large_3e6dab96-9047-4003-b49f-71c25b763ac4.jpeg audio/54c59246-4137-4712-8ea1-aac27c4849b7.mp3,54c59246-4137-4712-8ea1-aac27c4849b7,,v5,chirp-crow,complete,111.12,False,"lo-fi hip hop instrumental hard, MPC sampled beat, drunk drums off grid punchy, tempo 95bpm, chopped funk sample horn stabs and guitar wah riff aggressive chop cutting on off beats, heavy kick punchy snare crack loud, bass guitar sample fat dirty, vinyl crackle and pops, SP1200 bit crushed gritty hard, hi-hat pattern complex open and closed, drums swing hard behind the beat but hit harder than other lo-fi, no vocals, raw grimy head nod beat, harder edge still dusty and warm but punchy and aggressive, Detroit production thick and heavy",,"[Intro - sample panned hard left, 4 bars, then same sample panned hard right, 4 bars, ping pong] [Beat Drops Center - full beat in stereo center, complete groove, 16 bars] [Left Channel Solo - only elements in left channel play, half the beat, 8 bars, feels like hearing through one ear] [Right Channel Solo - only elements in right channel play, other half, 8 bars] [Full Stereo - everything back center and wide, complete groove, 16 bars, feels full and complete after hearing the halves] [Deconstruct - elements pan out to extremes left and right alternating, 8 bars of movement] [Outro - everything collapses to mono center, gets quieter, fades]",2026-02-17T07:56:27.414Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/54c59246-4137-4712-8ea1-aac27c4849b7.mp3,https://cdn2.suno.ai/image_54c59246-4137-4712-8ea1-aac27c4849b7.jpeg,https://cdn2.suno.ai/image_large_54c59246-4137-4712-8ea1-aac27c4849b7.jpeg audio/7b57e41c-ab8c-436b-951b-e70a09fdc7dd.mp3,7b57e41c-ab8c-436b-951b-e70a09fdc7dd,,v5,chirp-crow,complete,98.2,False,"Lo-fi hip hop instrumental, 88bpm MPC/SP1200 beat with unquantized, swung “drunk” drums—deep, round kicks and dusty snares drag with off-grid groove, room reverb and gritty bit depth. Short staccato Rhodes stabs and chopped, pitched-up 1970s soul/jazz vocal ride over fat, minimal analog bass. Vinyl crackle and tape wobble fill the mix, creating a hypnotic, hypnotic 2-minute Detroit-inspired loop, cassette-recorded warm and dusty.",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:54:41.468Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/7b57e41c-ab8c-436b-951b-e70a09fdc7dd.mp3,https://cdn2.suno.ai/image_7b57e41c-ab8c-436b-951b-e70a09fdc7dd.jpeg,https://cdn2.suno.ai/image_large_7b57e41c-ab8c-436b-951b-e70a09fdc7dd.jpeg audio/93a0058f-e1b5-4ef1-8a3a-ca1de634c542.mp3,93a0058f-e1b5-4ef1-8a3a-ca1de634c542,,v5,chirp-crow,complete,67.32,False,"Lo-fi hip hop instrumental, 88bpm MPC/SP1200 beat with unquantized, swung “drunk” drums—deep, round kicks and dusty snares drag with off-grid groove, room reverb and gritty bit depth. Short staccato Rhodes stabs and chopped, pitched-up 1970s soul/jazz vocal ride over fat, minimal analog bass. Vinyl crackle and tape wobble fill the mix, creating a hypnotic, hypnotic 2-minute Detroit-inspired loop, cassette-recorded warm and dusty.",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:54:41.468Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/93a0058f-e1b5-4ef1-8a3a-ca1de634c542.mp3,https://cdn2.suno.ai/image_93a0058f-e1b5-4ef1-8a3a-ca1de634c542.jpeg,https://cdn2.suno.ai/image_large_93a0058f-e1b5-4ef1-8a3a-ca1de634c542.jpeg audio/e44d3e00-0f60-494a-abdd-ba8c72cd3b18.mp3,e44d3e00-0f60-494a-abdd-ba8c72cd3b18,,v5,chirp-crow,complete,70.08,False,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round.6 MIN TRACK DURATION",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:53:02.304Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e44d3e00-0f60-494a-abdd-ba8c72cd3b18.mp3,https://cdn2.suno.ai/image_e44d3e00-0f60-494a-abdd-ba8c72cd3b18.jpeg,https://cdn2.suno.ai/image_large_e44d3e00-0f60-494a-abdd-ba8c72cd3b18.jpeg audio/b4470679-5527-4b56-b645-be8825691bff.mp3,b4470679-5527-4b56-b645-be8825691bff,,v5,chirp-crow,complete,65.08,False,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round.6 MIN TRACK DURATION",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:53:02.304Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b4470679-5527-4b56-b645-be8825691bff.mp3,https://cdn2.suno.ai/image_b4470679-5527-4b56-b645-be8825691bff.jpeg,https://cdn2.suno.ai/image_large_b4470679-5527-4b56-b645-be8825691bff.jpeg audio/68fa2940-05c1-4a7c-a56a-f80596c88fc7.mp3,68fa2940-05c1-4a7c-a56a-f80596c88fc7,,v5,chirp-crow,complete,58.08,False,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:50:34.245Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/68fa2940-05c1-4a7c-a56a-f80596c88fc7.mp3,https://cdn2.suno.ai/image_68fa2940-05c1-4a7c-a56a-f80596c88fc7.jpeg,https://cdn2.suno.ai/image_large_68fa2940-05c1-4a7c-a56a-f80596c88fc7.jpeg audio/ebcb2633-01a0-484d-a9b9-ac48b929b652.mp3,ebcb2633-01a0-484d-a9b9-ac48b929b652,,v5,chirp-crow,complete,66.64,False,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:50:34.244Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ebcb2633-01a0-484d-a9b9-ac48b929b652.mp3,https://cdn2.suno.ai/image_ebcb2633-01a0-484d-a9b9-ac48b929b652.jpeg,https://cdn2.suno.ai/image_large_ebcb2633-01a0-484d-a9b9-ac48b929b652.jpeg audio/d069f665-df84-4edd-8dee-2a55e04ef18c.mp3,d069f665-df84-4edd-8dee-2a55e04ef18c,,v5,chirp-crow,complete,65.12,False,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:48:31.910Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d069f665-df84-4edd-8dee-2a55e04ef18c.mp3,https://cdn2.suno.ai/image_d069f665-df84-4edd-8dee-2a55e04ef18c.jpeg,https://cdn2.suno.ai/image_large_d069f665-df84-4edd-8dee-2a55e04ef18c.jpeg audio/80b6cf0f-f6b1-48c2-87d5-05c1d06ad9c3.mp3,80b6cf0f-f6b1-48c2-87d5-05c1d06ad9c3,,v5,chirp-crow,complete,66.88,False,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:48:31.910Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/80b6cf0f-f6b1-48c2-87d5-05c1d06ad9c3.mp3,https://cdn2.suno.ai/image_80b6cf0f-f6b1-48c2-87d5-05c1d06ad9c3.jpeg,https://cdn2.suno.ai/image_large_80b6cf0f-f6b1-48c2-87d5-05c1d06ad9c3.jpeg audio/d8669c66-c5c6-4d8b-ba34-354cdf435ffa.mp3,d8669c66-c5c6-4d8b-ba34-354cdf435ffa,,v5,chirp-crow,complete,479.36,False,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:43:17.475Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/d8669c66-c5c6-4d8b-ba34-354cdf435ffa.mp3,https://cdn2.suno.ai/image_d8669c66-c5c6-4d8b-ba34-354cdf435ffa.jpeg,https://cdn2.suno.ai/image_large_d8669c66-c5c6-4d8b-ba34-354cdf435ffa.jpeg audio/f31cd6f5-5ff0-42b6-9957-2c9fa49217ef.mp3,f31cd6f5-5ff0-42b6-9957-2c9fa49217ef,,v5,chirp-crow,complete,214.04,False,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,"[Intro - just vinyl crackle and dust, 8 bars of nothing, then kick enters alone, then hi-hat, build slowly one element at a time, 16 bars total before any sample drops] [Beat Drop - soul sample chop enters with full drums, bass comes in, groove locks in, let it ride 16 bars, hypnotic loop repeating] [Variation 1 - same loop but drums drop out leaving only sample and bass for 8 bars, then drums return harder with open hi-hat added, ride another 16 bars with the new pattern] [Breakdown - strip everything except kick and vinyl crackle, 8 bars of space, bass note enters sustained alone, let it breathe] [Beat Returns - full groove comes back, new sample chop layered on top of original, double the texture, 16 bars locked in, head nodding relentless groove] [Variation 2 - hi-hats go double time, more energy, shaker enters, bass plays a different note creating tension, ride 16 bars then pull back to original pattern] [Bridge - just Rhodes chords and vinyl dust, no drums, 8 bars of floating warmth, single bass note underneath barely there] [Final Section - everything returns full power, all elements stacked, the most complete version of the beat, 16 bars, then elements start dropping one by one, drums first then bass then sample] [Outro - vinyl crackle alone, needle on record, dust and silence, 8 bars fading to nothing]",2026-02-17T07:43:17.475Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f31cd6f5-5ff0-42b6-9957-2c9fa49217ef.mp3,https://cdn2.suno.ai/image_f31cd6f5-5ff0-42b6-9957-2c9fa49217ef.jpeg,https://cdn2.suno.ai/image_large_f31cd6f5-5ff0-42b6-9957-2c9fa49217ef.jpeg audio/12e77252-3991-4e17-8c92-0b25ee5a660a.mp3,12e77252-3991-4e17-8c92-0b25ee5a660a,,v5,chirp-crow,complete,57.92,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T07:38:56.531Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/12e77252-3991-4e17-8c92-0b25ee5a660a.mp3,https://cdn2.suno.ai/image_12e77252-3991-4e17-8c92-0b25ee5a660a.jpeg,https://cdn2.suno.ai/image_large_12e77252-3991-4e17-8c92-0b25ee5a660a.jpeg audio/a72b0c21-2c12-4129-8054-5ca979138ad3.mp3,a72b0c21-2c12-4129-8054-5ca979138ad3,,v5,chirp-crow,complete,65.44,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T07:38:56.531Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/a72b0c21-2c12-4129-8054-5ca979138ad3.mp3,https://cdn2.suno.ai/image_a72b0c21-2c12-4129-8054-5ca979138ad3.jpeg,https://cdn2.suno.ai/image_large_a72b0c21-2c12-4129-8054-5ca979138ad3.jpeg audio/2ddcb231-93bc-4bbd-b7ce-fd505883ee60.mp3,2ddcb231-93bc-4bbd-b7ce-fd505883ee60,,v5,chirp-crow,complete,161.12,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T07:38:53.237Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2ddcb231-93bc-4bbd-b7ce-fd505883ee60.mp3,https://cdn2.suno.ai/image_2ddcb231-93bc-4bbd-b7ce-fd505883ee60.jpeg,https://cdn2.suno.ai/image_large_2ddcb231-93bc-4bbd-b7ce-fd505883ee60.jpeg audio/d5d09659-63dd-4315-9e00-92f859079e05.mp3,d5d09659-63dd-4315-9e00-92f859079e05,,v5,chirp-crow,complete,200.08,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T07:38:53.236Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d5d09659-63dd-4315-9e00-92f859079e05.mp3,https://cdn2.suno.ai/image_d5d09659-63dd-4315-9e00-92f859079e05.jpeg,https://cdn2.suno.ai/image_large_d5d09659-63dd-4315-9e00-92f859079e05.jpeg audio/fbcd26bf-a77d-4ded-81e5-2c44a653d0ea.mp3,fbcd26bf-a77d-4ded-81e5-2c44a653d0ea,,v5,chirp-crow,complete,68.8,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T07:38:49.863Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fbcd26bf-a77d-4ded-81e5-2c44a653d0ea.mp3,https://cdn2.suno.ai/image_fbcd26bf-a77d-4ded-81e5-2c44a653d0ea.jpeg,https://cdn2.suno.ai/image_large_fbcd26bf-a77d-4ded-81e5-2c44a653d0ea.jpeg audio/d8a2f295-fe39-4f2a-b15b-247e1a13457d.mp3,d8a2f295-fe39-4f2a-b15b-247e1a13457d,,v5,chirp-crow,complete,67.4,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T07:38:49.863Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d8a2f295-fe39-4f2a-b15b-247e1a13457d.mp3,https://cdn2.suno.ai/image_d8a2f295-fe39-4f2a-b15b-247e1a13457d.jpeg,https://cdn2.suno.ai/image_large_d8a2f295-fe39-4f2a-b15b-247e1a13457d.jpeg audio/1e0cd930-ab4c-4c81-a811-94a13b67f2f7.mp3,1e0cd930-ab4c-4c81-a811-94a13b67f2f7,,v5,chirp-crow,complete,65.08,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T07:37:59.935Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/1e0cd930-ab4c-4c81-a811-94a13b67f2f7.mp3,https://cdn2.suno.ai/image_1e0cd930-ab4c-4c81-a811-94a13b67f2f7.jpeg,https://cdn2.suno.ai/image_large_1e0cd930-ab4c-4c81-a811-94a13b67f2f7.jpeg audio/a024af45-3fac-45c1-ba11-4e4b1f25cac4.mp3,a024af45-3fac-45c1-ba11-4e4b1f25cac4,,v5,chirp-crow,complete,79.64,True,"lo-fi hip hop instrumental, MPC sampled beat, drunk drums NOT quantized off grid swing, kick and snare slightly off beat stumbling groove, tempo 88bpm, chopped soul vocal sample pitched up warm, vinyl crackle dust texture, fat simple bass few notes, Rhodes chords chopped short staccato, lo-fi cassette recording quality tape wobble, SP1200 gritty bit depth, heavy swing feel drums dragging behind, snare with room reverb dusty, simple loop hypnotic repeating, Detroit hip hop production, short 2 minute piece, sample based beat chopped soul jazz 1970s, warm analog everything, kick deep soft round",,,2026-02-17T07:37:59.935Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a024af45-3fac-45c1-ba11-4e4b1f25cac4.mp3,https://cdn2.suno.ai/image_a024af45-3fac-45c1-ba11-4e4b1f25cac4.jpeg,https://cdn2.suno.ai/image_large_a024af45-3fac-45c1-ba11-4e4b1f25cac4.jpeg audio/90ab9572-29b5-4479-8a5f-444f2859ea87.mp3,90ab9572-29b5-4479-8a5f-444f2859ea87,"Latin Percussion Only, Congas Bongos Shaker Guiro Timbales, 120bpm, Complex P...",v5,chirp-crow,complete,10.0,True,"loop, key: Cm, latin percussion only, congas bongos shaker guiro timbales, 120bpm, complex polyrhythmic pattern, no kick no snare no bass no melody, live human feel, warm analog recording, 4 bar loop",,,2026-02-17T07:36:45.839Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/90ab9572-29b5-4479-8a5f-444f2859ea87.mp3,https://cdn2.suno.ai/image_90ab9572-29b5-4479-8a5f-444f2859ea87.jpeg,https://cdn2.suno.ai/image_large_90ab9572-29b5-4479-8a5f-444f2859ea87.jpeg audio/77be0733-6b93-4b99-afb4-dc469cd6ac3b.mp3,77be0733-6b93-4b99-afb4-dc469cd6ac3b,"Latin Percussion Only, Congas Bongos Shaker Guiro Timbales, 120bpm, Complex P...",v5,chirp-crow,complete,7.96,True,"loop, key: Cm, latin percussion only, congas bongos shaker guiro timbales, 120bpm, complex polyrhythmic pattern, no kick no snare no bass no melody, live human feel, warm analog recording, 4 bar loop",,,2026-02-17T07:36:45.839Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/77be0733-6b93-4b99-afb4-dc469cd6ac3b.mp3,https://cdn2.suno.ai/image_77be0733-6b93-4b99-afb4-dc469cd6ac3b.jpeg,https://cdn2.suno.ai/image_large_77be0733-6b93-4b99-afb4-dc469cd6ac3b.jpeg audio/3274f796-46dd-49af-a18d-891744cdc8c7.mp3,3274f796-46dd-49af-a18d-891744cdc8c7,"Male Vocal Deep Monotone Spoken Word Phrases, Short Sentences Separated By Si...",v5,chirp-crow,complete,2.0,True,"loop, key: Cm, male vocal deep monotone spoken word phrases, short sentences separated by silence, no beat no instruments, dry close mic, hip hop tone, isolated voice only, random phrases",,,2026-02-17T07:36:16.468Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/3274f796-46dd-49af-a18d-891744cdc8c7.mp3,https://cdn2.suno.ai/image_3274f796-46dd-49af-a18d-891744cdc8c7.jpeg,https://cdn2.suno.ai/image_large_3274f796-46dd-49af-a18d-891744cdc8c7.jpeg audio/fe460bdf-8281-4a3b-adfd-5b5b5bb53c57.mp3,fe460bdf-8281-4a3b-adfd-5b5b5bb53c57,"Male Vocal Deep Monotone Spoken Word Phrases, Short Sentences Separated By Si...",v5,chirp-crow,complete,2.0,True,"loop, key: Cm, male vocal deep monotone spoken word phrases, short sentences separated by silence, no beat no instruments, dry close mic, hip hop tone, isolated voice only, random phrases",,,2026-02-17T07:36:16.468Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fe460bdf-8281-4a3b-adfd-5b5b5bb53c57.mp3,https://cdn2.suno.ai/image_fe460bdf-8281-4a3b-adfd-5b5b5bb53c57.jpeg,https://cdn2.suno.ai/image_large_fe460bdf-8281-4a3b-adfd-5b5b5bb53c57.jpeg audio/90208b5e-7247-4001-b0f5-8ac9736c78e1.mp3,90208b5e-7247-4001-b0f5-8ac9736c78e1,"Minor 9 Chords Stab Rhodes, Vinyl Sound. House Detroit Sound. Stabs Riff",v5,chirp-crow,complete,3.88,True,"loop, key: Cm, MINOR 9 CHORDS STAB RHODES, VINYL SOUND. HOUSE DETROIT SOUND. STABS RIFF",,,2026-02-17T07:35:31.332Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/90208b5e-7247-4001-b0f5-8ac9736c78e1.mp3,https://cdn2.suno.ai/image_90208b5e-7247-4001-b0f5-8ac9736c78e1.jpeg,https://cdn2.suno.ai/image_large_90208b5e-7247-4001-b0f5-8ac9736c78e1.jpeg audio/990c8957-7717-43a8-bafa-dc3feeb44880.mp3,990c8957-7717-43a8-bafa-dc3feeb44880,"Minor 9 Chords Stab Rhodes, Vinyl Sound. House Detroit Sound. Stabs Riff",v5,chirp-crow,complete,7.72,True,"loop, key: Cm, MINOR 9 CHORDS STAB RHODES, VINYL SOUND. HOUSE DETROIT SOUND. STABS RIFF",,,2026-02-17T07:35:31.332Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/990c8957-7717-43a8-bafa-dc3feeb44880.mp3,https://cdn2.suno.ai/image_990c8957-7717-43a8-bafa-dc3feeb44880.jpeg,https://cdn2.suno.ai/image_large_990c8957-7717-43a8-bafa-dc3feeb44880.jpeg audio/e493f207-c326-411d-84d3-941daa12055e.mp3,e493f207-c326-411d-84d3-941daa12055e,"Minor 9 Chords Stab Rhodes, Vinyl Sound. House Detroit Sound. Stabs Riff",v5,chirp-crow,complete,2.0,True,"loop, key: Cm, MINOR 9 CHORDS STAB RHODES, VINYL SOUND. HOUSE DETROIT SOUND. STABS RIFF",,,2026-02-17T07:35:06.527Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e493f207-c326-411d-84d3-941daa12055e.mp3,https://cdn2.suno.ai/image_e493f207-c326-411d-84d3-941daa12055e.jpeg,https://cdn2.suno.ai/image_large_e493f207-c326-411d-84d3-941daa12055e.jpeg audio/fbd787cb-528a-472c-a569-e5c084a5e596.mp3,fbd787cb-528a-472c-a569-e5c084a5e596,"Minor 9 Chords Stab Rhodes, Vinyl Sound. House Detroit Sound. Stabs Riff",v5,chirp-crow,complete,3.96,True,"loop, key: Cm, MINOR 9 CHORDS STAB RHODES, VINYL SOUND. HOUSE DETROIT SOUND. STABS RIFF",,,2026-02-17T07:35:06.527Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/fbd787cb-528a-472c-a569-e5c084a5e596.mp3,https://cdn2.suno.ai/image_fbd787cb-528a-472c-a569-e5c084a5e596.jpeg,https://cdn2.suno.ai/image_large_fbd787cb-528a-472c-a569-e5c084a5e596.jpeg audio/4120f11c-436f-4258-9d37-6c0f38e5b9aa.mp3,4120f11c-436f-4258-9d37-6c0f38e5b9aa,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bar.detroit Sound. Stabs Riff",v5,chirp-crow,complete,5.32,True,"loop, key: Cm, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BAR.DETROIT SOUND. STABS RIFF",,,2026-02-17T07:34:30.153Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/4120f11c-436f-4258-9d37-6c0f38e5b9aa.mp3,https://cdn2.suno.ai/image_4120f11c-436f-4258-9d37-6c0f38e5b9aa.jpeg,https://cdn2.suno.ai/image_large_4120f11c-436f-4258-9d37-6c0f38e5b9aa.jpeg audio/3eb2e5ad-7211-41ee-92cc-56b85a5835b2.mp3,3eb2e5ad-7211-41ee-92cc-56b85a5835b2,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bar.detroit Sound. Stabs Riff",v5,chirp-crow,complete,3.04,True,"loop, key: Cm, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BAR.DETROIT SOUND. STABS RIFF",,,2026-02-17T07:34:30.153Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/3eb2e5ad-7211-41ee-92cc-56b85a5835b2.mp3,https://cdn2.suno.ai/image_3eb2e5ad-7211-41ee-92cc-56b85a5835b2.jpeg,https://cdn2.suno.ai/image_large_3eb2e5ad-7211-41ee-92cc-56b85a5835b2.jpeg audio/1ac38f2b-a360-4b17-a315-640342c04123.mp3,1ac38f2b-a360-4b17-a315-640342c04123,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bar.detroit Sound. Stabs Riff",v5,chirp-crow,complete,2.0,True,"loop, key: Cm, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BAR.DETROIT SOUND. STABS RIFF",,,2026-02-17T07:34:02.275Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/1ac38f2b-a360-4b17-a315-640342c04123.mp3,https://cdn2.suno.ai/image_1ac38f2b-a360-4b17-a315-640342c04123.jpeg,https://cdn2.suno.ai/image_large_1ac38f2b-a360-4b17-a315-640342c04123.jpeg audio/9d9a4c06-1291-47da-ac3c-81a1aea70ea4.mp3,9d9a4c06-1291-47da-ac3c-81a1aea70ea4,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bar.detroit Sound. Stabs Riff",v5,chirp-crow,complete,10.76,True,"loop, key: Cm, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BAR.DETROIT SOUND. STABS RIFF",,,2026-02-17T07:34:02.275Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/9d9a4c06-1291-47da-ac3c-81a1aea70ea4.mp3,https://cdn2.suno.ai/image_9d9a4c06-1291-47da-ac3c-81a1aea70ea4.jpeg,https://cdn2.suno.ai/image_large_9d9a4c06-1291-47da-ac3c-81a1aea70ea4.jpeg audio/1423aa21-7c0c-46dc-adce-1732f2b351f8.mp3,1423aa21-7c0c-46dc-adce-1732f2b351f8,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bar.detroit Sound",v5,chirp-crow,complete,5.96,True,"loop, key: Cm, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BAR.DETROIT SOUND",,,2026-02-17T07:33:34.071Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/1423aa21-7c0c-46dc-adce-1732f2b351f8.mp3,https://cdn2.suno.ai/image_1423aa21-7c0c-46dc-adce-1732f2b351f8.jpeg,https://cdn2.suno.ai/image_large_1423aa21-7c0c-46dc-adce-1732f2b351f8.jpeg audio/775819c0-ea24-4ebf-bd3d-2916ead3f20d.mp3,775819c0-ea24-4ebf-bd3d-2916ead3f20d,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bar.detroit Sound",v5,chirp-crow,complete,6.8,True,"loop, key: Cm, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BAR.DETROIT SOUND",,,2026-02-17T07:33:34.071Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/775819c0-ea24-4ebf-bd3d-2916ead3f20d.mp3,https://cdn2.suno.ai/image_775819c0-ea24-4ebf-bd3d-2916ead3f20d.jpeg,https://cdn2.suno.ai/image_large_775819c0-ea24-4ebf-bd3d-2916ead3f20d.jpeg audio/de95ff8e-5bab-4e59-b76c-929a2dcdfae9.mp3,de95ff8e-5bab-4e59-b76c-929a2dcdfae9,"Trumpet Solo Only, Muted Harmon Mute Tone, Jazz Phrasing Slow And Expressive,...",v5,chirp-crow,complete,5.96,True,"key: Cm, tempo: 120, trumpet solo only, muted harmon mute tone, jazz phrasing slow and expressive, no drums no bass no accompaniment, dark minor key, vintage recording with room reverb, isolated solo instrument, short melodic phrases with space between",,,2026-02-17T07:32:32.951Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/de95ff8e-5bab-4e59-b76c-929a2dcdfae9.mp3,https://cdn2.suno.ai/image_de95ff8e-5bab-4e59-b76c-929a2dcdfae9.jpeg,https://cdn2.suno.ai/image_large_de95ff8e-5bab-4e59-b76c-929a2dcdfae9.jpeg audio/e92998a0-a497-44ef-8fe8-95d53d47618f.mp3,e92998a0-a497-44ef-8fe8-95d53d47618f,"Trumpet Solo Only, Muted Harmon Mute Tone, Jazz Phrasing Slow And Expressive,...",v5,chirp-crow,complete,13.48,True,"key: Cm, tempo: 120, trumpet solo only, muted harmon mute tone, jazz phrasing slow and expressive, no drums no bass no accompaniment, dark minor key, vintage recording with room reverb, isolated solo instrument, short melodic phrases with space between",,,2026-02-17T07:32:32.950Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e92998a0-a497-44ef-8fe8-95d53d47618f.mp3,https://cdn2.suno.ai/image_e92998a0-a497-44ef-8fe8-95d53d47618f.jpeg,https://cdn2.suno.ai/image_large_e92998a0-a497-44ef-8fe8-95d53d47618f.jpeg audio/779597b3-bb0e-4cf5-9b46-729ff00af176.mp3,779597b3-bb0e-4cf5-9b46-729ff00af176,"Female Vocal Chops Only, Soulful Short Phrases And Ad Libs Ooh Ah Yeah, No Be...",v5,chirp-crow,complete,4.96,True,"key: Cm, tempo: 120, female vocal chops only, soulful short phrases and ad libs ooh ah yeah, no beat no instruments, dry recording close mic, multiple vocal takes layered, RnB soul tone, isolated acapella, random phrases not a song",,,2026-02-17T07:31:49.131Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/779597b3-bb0e-4cf5-9b46-729ff00af176.mp3,https://cdn2.suno.ai/image_779597b3-bb0e-4cf5-9b46-729ff00af176.jpeg,https://cdn2.suno.ai/image_large_779597b3-bb0e-4cf5-9b46-729ff00af176.jpeg audio/70b6a96a-e0a7-4da6-a267-a25cc07ad7d3.mp3,70b6a96a-e0a7-4da6-a267-a25cc07ad7d3,"Female Vocal Chops Only, Soulful Short Phrases And Ad Libs Ooh Ah Yeah, No Be...",v5,chirp-crow,complete,5.96,True,"key: Cm, tempo: 120, female vocal chops only, soulful short phrases and ad libs ooh ah yeah, no beat no instruments, dry recording close mic, multiple vocal takes layered, RnB soul tone, isolated acapella, random phrases not a song",,,2026-02-17T07:31:49.131Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/70b6a96a-e0a7-4da6-a267-a25cc07ad7d3.mp3,https://cdn2.suno.ai/image_70b6a96a-e0a7-4da6-a267-a25cc07ad7d3.jpeg,https://cdn2.suno.ai/image_large_70b6a96a-e0a7-4da6-a267-a25cc07ad7d3.jpeg audio/75fbbf0c-3fe4-404c-9fc1-9d7581d020b7.mp3,75fbbf0c-3fe4-404c-9fc1-9d7581d020b7,"Electric Guitar Clean Only, Jazz Single Note Melody, 90bpm, Hollow Body Archt...",v5,chirp-crow,complete,8.48,True,"key: Cm, tempo: 120, electric guitar clean only, jazz single note melody, 90bpm, hollow body archtop warm tone, no drums no bass no other instruments, minor key, short melodic phrase looping 4 bars, vintage recording",,,2026-02-17T07:31:16.439Z,4,0,False,False,False,False,False,https://cdn1.suno.ai/75fbbf0c-3fe4-404c-9fc1-9d7581d020b7.mp3,https://cdn2.suno.ai/image_75fbbf0c-3fe4-404c-9fc1-9d7581d020b7.jpeg,https://cdn2.suno.ai/image_large_75fbbf0c-3fe4-404c-9fc1-9d7581d020b7.jpeg audio/fe3c473e-cb13-401a-92a6-e03987c27f00.mp3,fe3c473e-cb13-401a-92a6-e03987c27f00,"Electric Guitar Clean Only, Jazz Single Note Melody, 90bpm, Hollow Body Archt...",v5,chirp-crow,complete,4.04,True,"key: Cm, tempo: 120, electric guitar clean only, jazz single note melody, 90bpm, hollow body archtop warm tone, no drums no bass no other instruments, minor key, short melodic phrase looping 4 bars, vintage recording",,,2026-02-17T07:31:16.438Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/fe3c473e-cb13-401a-92a6-e03987c27f00.mp3,https://cdn2.suno.ai/image_fe3c473e-cb13-401a-92a6-e03987c27f00.jpeg,https://cdn2.suno.ai/image_large_fe3c473e-cb13-401a-92a6-e03987c27f00.jpeg audio/d454733d-8b3f-4ffe-8d77-412612c2b5bb.mp3,d454733d-8b3f-4ffe-8d77-412612c2b5bb,"Rhodes Electric Piano Only, Jazz Chords Minor 9ths And 7ths, Slow 85bpm, Two ...",v5,chirp-crow,complete,8.0,True,"key: Cm, tempo: 120, Rhodes electric piano only, jazz chords minor 9ths and 7ths, slow 85bpm, two chord loop repeating, warm vintage tone tremolo subtle, no drums no bass no other instruments, isolated keys, 4 bar loop, neo soul harmony feel",,,2026-02-17T07:30:44.679Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/d454733d-8b3f-4ffe-8d77-412612c2b5bb.mp3,https://cdn2.suno.ai/image_d454733d-8b3f-4ffe-8d77-412612c2b5bb.jpeg,https://cdn2.suno.ai/image_large_d454733d-8b3f-4ffe-8d77-412612c2b5bb.jpeg audio/03d34d62-925d-4247-a146-f0d331ca329c.mp3,03d34d62-925d-4247-a146-f0d331ca329c,"Rhodes Electric Piano Only, Jazz Chords Minor 9ths And 7ths, Slow 85bpm, Two ...",v5,chirp-crow,complete,5.48,True,"key: Cm, tempo: 120, Rhodes electric piano only, jazz chords minor 9ths and 7ths, slow 85bpm, two chord loop repeating, warm vintage tone tremolo subtle, no drums no bass no other instruments, isolated keys, 4 bar loop, neo soul harmony feel",,,2026-02-17T07:30:44.679Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/03d34d62-925d-4247-a146-f0d331ca329c.mp3,https://cdn2.suno.ai/image_03d34d62-925d-4247-a146-f0d331ca329c.jpeg,https://cdn2.suno.ai/image_large_03d34d62-925d-4247-a146-f0d331ca329c.jpeg audio/5d22345f-d018-490a-9a21-6df2270043bc.mp3,5d22345f-d018-490a-9a21-6df2270043bc,"Bass Guitar Only, Deep Funk Bassline Fingerstyle, 100bpm, Groovy Syncopated R...",v5,chirp-crow,complete,7.96,True,"key: Cm, tempo: 120, bass guitar only, deep funk bassline fingerstyle, 100bpm, groovy syncopated rhythm, warm analog recording, no drums no melody no other instruments, fat round tone, 4 bar loop repeating, isolated bass",,,2026-02-17T07:30:09.444Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/5d22345f-d018-490a-9a21-6df2270043bc.mp3,https://cdn2.suno.ai/image_5d22345f-d018-490a-9a21-6df2270043bc.jpeg,https://cdn2.suno.ai/image_large_5d22345f-d018-490a-9a21-6df2270043bc.jpeg audio/3c360721-d39a-4271-aa12-ed44d7b07b3c.mp3,3c360721-d39a-4271-aa12-ed44d7b07b3c,"Bass Guitar Only, Deep Funk Bassline Fingerstyle, 100bpm, Groovy Syncopated R...",v5,chirp-crow,complete,3.96,True,"key: Cm, tempo: 120, bass guitar only, deep funk bassline fingerstyle, 100bpm, groovy syncopated rhythm, warm analog recording, no drums no melody no other instruments, fat round tone, 4 bar loop repeating, isolated bass",,,2026-02-17T07:30:09.443Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/3c360721-d39a-4271-aa12-ed44d7b07b3c.mp3,https://cdn2.suno.ai/image_3c360721-d39a-4271-aa12-ed44d7b07b3c.jpeg,https://cdn2.suno.ai/image_large_3c360721-d39a-4271-aa12-ed44d7b07b3c.jpeg audio/84f81cf4-3d01-4032-874e-5e97c131e670.mp3,84f81cf4-3d01-4032-874e-5e97c131e670,"Dry Drum Break Only, Acoustic Drum Kit, Funky Breakbeat 95bpm, Heavy Swing Fe...",v5,chirp-crow,complete,7.68,True,"key: Cm, tempo: 120, dry drum break only, acoustic drum kit, funky breakbeat 95bpm, heavy swing feel, kick snare hi-hat ride, no bass no melody no other instruments, lo-fi vinyl recording warm, drummer playing live feel human groove, room mic ambience, 4 bar loop repeating",,,2026-02-17T07:29:30.728Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/84f81cf4-3d01-4032-874e-5e97c131e670.mp3,https://cdn2.suno.ai/image_84f81cf4-3d01-4032-874e-5e97c131e670.jpeg,https://cdn2.suno.ai/image_large_84f81cf4-3d01-4032-874e-5e97c131e670.jpeg audio/ad1bfc28-2df0-4461-9b9c-c216c8764660.mp3,ad1bfc28-2df0-4461-9b9c-c216c8764660,"Dry Drum Break Only, Acoustic Drum Kit, Funky Breakbeat 95bpm, Heavy Swing Fe...",v5,chirp-crow,complete,3.96,True,"key: Cm, tempo: 120, dry drum break only, acoustic drum kit, funky breakbeat 95bpm, heavy swing feel, kick snare hi-hat ride, no bass no melody no other instruments, lo-fi vinyl recording warm, drummer playing live feel human groove, room mic ambience, 4 bar loop repeating",,,2026-02-17T07:29:30.728Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ad1bfc28-2df0-4461-9b9c-c216c8764660.mp3,https://cdn2.suno.ai/image_ad1bfc28-2df0-4461-9b9c-c216c8764660.jpeg,https://cdn2.suno.ai/image_large_ad1bfc28-2df0-4461-9b9c-c216c8764660.jpeg audio/9f754529-7a1d-47b5-bc71-b192e352d02d.mp3,9f754529-7a1d-47b5-bc71-b192e352d02d,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bars",v5,chirp-crow,complete,7.96,True,"key: Cm, tempo: 120, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BARS",,,2026-02-17T07:28:37.271Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/9f754529-7a1d-47b5-bc71-b192e352d02d.mp3,https://cdn2.suno.ai/image_9f754529-7a1d-47b5-bc71-b192e352d02d.jpeg,https://cdn2.suno.ai/image_large_9f754529-7a1d-47b5-bc71-b192e352d02d.jpeg audio/76df92b4-89da-47b6-91f4-29560397fcae.mp3,76df92b4-89da-47b6-91f4-29560397fcae,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bars",v5,chirp-crow,complete,3.96,True,"key: Cm, tempo: 120, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BARS",,,2026-02-17T07:28:37.271Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/76df92b4-89da-47b6-91f4-29560397fcae.mp3,https://cdn2.suno.ai/image_76df92b4-89da-47b6-91f4-29560397fcae.jpeg,https://cdn2.suno.ai/image_large_76df92b4-89da-47b6-91f4-29560397fcae.jpeg audio/bcbde267-5206-4cf0-8550-c92ddfafe5ec.mp3,bcbde267-5206-4cf0-8550-c92ddfafe5ec,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bars",v5,chirp-crow,complete,7.96,True,"key: Cm, tempo: 120, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BARS",,,2026-02-17T07:27:32.649Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/bcbde267-5206-4cf0-8550-c92ddfafe5ec.mp3,https://cdn2.suno.ai/image_bcbde267-5206-4cf0-8550-c92ddfafe5ec.jpeg,https://cdn2.suno.ai/image_large_bcbde267-5206-4cf0-8550-c92ddfafe5ec.jpeg audio/982445ba-d34d-434c-b00d-30f5e209ea6d.mp3,982445ba-d34d-434c-b00d-30f5e209ea6d,"Minor 9 Chords Rhodes, Vinyl Sound, Crackle. 16 Bars",v5,chirp-crow,complete,9.96,True,"key: Cm, tempo: 120, MINOR 9 CHORDS RHODES, VINYL SOUND, CRACKLE. 16 BARS",,,2026-02-17T07:27:32.649Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/982445ba-d34d-434c-b00d-30f5e209ea6d.mp3,https://cdn2.suno.ai/image_982445ba-d34d-434c-b00d-30f5e209ea6d.jpeg,https://cdn2.suno.ai/image_large_982445ba-d34d-434c-b00d-30f5e209ea6d.jpeg audio/bd794865-740e-46b0-a400-454fa4dabedc.mp3,bd794865-740e-46b0-a400-454fa4dabedc,,v5,chirp-crow,complete,311.12,True,"psytrance full on, four to the floor kick hard punchy, tempo 145bpm, acid bassline 303 rolling 16th notes constantly morphing twisting with resonant filter cutoff moving, bass squelching evolving mutating every 4 bars new pattern, hi-hats 16th notes constant driving, long build sections filter opening slowly over 32 bars then full drop, alien synth textures appearing disappearing with flanger and phaser, delay feedback building into chaos then cutting clean, cosmic atmospheric pads wide stereo, no conventional melody synth sequences that evolve and transform like living organisms, riser effects building tension long sweeps upward, psychedelic stereo effects panning rotating, clap reverb on 2 and 4, structure is journey not song 8 minute progressive build, Goa trance influence organic and mechanical simultaneously, forest dark psytrance twisted sounds, glitch percussion accents, one vocal sample short processed with delay alien voice, hypnotic relentless driving forward motion never sto",,,2026-02-16T06:01:15.880Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/bd794865-740e-46b0-a400-454fa4dabedc.mp3,https://cdn2.suno.ai/image_bd794865-740e-46b0-a400-454fa4dabedc.jpeg,https://cdn2.suno.ai/image_large_bd794865-740e-46b0-a400-454fa4dabedc.jpeg audio/cd68a399-f932-444f-a50e-320b6aee1666.mp3,cd68a399-f932-444f-a50e-320b6aee1666,,v5,chirp-crow,complete,350.84,True,"psytrance full on, four to the floor kick hard punchy, tempo 145bpm, acid bassline 303 rolling 16th notes constantly morphing twisting with resonant filter cutoff moving, bass squelching evolving mutating every 4 bars new pattern, hi-hats 16th notes constant driving, long build sections filter opening slowly over 32 bars then full drop, alien synth textures appearing disappearing with flanger and phaser, delay feedback building into chaos then cutting clean, cosmic atmospheric pads wide stereo, no conventional melody synth sequences that evolve and transform like living organisms, riser effects building tension long sweeps upward, psychedelic stereo effects panning rotating, clap reverb on 2 and 4, structure is journey not song 8 minute progressive build, Goa trance influence organic and mechanical simultaneously, forest dark psytrance twisted sounds, glitch percussion accents, one vocal sample short processed with delay alien voice, hypnotic relentless driving forward motion never sto",,,2026-02-16T06:01:15.880Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/cd68a399-f932-444f-a50e-320b6aee1666.mp3,https://cdn2.suno.ai/image_cd68a399-f932-444f-a50e-320b6aee1666.jpeg,https://cdn2.suno.ai/image_large_cd68a399-f932-444f-a50e-320b6aee1666.jpeg audio/ad3f13f5-844e-4753-832f-925a98a5a967.mp3,ad3f13f5-844e-4753-832f-925a98a5a967,,v5,chirp-crow,complete,227.88,True,"industrial techno Berlin, distorted hard kick drum dominant, tempo 136bpm, metallic percussion hits chains and anvil sounds, acid bassline 303 distorted squelching, hi-hats sharp cutting metallic, reverb huge concrete warehouse space, noise texture harsh white static bursts, clap distorted loud, no melody no harmony no chords, only rhythm and texture, dark oppressive relentless, machinery sounds grinding mechanical, build by adding layers of percussion, kick never stops four to the floor punishing, filter sweep on acid bass slowly opening, sub bass rumbling underneath constant, no vocals, no breakdown no pause no relief, concrete and steel atmosphere, 5AM Berghain pitch black room, analog distortion tape saturation heavy, brutal and hypnotic simultaneously",,,2026-02-16T05:58:17.469Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/ad3f13f5-844e-4753-832f-925a98a5a967.mp3,https://cdn2.suno.ai/image_ad3f13f5-844e-4753-832f-925a98a5a967.jpeg,https://cdn2.suno.ai/image_large_ad3f13f5-844e-4753-832f-925a98a5a967.jpeg audio/1709a6a2-3764-4e15-999a-b8e5de5d24e7.mp3,1709a6a2-3764-4e15-999a-b8e5de5d24e7,,v5,chirp-crow,complete,214.84,True,"industrial techno Berlin, distorted hard kick drum dominant, tempo 136bpm, metallic percussion hits chains and anvil sounds, acid bassline 303 distorted squelching, hi-hats sharp cutting metallic, reverb huge concrete warehouse space, noise texture harsh white static bursts, clap distorted loud, no melody no harmony no chords, only rhythm and texture, dark oppressive relentless, machinery sounds grinding mechanical, build by adding layers of percussion, kick never stops four to the floor punishing, filter sweep on acid bass slowly opening, sub bass rumbling underneath constant, no vocals, no breakdown no pause no relief, concrete and steel atmosphere, 5AM Berghain pitch black room, analog distortion tape saturation heavy, brutal and hypnotic simultaneously",,,2026-02-16T05:58:17.469Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/1709a6a2-3764-4e15-999a-b8e5de5d24e7.mp3,https://cdn2.suno.ai/image_1709a6a2-3764-4e15-999a-b8e5de5d24e7.jpeg,https://cdn2.suno.ai/image_large_1709a6a2-3764-4e15-999a-b8e5de5d24e7.jpeg audio/f4551a98-9211-4b73-ae2e-c5b78f476fe5.mp3,f4551a98-9211-4b73-ae2e-c5b78f476fe5,,v5,chirp-crow,complete,347.92,True,"ambient drone, NO DRUMS NO BEAT NO RHYTHM NO PERCUSSION, slow evolving synth pads layered, deep bass drone humming constant, reverb infinite tails overlapping, field recording distant water and wind subtle, granular synthesis textures floating, tempo NONE freeform, detuned piano single notes with long sustain and heavy reverb appearing and disappearing, frequencies shifting slowly over minutes, tape degradation warble subtle, binaural stereo movement sounds panning left to right slowly, harmonic overtones ringing, glass and metal resonance textures, meditative spacious vast empty landscape, Brian Eno Music For Airports feeling, each sound separated by silence, nothing rushed, cold and beautiful, 8 minutes long evolving piece",,,2026-02-16T05:56:42.818Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f4551a98-9211-4b73-ae2e-c5b78f476fe5.mp3,https://cdn2.suno.ai/image_f4551a98-9211-4b73-ae2e-c5b78f476fe5.jpeg,https://cdn2.suno.ai/image_large_f4551a98-9211-4b73-ae2e-c5b78f476fe5.jpeg audio/1d4e3da7-4b5c-4cd1-bbfc-e13aefec0a13.mp3,1d4e3da7-4b5c-4cd1-bbfc-e13aefec0a13,,v5,chirp-crow,complete,302.24,True,"ambient drone, NO DRUMS NO BEAT NO RHYTHM NO PERCUSSION, slow evolving synth pads layered, deep bass drone humming constant, reverb infinite tails overlapping, field recording distant water and wind subtle, granular synthesis textures floating, tempo NONE freeform, detuned piano single notes with long sustain and heavy reverb appearing and disappearing, frequencies shifting slowly over minutes, tape degradation warble subtle, binaural stereo movement sounds panning left to right slowly, harmonic overtones ringing, glass and metal resonance textures, meditative spacious vast empty landscape, Brian Eno Music For Airports feeling, each sound separated by silence, nothing rushed, cold and beautiful, 8 minutes long evolving piece",,,2026-02-16T05:56:42.818Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/1d4e3da7-4b5c-4cd1-bbfc-e13aefec0a13.mp3,https://cdn2.suno.ai/image_1d4e3da7-4b5c-4cd1-bbfc-e13aefec0a13.jpeg,https://cdn2.suno.ai/image_large_1d4e3da7-4b5c-4cd1-bbfc-e13aefec0a13.jpeg audio/fa5b3b41-9754-4553-b085-19bb25e3d821.mp3,fa5b3b41-9754-4553-b085-19bb25e3d821,,v5,chirp-crow,complete,261.48,True,"jungle drum and bass 1994, chopped breakbeats Amen break fast and complex, tempo 172bpm, massive deep sub bass reese bass distorted growling, bass moves slow underneath fast breaks contrast, ragga vocal sample chopped male voice pitched up and down, dark atmospheric pads, reverb on snare hits, jungle pirate radio London sound, breaks cut and rearranged stuttering rolling, sub bass shaking speakers, dark minor key, hoover synth stab, echo delay on vocal chops, vinyl crackle texture, lo-fi analog warmth, build with breaks getting more complex and chopped, no four to the floor, breakbeat only, raw underground rave energy, 1993 London warehouse",,,2026-02-16T05:54:12.974Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fa5b3b41-9754-4553-b085-19bb25e3d821.mp3,https://cdn2.suno.ai/image_fa5b3b41-9754-4553-b085-19bb25e3d821.jpeg,https://cdn2.suno.ai/image_large_fa5b3b41-9754-4553-b085-19bb25e3d821.jpeg audio/063dcebc-3304-4a1e-9f6f-d1712dd9b8d8.mp3,063dcebc-3304-4a1e-9f6f-d1712dd9b8d8,,v5,chirp-crow,complete,226.64,True,"jungle drum and bass 1994, chopped breakbeats Amen break fast and complex, tempo 172bpm, massive deep sub bass reese bass distorted growling, bass moves slow underneath fast breaks contrast, ragga vocal sample chopped male voice pitched up and down, dark atmospheric pads, reverb on snare hits, jungle pirate radio London sound, breaks cut and rearranged stuttering rolling, sub bass shaking speakers, dark minor key, hoover synth stab, echo delay on vocal chops, vinyl crackle texture, lo-fi analog warmth, build with breaks getting more complex and chopped, no four to the floor, breakbeat only, raw underground rave energy, 1993 London warehouse",,,2026-02-16T05:54:12.974Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/063dcebc-3304-4a1e-9f6f-d1712dd9b8d8.mp3,https://cdn2.suno.ai/image_063dcebc-3304-4a1e-9f6f-d1712dd9b8d8.jpeg,https://cdn2.suno.ai/image_large_063dcebc-3304-4a1e-9f6f-d1712dd9b8d8.jpeg audio/ca07b015-9921-4cbf-8023-33848826bfe2.mp3,ca07b015-9921-4cbf-8023-33848826bfe2,,v5,chirp-crow,complete,361.64,False,"Chicago warehouse house 1993, four to the floor 909 kick deep warm punch, heavy sidechain compression pumping on every beat, shuffled hi-hats tight swing groove, deep sub bass two note loop rolling hypnotic, solo female vocal dark skin deep house diva thick heavy voice belting soulful powerful high notes, alto range chest voice raspy warm passionate intense, vocal ad libs house cries ooh yeah ah between phrases, singing full power hitting peaks raw and unpolished, gospel church upbringing tone learned to sing in sunday service, piano two chord loop i minor to iv minor repeating whole track Rhodes tone warm keys, organ stab single chord accent on offbeat, congas and shaker live percussion feel human groove, rim click subtle, tempo 123bpm, underground warehouse rave 4AM dark room, vocal dry close mic loud dominant in the mix above everything, minimal arrangement same loop entire song hypnotic obsessive repetitive, dark sweaty dancefloor bodies moving, lo-fi analog recording warm tape sat",,"[Intro - groove rides, no voice, 16 bars] [Verse 1] I know what you did I know what you did When the lights went down I know what you did Said I know baby I know what you did [Hook - belting] But I'm still here Ooh I'm still here Look at me baby Still here still here After everything Still here I'm still right here [Verse 2] You think I'm stupid You think I'm stupid Nah I just love hard Love hard love hard You think I'm stupid baby Nah I just stayed too long [Hook] But I'm still here Ooh I'm still here Look at me Still here still here After everything Still here God help me I'm still here [Breakdown - kick and bass only] Staying ain't weakness Staying is the heaviest thing A woman can carry Heavier than leaving Heavier than anything Ask any woman who stayed She'll tell you Leaving is light Staying is the work [Build - congas organ rising] [Hook - full power house cries] STILL HERE Ooh ooh I'm still here baby After the lies Still here After the silence Still here After all of it STILL HERE [Verse 3 - slower delivery same words] I know what you did I know what you did And I'm still here And that's the part That should scare you [Outro - looping into fade] Still here Still here Still here Mm mm Still here [beat rides out alone 16 bars]",2026-02-16T05:47:55.798Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/ca07b015-9921-4cbf-8023-33848826bfe2.mp3,https://cdn2.suno.ai/image_ca07b015-9921-4cbf-8023-33848826bfe2.jpeg,https://cdn2.suno.ai/image_large_ca07b015-9921-4cbf-8023-33848826bfe2.jpeg audio/942a9b24-8c5b-4ee3-ad27-b175bff66ef9.mp3,942a9b24-8c5b-4ee3-ad27-b175bff66ef9,,v5,chirp-crow,complete,249.44,False,"Chicago warehouse house 1993, four to the floor 909 kick deep warm punch, heavy sidechain compression pumping on every beat, shuffled hi-hats tight swing groove, deep sub bass two note loop rolling hypnotic, solo female vocal dark skin deep house diva thick heavy voice belting soulful powerful high notes, alto range chest voice raspy warm passionate intense, vocal ad libs house cries ooh yeah ah between phrases, singing full power hitting peaks raw and unpolished, gospel church upbringing tone learned to sing in sunday service, piano two chord loop i minor to iv minor repeating whole track Rhodes tone warm keys, organ stab single chord accent on offbeat, congas and shaker live percussion feel human groove, rim click subtle, tempo 123bpm, underground warehouse rave 4AM dark room, vocal dry close mic loud dominant in the mix above everything, minimal arrangement same loop entire song hypnotic obsessive repetitive, dark sweaty dancefloor bodies moving, lo-fi analog recording warm tape sat",,"[Intro - groove rides, no voice, 16 bars] [Verse 1] I know what you did I know what you did When the lights went down I know what you did Said I know baby I know what you did [Hook - belting] But I'm still here Ooh I'm still here Look at me baby Still here still here After everything Still here I'm still right here [Verse 2] You think I'm stupid You think I'm stupid Nah I just love hard Love hard love hard You think I'm stupid baby Nah I just stayed too long [Hook] But I'm still here Ooh I'm still here Look at me Still here still here After everything Still here God help me I'm still here [Breakdown - kick and bass only] Staying ain't weakness Staying is the heaviest thing A woman can carry Heavier than leaving Heavier than anything Ask any woman who stayed She'll tell you Leaving is light Staying is the work [Build - congas organ rising] [Hook - full power house cries] STILL HERE Ooh ooh I'm still here baby After the lies Still here After the silence Still here After all of it STILL HERE [Verse 3 - slower delivery same words] I know what you did I know what you did And I'm still here And that's the part That should scare you [Outro - looping into fade] Still here Still here Still here Mm mm Still here [beat rides out alone 16 bars]",2026-02-16T05:47:55.798Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/942a9b24-8c5b-4ee3-ad27-b175bff66ef9.mp3,https://cdn2.suno.ai/image_942a9b24-8c5b-4ee3-ad27-b175bff66ef9.jpeg,https://cdn2.suno.ai/image_large_942a9b24-8c5b-4ee3-ad27-b175bff66ef9.jpeg audio/89c6b531-3d35-4051-998b-58d77bf2f677.mp3,89c6b531-3d35-4051-998b-58d77bf2f677,,v5,chirp-crow,complete,278.24,False,"Chicago warehouse house 1993, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass two note loop, solo female vocal house diva belting soulful powerful high notes, thick raspy warm voice passionate intense, vocal ad libs and house cries between phrases, singing with full chest hitting high notes raw and powerful, Barbarah Tuckr Robyn Ess style house vocal, piano two chord loop i minor to iv minor repeating whole track, organ stab, congas live percussion, tempo 123bpm, underground warehouse rave, vocal dry close mic loud in the mix, minimal same loop entire song hypnotic repetitive, dark sweaty dancefloor, lo-fi analog recording quality",,"[Intro - no voice, just groove, 16 bars] [Verse 1] You left the door open You left the door open And I walked out I walked out You left the door open baby And I walked out [Hook - belting, ad libs between repeats] Can't save me no more Ooh can't save me no more Said you can't save me Can't save me no more No more no more Can't save me no more [Verse 2] I been good too long I been good too long Good for you good for them Good too long Said I been good too long baby And good don't work no more [Hook] Can't save me no more Ooh can't save me no more Said you can't save me Can't save me no more No more no more Can't save me no more [Breakdown - just kick and bass, spoken over groove] You know what freedom taste like It taste like three AM Walking barefoot on concrete Not going nowhere Just going [Build - congas come in, organ swells] [Hook - full belt, high notes, house cries] CAN'T SAVE ME Ooh ooh Can't save me no more I said you can't save me no more baby No more No more NO MORE [Verse 3 - same words, different delivery, tired now] You left the door open You left the door open And this time This time I walked out I walked out And I ain't coming back through it [Hook - looping into fade] Can't save me no more Can't save me no more Can't save me No more No more [groove continues, voice fades, beat rides out 16 bars]",2026-02-16T05:40:05.760Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/89c6b531-3d35-4051-998b-58d77bf2f677.mp3,https://cdn2.suno.ai/image_89c6b531-3d35-4051-998b-58d77bf2f677.jpeg,https://cdn2.suno.ai/image_large_89c6b531-3d35-4051-998b-58d77bf2f677.jpeg audio/eed1a48f-6c8c-4b06-a2ab-77e632cee1ec.mp3,eed1a48f-6c8c-4b06-a2ab-77e632cee1ec,,v5,chirp-crow,complete,318.96,False,"Chicago warehouse house 1993, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass two note loop, solo female vocal house diva belting soulful powerful high notes, thick raspy warm voice passionate intense, vocal ad libs and house cries between phrases, singing with full chest hitting high notes raw and powerful, Barbarah Tuckr Robyn Ess style house vocal, piano two chord loop i minor to iv minor repeating whole track, organ stab, congas live percussion, tempo 123bpm, underground warehouse rave, vocal dry close mic loud in the mix, minimal same loop entire song hypnotic repetitive, dark sweaty dancefloor, lo-fi analog recording quality",,"[Intro - no voice, just groove, 16 bars] [Verse 1] You left the door open You left the door open And I walked out I walked out You left the door open baby And I walked out [Hook - belting, ad libs between repeats] Can't save me no more Ooh can't save me no more Said you can't save me Can't save me no more No more no more Can't save me no more [Verse 2] I been good too long I been good too long Good for you good for them Good too long Said I been good too long baby And good don't work no more [Hook] Can't save me no more Ooh can't save me no more Said you can't save me Can't save me no more No more no more Can't save me no more [Breakdown - just kick and bass, spoken over groove] You know what freedom taste like It taste like three AM Walking barefoot on concrete Not going nowhere Just going [Build - congas come in, organ swells] [Hook - full belt, high notes, house cries] CAN'T SAVE ME Ooh ooh Can't save me no more I said you can't save me no more baby No more No more NO MORE [Verse 3 - same words, different delivery, tired now] You left the door open You left the door open And this time This time I walked out I walked out And I ain't coming back through it [Hook - looping into fade] Can't save me no more Can't save me no more Can't save me No more No more [groove continues, voice fades, beat rides out 16 bars]",2026-02-16T05:40:05.760Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/eed1a48f-6c8c-4b06-a2ab-77e632cee1ec.mp3,https://cdn2.suno.ai/image_eed1a48f-6c8c-4b06-a2ab-77e632cee1ec.jpeg,https://cdn2.suno.ai/image_large_eed1a48f-6c8c-4b06-a2ab-77e632cee1ec.jpeg audio/39445906-9a1e-44c1-836c-325b4c8e1bb8.mp3,39445906-9a1e-44c1-836c-325b4c8e1bb8,,v5,chirp-crow,complete,299.48,False,"Chicago warehouse house 1993, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass two note loop, solo female vocal Barbarah Tuckr Robyn Ess style screaming shouting preaching over the beat, gritty hoarse raspy thick throaty house diva, voice cracking yelling like a sermon, piano two chord loop i minor to iv minor repeating whole track, organ stab, congas live percussion, tempo 123bpm, underground warehouse rave, vocal dry raw close mic loud in the mix, spoken word between shouts, minimal same loop entire song hypnotic repetitive, dark sweaty dancefloor, lo-fi analog recording quality",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:36:08.112Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/39445906-9a1e-44c1-836c-325b4c8e1bb8.mp3,https://cdn2.suno.ai/image_39445906-9a1e-44c1-836c-325b4c8e1bb8.jpeg,https://cdn2.suno.ai/image_large_39445906-9a1e-44c1-836c-325b4c8e1bb8.jpeg audio/adf57ed4-61fb-44dc-8699-8de2988626d1.mp3,adf57ed4-61fb-44dc-8699-8de2988626d1,,v5,chirp-crow,complete,264.72,False,"Chicago warehouse house 1993, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass two note loop, solo female vocal Barbarah Tuckr Robyn Ess style screaming shouting preaching over the beat, gritty hoarse raspy thick throaty house diva, voice cracking yelling like a sermon, piano two chord loop i minor to iv minor repeating whole track, organ stab, congas live percussion, tempo 123bpm, underground warehouse rave, vocal dry raw close mic loud in the mix, spoken word between shouts, minimal same loop entire song hypnotic repetitive, dark sweaty dancefloor, lo-fi analog recording quality",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:36:08.112Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/adf57ed4-61fb-44dc-8699-8de2988626d1.mp3,https://cdn2.suno.ai/image_adf57ed4-61fb-44dc-8699-8de2988626d1.jpeg,https://cdn2.suno.ai/image_large_adf57ed4-61fb-44dc-8699-8de2988626d1.jpeg audio/66174893-b7fe-48ce-8644-90500be59599.mp3,66174893-b7fe-48ce-8644-90500be59599,,v5,chirp-crow,complete,317.84,False,"deep house Chicago, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass two note loop, solo female vocal deep soulful black voice SHOUTING SCREAMING not singing, raw house diva voice aggressive gritty hoarse raspy yelling over the beat, voice like preaching in a burning church, african american vocal tone thick warm throaty, NOT pop NOT clean NOT soft NOT ballad NOT white voice, piano two chord loop i minor to iv minor repeating entire track hypnotic, NO chord changes NO jazz harmony just two chords looping, dark minor key groove, organ stab single note accent, congas live percussion, tempo 123bpm, classic 90s underground house warehouse, vocal dry raw no reverb, spoken word sections between shouted phrases, house not RnB not pop, the vocal fights the beat, minimal arrangement same loop whole song, monotone harmony repetitive obsessive...vocal style like Barbarah Tuckr and Robyn Ess raw screaming house diva..",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:32:28.563Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/66174893-b7fe-48ce-8644-90500be59599.mp3,https://cdn2.suno.ai/image_66174893-b7fe-48ce-8644-90500be59599.jpeg,https://cdn2.suno.ai/image_large_66174893-b7fe-48ce-8644-90500be59599.jpeg audio/18748415-6e0b-4404-8af7-bd5118251e02.mp3,18748415-6e0b-4404-8af7-bd5118251e02,,v5,chirp-crow,complete,321.36,False,"deep house Chicago, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass two note loop, solo female vocal deep soulful black voice SHOUTING SCREAMING not singing, raw house diva voice aggressive gritty hoarse raspy yelling over the beat, voice like preaching in a burning church, african american vocal tone thick warm throaty, NOT pop NOT clean NOT soft NOT ballad NOT white voice, piano two chord loop i minor to iv minor repeating entire track hypnotic, NO chord changes NO jazz harmony just two chords looping, dark minor key groove, organ stab single note accent, congas live percussion, tempo 123bpm, classic 90s underground house warehouse, vocal dry raw no reverb, spoken word sections between shouted phrases, house not RnB not pop, the vocal fights the beat, minimal arrangement same loop whole song, monotone harmony repetitive obsessive...vocal style like Barbarah Tuckr and Robyn Ess raw screaming house diva..",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:32:28.563Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/18748415-6e0b-4404-8af7-bd5118251e02.mp3,https://cdn2.suno.ai/image_18748415-6e0b-4404-8af7-bd5118251e02.jpeg,https://cdn2.suno.ai/image_large_18748415-6e0b-4404-8af7-bd5118251e02.jpeg audio/00aa7f86-2bd6-4250-9d24-8b646992c93c.mp3,00aa7f86-2bd6-4250-9d24-8b646992c93c,,v5,chirp-crow,complete,327.4,False,"deep house Chicago, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass two note loop, solo female vocal deep soulful black voice SHOUTING SCREAMING not singing, raw house diva voice aggressive gritty hoarse raspy yelling over the beat, voice like preaching in a burning church, african american vocal tone thick warm throaty, NOT pop NOT clean NOT soft NOT ballad NOT white voice, piano two chord loop i minor to iv minor repeating entire track hypnotic, NO chord changes NO jazz harmony just two chords looping, dark minor key groove, organ stab single note accent, congas live percussion, tempo 123bpm, classic 90s underground house warehouse, vocal dry raw no reverb, spoken word sections between shouted phrases, house not RnB not pop, the vocal fights the beat, minimal arrangement same loop whole song, monotone harmony repetitive obsessive",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:29:06.451Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/00aa7f86-2bd6-4250-9d24-8b646992c93c.mp3,https://cdn2.suno.ai/image_00aa7f86-2bd6-4250-9d24-8b646992c93c.jpeg,https://cdn2.suno.ai/image_large_00aa7f86-2bd6-4250-9d24-8b646992c93c.jpeg audio/e0abcc2b-2471-4683-bdf4-55310bbfe971.mp3,e0abcc2b-2471-4683-bdf4-55310bbfe971,,v5,chirp-crow,complete,329.0,False,"deep house Chicago, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass two note loop, solo female vocal deep soulful black voice SHOUTING SCREAMING not singing, raw house diva voice aggressive gritty hoarse raspy yelling over the beat, voice like preaching in a burning church, african american vocal tone thick warm throaty, NOT pop NOT clean NOT soft NOT ballad NOT white voice, piano two chord loop i minor to iv minor repeating entire track hypnotic, NO chord changes NO jazz harmony just two chords looping, dark minor key groove, organ stab single note accent, congas live percussion, tempo 123bpm, classic 90s underground house warehouse, vocal dry raw no reverb, spoken word sections between shouted phrases, house not RnB not pop, the vocal fights the beat, minimal arrangement same loop whole song, monotone harmony repetitive obsessive",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:29:06.451Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/e0abcc2b-2471-4683-bdf4-55310bbfe971.mp3,https://cdn2.suno.ai/image_e0abcc2b-2471-4683-bdf4-55310bbfe971.jpeg,https://cdn2.suno.ai/image_large_e0abcc2b-2471-4683-bdf4-55310bbfe971.jpeg audio/f71cb63c-03d0-471c-a5b6-70e6b6ee92f5.mp3,f71cb63c-03d0-471c-a5b6-70e6b6ee92f5,,v5,chirp-crow,complete,297.76,False,"deep house Chicago, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass groove, solo female vocal SHOUTING SCREAMING not singing, raw house diva voice aggressive gritty hoarse yelling over the beat, voice like preaching in a burning church, NOT pop NOT clean NOT soft NOT ballad, jazz piano chords 7ths 9ths moving progression, minor key dark groovy, organ stabs short, congas live percussion, tempo 123bpm, classic 90s underground house, vocal completely dry raw no reverb no effects, spoken word sections between shouted phrases, house not RnB not pop, the vocal fights the beat not rides it",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:27:23.920Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/f71cb63c-03d0-471c-a5b6-70e6b6ee92f5.mp3,https://cdn2.suno.ai/image_f71cb63c-03d0-471c-a5b6-70e6b6ee92f5.jpeg,https://cdn2.suno.ai/image_large_f71cb63c-03d0-471c-a5b6-70e6b6ee92f5.jpeg audio/7c052749-d821-44b3-b1fe-1e7ab40e667e.mp3,7c052749-d821-44b3-b1fe-1e7ab40e667e,,v5,chirp-crow,complete,272.24,False,"deep house Chicago, four to the floor 909 kick, sidechain pump, shuffled hi-hats, deep sub bass groove, solo female vocal SHOUTING SCREAMING not singing, raw house diva voice aggressive gritty hoarse yelling over the beat, voice like preaching in a burning church, NOT pop NOT clean NOT soft NOT ballad, jazz piano chords 7ths 9ths moving progression, minor key dark groovy, organ stabs short, congas live percussion, tempo 123bpm, classic 90s underground house, vocal completely dry raw no reverb no effects, spoken word sections between shouted phrases, house not RnB not pop, the vocal fights the beat not rides it",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:27:23.920Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/7c052749-d821-44b3-b1fe-1e7ab40e667e.mp3,https://cdn2.suno.ai/image_7c052749-d821-44b3-b1fe-1e7ab40e667e.jpeg,https://cdn2.suno.ai/image_large_7c052749-d821-44b3-b1fe-1e7ab40e667e.jpeg audio/1bb150e1-00bf-4ee4-a5f6-3d59c168a59b.mp3,1bb150e1-00bf-4ee4-a5f6-3d59c168a59b,,v5,chirp-crow,complete,352.04,False,"deep house minimal, four to the floor kick warm, heavy sidechain pump hypnotic, shuffled hi-hats swing, deep sub bass one note loop, solo female vocal raspy hoarse gritty tone like crying screaming raw throaty hurt, NO CLEAN VOCAL NO POLISHED NO POP SINGING, voice cracking breaking shouting pleading, blues singer tone rough scratchy weathered, chest voice only NO FALSETTO NO RUNS NO MELISMA, vocal tone like smoker voice aged rough destroyed beautiful, Rhodes one chord looping, minimal repetitive hypnotic, tempo 122bpm, congas subtle, dark stripped back, one synth pad evolving, handclap dry, underground deep house 4AM empty club, analog warm saturated, vocal dry close mic no reverb raw exposed",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:25:20.557Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/1bb150e1-00bf-4ee4-a5f6-3d59c168a59b.mp3,https://cdn2.suno.ai/image_1bb150e1-00bf-4ee4-a5f6-3d59c168a59b.jpeg,https://cdn2.suno.ai/image_large_1bb150e1-00bf-4ee4-a5f6-3d59c168a59b.jpeg audio/083eeeaf-89da-4338-ae4d-4c15f185e023.mp3,083eeeaf-89da-4338-ae4d-4c15f185e023,,v5,chirp-crow,complete,379.52,False,"deep house minimal, four to the floor kick warm, heavy sidechain pump hypnotic, shuffled hi-hats swing, deep sub bass one note loop, solo female vocal raspy hoarse gritty tone like crying screaming raw throaty hurt, NO CLEAN VOCAL NO POLISHED NO POP SINGING, voice cracking breaking shouting pleading, blues singer tone rough scratchy weathered, chest voice only NO FALSETTO NO RUNS NO MELISMA, vocal tone like smoker voice aged rough destroyed beautiful, Rhodes one chord looping, minimal repetitive hypnotic, tempo 122bpm, congas subtle, dark stripped back, one synth pad evolving, handclap dry, underground deep house 4AM empty club, analog warm saturated, vocal dry close mic no reverb raw exposed",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:25:20.557Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/083eeeaf-89da-4338-ae4d-4c15f185e023.mp3,https://cdn2.suno.ai/image_083eeeaf-89da-4338-ae4d-4c15f185e023.jpeg,https://cdn2.suno.ai/image_large_083eeeaf-89da-4338-ae4d-4c15f185e023.jpeg audio/59dffa6e-3b38-4dae-84c0-5e12f1282e33.mp3,59dffa6e-3b38-4dae-84c0-5e12f1282e33,,v5,chirp-crow,complete,397.0,False,"deep house minimal, four to the floor kick warm low end, heavy sidechain pumping hypnotic, shuffled hi-hats tight swing, deep rolling sub bass one note repeating, single female vocal raw powerful black voice singing like in pain desperate emotional, NO CHOIR NO GOSPEL NO BACKING VOCALS just one voice alone, Rhodes electric piano one chord progression looping entire song, minimal arrangement repetitive hypnotic, tempo 122bpm, congas subtle percussion loop, one synth pad dark evolving slowly, bass guitar riff two notes repeating, handclap dry on offbeat, classic deep house underground 4AM feeling, empty club atmosphere, analog warm saturated mix, vocal completely exposed naked in the mix dry close, the track loops and builds by adding one element at a time, dark emotional stripped back, house not pop",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:21:39.913Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/59dffa6e-3b38-4dae-84c0-5e12f1282e33.mp3,https://cdn2.suno.ai/image_59dffa6e-3b38-4dae-84c0-5e12f1282e33.jpeg,https://cdn2.suno.ai/image_large_59dffa6e-3b38-4dae-84c0-5e12f1282e33.jpeg audio/92611299-c896-4a05-a344-261469920d67.mp3,92611299-c896-4a05-a344-261469920d67,,v5,chirp-crow,complete,392.24,False,"deep house minimal, four to the floor kick warm low end, heavy sidechain pumping hypnotic, shuffled hi-hats tight swing, deep rolling sub bass one note repeating, single female vocal raw powerful black voice singing like in pain desperate emotional, NO CHOIR NO GOSPEL NO BACKING VOCALS just one voice alone, Rhodes electric piano one chord progression looping entire song, minimal arrangement repetitive hypnotic, tempo 122bpm, congas subtle percussion loop, one synth pad dark evolving slowly, bass guitar riff two notes repeating, handclap dry on offbeat, classic deep house underground 4AM feeling, empty club atmosphere, analog warm saturated mix, vocal completely exposed naked in the mix dry close, the track loops and builds by adding one element at a time, dark emotional stripped back, house not pop",,"[Intro - just Rhodes loop and kick, 16 bars, no voice] [Verse 1 - voice enters alone over minimal groove] I left the lights on in your kitchen Not for you For the version of me that's still in there Sitting at your table Drinking water from a glass I bought That you'll use tomorrow Without thinking who picked it The faucet drips I know because I never fixed it And you never asked And that was us Two people in a house With a drip between them That nobody fixed Because fixing it meant admitting Something was broken [Hook - not a chorus, just one phrase repeating over the groove] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always leaving [Verse 2 - voice more strained, cracking] I drove home with the window down In December Because cold air is the only thing That feels honest at this hour The radio played something we danced to I changed it Then I changed it back Then I turned it off Then I turned it on Because that's what leaving sounds like It sounds like a woman Who can't pick a station At sixty miles an hour Crying at a red light That she's praying stays red [Hook - same phrase, voice breaking now] It's two AM somewhere It's always two AM somewhere Two AM somewhere And someone's always sitting in a car [Breakdown - just bass and kick, everything else drops, 8 bars] [Verse 3 - almost whispered then building to belt] Your toothbrush is still at my place Which means nothing Except it means everything At two AM when the bathroom light Is the loudest thing in the apartment And there it is Just standing in the cup Like it's waiting for a mouth That isn't coming back I should throw it out The way you throw out a life That doesn't fit anymore But I can't Because throwing it out Is the last thing that happens And I'm not ready For the last thing to happen I'm still in the middle thing The ugly thing The part where you're not here But your toothbrush is And the faucet drips And it's two AM And I'm standing in the bathroom Holding a toothbrush That doesn't belong to anyone [Hook - full voice now, belting like dying] It's two AM somewhere Oh it's always two AM somewhere Two AM somewhere And someone's holding something That they should've let go Two AM Two AM Always two AM [Outro - voice fades, Rhodes loop continues alone, 16 bars] [kick drops out] [Rhodes alone, 8 bars] [silence]",2026-02-16T05:21:39.913Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/92611299-c896-4a05-a344-261469920d67.mp3,https://cdn2.suno.ai/image_92611299-c896-4a05-a344-261469920d67.jpeg,https://cdn2.suno.ai/image_large_92611299-c896-4a05-a344-261469920d67.jpeg audio/dda9fe7f-f512-4bf3-915f-e078e0a5b3c8.mp3,dda9fe7f-f512-4bf3-915f-e078e0a5b3c8,,v5,chirp-crow,complete,337.88,False,"deep house classic, four to the floor kick deep warm, heavy sidechain compression, shuffled hi-hats swing feel, deep sub bass rolling, powerful black female vocal gospel influenced full chest voice belting raw emotional diva house, vocal runs and ad libs soulful, Rhodes electric piano warm chords, organ church stabs, congas and percussion live feel, tempo 122bpm, classic 90s deep house Chicago influence, piano house chords uplifting, strings section lush building, handclaps on 2 and 4, analog warm mix, bass guitar groove underneath, vocal is the lead instrument dominant in mix, gospel choir backing vocals on chorus, building arrangement minimal to massive, classic house anthem feel, spiritual emotional transcendent",,"[Intro - just organ and voice, no beat, gospel feel] Mmm Said I've been standing on this platform Watching every train go by Watching everybody leave Like leaving's easy Like leaving don't cost a thing [Beat drops in - verse 1] I gave you every station of my heart You rode through all of them and never stopped Just passed through me like I was scenery Like something pretty from the window That you'd forget by the next town I held the door I held the time I held my breath I held the line And you just kept on moving baby With your bags already packed Before I finished saying stay [Pre-Chorus - building] And I know Oh I know That love ain't supposed to be a schedule That you keep or you don't But I was on time I was always on time And you still left me on the platform With my hand in the air [Chorus - full gospel, belting] This is the last train home And I'm not gonna chase it Last train home I'm done I'm done running for somebody Who was never at the station Last train home Go on go on leave But this time when the doors close I'm the one that's free This is the last train home And baby I'm not on it [Verse 2] You called me from the next city Said the bed was cold without me That's funny cause the bed was cold with you You just had a body in it And a body ain't the same as being warm I could've put a coat there baby Coat don't argue at three AM Coat don't promise things on Sunday That it takes back before the week begins My mama told me girl a man Who leaves always comes back to the station Because leaving is a circle not a line I said mama what about the woman at the platform She said baby that's the part that has to change [Pre-Chorus - voice cracking with emotion] And I know Lord I know That love ain't supposed to be a timetable That you catch or you miss But I was there Oh I was always there And the train don't care about the people That it leaves behind [Chorus - massive, choir comes in] This is the last train home And I'm not gonna chase it Last train home I'm done I'm done running for somebody Who was never at the station Last train home Go on go on leave But this time when the doors close I'm the one that's free This is the last train home And baby I'm not on it [Breakdown - stripped to kick and bass, spoken over groove] You know what the platform teaches you It teaches you how to stand still While everything moves around you And standing still After years of running Is the hardest dance there is But baby I'm learning the steps [Build - strings come in, percussion building, organ swells] [Final Chorus - full blast, ad libs, vocal runs] Last train home LAST TRAIN I'm not running I'm not running no more Last train home Close the doors close the doors I'm standing right here Right here on my own two feet On this platform that used to feel like a prison But tonight Oh tonight it feels like a stage And I'm singing for myself For the first time Last train home [Outro - voice and organ only, gospel] Go on baby Go on and ride I'll be right here But not for you Not anymore Mmm Not anymore [beat fades, voice sustains last note]",2026-02-16T05:18:23.314Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/dda9fe7f-f512-4bf3-915f-e078e0a5b3c8.mp3,https://cdn2.suno.ai/image_dda9fe7f-f512-4bf3-915f-e078e0a5b3c8.jpeg,https://cdn2.suno.ai/image_large_dda9fe7f-f512-4bf3-915f-e078e0a5b3c8.jpeg audio/80b3e71c-2b80-4803-a403-84a02b5dad51.mp3,80b3e71c-2b80-4803-a403-84a02b5dad51,,v5,chirp-crow,complete,352.28,False,"deep house classic, four to the floor kick deep warm, heavy sidechain compression, shuffled hi-hats swing feel, deep sub bass rolling, powerful black female vocal gospel influenced full chest voice belting raw emotional diva house, vocal runs and ad libs soulful, Rhodes electric piano warm chords, organ church stabs, congas and percussion live feel, tempo 122bpm, classic 90s deep house Chicago influence, piano house chords uplifting, strings section lush building, handclaps on 2 and 4, analog warm mix, bass guitar groove underneath, vocal is the lead instrument dominant in mix, gospel choir backing vocals on chorus, building arrangement minimal to massive, classic house anthem feel, spiritual emotional transcendent",,"[Intro - just organ and voice, no beat, gospel feel] Mmm Said I've been standing on this platform Watching every train go by Watching everybody leave Like leaving's easy Like leaving don't cost a thing [Beat drops in - verse 1] I gave you every station of my heart You rode through all of them and never stopped Just passed through me like I was scenery Like something pretty from the window That you'd forget by the next town I held the door I held the time I held my breath I held the line And you just kept on moving baby With your bags already packed Before I finished saying stay [Pre-Chorus - building] And I know Oh I know That love ain't supposed to be a schedule That you keep or you don't But I was on time I was always on time And you still left me on the platform With my hand in the air [Chorus - full gospel, belting] This is the last train home And I'm not gonna chase it Last train home I'm done I'm done running for somebody Who was never at the station Last train home Go on go on leave But this time when the doors close I'm the one that's free This is the last train home And baby I'm not on it [Verse 2] You called me from the next city Said the bed was cold without me That's funny cause the bed was cold with you You just had a body in it And a body ain't the same as being warm I could've put a coat there baby Coat don't argue at three AM Coat don't promise things on Sunday That it takes back before the week begins My mama told me girl a man Who leaves always comes back to the station Because leaving is a circle not a line I said mama what about the woman at the platform She said baby that's the part that has to change [Pre-Chorus - voice cracking with emotion] And I know Lord I know That love ain't supposed to be a timetable That you catch or you miss But I was there Oh I was always there And the train don't care about the people That it leaves behind [Chorus - massive, choir comes in] This is the last train home And I'm not gonna chase it Last train home I'm done I'm done running for somebody Who was never at the station Last train home Go on go on leave But this time when the doors close I'm the one that's free This is the last train home And baby I'm not on it [Breakdown - stripped to kick and bass, spoken over groove] You know what the platform teaches you It teaches you how to stand still While everything moves around you And standing still After years of running Is the hardest dance there is But baby I'm learning the steps [Build - strings come in, percussion building, organ swells] [Final Chorus - full blast, ad libs, vocal runs] Last train home LAST TRAIN I'm not running I'm not running no more Last train home Close the doors close the doors I'm standing right here Right here on my own two feet On this platform that used to feel like a prison But tonight Oh tonight it feels like a stage And I'm singing for myself For the first time Last train home [Outro - voice and organ only, gospel] Go on baby Go on and ride I'll be right here But not for you Not anymore Mmm Not anymore [beat fades, voice sustains last note]",2026-02-16T05:18:23.314Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/80b3e71c-2b80-4803-a403-84a02b5dad51.mp3,https://cdn2.suno.ai/image_80b3e71c-2b80-4803-a403-84a02b5dad51.jpeg,https://cdn2.suno.ai/image_large_80b3e71c-2b80-4803-a403-84a02b5dad51.jpeg audio/9a103201-7e1c-4ec6-aa9f-3a185ac9617e.mp3,9a103201-7e1c-4ec6-aa9f-3a185ac9617e,,v5,chirp-crow,complete,210.8,False,"deep house UK garage, four to the floor soft kick, gentle sidechain pump, shuffled hi-hats light, deep warm sub bass, male vocal falsetto soft intimate, vocal chops pitched and reversed, lush synth pads slow LFO evolution, electric piano jazz chords 9ths, tempo 120bpm, dreamy atmosphere, pop structure verse chorus, sparse arrangement builds gradually, reverb on claps, analog synth arpegggio subtle background, London Grammar mood, UK electronic pop, emotional restrained, night drive feeling",,"[Verse 1] I've been moving through your rooms at night Without my body without my name I leave no footprints on your floor But something shifts and you feel the change You check the lock you check the air You pull the sheet a little tight You don't know I was standing there Breathing in your breathing out [Chorus] Sleepwalker sleepwalker I only find you when my eyes are closed Sleepwalker sleepwalker I'm closer to you when I let it go Let it go Let it go [Verse 2] The morning burns away the proof That I was yours between the hours You pour your coffee unaware That someone held you for those hours I sit across from you in daylight And my hands forget the way Your skin felt underneath my fingers In the version where I stay [Chorus] Sleepwalker sleepwalker I only find you when my eyes are closed Sleepwalker sleepwalker I'm closer to you when I let it go Let it go Let it go [Bridge - just pads and voice, half whispered] Wake me up or let me dream One of them has to be real Wake me up or let me dream One of them [Chorus - full production drops back in] Sleepwalker sleepwalker I only find you when my eyes are closed Sleepwalker sleepwalker I'm closer to you When I let it go [Outro - vocal chop ""let it go"" looping and pitching down]",2026-02-16T05:15:29.697Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/9a103201-7e1c-4ec6-aa9f-3a185ac9617e.mp3,https://cdn2.suno.ai/image_9a103201-7e1c-4ec6-aa9f-3a185ac9617e.jpeg,https://cdn2.suno.ai/image_large_9a103201-7e1c-4ec6-aa9f-3a185ac9617e.jpeg audio/3f4e1c3a-3944-4230-a1fd-5d05f2dd5e0c.mp3,3f4e1c3a-3944-4230-a1fd-5d05f2dd5e0c,,v5,chirp-crow,complete,216.88,False,"deep house UK garage, four to the floor soft kick, gentle sidechain pump, shuffled hi-hats light, deep warm sub bass, male vocal falsetto soft intimate, vocal chops pitched and reversed, lush synth pads slow LFO evolution, electric piano jazz chords 9ths, tempo 120bpm, dreamy atmosphere, pop structure verse chorus, sparse arrangement builds gradually, reverb on claps, analog synth arpegggio subtle background, London Grammar mood, UK electronic pop, emotional restrained, night drive feeling",,"[Verse 1] I've been moving through your rooms at night Without my body without my name I leave no footprints on your floor But something shifts and you feel the change You check the lock you check the air You pull the sheet a little tight You don't know I was standing there Breathing in your breathing out [Chorus] Sleepwalker sleepwalker I only find you when my eyes are closed Sleepwalker sleepwalker I'm closer to you when I let it go Let it go Let it go [Verse 2] The morning burns away the proof That I was yours between the hours You pour your coffee unaware That someone held you for those hours I sit across from you in daylight And my hands forget the way Your skin felt underneath my fingers In the version where I stay [Chorus] Sleepwalker sleepwalker I only find you when my eyes are closed Sleepwalker sleepwalker I'm closer to you when I let it go Let it go Let it go [Bridge - just pads and voice, half whispered] Wake me up or let me dream One of them has to be real Wake me up or let me dream One of them [Chorus - full production drops back in] Sleepwalker sleepwalker I only find you when my eyes are closed Sleepwalker sleepwalker I'm closer to you When I let it go [Outro - vocal chop ""let it go"" looping and pitching down]",2026-02-16T05:15:29.696Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/3f4e1c3a-3944-4230-a1fd-5d05f2dd5e0c.mp3,https://cdn2.suno.ai/image_3f4e1c3a-3944-4230-a1fd-5d05f2dd5e0c.jpeg,https://cdn2.suno.ai/image_large_3f4e1c3a-3944-4230-a1fd-5d05f2dd5e0c.jpeg audio/ba3ac290-715d-419d-9553-af1d256d82d7.mp3,ba3ac290-715d-419d-9553-af1d256d82d7,,v5,chirp-crow,complete,195.96,False,"UK garage house, four to the floor punchy 909 kick, heavy sidechain compression pumping, syncopated shuffled hi-hats 2-step rhythm, deep sub bass separate from kick, female vocal bright soulful airy RnB tone, vocal chops used as percussion between lines, Rhodes electric piano chords, synth pad evolving with LFO modulation, tempo 124bpm, pop song structure verse prechorus chorus, chopped vocal stabs on offbeats, crisp clean mix analog warmth, clap on 2 and 4, garage bassline bouncy, UK dance pop, infectious hook",,"[Verse 1] I can see you through the glass You're moving but you're standing still Your lips are saying come inside Your eyes are saying what you will I've been here before Hand on the handle turning slow Every time I push It doesn't open doesn't close [Pre-Chorus] And I'm stuck in the in-between Not in not out not cold not clean [Chorus] Glass door glass door I can see it all but I can't feel it Glass door glass door Close enough to touch but never real You're right there right there And I'm right here right here Glass door between us Crystal clear [Verse 2] You leave your light on every night I wonder if it's meant for me Or if you just forgot the switch The way you just forgot to leave I press my hand against the cold You press your hand against the same Two palms that almost touch but don't Two mouths that almost say a name [Pre-Chorus] And I'm stuck in the in-between Not in not out not cold not clean [Chorus] Glass door glass door I can see it all but I can't feel it Glass door glass door Close enough to touch but never real You're right there right there And I'm right here right here Glass door between us Crystal clear [Bridge - stripped, just bass and vocal chops] Let me in or shut the blinds Let me in or shut the blinds I can't keep watching what I can't hold Let me in Or shut the blinds [Chorus - bigger, layered] Glass door glass door I can see it all but I can't feel it Glass door glass door Close enough to touch but never real [Outro - vocal chops looping ""glass door"" fragmented]",2026-02-16T05:13:20.755Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/ba3ac290-715d-419d-9553-af1d256d82d7.mp3,https://cdn2.suno.ai/image_ba3ac290-715d-419d-9553-af1d256d82d7.jpeg,https://cdn2.suno.ai/image_large_ba3ac290-715d-419d-9553-af1d256d82d7.jpeg audio/8c852167-a060-44c9-95fa-e061562784f8.mp3,8c852167-a060-44c9-95fa-e061562784f8,,v5,chirp-crow,complete,197.84,False,"UK garage house, four to the floor punchy 909 kick, heavy sidechain compression pumping, syncopated shuffled hi-hats 2-step rhythm, deep sub bass separate from kick, female vocal bright soulful airy RnB tone, vocal chops used as percussion between lines, Rhodes electric piano chords, synth pad evolving with LFO modulation, tempo 124bpm, pop song structure verse prechorus chorus, chopped vocal stabs on offbeats, crisp clean mix analog warmth, clap on 2 and 4, garage bassline bouncy, UK dance pop, infectious hook",,"[Verse 1] I can see you through the glass You're moving but you're standing still Your lips are saying come inside Your eyes are saying what you will I've been here before Hand on the handle turning slow Every time I push It doesn't open doesn't close [Pre-Chorus] And I'm stuck in the in-between Not in not out not cold not clean [Chorus] Glass door glass door I can see it all but I can't feel it Glass door glass door Close enough to touch but never real You're right there right there And I'm right here right here Glass door between us Crystal clear [Verse 2] You leave your light on every night I wonder if it's meant for me Or if you just forgot the switch The way you just forgot to leave I press my hand against the cold You press your hand against the same Two palms that almost touch but don't Two mouths that almost say a name [Pre-Chorus] And I'm stuck in the in-between Not in not out not cold not clean [Chorus] Glass door glass door I can see it all but I can't feel it Glass door glass door Close enough to touch but never real You're right there right there And I'm right here right here Glass door between us Crystal clear [Bridge - stripped, just bass and vocal chops] Let me in or shut the blinds Let me in or shut the blinds I can't keep watching what I can't hold Let me in Or shut the blinds [Chorus - bigger, layered] Glass door glass door I can see it all but I can't feel it Glass door glass door Close enough to touch but never real [Outro - vocal chops looping ""glass door"" fragmented]",2026-02-16T05:13:20.755Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/8c852167-a060-44c9-95fa-e061562784f8.mp3,https://cdn2.suno.ai/image_8c852167-a060-44c9-95fa-e061562784f8.jpeg,https://cdn2.suno.ai/image_large_8c852167-a060-44c9-95fa-e061562784f8.jpeg audio/e865c4e0-53c9-49be-be03-d6452fb9c57c.mp3,e865c4e0-53c9-49be-be03-d6452fb9c57c,,v5,chirp-crow,complete,290.48,False,"experimental trap cinematic, first 40 seconds NO BEAT NO DRUMS only processed male voice with heavy reverb and delay feedback echoing, voice spoken monotone eerie, then massive drop everything hits at once distorted 808 bass earthquake level, tempo 140bpm after drop, industrial percussion anvil hits, air raid siren synth, extreme sidechain pumping, sections return to voice only no beat then drop again harder, final section all instruments play then cut one by one to silence, dark oppressive atmosphere, vocal dry in quiet parts massive reverb in loud parts",,"[Section 1 - no beat, just voice echoing in space, 40 seconds] I'm going to tell you something And there's going to be no music under it Because music makes things beautiful And this isn't beautiful This is just true My mother worked cleaning offices from ten PM to six AM For eleven years She cleaned desks of people who made in a lunch What she made in a month She knew what they ate because she threw it away She knew who was cheating because she emptied the trash She knew who was getting fired before they did Because she cleaned out the desk on Friday And they didn't know until Monday My mother had insider information On every company she cleaned And couldn't use any of it Because the stock market doesn't accept mop water as currency [EVERYTHING DROPS - massive bass, industrial hits] [Section 2 - full beat, aggressive delivery] She came home smelling like other people's success Pine-Sol and ambition that wasn't hers Her hands were the color of chemicals That had a warning label she couldn't read Because the warning label was in English And her English was good enough to say yes sir But not good enough to say this is burning me There's a vocabulary for obedience And a different vocabulary for pain They taught her the first one at orientation The second one she learned alone [Beat cuts to nothing] [Section 3 - voice only again, whisper] She found a ring once Under a desk Diamond Real She turned it in to the security guard He said good job with the same voice You use for a dog that didn't piss on the rug Good job She could've sold that ring Paid rent for three months But she turned it in Not because she's honest She IS honest But that's not why She turned it in because If they found out a cleaning lady took it Every cleaning lady after her would be watched She carried the future of women she'd never meet In a decision she made in four seconds Under a desk At eleven forty-seven PM On a Tuesday While you were sleeping [SECOND DROP - harder than the first] [Section 4 - full chaos, fast] The woman who lost the ring got it back Never knew who found it Never thought about it probably A ring falls you find it that's just Tuesday for some people But for my mother that ring was a test That nobody administered That nobody graded That nobody saw She got a hundred percent in an empty building And the grade was Good job The same grade as not pissing on the rug [Everything cuts except bass pulse] [Section 5 - instruments dropping one by one, voice getting quieter] She retired last April Eleven years and they gave her a card Signed by people whose trash she knew by heart Thank you for your service like she was a soldier She was She fought a war every night Against stains that weren't hers In buildings that weren't hers For money that wasn't enough And she won She won every single night And nobody Kept Score [bass drops out] [synth drops out] [hi-hat drops out] [just voice] I keep score now That's why I'm telling you this With no music underneath Because music would make it beautiful And she wasn't beautiful She was necessary And necessary doesn't get a melody It gets a mop And a card And good job [silence] [ten seconds of nothing] [one final bass hit]",2026-02-16T05:03:57.392Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e865c4e0-53c9-49be-be03-d6452fb9c57c.mp3,https://cdn2.suno.ai/image_e865c4e0-53c9-49be-be03-d6452fb9c57c.jpeg,https://cdn2.suno.ai/image_large_e865c4e0-53c9-49be-be03-d6452fb9c57c.jpeg audio/ecff8528-080b-48c3-b463-de94b150153f.mp3,ecff8528-080b-48c3-b463-de94b150153f,,v5,chirp-crow,complete,295.96,False,"experimental trap cinematic, first 40 seconds NO BEAT NO DRUMS only processed male voice with heavy reverb and delay feedback echoing, voice spoken monotone eerie, then massive drop everything hits at once distorted 808 bass earthquake level, tempo 140bpm after drop, industrial percussion anvil hits, air raid siren synth, extreme sidechain pumping, sections return to voice only no beat then drop again harder, final section all instruments play then cut one by one to silence, dark oppressive atmosphere, vocal dry in quiet parts massive reverb in loud parts",,"[Section 1 - no beat, just voice echoing in space, 40 seconds] I'm going to tell you something And there's going to be no music under it Because music makes things beautiful And this isn't beautiful This is just true My mother worked cleaning offices from ten PM to six AM For eleven years She cleaned desks of people who made in a lunch What she made in a month She knew what they ate because she threw it away She knew who was cheating because she emptied the trash She knew who was getting fired before they did Because she cleaned out the desk on Friday And they didn't know until Monday My mother had insider information On every company she cleaned And couldn't use any of it Because the stock market doesn't accept mop water as currency [EVERYTHING DROPS - massive bass, industrial hits] [Section 2 - full beat, aggressive delivery] She came home smelling like other people's success Pine-Sol and ambition that wasn't hers Her hands were the color of chemicals That had a warning label she couldn't read Because the warning label was in English And her English was good enough to say yes sir But not good enough to say this is burning me There's a vocabulary for obedience And a different vocabulary for pain They taught her the first one at orientation The second one she learned alone [Beat cuts to nothing] [Section 3 - voice only again, whisper] She found a ring once Under a desk Diamond Real She turned it in to the security guard He said good job with the same voice You use for a dog that didn't piss on the rug Good job She could've sold that ring Paid rent for three months But she turned it in Not because she's honest She IS honest But that's not why She turned it in because If they found out a cleaning lady took it Every cleaning lady after her would be watched She carried the future of women she'd never meet In a decision she made in four seconds Under a desk At eleven forty-seven PM On a Tuesday While you were sleeping [SECOND DROP - harder than the first] [Section 4 - full chaos, fast] The woman who lost the ring got it back Never knew who found it Never thought about it probably A ring falls you find it that's just Tuesday for some people But for my mother that ring was a test That nobody administered That nobody graded That nobody saw She got a hundred percent in an empty building And the grade was Good job The same grade as not pissing on the rug [Everything cuts except bass pulse] [Section 5 - instruments dropping one by one, voice getting quieter] She retired last April Eleven years and they gave her a card Signed by people whose trash she knew by heart Thank you for your service like she was a soldier She was She fought a war every night Against stains that weren't hers In buildings that weren't hers For money that wasn't enough And she won She won every single night And nobody Kept Score [bass drops out] [synth drops out] [hi-hat drops out] [just voice] I keep score now That's why I'm telling you this With no music underneath Because music would make it beautiful And she wasn't beautiful She was necessary And necessary doesn't get a melody It gets a mop And a card And good job [silence] [ten seconds of nothing] [one final bass hit]",2026-02-16T05:03:57.391Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ecff8528-080b-48c3-b463-de94b150153f.mp3,https://cdn2.suno.ai/image_ecff8528-080b-48c3-b463-de94b150153f.jpeg,https://cdn2.suno.ai/image_large_ecff8528-080b-48c3-b463-de94b150153f.jpeg audio/65a26330-d386-43b5-a7c9-68976c262e5c.mp3,65a26330-d386-43b5-a7c9-68976c262e5c,,v5,chirp-crow,complete,179.96,False,"experimental trap two voices, high pitched autotune voice and deep pitched autotune voice alternating arguing overlapping interrupting, heavy detuned 808 bass, tempo 125bpm sections at 155bpm, voices pan left and right stereo, both voices robotic alien warped, percussion sparse industrial hits, vocoder harmonies on certain words, sections where both voices talk simultaneously chaos, beat drops out during arguments just voices fighting, dissonant chord stabs, reversed bass hits, no chorus no hook, dark surreal atmosphere, glitched hi-hat bursts between voice switches, one voice whispers while other yells",,"[Section 1 - deep voice alone] DEEP: I built this house with the wrong hands Not my hands someone else's blueprint But my concrete my weekends my spine [high voice interrupts] HIGH: You built a box and called it safety A box is not a house a box is what you put things in That you don't want to look at anymore DEEP: That's what a house IS HIGH: Exactly [Section 2 - trading bars fast] DEEP: The kids don't know which room is theirs yet HIGH: The kids know exactly which room is theirs It's whichever one is quieter DEEP: I never yelled HIGH: Silence is louder than yelling in a house that small You think not talking is peace Not talking is furniture You became furniture The kids walked around you DEEP: I was working HIGH: You were hiding inside working Work is the most respected hiding place in America Nobody questions a man who's never home If the reason is money [Section 3 - both voices simultaneously, chaotic, then one cuts out] DEEP: I provided everything HIGH: [overlapping] You provided everything except the thing DEEP: The mortgage the car the HIGH: [overlapping] Yourself you never provided yourself DEEP: That's not HIGH: [overlapping] You were a direct deposit not a father DEEP: That's not fair HIGH: Fair is a word for courtrooms This is a kitchen Different rules [silence] [Section 4 - high voice alone, whisper] HIGH: The youngest draws houses at school Every house has four windows And a chimney And a sun And two people She never draws three The teacher asked her why She said because the door is too small For everybody to fit So someone has to stay outside She's six She solved the equation Before the judge did [Section 5 - deep voice alone, slow] DEEP: I sat in the car outside for twenty minutes last Tuesday After I dropped them off Not because I was sad Because the car still smelled like them Goldfish crackers and that detergent you use The one I said was too expensive It's not too expensive Nothing about them was ever too expensive I just said things to have something to say Because silence remember I became furniture [Section 6 - both voices, calm now, not fighting] HIGH: The house is quiet now DEEP: Mine too HIGH: Quiet used to be the goal DEEP: Yeah HIGH: It's not the goal DEEP: No HIGH: The kids are asleep DEEP: At yours or mine HIGH: Does it matter they're asleep DEEP: Yeah HIGH: Goodnight DEEP: Goodnight [both voices hum the same note, detuned, slightly off from each other] [silence]",2026-02-16T04:58:13.851Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/65a26330-d386-43b5-a7c9-68976c262e5c.mp3,https://cdn2.suno.ai/image_65a26330-d386-43b5-a7c9-68976c262e5c.jpeg,https://cdn2.suno.ai/image_large_65a26330-d386-43b5-a7c9-68976c262e5c.jpeg audio/64f22178-fe13-435a-a7df-593813c56bb7.mp3,64f22178-fe13-435a-a7df-593813c56bb7,,v5,chirp-crow,complete,175.12,False,"experimental trap two voices, high pitched autotune voice and deep pitched autotune voice alternating arguing overlapping interrupting, heavy detuned 808 bass, tempo 125bpm sections at 155bpm, voices pan left and right stereo, both voices robotic alien warped, percussion sparse industrial hits, vocoder harmonies on certain words, sections where both voices talk simultaneously chaos, beat drops out during arguments just voices fighting, dissonant chord stabs, reversed bass hits, no chorus no hook, dark surreal atmosphere, glitched hi-hat bursts between voice switches, one voice whispers while other yells",,"[Section 1 - deep voice alone] DEEP: I built this house with the wrong hands Not my hands someone else's blueprint But my concrete my weekends my spine [high voice interrupts] HIGH: You built a box and called it safety A box is not a house a box is what you put things in That you don't want to look at anymore DEEP: That's what a house IS HIGH: Exactly [Section 2 - trading bars fast] DEEP: The kids don't know which room is theirs yet HIGH: The kids know exactly which room is theirs It's whichever one is quieter DEEP: I never yelled HIGH: Silence is louder than yelling in a house that small You think not talking is peace Not talking is furniture You became furniture The kids walked around you DEEP: I was working HIGH: You were hiding inside working Work is the most respected hiding place in America Nobody questions a man who's never home If the reason is money [Section 3 - both voices simultaneously, chaotic, then one cuts out] DEEP: I provided everything HIGH: [overlapping] You provided everything except the thing DEEP: The mortgage the car the HIGH: [overlapping] Yourself you never provided yourself DEEP: That's not HIGH: [overlapping] You were a direct deposit not a father DEEP: That's not fair HIGH: Fair is a word for courtrooms This is a kitchen Different rules [silence] [Section 4 - high voice alone, whisper] HIGH: The youngest draws houses at school Every house has four windows And a chimney And a sun And two people She never draws three The teacher asked her why She said because the door is too small For everybody to fit So someone has to stay outside She's six She solved the equation Before the judge did [Section 5 - deep voice alone, slow] DEEP: I sat in the car outside for twenty minutes last Tuesday After I dropped them off Not because I was sad Because the car still smelled like them Goldfish crackers and that detergent you use The one I said was too expensive It's not too expensive Nothing about them was ever too expensive I just said things to have something to say Because silence remember I became furniture [Section 6 - both voices, calm now, not fighting] HIGH: The house is quiet now DEEP: Mine too HIGH: Quiet used to be the goal DEEP: Yeah HIGH: It's not the goal DEEP: No HIGH: The kids are asleep DEEP: At yours or mine HIGH: Does it matter they're asleep DEEP: Yeah HIGH: Goodnight DEEP: Goodnight [both voices hum the same note, detuned, slightly off from each other] [silence]",2026-02-16T04:58:13.851Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/64f22178-fe13-435a-a7df-593813c56bb7.mp3,https://cdn2.suno.ai/image_64f22178-fe13-435a-a7df-593813c56bb7.jpeg,https://cdn2.suno.ai/image_large_64f22178-fe13-435a-a7df-593813c56bb7.jpeg audio/401cf0cb-d9b6-4250-a0bd-8d36da2332d4.mp3,401cf0cb-d9b6-4250-a0bd-8d36da2332d4,,v5,chirp-crow,complete,219.36,False,"experimental trap glitch, vocal chopped into syllables stuttering repeating glitching, extreme autotune robotic, heavy 808 distorted bass, tempo 132bpm, percussion made of vocal chops and mouth sounds, reversed snares, irregular rhythm NOT triplet, digital artifact sounds bitcrushed, sections where voice glitches on one word repeating five times, beat cuts to nothing mid bar randomly, granular synthesis texture, sub bass pulses, no standard structure no chorus, dark digital broken transmission atmosphere, voice sounds like buffering loading crashing, single note synth buzz looping",,"[Section 1 - voice glitching, repeating syllables like buffering] My name is My name is My name is not what you wrote on the form You added letters that don't exist in my father's language Then told him to sign it He signed a name that wasn't his And that became us A family built on a typo A bloodline that starts with a clerical error And you wonder why I feel misspelled My- my- my father said don't correct them Because correction is confrontation And confrontation is a luxury For people whose name was never wrong In the first pla- pla- pla- place [Section 2 - beat drops hard, voice clears for a moment then glitches again] They mispronounce me at graduation The principal looked at the letters like a bomb threat Rearranged them in his mouth three times Still wrong The crowd laughed politely Which is worse than laughing impolitely Because polite laughter means We all agree this is funny And we all agree we won't fix it Ha ha ha Moving on My mother in the audience mouthing the correct version Like subtitles for a movie nobody's watching She's been the subtitle her whole life The correction nobody reads The footnote at the bottom of a page That America was too busy to flip to [Section 3 - just glitched voice fragments and bass, no drums] I filled out a form- form- form online The system said invalid character My name has an accent mark An accent mark is an invalid character In the land of the free My father's entire phonetic identity Is an error message 404 name not found He's been here thirty years Pays taxes in a name that isn't his To a country that can't pronounce him For services that don't reach him That's not irony Irony is literary This is just regular [Section 4 - everything hits, fast, voice cutting in and out] My daughter will have a simple name I already decided Something they can't break Four letters maybe three Plain Flat American And that's the saddest thing I'll ever do Preemptively surrendering her sound So she won't buffer Won't glitch Won't repeat herself at the counter At the school At the job where the man looks at the name Before the resume I'm optimizing my child for a system That should've optimized itself For her But it won- won- won- won't [Section 5 - voice completely fragmented, barely words] My fa- fa- father's name In his language Means morning Here it means Please spell that Can you repeat Is that with a It means morning It always meant morning But you have to- to- to- to Earn the right to mean something In a country that Doesn't Read The footnotes [one bass hit] [buffering sound] [silence]",2026-02-16T04:54:39.236Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/401cf0cb-d9b6-4250-a0bd-8d36da2332d4.mp3,https://cdn2.suno.ai/image_401cf0cb-d9b6-4250-a0bd-8d36da2332d4.jpeg,https://cdn2.suno.ai/image_large_401cf0cb-d9b6-4250-a0bd-8d36da2332d4.jpeg audio/c26957ea-3222-494e-a246-ccf2eb96ebc2.mp3,c26957ea-3222-494e-a246-ccf2eb96ebc2,,v5,chirp-crow,complete,239.52,False,"experimental trap glitch, vocal chopped into syllables stuttering repeating glitching, extreme autotune robotic, heavy 808 distorted bass, tempo 132bpm, percussion made of vocal chops and mouth sounds, reversed snares, irregular rhythm NOT triplet, digital artifact sounds bitcrushed, sections where voice glitches on one word repeating five times, beat cuts to nothing mid bar randomly, granular synthesis texture, sub bass pulses, no standard structure no chorus, dark digital broken transmission atmosphere, voice sounds like buffering loading crashing, single note synth buzz looping",,"[Section 1 - voice glitching, repeating syllables like buffering] My name is My name is My name is not what you wrote on the form You added letters that don't exist in my father's language Then told him to sign it He signed a name that wasn't his And that became us A family built on a typo A bloodline that starts with a clerical error And you wonder why I feel misspelled My- my- my father said don't correct them Because correction is confrontation And confrontation is a luxury For people whose name was never wrong In the first pla- pla- pla- place [Section 2 - beat drops hard, voice clears for a moment then glitches again] They mispronounce me at graduation The principal looked at the letters like a bomb threat Rearranged them in his mouth three times Still wrong The crowd laughed politely Which is worse than laughing impolitely Because polite laughter means We all agree this is funny And we all agree we won't fix it Ha ha ha Moving on My mother in the audience mouthing the correct version Like subtitles for a movie nobody's watching She's been the subtitle her whole life The correction nobody reads The footnote at the bottom of a page That America was too busy to flip to [Section 3 - just glitched voice fragments and bass, no drums] I filled out a form- form- form online The system said invalid character My name has an accent mark An accent mark is an invalid character In the land of the free My father's entire phonetic identity Is an error message 404 name not found He's been here thirty years Pays taxes in a name that isn't his To a country that can't pronounce him For services that don't reach him That's not irony Irony is literary This is just regular [Section 4 - everything hits, fast, voice cutting in and out] My daughter will have a simple name I already decided Something they can't break Four letters maybe three Plain Flat American And that's the saddest thing I'll ever do Preemptively surrendering her sound So she won't buffer Won't glitch Won't repeat herself at the counter At the school At the job where the man looks at the name Before the resume I'm optimizing my child for a system That should've optimized itself For her But it won- won- won- won't [Section 5 - voice completely fragmented, barely words] My fa- fa- father's name In his language Means morning Here it means Please spell that Can you repeat Is that with a It means morning It always meant morning But you have to- to- to- to Earn the right to mean something In a country that Doesn't Read The footnotes [one bass hit] [buffering sound] [silence]",2026-02-16T04:54:39.236Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/c26957ea-3222-494e-a246-ccf2eb96ebc2.mp3,https://cdn2.suno.ai/image_c26957ea-3222-494e-a246-ccf2eb96ebc2.jpeg,https://cdn2.suno.ai/image_large_c26957ea-3222-494e-a246-ccf2eb96ebc2.jpeg audio/e7186e78-1da2-423e-a9b1-709ea46baf02.mp3,e7186e78-1da2-423e-a9b1-709ea46baf02,,v5,chirp-crow,complete,479.36,False,"experimental trap alien, heavy autotune extreme settings robotic glitchy pitch correction artifacts intentional, detuned 808 wobble bass, tempo 128bpm with sections at half speed, chromatic synth melody dissonant wrong notes on purpose, male vocal high pitched through extreme autotune warped inhuman, vocal pitch shifting mid word up octave down octave randomly, spacey reverb on everything, granular glitched percussion, reversed hi-hats, metallic percussion hits replacing drums in sections, vocoder layers on ad libs, single distorted sine wave melody looping, beat drops to silence then alien bass hit, no standard structure, dark futuristic atmosphere, voice sounds like transmitting through broken radio signal, underwater bass sections",,"[Section 1 - autotune warped high pitch, slow, spaced out] I think I was supposed to land somewhere else The coordinates were off or the coordinates were right And this is the wrong planet operating as the only option Either way I'm here And here has fluorescent lighting Which is nobody's first choice of sun I applied for a social security number They asked for proof of existence I showed them my body They said that's not enough Need a document A body is a document It documents every single thing that happened to it Scars are footnotes Stretch marks are edits But they wanted paper Paper beats body Scissors beats paper Nothing beats the system The system doesn't play [Section 2 - voice drops pitch alien deep, beat switches to industrial] My therapist said I dissociate I said no I'm just from somewhere else visiting She wrote that down like it confirmed her theory It confirmed mine too We were both right That's the problem with language Two people can agree using the same words And mean completely different things She meant my brain leaves my body as a trauma response I meant I don't recognize anything here The money the hours the small talk the weather You discuss weather here As conversation The sky is doing what the sky does And you talk about it Where I'm from we talked about the ground Because the ground was the thing that could open [Section 3 - just vocoder and bass, no drums, floating] I learned your customs quick Smile means I won't hurt you Handshake means I might but let's pretend Eye contact means I'm honest or I'm selling something No eye contact means I'm lying or I'm poor The difference between honest and selling And lying and poor Is the shoes Always the shoes You people read shoes like scriptures Whole theology built on what's on your feet [silence] I wore the wrong shoes to a job interview once The man looked down before he looked at my resume His eyes went floor then paper Floor decided Paper was a formality The floor always decides here Which is funny for a species that says Don't judge a book by its cover While building an entire economy On covers [Section 4 - full beat drops, chaotic, voice switching pitches wildly] Your food comes in plastic Your water comes in plastic Your furniture comes in plastic Then you made a documentary about plastic Being bad And watched it on a plastic screen Delivered by a plastic truck Reviewed on a plastic phone Then posted about saving the planet The planet doesn't need saving The planet has survived five extinctions You need saving The planet is trying to evict you And you keep redecorating [Section 5 - stripped to just autotune voice and one bass note pulsing] I called the number on the back of my birth certificate To ask if there's a return policy The woman laughed I wasn't joking She said sir this is the county clerk I said I know I'm trying to return my county She hung up Dial tone Again with the dial tone on this planet The most frequent sound I hear Is the sound of nobody being there You'd think a species this afraid of being alone Would pick up the phone more often [Section 6 - everything hits then strips one element at a time] I'm going to stay Not because I want to Because the coordinates were what they were And fuel costs what it costs And I already learned your shoe language And your weather small talk And your paper beats body system So I might as well But I'm not taking the shoes off at the interview And I'm not discussing the sky And if the phone rings I'm picking up Every time Because where I'm from A signal is sacred And you don't let it ring Into nothing [one sine wave tone fading] [silence]",2026-02-16T04:44:44.962Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/e7186e78-1da2-423e-a9b1-709ea46baf02.mp3,https://cdn2.suno.ai/image_e7186e78-1da2-423e-a9b1-709ea46baf02.jpeg,https://cdn2.suno.ai/image_large_e7186e78-1da2-423e-a9b1-709ea46baf02.jpeg audio/3e1a81b4-07c7-40db-9597-f2029445c5dd.mp3,3e1a81b4-07c7-40db-9597-f2029445c5dd,,v5,chirp-crow,complete,479.36,False,"experimental trap alien, heavy autotune extreme settings robotic glitchy pitch correction artifacts intentional, detuned 808 wobble bass, tempo 128bpm with sections at half speed, chromatic synth melody dissonant wrong notes on purpose, male vocal high pitched through extreme autotune warped inhuman, vocal pitch shifting mid word up octave down octave randomly, spacey reverb on everything, granular glitched percussion, reversed hi-hats, metallic percussion hits replacing drums in sections, vocoder layers on ad libs, single distorted sine wave melody looping, beat drops to silence then alien bass hit, no standard structure, dark futuristic atmosphere, voice sounds like transmitting through broken radio signal, underwater bass sections",,"[Section 1 - autotune warped high pitch, slow, spaced out] I think I was supposed to land somewhere else The coordinates were off or the coordinates were right And this is the wrong planet operating as the only option Either way I'm here And here has fluorescent lighting Which is nobody's first choice of sun I applied for a social security number They asked for proof of existence I showed them my body They said that's not enough Need a document A body is a document It documents every single thing that happened to it Scars are footnotes Stretch marks are edits But they wanted paper Paper beats body Scissors beats paper Nothing beats the system The system doesn't play [Section 2 - voice drops pitch alien deep, beat switches to industrial] My therapist said I dissociate I said no I'm just from somewhere else visiting She wrote that down like it confirmed her theory It confirmed mine too We were both right That's the problem with language Two people can agree using the same words And mean completely different things She meant my brain leaves my body as a trauma response I meant I don't recognize anything here The money the hours the small talk the weather You discuss weather here As conversation The sky is doing what the sky does And you talk about it Where I'm from we talked about the ground Because the ground was the thing that could open [Section 3 - just vocoder and bass, no drums, floating] I learned your customs quick Smile means I won't hurt you Handshake means I might but let's pretend Eye contact means I'm honest or I'm selling something No eye contact means I'm lying or I'm poor The difference between honest and selling And lying and poor Is the shoes Always the shoes You people read shoes like scriptures Whole theology built on what's on your feet [silence] I wore the wrong shoes to a job interview once The man looked down before he looked at my resume His eyes went floor then paper Floor decided Paper was a formality The floor always decides here Which is funny for a species that says Don't judge a book by its cover While building an entire economy On covers [Section 4 - full beat drops, chaotic, voice switching pitches wildly] Your food comes in plastic Your water comes in plastic Your furniture comes in plastic Then you made a documentary about plastic Being bad And watched it on a plastic screen Delivered by a plastic truck Reviewed on a plastic phone Then posted about saving the planet The planet doesn't need saving The planet has survived five extinctions You need saving The planet is trying to evict you And you keep redecorating [Section 5 - stripped to just autotune voice and one bass note pulsing] I called the number on the back of my birth certificate To ask if there's a return policy The woman laughed I wasn't joking She said sir this is the county clerk I said I know I'm trying to return my county She hung up Dial tone Again with the dial tone on this planet The most frequent sound I hear Is the sound of nobody being there You'd think a species this afraid of being alone Would pick up the phone more often [Section 6 - everything hits then strips one element at a time] I'm going to stay Not because I want to Because the coordinates were what they were And fuel costs what it costs And I already learned your shoe language And your weather small talk And your paper beats body system So I might as well But I'm not taking the shoes off at the interview And I'm not discussing the sky And if the phone rings I'm picking up Every time Because where I'm from A signal is sacred And you don't let it ring Into nothing [one sine wave tone fading] [silence]",2026-02-16T04:44:44.962Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/3e1a81b4-07c7-40db-9597-f2029445c5dd.mp3,https://cdn2.suno.ai/image_3e1a81b4-07c7-40db-9597-f2029445c5dd.jpeg,https://cdn2.suno.ai/image_large_3e1a81b4-07c7-40db-9597-f2029445c5dd.jpeg audio/61e1337c-7c7e-4fa1-9745-bf37d9fca02f.mp3,61e1337c-7c7e-4fa1-9745-bf37d9fca02f,,v5,chirp-crow,complete,208.68,False,"experimental trap, detuned 808 bass clipping, tempo shifts 75bpm to 150bpm, irregular hi-hat NOT triplet odd groupings, sections of ONLY voice and kick drum nothing else, 7/8 time signature mixed 4/4, male vocal flat monotone robotic NO SINGING NO AUTOTUNE, sudden silence gaps then bass drop, industrial snare hits sparse, single marimba note detuned repeating, beat switch every 16 bars, whisper to shout no transition, noise static texture, sub bass felt not heard, no chorus no hook no standard structure, stripped minimal dark, handclap replacing snare in breakdown sections, vocal completely dry close mic",,"[Section 1 - just kick drum and voice, nothing else] The dial tone is the most honest sound in America It doesn't pretend to connect you It tells you straight up Nobody's here I respect that I don't respect much but I respect that My guidance counselor's phone rang six times when I called about college applications Then dial tone My PO's phone rang four times when I called about the curfew change Then dial tone The clinic rang twice when my girl called about the test Twice means they busy Busy means too many people sick Too many people sick means the zip code is doing its job [Section 2 - beat drops 150bpm, fast aggressive] They built a hospital on Seventh and they closed the one on third Net zero that's what the news said Like healthcare is math Like you can subtract a building from a neighborhood And add one somewhere else And the bodies don't notice The bodies notice The bodies always notice The bus to the new one take forty minutes if it's running It's not running It's Tuesday [Section 3 - just handclaps and voice, tribal rhythm, slow] Clap Clap clap That's the rhythm my aunt used to get our attention at dinner She never yelled Just clapped a pattern and we came running Like dogs But with love She clapped different for different things Two quick meant food Three slow meant someone's at the door One hard meant shut up the landlord's here We was bilingual in claps before I knew what bilingual meant [silence three beats] She got arthritis now Hands don't clap no more Hands don't do much of anything But she still tries at Thanksgiving Two quick And nobody comes running Because everybody moved Or got locked up Or died on the corner that the hospital used to be on Before they subtracted it [Section 4 - full beat chaos 150bpm then drops to nothing] They say pull yourself up With what Bootstrap is a metaphor invented by someone wearing loafers You ever tried to pull a boot strap It doesn't work That's the point The phrase originally meant something impossible Then America adopted it unironically Which is the most American thing I've ever heard Taking an impossible thing and calling it a plan Then blaming you when physics wins [Section 5 - 75bpm just bass and voice, deliberate] My little cousin asked me what a credit score is I said it's a number that decides if you deserve a door She said that's stupid She's eight She's correct An eight-year-old identified the flaw In the entire financial system In two words While eating a popsicle And nobody in congress With their suits and their staff And their seven-figure lobby checks Has said it that clearly That's stupid It is It really is [Section 6 - beat builds everything stacking] The dial tone again I call my aunt just to hear it ring She can't pick up the arthritis remember But somewhere in that house A phone is vibrating on a table Next to hands that used to clap us into formation Two quick meant food Three slow meant door One hard meant silence Now the phone rings And rings And nobody claps back [one kick hit] [dial tone sound] [silence]",2026-02-16T04:38:11.694Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/61e1337c-7c7e-4fa1-9745-bf37d9fca02f.mp3,https://cdn2.suno.ai/image_61e1337c-7c7e-4fa1-9745-bf37d9fca02f.jpeg,https://cdn2.suno.ai/image_large_61e1337c-7c7e-4fa1-9745-bf37d9fca02f.jpeg audio/b6ea9f7a-d4b6-40d9-b878-9a9e77b2236f.mp3,b6ea9f7a-d4b6-40d9-b878-9a9e77b2236f,,v5,chirp-crow,complete,187.24,False,"experimental trap, detuned 808 bass clipping, tempo shifts 75bpm to 150bpm, irregular hi-hat NOT triplet odd groupings, sections of ONLY voice and kick drum nothing else, 7/8 time signature mixed 4/4, male vocal flat monotone robotic NO SINGING NO AUTOTUNE, sudden silence gaps then bass drop, industrial snare hits sparse, single marimba note detuned repeating, beat switch every 16 bars, whisper to shout no transition, noise static texture, sub bass felt not heard, no chorus no hook no standard structure, stripped minimal dark, handclap replacing snare in breakdown sections, vocal completely dry close mic",,"[Section 1 - just kick drum and voice, nothing else] The dial tone is the most honest sound in America It doesn't pretend to connect you It tells you straight up Nobody's here I respect that I don't respect much but I respect that My guidance counselor's phone rang six times when I called about college applications Then dial tone My PO's phone rang four times when I called about the curfew change Then dial tone The clinic rang twice when my girl called about the test Twice means they busy Busy means too many people sick Too many people sick means the zip code is doing its job [Section 2 - beat drops 150bpm, fast aggressive] They built a hospital on Seventh and they closed the one on third Net zero that's what the news said Like healthcare is math Like you can subtract a building from a neighborhood And add one somewhere else And the bodies don't notice The bodies notice The bodies always notice The bus to the new one take forty minutes if it's running It's not running It's Tuesday [Section 3 - just handclaps and voice, tribal rhythm, slow] Clap Clap clap That's the rhythm my aunt used to get our attention at dinner She never yelled Just clapped a pattern and we came running Like dogs But with love She clapped different for different things Two quick meant food Three slow meant someone's at the door One hard meant shut up the landlord's here We was bilingual in claps before I knew what bilingual meant [silence three beats] She got arthritis now Hands don't clap no more Hands don't do much of anything But she still tries at Thanksgiving Two quick And nobody comes running Because everybody moved Or got locked up Or died on the corner that the hospital used to be on Before they subtracted it [Section 4 - full beat chaos 150bpm then drops to nothing] They say pull yourself up With what Bootstrap is a metaphor invented by someone wearing loafers You ever tried to pull a boot strap It doesn't work That's the point The phrase originally meant something impossible Then America adopted it unironically Which is the most American thing I've ever heard Taking an impossible thing and calling it a plan Then blaming you when physics wins [Section 5 - 75bpm just bass and voice, deliberate] My little cousin asked me what a credit score is I said it's a number that decides if you deserve a door She said that's stupid She's eight She's correct An eight-year-old identified the flaw In the entire financial system In two words While eating a popsicle And nobody in congress With their suits and their staff And their seven-figure lobby checks Has said it that clearly That's stupid It is It really is [Section 6 - beat builds everything stacking] The dial tone again I call my aunt just to hear it ring She can't pick up the arthritis remember But somewhere in that house A phone is vibrating on a table Next to hands that used to clap us into formation Two quick meant food Three slow meant door One hard meant silence Now the phone rings And rings And nobody claps back [one kick hit] [dial tone sound] [silence]",2026-02-16T04:38:11.694Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/b6ea9f7a-d4b6-40d9-b878-9a9e77b2236f.mp3,https://cdn2.suno.ai/image_b6ea9f7a-d4b6-40d9-b878-9a9e77b2236f.jpeg,https://cdn2.suno.ai/image_large_b6ea9f7a-d4b6-40d9-b878-9a9e77b2236f.jpeg audio/f6074b4f-f5d1-4916-b1ac-367dc2843b7d.mp3,f6074b4f-f5d1-4916-b1ac-367dc2843b7d,,v5,chirp-crow,complete,220.12,False,"experimental trap, detuned 808 bass slightly off pitch unsettling, tempo changes 130bpm to 85bpm to 160bpm within same track, irregular hi-hat patterns NOT triplet NOT standard trap pattern, odd time signature sections 5/4 and 7/8 mixed with 4/4, male vocal deep raspy monotone almost robotic no emotion flat delivery, NO SINGING NO AUTOTUNE NO MELODY ON VOICE, spoken word aggressive but controlled, sudden silence gaps two seconds of nothing then bass hits, glitched percussion chopped and screwed stuttering, industrial metal hits replacing snare, distorted bass clipping hard, reversed cymbal swells, single detuned piano note repeating same note whole song, vocal panned left then right then center switching, whisper sections into shouting no transition, dark experimental production, noise texture underneath white static, sub bass below 30hz you feel not hear, no standard song structure no chorus repeat, beat switch every 16 bars completely different beat, south trap drums mixed with indus",,"[Section 1 - 130bpm, flat monotone delivery, one breath per line] The frequency of a dead man's last thought is four hundred twelve hertz I made that up But you believed it for a second And that second is the difference between a prophet and a liar Both of them talk with their chest One of them got better lighting [silence two beats] Fluorescent lights in the welfare office hum at sixty hertz That one's real I counted it with an app while my mama filled out the form For the third time because the first two had the wrong color ink Blue not black God works in mysterious ways Bureaucracy works in specific ones [Section 2 - beat switches to 85bpm half speed, whisper] I used to think I was smart Then I met a roach in the kitchen that survived everything we threw at it Bleach Shoe The Bible A rolled up deportation notice that wasn't for us but showed up anyway Wrong address Like most problems That roach looked at me like You done Yeah I was done [Section 3 - beat switches to 160bpm, fast staccato aggressive] The school counselor said I had potential Which is the word adults use when they mean You're smart enough to notice you're fucked But not rich enough to fix it Potential is a compliment with a shelf life Milk goes bad in seven days Potential goes bad whenever they stop watching She said you could be anything I said I could be hungry too Both are true but only one is happening right now Right now I'm in a chair that's bolted to the floor In a school that's bolted to a budget In a district that's bolted to a zip code In a country that's bolted to pretending That the bolts ain't there [silence four beats] [Section 4 - beat drops to just bass and industrial hits, spoken calm] My brother collected batteries Not for anything Just collected them Drawer full of double A triple A nine volt I asked him why he said Because they got power in them and nobody using it He was seven That's the smartest thing about poverty I ever heard And it came from a kid who couldn't spell poverty But he was living inside the word every day Swimming in the letters of it P for the peanut butter with no jelly O for the oven that we used for heat in February V for the volume on the TV loud enough To cover what was happening in the room That I won't talk about Not because it's a secret Because some rooms don't deserve a description They deserve a demolition [Section 5 - all beats playing at once chaotic then strip to nothing] E for every R for reason T for they Y for gave us to Keep Smiling [silence] [Section 6 - new beat entirely, 130bpm, robotic delivery] The frequency of a living man's last honest thought Before he puts the mask on Monday morning Is somewhere around four twelve hertz I still made that up But you believe it harder now Because I earned it across five sections of a song That didn't give you a chorus to hold onto And that's the point A chorus is a safety net And I'm performing without one Same as always Same as the kid in the bolted chair Same as the roach Same as the batteries Full of power That nobody Is Using [one bass hit] [silence]",2026-02-16T04:33:05.755Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f6074b4f-f5d1-4916-b1ac-367dc2843b7d.mp3,https://cdn2.suno.ai/image_f6074b4f-f5d1-4916-b1ac-367dc2843b7d.jpeg,https://cdn2.suno.ai/image_large_f6074b4f-f5d1-4916-b1ac-367dc2843b7d.jpeg audio/7e6a5257-991d-4b72-ae21-45e3d33bf36e.mp3,7e6a5257-991d-4b72-ae21-45e3d33bf36e,,v5,chirp-crow,complete,220.28,False,"experimental trap, detuned 808 bass slightly off pitch unsettling, tempo changes 130bpm to 85bpm to 160bpm within same track, irregular hi-hat patterns NOT triplet NOT standard trap pattern, odd time signature sections 5/4 and 7/8 mixed with 4/4, male vocal deep raspy monotone almost robotic no emotion flat delivery, NO SINGING NO AUTOTUNE NO MELODY ON VOICE, spoken word aggressive but controlled, sudden silence gaps two seconds of nothing then bass hits, glitched percussion chopped and screwed stuttering, industrial metal hits replacing snare, distorted bass clipping hard, reversed cymbal swells, single detuned piano note repeating same note whole song, vocal panned left then right then center switching, whisper sections into shouting no transition, dark experimental production, noise texture underneath white static, sub bass below 30hz you feel not hear, no standard song structure no chorus repeat, beat switch every 16 bars completely different beat, south trap drums mixed with indus",,"[Section 1 - 130bpm, flat monotone delivery, one breath per line] The frequency of a dead man's last thought is four hundred twelve hertz I made that up But you believed it for a second And that second is the difference between a prophet and a liar Both of them talk with their chest One of them got better lighting [silence two beats] Fluorescent lights in the welfare office hum at sixty hertz That one's real I counted it with an app while my mama filled out the form For the third time because the first two had the wrong color ink Blue not black God works in mysterious ways Bureaucracy works in specific ones [Section 2 - beat switches to 85bpm half speed, whisper] I used to think I was smart Then I met a roach in the kitchen that survived everything we threw at it Bleach Shoe The Bible A rolled up deportation notice that wasn't for us but showed up anyway Wrong address Like most problems That roach looked at me like You done Yeah I was done [Section 3 - beat switches to 160bpm, fast staccato aggressive] The school counselor said I had potential Which is the word adults use when they mean You're smart enough to notice you're fucked But not rich enough to fix it Potential is a compliment with a shelf life Milk goes bad in seven days Potential goes bad whenever they stop watching She said you could be anything I said I could be hungry too Both are true but only one is happening right now Right now I'm in a chair that's bolted to the floor In a school that's bolted to a budget In a district that's bolted to a zip code In a country that's bolted to pretending That the bolts ain't there [silence four beats] [Section 4 - beat drops to just bass and industrial hits, spoken calm] My brother collected batteries Not for anything Just collected them Drawer full of double A triple A nine volt I asked him why he said Because they got power in them and nobody using it He was seven That's the smartest thing about poverty I ever heard And it came from a kid who couldn't spell poverty But he was living inside the word every day Swimming in the letters of it P for the peanut butter with no jelly O for the oven that we used for heat in February V for the volume on the TV loud enough To cover what was happening in the room That I won't talk about Not because it's a secret Because some rooms don't deserve a description They deserve a demolition [Section 5 - all beats playing at once chaotic then strip to nothing] E for every R for reason T for they Y for gave us to Keep Smiling [silence] [Section 6 - new beat entirely, 130bpm, robotic delivery] The frequency of a living man's last honest thought Before he puts the mask on Monday morning Is somewhere around four twelve hertz I still made that up But you believe it harder now Because I earned it across five sections of a song That didn't give you a chorus to hold onto And that's the point A chorus is a safety net And I'm performing without one Same as always Same as the kid in the bolted chair Same as the roach Same as the batteries Full of power That nobody Is Using [one bass hit] [silence]",2026-02-16T04:33:05.755Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7e6a5257-991d-4b72-ae21-45e3d33bf36e.mp3,https://cdn2.suno.ai/image_7e6a5257-991d-4b72-ae21-45e3d33bf36e.jpeg,https://cdn2.suno.ai/image_large_7e6a5257-991d-4b72-ae21-45e3d33bf36e.jpeg audio/f004e1f1-bc30-4ae3-b0a3-a72875a9f648.mp3,f004e1f1-bc30-4ae3-b0a3-a72875a9f648,,v5,chirp-crow,complete,241.28,False,"hard trap epic, massive 808 bass distorted deep slides, tempo 136bpm, triplet hi-hat rolls with sudden stops silence then drop, extremely hard snare crack layered, male vocal raw nasal tone switching between high pitched aggressive yelling and deep whisper spoken word, NO SINGING NO AUTOTUNE NO MELODY ON VOICE, west coast rap cadence staccato percussive, voice switches characters preacher voice then street voice then manic fast delivery, ad libs grunted and yelled short, orchestral hit stabs brass section short not smooth, choir sample epic pitched down dark, 808 mhafia drum style, synth stab single note aggressive, buildup sections drums only then full drop massive, dynamic arrangement quiet whisper sections into explosive loud sections, military snare roll buildups, air raid siren synth accent, bass rattling distorted clipping, minimal melody maximum percussion, raw dry vocal close mic no effects, rap delivery like spoken word poetry slammed into a drum machine, dark cinematic atmo",,"[Intro - whisper, no beat, just bass hum] I called God seven times last Tuesday Went straight to voicemail every time So I left a message Said check your people cause they bugging [Verse 1 - low voice, staccato, minimal beat building] I grew up in a house where the prayers went up And nothing came down but the ceiling Mama on her knees every night talking to the roof Like the roof had feelings Pastor said give ten percent before you eat So we ate ninety percent of nothing And called it faith I called it math And math said we was starving Deacon drove a Cadillac to Wednesday service Preaching about Job and patience Job ain't have a light bill Job ain't have a landlord Job was in a story not a building I was in a building Third floor no elevator With a bible I couldn't eat And a faith that couldn't hold the door open When the marshal came with papers saying God don't cosign leases [DROP - full beat hits, hard] [Hook - aggressive rapid delivery, percussive] Left a message left a message God ain't call me back Left a message left a message guess he screening that Voicemail full voicemail full try again tomorrow Voicemail full voicemail full keep your thoughts and prayers I'll take the cash Left a message left a message still ain't heard a word Maybe God is busy maybe God ain't concerned Voicemail full voicemail full system overloaded Seven billion people calling probably why the line exploded [Verse 2 - preacher cadence, building intensity] My neighbor Miss Johnson she ninety-threeee Survived a war survived a husband survived the street She told me baby God don't use a phone he use people I said Miss Johnson the people ain't working either She laughed the way old women laugh When they know something you gotta learn the hard way She said I been Black in America for ninety-threeee years You think I'm waiting on a callback She said I AM the callback When I bring you soup when you sick That's the call coming through When I watch your car when you working That's the call coming through When I don't say nothing to the officer About what I saw Tuesday night That's the call coming through Now eat your soup and shut up about God He busy and so am I [Bridge - silence then whisper then EXPLODE] [whisper] She died in November Soup was still on my counter Still warm [BEAT DROP - massive, everything hits] [Verse 3 - manic fast delivery getting louder] I went to the funeral in the suit she bought me From the thrift store on Seventh that smell like other people's lives The pastor said she with the Lord now and I wanted to stand up And say the Lord should've been with HER When she was carrying groceries up six flights at ninety-one When the pharmacy said the copay went up again When her grandson took the TV and she told everyone it broke Because love is lying for people who rob you And family is the longest con that nobody reports She gave me everything she had which wasn't much But much ain't got nothing to do with amount Much is when you only got one can of soup And you give it to the kid next door who ain't yours That's much That's the most That's the sermon the pastor couldn't preach Because he was too busy in the Cadillac Adjusting the seat [Hook - layered aggressive] Left a message left a message God ain't call me back Left a message left a message guess he screening that Voicemail full voicemail full try again tomorrow Voicemail full voicemail full [Verse 4 - slow, deliberate, every word a punch] I don't go to church no more Not because I don't believe Because I sat in them pews for twenty years And the answer was next door the whole time In a ninety-three-year-old woman With arthritis in both hands Who still made soup from scratch Because the can opener was broken And she wouldn't ask for help Because asking for help in the hood Is the same as saying you're losing And she never lost a thing in her life Except a husband A grandson A TV And eventually Everything But never the soup The soup survived her I still got the bowl I wash it by hand even though I got a dishwasher now Because some things you don't automate Some things you touch with your hands And remember what warm felt like When the world was cold And God wasn't picking up But Miss Johnson was [Outro - just voice and 808] I still call sometimes Not God Her number Just to hear the voicemail The phone company ain't cut it yet It just says You've reached Dorothy Leave a message after the tone I'm probably cooking [tone] [silence]",2026-02-16T04:30:09.988Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/f004e1f1-bc30-4ae3-b0a3-a72875a9f648.mp3,https://cdn2.suno.ai/image_f004e1f1-bc30-4ae3-b0a3-a72875a9f648.jpeg,https://cdn2.suno.ai/image_large_f004e1f1-bc30-4ae3-b0a3-a72875a9f648.jpeg audio/6d799622-4d35-4921-8392-430e9809399c.mp3,6d799622-4d35-4921-8392-430e9809399c,,v5,chirp-crow,complete,273.72,False,"hard trap epic, massive 808 bass distorted deep slides, tempo 136bpm, triplet hi-hat rolls with sudden stops silence then drop, extremely hard snare crack layered, male vocal raw nasal tone switching between high pitched aggressive yelling and deep whisper spoken word, NO SINGING NO AUTOTUNE NO MELODY ON VOICE, west coast rap cadence staccato percussive, voice switches characters preacher voice then street voice then manic fast delivery, ad libs grunted and yelled short, orchestral hit stabs brass section short not smooth, choir sample epic pitched down dark, 808 mhafia drum style, synth stab single note aggressive, buildup sections drums only then full drop massive, dynamic arrangement quiet whisper sections into explosive loud sections, military snare roll buildups, air raid siren synth accent, bass rattling distorted clipping, minimal melody maximum percussion, raw dry vocal close mic no effects, rap delivery like spoken word poetry slammed into a drum machine, dark cinematic atmo",,"[Intro - whisper, no beat, just bass hum] I called God seven times last Tuesday Went straight to voicemail every time So I left a message Said check your people cause they bugging [Verse 1 - low voice, staccato, minimal beat building] I grew up in a house where the prayers went up And nothing came down but the ceiling Mama on her knees every night talking to the roof Like the roof had feelings Pastor said give ten percent before you eat So we ate ninety percent of nothing And called it faith I called it math And math said we was starving Deacon drove a Cadillac to Wednesday service Preaching about Job and patience Job ain't have a light bill Job ain't have a landlord Job was in a story not a building I was in a building Third floor no elevator With a bible I couldn't eat And a faith that couldn't hold the door open When the marshal came with papers saying God don't cosign leases [DROP - full beat hits, hard] [Hook - aggressive rapid delivery, percussive] Left a message left a message God ain't call me back Left a message left a message guess he screening that Voicemail full voicemail full try again tomorrow Voicemail full voicemail full keep your thoughts and prayers I'll take the cash Left a message left a message still ain't heard a word Maybe God is busy maybe God ain't concerned Voicemail full voicemail full system overloaded Seven billion people calling probably why the line exploded [Verse 2 - preacher cadence, building intensity] My neighbor Miss Johnson she ninety-threeee Survived a war survived a husband survived the street She told me baby God don't use a phone he use people I said Miss Johnson the people ain't working either She laughed the way old women laugh When they know something you gotta learn the hard way She said I been Black in America for ninety-threeee years You think I'm waiting on a callback She said I AM the callback When I bring you soup when you sick That's the call coming through When I watch your car when you working That's the call coming through When I don't say nothing to the officer About what I saw Tuesday night That's the call coming through Now eat your soup and shut up about God He busy and so am I [Bridge - silence then whisper then EXPLODE] [whisper] She died in November Soup was still on my counter Still warm [BEAT DROP - massive, everything hits] [Verse 3 - manic fast delivery getting louder] I went to the funeral in the suit she bought me From the thrift store on Seventh that smell like other people's lives The pastor said she with the Lord now and I wanted to stand up And say the Lord should've been with HER When she was carrying groceries up six flights at ninety-one When the pharmacy said the copay went up again When her grandson took the TV and she told everyone it broke Because love is lying for people who rob you And family is the longest con that nobody reports She gave me everything she had which wasn't much But much ain't got nothing to do with amount Much is when you only got one can of soup And you give it to the kid next door who ain't yours That's much That's the most That's the sermon the pastor couldn't preach Because he was too busy in the Cadillac Adjusting the seat [Hook - layered aggressive] Left a message left a message God ain't call me back Left a message left a message guess he screening that Voicemail full voicemail full try again tomorrow Voicemail full voicemail full [Verse 4 - slow, deliberate, every word a punch] I don't go to church no more Not because I don't believe Because I sat in them pews for twenty years And the answer was next door the whole time In a ninety-three-year-old woman With arthritis in both hands Who still made soup from scratch Because the can opener was broken And she wouldn't ask for help Because asking for help in the hood Is the same as saying you're losing And she never lost a thing in her life Except a husband A grandson A TV And eventually Everything But never the soup The soup survived her I still got the bowl I wash it by hand even though I got a dishwasher now Because some things you don't automate Some things you touch with your hands And remember what warm felt like When the world was cold And God wasn't picking up But Miss Johnson was [Outro - just voice and 808] I still call sometimes Not God Her number Just to hear the voicemail The phone company ain't cut it yet It just says You've reached Dorothy Leave a message after the tone I'm probably cooking [tone] [silence]",2026-02-16T04:30:09.988Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6d799622-4d35-4921-8392-430e9809399c.mp3,https://cdn2.suno.ai/image_6d799622-4d35-4921-8392-430e9809399c.jpeg,https://cdn2.suno.ai/image_large_6d799622-4d35-4921-8392-430e9809399c.jpeg audio/fa385460-d02f-4b58-8f65-56e7c5326d01.mp3,fa385460-d02f-4b58-8f65-56e7c5326d01,,v5,chirp-crow,complete,479.36,False,"hard trap, heavy distorted 808 bass slides, tempo 140bpm, aggressive triplet hi-hat rolls, hard snare crack, pitched up soul sample chop short loop, male vocal monotone rap delivery low pitch almost talking, NO SINGING NO MELODY ON VOCALS, spoken word rap percussive flow, triplet flow staccato delivery, ad libs deep voice, cowbell pattern, bouncy trunk rattle kick, tom drum rolls, flute riff short and sharp not smooth, dark atmosphere, raw unpolished vocal no reverb dry, mumble rap influence on hook, aggressive energy throughout, 808 rmafia production style, no piano, synth stabs short and percussive, vocal delivery like a drum not a singer",,"[Intro - pitched up soul sample, slow piano] Yeah This one right here For everybody who know what a grocery bag sound like When it ain't got enough in it [Verse 1 - slow, Kendrick-style narrative] Mama sent me to the store with eleven dollars flat Said get bread get eggs get milk and bring the change back I was nine with a list written on a phone bill envelope Walking past the liquor store where Mr. Ray would sit and smoke He'd say little man what you buying I'd say same as every week He'd say tell your mama Ray said hi I'd say she said don't speak To you no more because you owe her twenty from last June He'd laugh and cough and laugh and cough and I'd keep walking to the tune Of my shoes on the gravel that had no business being a road But the city called it one so we believed it I suppose Eleven dollars at the counter came to twelve sixteen The lady took a dollar off because she knew what broke look like Walked home with the bags cutting circulation in my fingers That specific plastic pain that in your hands forever lingers Mama checked the receipt counted every item twice Not because she didn't trust me because a dollar was her life [Hook - triplet flow, bouncy, Migos-style energy] Grocery bag grocery bag plastic in my hand Dollar short dollar short mama had a plan Stretch it flip it make it work that's the program Eleven dollars and some change feed the whole fam Grocery bag grocery bag cutting through the skin Walk a mile with the weight and you don't call that the gym This ain't poverty porn this is just the way it went Every dollar was a decision every penny was intent [Verse 2 - building intensity, switching flows] My pops would count the coins on Sunday separate by the face Quarters in a coffee mug the pennies in a vase He made a game of it like we was pirates counting gold Instead of broke and terrified that winter coming cold Gas bill was a negotiation light bill was a prayer Water bill was take a shorter shower I don't care If you still got soap on you the water know the way Gravity don't charge you son it take the soap away He said that like a scientist I thought my daddy was so smart Took me twenty years to realize he couldn't read But he could count and he could fix and he could build from any part And illiterate ain't stupid when your hands can speak He fixed the neighbor Toyota with a YouTube he couldn't read My sister read the comments out and he just watched the hands Now that Toyota still running and my pops still can't read a word But he the smartest man I know and I need you to understand [Hook - triplet bounce] Grocery bag grocery bag plastic in my hand Dollar short dollar short mama had a plan Stretch it flip it make it work that's the program Eleven dollars and some change feed the whole fam [Bridge - stripped, just piano and voice, spoken] People talk about the struggle like it's something you survive Nah The struggle ain't a chapter it's the binding of the book Every page smell like that kitchen Dollar store dish soap and rice [Verse 3 - full energy, complex flow patterns] I made it out they say like out is a location Like I packed a bag and left and closed the door on the foundation I still count the bill at restaurants before I order I still check the price per ounce my mama trained a soldier I still hear the bag the plastic and the gravel and the walk I still see the phone bill envelope with mama's writing in the dark GET BREAD GET EGGS GET MILK Three items and a childhood wrapped in ballpoint ink My girl say why you buy the cheap detergent we got money now I say because the cheap one work the same and mama looking down From somewhere counting coins on clouds and I won't disrespect The woman who made twelve sixteen work with eleven flat I tip the waiter thirty percent because the grocery store lady Took a dollar off for me in nineteen ninety-eight And every dollar I give extra is a dollar traveling back To the counter at the store on the road that was a road because they said so [Outro - slowing down, nostalgic melody returns] I still got the list Phone bill envelope Her handwriting getting lighter every year the paper fold But I can read it still Bread eggs milk And at the bottom in small letters she wrote I love you hurry back [silence]",2026-02-16T04:22:41.315Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/fa385460-d02f-4b58-8f65-56e7c5326d01.mp3,https://cdn2.suno.ai/image_fa385460-d02f-4b58-8f65-56e7c5326d01.jpeg,https://cdn2.suno.ai/image_large_fa385460-d02f-4b58-8f65-56e7c5326d01.jpeg audio/d123ea67-bb85-4dac-93b7-f98cceb1a6e1.mp3,d123ea67-bb85-4dac-93b7-f98cceb1a6e1,,v5,chirp-crow,complete,286.08,False,"hard trap, heavy distorted 808 bass slides, tempo 140bpm, aggressive triplet hi-hat rolls, hard snare crack, pitched up soul sample chop short loop, male vocal monotone rap delivery low pitch almost talking, NO SINGING NO MELODY ON VOCALS, spoken word rap percussive flow, triplet flow staccato delivery, ad libs deep voice, cowbell pattern, bouncy trunk rattle kick, tom drum rolls, flute riff short and sharp not smooth, dark atmosphere, raw unpolished vocal no reverb dry, mumble rap influence on hook, aggressive energy throughout, 808 rmafia production style, no piano, synth stabs short and percussive, vocal delivery like a drum not a singer",,"[Intro - pitched up soul sample, slow piano] Yeah This one right here For everybody who know what a grocery bag sound like When it ain't got enough in it [Verse 1 - slow, Kendrick-style narrative] Mama sent me to the store with eleven dollars flat Said get bread get eggs get milk and bring the change back I was nine with a list written on a phone bill envelope Walking past the liquor store where Mr. Ray would sit and smoke He'd say little man what you buying I'd say same as every week He'd say tell your mama Ray said hi I'd say she said don't speak To you no more because you owe her twenty from last June He'd laugh and cough and laugh and cough and I'd keep walking to the tune Of my shoes on the gravel that had no business being a road But the city called it one so we believed it I suppose Eleven dollars at the counter came to twelve sixteen The lady took a dollar off because she knew what broke look like Walked home with the bags cutting circulation in my fingers That specific plastic pain that in your hands forever lingers Mama checked the receipt counted every item twice Not because she didn't trust me because a dollar was her life [Hook - triplet flow, bouncy, Migos-style energy] Grocery bag grocery bag plastic in my hand Dollar short dollar short mama had a plan Stretch it flip it make it work that's the program Eleven dollars and some change feed the whole fam Grocery bag grocery bag cutting through the skin Walk a mile with the weight and you don't call that the gym This ain't poverty porn this is just the way it went Every dollar was a decision every penny was intent [Verse 2 - building intensity, switching flows] My pops would count the coins on Sunday separate by the face Quarters in a coffee mug the pennies in a vase He made a game of it like we was pirates counting gold Instead of broke and terrified that winter coming cold Gas bill was a negotiation light bill was a prayer Water bill was take a shorter shower I don't care If you still got soap on you the water know the way Gravity don't charge you son it take the soap away He said that like a scientist I thought my daddy was so smart Took me twenty years to realize he couldn't read But he could count and he could fix and he could build from any part And illiterate ain't stupid when your hands can speak He fixed the neighbor Toyota with a YouTube he couldn't read My sister read the comments out and he just watched the hands Now that Toyota still running and my pops still can't read a word But he the smartest man I know and I need you to understand [Hook - triplet bounce] Grocery bag grocery bag plastic in my hand Dollar short dollar short mama had a plan Stretch it flip it make it work that's the program Eleven dollars and some change feed the whole fam [Bridge - stripped, just piano and voice, spoken] People talk about the struggle like it's something you survive Nah The struggle ain't a chapter it's the binding of the book Every page smell like that kitchen Dollar store dish soap and rice [Verse 3 - full energy, complex flow patterns] I made it out they say like out is a location Like I packed a bag and left and closed the door on the foundation I still count the bill at restaurants before I order I still check the price per ounce my mama trained a soldier I still hear the bag the plastic and the gravel and the walk I still see the phone bill envelope with mama's writing in the dark GET BREAD GET EGGS GET MILK Three items and a childhood wrapped in ballpoint ink My girl say why you buy the cheap detergent we got money now I say because the cheap one work the same and mama looking down From somewhere counting coins on clouds and I won't disrespect The woman who made twelve sixteen work with eleven flat I tip the waiter thirty percent because the grocery store lady Took a dollar off for me in nineteen ninety-eight And every dollar I give extra is a dollar traveling back To the counter at the store on the road that was a road because they said so [Outro - slowing down, nostalgic melody returns] I still got the list Phone bill envelope Her handwriting getting lighter every year the paper fold But I can read it still Bread eggs milk And at the bottom in small letters she wrote I love you hurry back [silence]",2026-02-16T04:22:41.314Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d123ea67-bb85-4dac-93b7-f98cceb1a6e1.mp3,https://cdn2.suno.ai/image_d123ea67-bb85-4dac-93b7-f98cceb1a6e1.jpeg,https://cdn2.suno.ai/image_large_d123ea67-bb85-4dac-93b7-f98cceb1a6e1.jpeg audio/3aaeb756-bad6-4d0a-bb79-64192fe531ca.mp3,3aaeb756-bad6-4d0a-bb79-64192fe531ca,,v5,chirp-crow,complete,274.16,False,"trap, nostalgic piano melody minor key emotional, heavy sliding 808 bass, tempo 140bpm, triplet hi-hat rolls, aggressive snare clap, male vocal switching between fast triplet flow and slow melodic spoken delivery, melancholic string section layered, flute melody hook haunting, call and response ad libs, cowbell accent, retro soul sample chops pitched up, vinyl texture warmth, bouncy trunk rattling bass, complex drum programming ghost notes, reverb on snare, atmospheric pads underneath, choir vocal sample distant, switch between hard bounce sections and stripped emotional sections, dynamic arrangement, no autotune, raw vocal with slight delay effect",,"[Intro - pitched up soul sample, slow piano] Yeah This one right here For everybody who know what a grocery bag sound like When it ain't got enough in it [Verse 1 - slow, Kendrick-style narrative] Mama sent me to the store with eleven dollars flat Said get bread get eggs get milk and bring the change back I was nine with a list written on a phone bill envelope Walking past the liquor store where Mr. Ray would sit and smoke He'd say little man what you buying I'd say same as every week He'd say tell your mama Ray said hi I'd say she said don't speak To you no more because you owe her twenty from last June He'd laugh and cough and laugh and cough and I'd keep walking to the tune Of my shoes on the gravel that had no business being a road But the city called it one so we believed it I suppose Eleven dollars at the counter came to twelve sixteen The lady took a dollar off because she knew what broke look like Walked home with the bags cutting circulation in my fingers That specific plastic pain that in your hands forever lingers Mama checked the receipt counted every item twice Not because she didn't trust me because a dollar was her life [Hook - triplet flow, bouncy, Migos-style energy] Grocery bag grocery bag plastic in my hand Dollar short dollar short mama had a plan Stretch it flip it make it work that's the program Eleven dollars and some change feed the whole fam Grocery bag grocery bag cutting through the skin Walk a mile with the weight and you don't call that the gym This ain't poverty porn this is just the way it went Every dollar was a decision every penny was intent [Verse 2 - building intensity, switching flows] My pops would count the coins on Sunday separate by the face Quarters in a coffee mug the pennies in a vase He made a game of it like we was pirates counting gold Instead of broke and terrified that winter coming cold Gas bill was a negotiation light bill was a prayer Water bill was take a shorter shower I don't care If you still got soap on you the water know the way Gravity don't charge you son it take the soap away He said that like a scientist I thought my daddy was so smart Took me twenty years to realize he couldn't read But he could count and he could fix and he could build from any part And illiterate ain't stupid when your hands can speak He fixed the neighbor Toyota with a YouTube he couldn't read My sister read the comments out and he just watched the hands Now that Toyota still running and my pops still can't read a word But he the smartest man I know and I need you to understand [Hook - triplet bounce] Grocery bag grocery bag plastic in my hand Dollar short dollar short mama had a plan Stretch it flip it make it work that's the program Eleven dollars and some change feed the whole fam [Bridge - stripped, just piano and voice, spoken] People talk about the struggle like it's something you survive Nah The struggle ain't a chapter it's the binding of the book Every page smell like that kitchen Dollar store dish soap and rice [Verse 3 - full energy, complex flow patterns] I made it out they say like out is a location Like I packed a bag and left and closed the door on the foundation I still count the bill at restaurants before I order I still check the price per ounce my mama trained a soldier I still hear the bag the plastic and the gravel and the walk I still see the phone bill envelope with mama's writing in the dark GET BREAD GET EGGS GET MILK Three items and a childhood wrapped in ballpoint ink My girl say why you buy the cheap detergent we got money now I say because the cheap one work the same and mama looking down From somewhere counting coins on clouds and I won't disrespect The woman who made twelve sixteen work with eleven flat I tip the waiter thirty percent because the grocery store lady Took a dollar off for me in nineteen ninety-eight And every dollar I give extra is a dollar traveling back To the counter at the store on the road that was a road because they said so [Outro - slowing down, nostalgic melody returns] I still got the list Phone bill envelope Her handwriting getting lighter every year the paper fold But I can read it still Bread eggs milk And at the bottom in small letters she wrote I love you hurry back [silence]",2026-02-16T04:19:01.367Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/3aaeb756-bad6-4d0a-bb79-64192fe531ca.mp3,https://cdn2.suno.ai/image_3aaeb756-bad6-4d0a-bb79-64192fe531ca.jpeg,https://cdn2.suno.ai/image_large_3aaeb756-bad6-4d0a-bb79-64192fe531ca.jpeg audio/d911a0a7-da0a-4ee1-b9e0-7d494c179679.mp3,d911a0a7-da0a-4ee1-b9e0-7d494c179679,,v5,chirp-crow,complete,282.68,False,"trap, nostalgic piano melody minor key emotional, heavy sliding 808 bass, tempo 140bpm, triplet hi-hat rolls, aggressive snare clap, male vocal switching between fast triplet flow and slow melodic spoken delivery, melancholic string section layered, flute melody hook haunting, call and response ad libs, cowbell accent, retro soul sample chops pitched up, vinyl texture warmth, bouncy trunk rattling bass, complex drum programming ghost notes, reverb on snare, atmospheric pads underneath, choir vocal sample distant, switch between hard bounce sections and stripped emotional sections, dynamic arrangement, no autotune, raw vocal with slight delay effect",,"[Intro - pitched up soul sample, slow piano] Yeah This one right here For everybody who know what a grocery bag sound like When it ain't got enough in it [Verse 1 - slow, Kendrick-style narrative] Mama sent me to the store with eleven dollars flat Said get bread get eggs get milk and bring the change back I was nine with a list written on a phone bill envelope Walking past the liquor store where Mr. Ray would sit and smoke He'd say little man what you buying I'd say same as every week He'd say tell your mama Ray said hi I'd say she said don't speak To you no more because you owe her twenty from last June He'd laugh and cough and laugh and cough and I'd keep walking to the tune Of my shoes on the gravel that had no business being a road But the city called it one so we believed it I suppose Eleven dollars at the counter came to twelve sixteen The lady took a dollar off because she knew what broke look like Walked home with the bags cutting circulation in my fingers That specific plastic pain that in your hands forever lingers Mama checked the receipt counted every item twice Not because she didn't trust me because a dollar was her life [Hook - triplet flow, bouncy, Migos-style energy] Grocery bag grocery bag plastic in my hand Dollar short dollar short mama had a plan Stretch it flip it make it work that's the program Eleven dollars and some change feed the whole fam Grocery bag grocery bag cutting through the skin Walk a mile with the weight and you don't call that the gym This ain't poverty porn this is just the way it went Every dollar was a decision every penny was intent [Verse 2 - building intensity, switching flows] My pops would count the coins on Sunday separate by the face Quarters in a coffee mug the pennies in a vase He made a game of it like we was pirates counting gold Instead of broke and terrified that winter coming cold Gas bill was a negotiation light bill was a prayer Water bill was take a shorter shower I don't care If you still got soap on you the water know the way Gravity don't charge you son it take the soap away He said that like a scientist I thought my daddy was so smart Took me twenty years to realize he couldn't read But he could count and he could fix and he could build from any part And illiterate ain't stupid when your hands can speak He fixed the neighbor Toyota with a YouTube he couldn't read My sister read the comments out and he just watched the hands Now that Toyota still running and my pops still can't read a word But he the smartest man I know and I need you to understand [Hook - triplet bounce] Grocery bag grocery bag plastic in my hand Dollar short dollar short mama had a plan Stretch it flip it make it work that's the program Eleven dollars and some change feed the whole fam [Bridge - stripped, just piano and voice, spoken] People talk about the struggle like it's something you survive Nah The struggle ain't a chapter it's the binding of the book Every page smell like that kitchen Dollar store dish soap and rice [Verse 3 - full energy, complex flow patterns] I made it out they say like out is a location Like I packed a bag and left and closed the door on the foundation I still count the bill at restaurants before I order I still check the price per ounce my mama trained a soldier I still hear the bag the plastic and the gravel and the walk I still see the phone bill envelope with mama's writing in the dark GET BREAD GET EGGS GET MILK Three items and a childhood wrapped in ballpoint ink My girl say why you buy the cheap detergent we got money now I say because the cheap one work the same and mama looking down From somewhere counting coins on clouds and I won't disrespect The woman who made twelve sixteen work with eleven flat I tip the waiter thirty percent because the grocery store lady Took a dollar off for me in nineteen ninety-eight And every dollar I give extra is a dollar traveling back To the counter at the store on the road that was a road because they said so [Outro - slowing down, nostalgic melody returns] I still got the list Phone bill envelope Her handwriting getting lighter every year the paper fold But I can read it still Bread eggs milk And at the bottom in small letters she wrote I love you hurry back [silence]",2026-02-16T04:19:01.367Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/d911a0a7-da0a-4ee1-b9e0-7d494c179679.mp3,https://cdn2.suno.ai/image_d911a0a7-da0a-4ee1-b9e0-7d494c179679.jpeg,https://cdn2.suno.ai/image_large_d911a0a7-da0a-4ee1-b9e0-7d494c179679.jpeg audio/a3d16a40-2e58-4238-b76b-0698a46e7424.mp3,a3d16a40-2e58-4238-b76b-0698a46e7424,,v5,chirp-crow,complete,226.2,False,"trap bounce, heavy 808 sliding bass, fast tempo 145bpm, complex hi-hat patterns 32nd note rolls and triplets, aggressive snare rolls, bouncy rhythm, cowbell pattern, rim shot accent on off beats, male vocal confident rhythmic delivery fast flow, call and response ad libs, clap stacks, tom fills rolling, percussive vocal chops, Latin percussion conga accent, whistle melody hook catchy, polyrhythmic drum programming, trunk rattling bass, crisp digital mix, high energy club banger, no singing, rap only, Atlanta bounce influence, syncopated kick pattern, stutter effects on vocal",,"[Intro - rhythmic, staccato] Tick tick tick tick Clock don't stop Tick tick tick tick Drop [Verse 1 - fast, syncopated delivery] I move like the second hand never on the one Hit the beat diagonal everybody catching on Left foot right foot pivot then I switch the pattern up Every time they think they got it I reverse the cut I don't walk I syncopate the sidewalk crack to crack Every step a snare hit every breath a hi-hat tap City move in four four I've been living in the six Polyrhythmic on the pavement watch me break the grid Coffee shop to corner store my tempo never shift Thirty-two bars in my head before I move my lips The crosswalk beeping that's the click track for the block Hot dog vendor got a rhythm when he turn the lock Turnstile hit it on the and not on the downbeat Subway doors closing that's the cymbal crash complete I hear drums in everything the AC and the drain The windshield wiper on the cab that's riding through the rain [Hook - bouncy, call and response] Move like clockwork tick Hit it on the tick Everything I do is on the tick Never miss a tick Feet don't ever stick Body is the drum and I'm the stick Move like clockwork tick Hit it on the tick Everything a rhythm if you listen close enough [Verse 2 - double time then half time switches] Grandma used to sweep the porch in three four time Broom hit the wood then the concrete then the line I would sit and count the pattern never knew the name Twelve years later found a drum machine that sound the same My uncle fixed cars with a wrench that kept a beat Clang pause clang clang pause that's the song beneath the street The barber clipping fades is playing paradiddles clean Scissors on the left hand razor on the sixteenth See the whole city is a drum circle they don't know Everybody playing parts inside a polyrhythmic show The lady with the grocery bags she shuffling a groove Construction workers jackhammering they deep inside the pocket too I just walk through it catching every hit and every ghost note Every silence between sounds that's where the real rhythm go The space between the kick the gap before the snare That's where I live that's where I breathe the music in the air [Hook] Move like clockwork tick Hit it on the tick Everything I do is on the tick Never miss a tick Feet don't ever stick Body is the drum and I'm the stick Move like clockwork tick Hit it on the tick Everything a rhythm if you listen close enough [Bridge - half time, heavy 808] Stop You hear that Nah not the music Under the music The washing machine two floors down That's in seven eight My mans don't believe me Count it [Verse 3 - building intensity] I tap the table in the meeting and my boss don't get it She think I'm bored but I'm conducting what she can't hear yet The pen is clicking that's the shaker and the stapler snaps That's the rim shot and the printer warming up is traps Fluorescent lights are humming in B flat I checked The elevator dings on two and four like hihat wet I make a beat from nothing every room a studio Every object is percussion if your ears ain't closed The train the rain the chain on the gate The coins in the pocket hitting fabric at a certain rate My heartbeat in my chest when I'm running for the bus That's the kick drum underneath the whole thing holding us You want to know my secret how I ride the beat so clean I never learned to play the drums I learned to hear the scene The world already playing I just showed up on the one And rode it like I'm late for something that's already done [Outro - deconstructing, one element at a time dropping out] Tick tick tick tick Clock don't stop Tick tick Tick [silence]",2026-02-16T04:13:50.571Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/a3d16a40-2e58-4238-b76b-0698a46e7424.mp3,https://cdn2.suno.ai/image_a3d16a40-2e58-4238-b76b-0698a46e7424.jpeg,https://cdn2.suno.ai/image_large_a3d16a40-2e58-4238-b76b-0698a46e7424.jpeg audio/6f65984c-2808-40b1-886b-3ce013a2d064.mp3,6f65984c-2808-40b1-886b-3ce013a2d064,,v5,chirp-crow,complete,242.96,False,"trap bounce, heavy 808 sliding bass, fast tempo 145bpm, complex hi-hat patterns 32nd note rolls and triplets, aggressive snare rolls, bouncy rhythm, cowbell pattern, rim shot accent on off beats, male vocal confident rhythmic delivery fast flow, call and response ad libs, clap stacks, tom fills rolling, percussive vocal chops, Latin percussion conga accent, whistle melody hook catchy, polyrhythmic drum programming, trunk rattling bass, crisp digital mix, high energy club banger, no singing, rap only, Atlanta bounce influence, syncopated kick pattern, stutter effects on vocal",,"[Intro - rhythmic, staccato] Tick tick tick tick Clock don't stop Tick tick tick tick Drop [Verse 1 - fast, syncopated delivery] I move like the second hand never on the one Hit the beat diagonal everybody catching on Left foot right foot pivot then I switch the pattern up Every time they think they got it I reverse the cut I don't walk I syncopate the sidewalk crack to crack Every step a snare hit every breath a hi-hat tap City move in four four I've been living in the six Polyrhythmic on the pavement watch me break the grid Coffee shop to corner store my tempo never shift Thirty-two bars in my head before I move my lips The crosswalk beeping that's the click track for the block Hot dog vendor got a rhythm when he turn the lock Turnstile hit it on the and not on the downbeat Subway doors closing that's the cymbal crash complete I hear drums in everything the AC and the drain The windshield wiper on the cab that's riding through the rain [Hook - bouncy, call and response] Move like clockwork tick Hit it on the tick Everything I do is on the tick Never miss a tick Feet don't ever stick Body is the drum and I'm the stick Move like clockwork tick Hit it on the tick Everything a rhythm if you listen close enough [Verse 2 - double time then half time switches] Grandma used to sweep the porch in three four time Broom hit the wood then the concrete then the line I would sit and count the pattern never knew the name Twelve years later found a drum machine that sound the same My uncle fixed cars with a wrench that kept a beat Clang pause clang clang pause that's the song beneath the street The barber clipping fades is playing paradiddles clean Scissors on the left hand razor on the sixteenth See the whole city is a drum circle they don't know Everybody playing parts inside a polyrhythmic show The lady with the grocery bags she shuffling a groove Construction workers jackhammering they deep inside the pocket too I just walk through it catching every hit and every ghost note Every silence between sounds that's where the real rhythm go The space between the kick the gap before the snare That's where I live that's where I breathe the music in the air [Hook] Move like clockwork tick Hit it on the tick Everything I do is on the tick Never miss a tick Feet don't ever stick Body is the drum and I'm the stick Move like clockwork tick Hit it on the tick Everything a rhythm if you listen close enough [Bridge - half time, heavy 808] Stop You hear that Nah not the music Under the music The washing machine two floors down That's in seven eight My mans don't believe me Count it [Verse 3 - building intensity] I tap the table in the meeting and my boss don't get it She think I'm bored but I'm conducting what she can't hear yet The pen is clicking that's the shaker and the stapler snaps That's the rim shot and the printer warming up is traps Fluorescent lights are humming in B flat I checked The elevator dings on two and four like hihat wet I make a beat from nothing every room a studio Every object is percussion if your ears ain't closed The train the rain the chain on the gate The coins in the pocket hitting fabric at a certain rate My heartbeat in my chest when I'm running for the bus That's the kick drum underneath the whole thing holding us You want to know my secret how I ride the beat so clean I never learned to play the drums I learned to hear the scene The world already playing I just showed up on the one And rode it like I'm late for something that's already done [Outro - deconstructing, one element at a time dropping out] Tick tick tick tick Clock don't stop Tick tick Tick [silence]",2026-02-16T04:13:50.571Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/6f65984c-2808-40b1-886b-3ce013a2d064.mp3,https://cdn2.suno.ai/image_6f65984c-2808-40b1-886b-3ce013a2d064.jpeg,https://cdn2.suno.ai/image_large_6f65984c-2808-40b1-886b-3ce013a2d064.jpeg audio/354a3ad8-7c09-4155-a6b6-7973da9b731d.mp3,354a3ad8-7c09-4155-a6b6-7973da9b731d,,v5,chirp-crow,complete,227.24,False,"dark trap, heavy distorted 808 bass, slow tempo 72bpm half time feel, dark piano melody minor key, aggressive male vocal deep voice raw delivery, sparse hi-hats rolls, cinematic strings background, heavy kick drum, reverb on snare clap, dark ambient pads, no autotune, spoken word sections, Memphis rap influence, horrorcore atmosphere, minimal arrangement, vinyl crackle texture, heavy sidechain compression, aggressive but controlled energy, street narrative, no chorus singing, raw and unpolished vocal, analog warmth on drums",,"[Intro - voicemail recording effect] Yo it's me again Pick up I know you see me calling man Aight [Verse 1] Last time I saw Marcus he was fixing his collar Outside the courthouse with his mama looking smaller Than I ever seen her standing five foot nothing Holding a bible like the pages could do something Judge gave him seven said he lucky it ain't ten His lawyer shook his hand like they was never meeting again I sat in the back row seat closest to the door Cause I ain't want his mama asking what I'm sitting there for See Marcus caught the charge but we was both in the car I drove and he was riding and the gun was under the bar When the lights hit the mirror I said don't move don't reach He reached and now I'm free and he learning prison speech I wrote him every month for maybe seven or eight Then life got in the way which is a coward way to say I chose to keep on living while he rotting in a cage And I ain't got the words to put that feeling on a page [Verse 2] His mama call me Christmas I don't answer anymore She probably want to tell me that he asking what I'm doing Or maybe she just lonely with a house that's way too quiet With a son that got a number where his phone should be I drive past the courthouse sometimes take the long way home See the bench where we was sitting eating dollar tacos Talking about getting out this city getting somewhere clean Now he in a cell and I'm still here and neither one of us got clean I got a job I got a girl I got a lease on a Honda I got a closet full of clothes from the life we used to sponsor I got a voicemail from Marcus from the night before the stop Saying yo let's ride I got some shit to drop And I play it sometimes when I can't sleep at three AM Just to hear his voice before the world took him from him Seven seconds of my boy before the sirens and the light The last time things was normal on a Tuesday night [Bridge - spoken, reverb] They tell you time heals everything Nah Time just teaches you how to carry it quieter [Verse 3] I went to see him once in year four smelled like bleach He had a scar across his eyebrow wouldn't say from what We talked about the Eagles game like nothing ever happened Like the table wasn't bolted and the guard wasn't watching He said don't feel guilty bro you got a life to live And I nodded like that fixed it like them words could give Me back the sleep I lost the weight I put on drinking The way I flinch at sirens the way I stopped thinking That I deserve good things cause good things got a cost And the cost was Marcus reaching when I told him not to He come home next September and I don't know what to say Do I show up at the gate or do I stay away Cause showing up means looking at the years I stole And staying home means losing what is left of my soul So I just play the voicemail let it ring to the end Seven seconds of my brother back when brother meant friend [Outro - voicemail recording] Yo let's ride I got some shit to drop Call me back [silence]",2026-02-16T04:10:30.433Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/354a3ad8-7c09-4155-a6b6-7973da9b731d.mp3,https://cdn2.suno.ai/image_354a3ad8-7c09-4155-a6b6-7973da9b731d.jpeg,https://cdn2.suno.ai/image_large_354a3ad8-7c09-4155-a6b6-7973da9b731d.jpeg audio/7f3b5570-0d7d-43e2-be60-ff277b127767.mp3,7f3b5570-0d7d-43e2-be60-ff277b127767,,v5,chirp-crow,complete,236.44,False,"dark trap, heavy distorted 808 bass, slow tempo 72bpm half time feel, dark piano melody minor key, aggressive male vocal deep voice raw delivery, sparse hi-hats rolls, cinematic strings background, heavy kick drum, reverb on snare clap, dark ambient pads, no autotune, spoken word sections, Memphis rap influence, horrorcore atmosphere, minimal arrangement, vinyl crackle texture, heavy sidechain compression, aggressive but controlled energy, street narrative, no chorus singing, raw and unpolished vocal, analog warmth on drums",,"[Intro - voicemail recording effect] Yo it's me again Pick up I know you see me calling man Aight [Verse 1] Last time I saw Marcus he was fixing his collar Outside the courthouse with his mama looking smaller Than I ever seen her standing five foot nothing Holding a bible like the pages could do something Judge gave him seven said he lucky it ain't ten His lawyer shook his hand like they was never meeting again I sat in the back row seat closest to the door Cause I ain't want his mama asking what I'm sitting there for See Marcus caught the charge but we was both in the car I drove and he was riding and the gun was under the bar When the lights hit the mirror I said don't move don't reach He reached and now I'm free and he learning prison speech I wrote him every month for maybe seven or eight Then life got in the way which is a coward way to say I chose to keep on living while he rotting in a cage And I ain't got the words to put that feeling on a page [Verse 2] His mama call me Christmas I don't answer anymore She probably want to tell me that he asking what I'm doing Or maybe she just lonely with a house that's way too quiet With a son that got a number where his phone should be I drive past the courthouse sometimes take the long way home See the bench where we was sitting eating dollar tacos Talking about getting out this city getting somewhere clean Now he in a cell and I'm still here and neither one of us got clean I got a job I got a girl I got a lease on a Honda I got a closet full of clothes from the life we used to sponsor I got a voicemail from Marcus from the night before the stop Saying yo let's ride I got some shit to drop And I play it sometimes when I can't sleep at three AM Just to hear his voice before the world took him from him Seven seconds of my boy before the sirens and the light The last time things was normal on a Tuesday night [Bridge - spoken, reverb] They tell you time heals everything Nah Time just teaches you how to carry it quieter [Verse 3] I went to see him once in year four smelled like bleach He had a scar across his eyebrow wouldn't say from what We talked about the Eagles game like nothing ever happened Like the table wasn't bolted and the guard wasn't watching He said don't feel guilty bro you got a life to live And I nodded like that fixed it like them words could give Me back the sleep I lost the weight I put on drinking The way I flinch at sirens the way I stopped thinking That I deserve good things cause good things got a cost And the cost was Marcus reaching when I told him not to He come home next September and I don't know what to say Do I show up at the gate or do I stay away Cause showing up means looking at the years I stole And staying home means losing what is left of my soul So I just play the voicemail let it ring to the end Seven seconds of my brother back when brother meant friend [Outro - voicemail recording] Yo let's ride I got some shit to drop Call me back [silence]",2026-02-16T04:10:30.433Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7f3b5570-0d7d-43e2-be60-ff277b127767.mp3,https://cdn2.suno.ai/image_7f3b5570-0d7d-43e2-be60-ff277b127767.jpeg,https://cdn2.suno.ai/image_large_7f3b5570-0d7d-43e2-be60-ff277b127767.jpeg audio/81b2b815-db05-4db0-8cc9-0aa8bbbdbb4e.mp3,81b2b815-db05-4db0-8cc9-0aa8bbbdbb4e,,v5,chirp-crow,complete,118.16,False,"afrobeats, log drum percussion, shaker highlife rhythm, afro pop, male vocal catchy melodic, guitar highlife riff clean tone, synth pad warm, dancehall influence, uptempo 108bpm, afrobeat groove, call and response vocals, infectious hook, modern pop production crisp mix, highlife guitar licks, talking drum accent, bass synth deep groove, summer anthem energy, radio ready, no autotune, confident vocal delivery, pidgin english lyrics",,"[Intro - spoken] Eh you see this life Na who get mind go chop am [Verse 1] I wake up for morning the ceiling dey crack No water no light but I no send you back My neighbor dey pray for Benz wey no start Me I dey thank God for the beat in my heart Mama call say when you go make am I say mama I dey try no be small thing The road wey I walk no get map or sign But my two legs strong and the sun still shine [Pre-Chorus] They talk say the system no build for we They talk say the ladder no reach where we be But I no come this far to come this far only Na me go write the story wey dem go tell [Chorus] Concrete and gold oh We dey shine from the mud below Concrete and gold oh Every scar got a story to show We no need permission to glow Concrete and gold oh oh oh [Verse 2] My papa work thirty years for one room Iron roof hot like say hell dey bloom But every Sunday morning him iron him shirt Stand tall like say poverty no fit hurt I carry that same back",2026-02-16T04:04:40.137Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/81b2b815-db05-4db0-8cc9-0aa8bbbdbb4e.mp3,https://cdn2.suno.ai/image_81b2b815-db05-4db0-8cc9-0aa8bbbdbb4e.jpeg,https://cdn2.suno.ai/image_large_81b2b815-db05-4db0-8cc9-0aa8bbbdbb4e.jpeg audio/1814ce3e-a0b8-4a20-9d61-6c0f3cbcf8a1.mp3,1814ce3e-a0b8-4a20-9d61-6c0f3cbcf8a1,,v5,chirp-crow,complete,118.16,False,"afrobeats, log drum percussion, shaker highlife rhythm, afro pop, male vocal catchy melodic, guitar highlife riff clean tone, synth pad warm, dancehall influence, uptempo 108bpm, afrobeat groove, call and response vocals, infectious hook, modern pop production crisp mix, highlife guitar licks, talking drum accent, bass synth deep groove, summer anthem energy, radio ready, no autotune, confident vocal delivery, pidgin english lyrics",,"[Intro - spoken] Eh you see this life Na who get mind go chop am [Verse 1] I wake up for morning the ceiling dey crack No water no light but I no send you back My neighbor dey pray for Benz wey no start Me I dey thank God for the beat in my heart Mama call say when you go make am I say mama I dey try no be small thing The road wey I walk no get map or sign But my two legs strong and the sun still shine [Pre-Chorus] They talk say the system no build for we They talk say the ladder no reach where we be But I no come this far to come this far only Na me go write the story wey dem go tell [Chorus] Concrete and gold oh We dey shine from the mud below Concrete and gold oh Every scar got a story to show We no need permission to glow Concrete and gold oh oh oh [Verse 2] My papa work thirty years for one room Iron roof hot like say hell dey bloom But every Sunday morning him iron him shirt Stand tall like say poverty no fit hurt I carry that same back",2026-02-16T04:04:40.137Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/1814ce3e-a0b8-4a20-9d61-6c0f3cbcf8a1.mp3,https://cdn2.suno.ai/image_1814ce3e-a0b8-4a20-9d61-6c0f3cbcf8a1.jpeg,https://cdn2.suno.ai/image_large_1814ce3e-a0b8-4a20-9d61-6c0f3cbcf8a1.jpeg audio/de7f1c0e-ccb5-4754-8d21-1ede3e9399eb.mp3,de7f1c0e-ccb5-4754-8d21-1ede3e9399eb,Replace 00:16-00:30 (01:00 AM Feb 16),v5,chirp-crow,complete,46.28,False,"bossa nova, nylon acoustic guitar fingerpicking, soft female vocal warm and intimate, upright bass, brushed drums, acoustic piano sparse chords, medium tempo 120bpm, morning atmosphere, gentle flute melody in bridge, intimate analog recording, small ensemble, Rio de Janeiro 1960s sound, saudade, no effects dry vocal, jazz harmony extended chords",,"[Verse 1] A manhã chega sem avisar Com cheiro de café e de quintal O jornal velho que ninguém vai ler Um gato dormindo no varal [Verse 2] A vizinha canta sem saber Que alguém escuta sua voz O mundo gira lá por fora Mas aqui somos só nós ",2026-02-16T04:00:54.742Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/de7f1c0e-ccb5-4754-8d21-1ede3e9399eb.mp3,https://cdn2.suno.ai/image_de7f1c0e-ccb5-4754-8d21-1ede3e9399eb.jpeg,https://cdn2.suno.ai/image_large_de7f1c0e-ccb5-4754-8d21-1ede3e9399eb.jpeg audio/cbbb3b67-2496-4384-ad52-1621f2bf0537.mp3,cbbb3b67-2496-4384-ad52-1621f2bf0537,Replace 00:16-00:30 (01:00 AM Feb 16),v5,chirp-crow,complete,46.28,False,"bossa nova, nylon acoustic guitar fingerpicking, soft female vocal warm and intimate, upright bass, brushed drums, acoustic piano sparse chords, medium tempo 120bpm, morning atmosphere, gentle flute melody in bridge, intimate analog recording, small ensemble, Rio de Janeiro 1960s sound, saudade, no effects dry vocal, jazz harmony extended chords",,"[Verse 1] A manhã chega sem avisar Com cheiro de café e de quintal O jornal velho que ninguém vai ler Um gato dormindo no varal [Verse 2] A vizinha canta sem saber Que alguém escuta sua voz O mundo gira lá por fora Mas aqui somos só nós ",2026-02-16T04:00:54.742Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cbbb3b67-2496-4384-ad52-1621f2bf0537.mp3,https://cdn2.suno.ai/image_cbbb3b67-2496-4384-ad52-1621f2bf0537.jpeg,https://cdn2.suno.ai/image_large_cbbb3b67-2496-4384-ad52-1621f2bf0537.jpeg audio/f683208e-0e3e-42e9-a255-b38088379080.mp3,f683208e-0e3e-42e9-a255-b38088379080,,v5,chirp-crow,complete,151.32,False,"samba jazz hybrid, nylon string guitar percussive bossa rhythm, warm female voice dry intimate trading verses with soft male baritone conversational, upright bass, samba brushwork pandeiro light, acoustic piano montuno and jazz voicings, uptempo 155bpm, 1960s analog recording mono, guitar solo section, flute unison with vocal melody, sophisticated harmony diminished passing chords, joyful and ironic atmosphere, Brazilian jazz samba de roda influence, no reverb dry sound, witty not romantic, Elenco Records aesthetic",,"[Verse 1 - Él] O relógio da sala parou Numa terça às quatro e dezessete Minha mãe disse que ia consertar Isso faz vinte e sete anos e ela não consertou O que me ensinou duas coisas Que promessa de mãe não tem prazo E que quatro e dezessete É uma hora tão boa quanto qualquer outra pra parar [Verse 2 - Ella] O vizinho do cinco tem três relógios Um no pulso um na parede e um no celular E mesmo assim chega atrasado No trabalho no jantar e no amor O que me prova que o problema não é o relógio É que a gente combina um horário Com a vida e a vida não tava na reunião Quando a gente decidiu [Chorus - Dueto] Deixa o relógio quebrado Ele tem mais razão que os outros Parou quando quis Que é o que a gente devia fazer E nunca aprendeu [Guitar Solo] [Verse 3 - Ella] Minha avó dizia que horas são uma invenção De gente que tem medo de morrer Porque se você não conta O tempo não sabe onde te achar Eu sei que não é verdade Mas prefiro a mentira da vó Do que a verdade do despertador Que grita às seis sem pedir licença [Verse 4 - Él] O relojoeiro da Augusta fechou Porque ninguém mais conserta nada A gente troca joga fora compra outro E acha que isso é viver no presente Mas o presente é justamente O relógio que parou na terça Às quatro e dezessete Na sala da minha mãe que nunca consertou [Chorus - Dueto] Deixa o relógio quebrado Ele tem mais razão que os outros Parou quando quis Que é o que a gente devia fazer E nunca aprendeu [Outro - Dueto, desacelerando] E quatro e dezessete é pra sempre Na sala que não mudou",2026-02-16T03:55:02.146Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/f683208e-0e3e-42e9-a255-b38088379080.mp3,https://cdn2.suno.ai/image_f683208e-0e3e-42e9-a255-b38088379080.jpeg,https://cdn2.suno.ai/image_large_f683208e-0e3e-42e9-a255-b38088379080.jpeg audio/01479903-076f-428a-872d-7ba736414869.mp3,01479903-076f-428a-872d-7ba736414869,,v5,chirp-crow,complete,159.88,False,"samba jazz hybrid, nylon string guitar percussive bossa rhythm, warm female voice dry intimate trading verses with soft male baritone conversational, upright bass, samba brushwork pandeiro light, acoustic piano montuno and jazz voicings, uptempo 155bpm, 1960s analog recording mono, guitar solo section, flute unison with vocal melody, sophisticated harmony diminished passing chords, joyful and ironic atmosphere, Brazilian jazz samba de roda influence, no reverb dry sound, witty not romantic, Elenco Records aesthetic",,"[Verse 1 - Él] O relógio da sala parou Numa terça às quatro e dezessete Minha mãe disse que ia consertar Isso faz vinte e sete anos e ela não consertou O que me ensinou duas coisas Que promessa de mãe não tem prazo E que quatro e dezessete É uma hora tão boa quanto qualquer outra pra parar [Verse 2 - Ella] O vizinho do cinco tem três relógios Um no pulso um na parede e um no celular E mesmo assim chega atrasado No trabalho no jantar e no amor O que me prova que o problema não é o relógio É que a gente combina um horário Com a vida e a vida não tava na reunião Quando a gente decidiu [Chorus - Dueto] Deixa o relógio quebrado Ele tem mais razão que os outros Parou quando quis Que é o que a gente devia fazer E nunca aprendeu [Guitar Solo] [Verse 3 - Ella] Minha avó dizia que horas são uma invenção De gente que tem medo de morrer Porque se você não conta O tempo não sabe onde te achar Eu sei que não é verdade Mas prefiro a mentira da vó Do que a verdade do despertador Que grita às seis sem pedir licença [Verse 4 - Él] O relojoeiro da Augusta fechou Porque ninguém mais conserta nada A gente troca joga fora compra outro E acha que isso é viver no presente Mas o presente é justamente O relógio que parou na terça Às quatro e dezessete Na sala da minha mãe que nunca consertou [Chorus - Dueto] Deixa o relógio quebrado Ele tem mais razão que os outros Parou quando quis Que é o que a gente devia fazer E nunca aprendeu [Outro - Dueto, desacelerando] E quatro e dezessete é pra sempre Na sala que não mudou",2026-02-16T03:55:02.145Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/01479903-076f-428a-872d-7ba736414869.mp3,https://cdn2.suno.ai/image_01479903-076f-428a-872d-7ba736414869.jpeg,https://cdn2.suno.ai/image_large_01479903-076f-428a-872d-7ba736414869.jpeg audio/0fed3563-bcc4-4463-ae37-3460308c5a6b.mp3,0fed3563-bcc4-4463-ae37-3460308c5a6b,,v5,chirp-crow,complete,242.56,False,"bossa nova, nylon string guitar João Gilberto style syncopation, warm female voice dry intimate not breathy not pop, upright bass, brushed drums light, acoustic piano comping extended jazz chords, slow medium tempo 110bpm, 1960s analog recording mono, flute melody in intro, sophisticated chromatic harmony, quiet intellectual atmosphere, Brazilian jazz, no reverb dry intimate sound, philosophical not sentimental, Elenco Records aesthetic",,"[Flute Intro into Guitar] [Verse 1] Tem uma cadeira vazia em todo lugar No restaurante que tá cheio Tem uma mesa com três e o lugar do quarto No ônibus das seis tem o banco do lado Que ninguém senta por educação ou medo Na sala de aula o professor finge que não vê A terceira fileira onde o Rafael sentava Antes de ir embora sem avisar [Verse 2] A cadeira vazia não é triste Isso é coisa de poeta preguiçoso A cadeira vazia é um fato Como a chuva ou o preço do pão Ela tá ali dizendo Que alguém escolheu outro lugar Ou que o lugar escolheu outra pessoa Que dá no mesmo [Chorus] Não precisa preencher Nem decorar com flores Nem virar homenagem A cadeira vazia é o espaço Que a vida deixa Pra gente lembrar do tamanho das coisas [Verse 3] Minha avó tinha seis cadeiras na cozinha Morava sozinha desde os setenta e dois Eu perguntei pra que seis cadeiras vó Ela disse que as cadeiras não sabem contar E que a casa tem que estar pronta Pro caso da vida mudar de ideia Eu ri mas não era piada Era a coisa mais séria que ela já disse [Piano Solo] [Verse 4] No velório do Antônio tinha cadeira sobrando Porque o Antônio conhecia muita gente Mas muita gente conhecia pouco o Antônio E conhecer pouco não é razão pra sentar Então ficaram de pé no fundo Com cara de quem perdeu o ônibus Quando na verdade perderam o Antônio Que é mais difícil de pegar outro [Chorus] Não precisa preencher Nem decorar com flores Nem virar homenagem A cadeira vazia é o espaço Que a vida deixa Pra gente lembrar do tamanho das coisas [Outro - guitar alone, rubato] Pro caso da vida mudar de ideia",2026-02-16T03:49:43.269Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/0fed3563-bcc4-4463-ae37-3460308c5a6b.mp3,https://cdn2.suno.ai/image_0fed3563-bcc4-4463-ae37-3460308c5a6b.jpeg,https://cdn2.suno.ai/image_large_0fed3563-bcc4-4463-ae37-3460308c5a6b.jpeg audio/48fe6648-417c-4260-90de-aa65d0000d78.mp3,48fe6648-417c-4260-90de-aa65d0000d78,,v5,chirp-crow,complete,243.6,False,"bossa nova, nylon string guitar João Gilberto style syncopation, warm female voice dry intimate not breathy not pop, upright bass, brushed drums light, acoustic piano comping extended jazz chords, slow medium tempo 110bpm, 1960s analog recording mono, flute melody in intro, sophisticated chromatic harmony, quiet intellectual atmosphere, Brazilian jazz, no reverb dry intimate sound, philosophical not sentimental, Elenco Records aesthetic",,"[Flute Intro into Guitar] [Verse 1] Tem uma cadeira vazia em todo lugar No restaurante que tá cheio Tem uma mesa com três e o lugar do quarto No ônibus das seis tem o banco do lado Que ninguém senta por educação ou medo Na sala de aula o professor finge que não vê A terceira fileira onde o Rafael sentava Antes de ir embora sem avisar [Verse 2] A cadeira vazia não é triste Isso é coisa de poeta preguiçoso A cadeira vazia é um fato Como a chuva ou o preço do pão Ela tá ali dizendo Que alguém escolheu outro lugar Ou que o lugar escolheu outra pessoa Que dá no mesmo [Chorus] Não precisa preencher Nem decorar com flores Nem virar homenagem A cadeira vazia é o espaço Que a vida deixa Pra gente lembrar do tamanho das coisas [Verse 3] Minha avó tinha seis cadeiras na cozinha Morava sozinha desde os setenta e dois Eu perguntei pra que seis cadeiras vó Ela disse que as cadeiras não sabem contar E que a casa tem que estar pronta Pro caso da vida mudar de ideia Eu ri mas não era piada Era a coisa mais séria que ela já disse [Piano Solo] [Verse 4] No velório do Antônio tinha cadeira sobrando Porque o Antônio conhecia muita gente Mas muita gente conhecia pouco o Antônio E conhecer pouco não é razão pra sentar Então ficaram de pé no fundo Com cara de quem perdeu o ônibus Quando na verdade perderam o Antônio Que é mais difícil de pegar outro [Chorus] Não precisa preencher Nem decorar com flores Nem virar homenagem A cadeira vazia é o espaço Que a vida deixa Pra gente lembrar do tamanho das coisas [Outro - guitar alone, rubato] Pro caso da vida mudar de ideia",2026-02-16T03:49:43.269Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/48fe6648-417c-4260-90de-aa65d0000d78.mp3,https://cdn2.suno.ai/image_48fe6648-417c-4260-90de-aa65d0000d78.jpeg,https://cdn2.suno.ai/image_large_48fe6648-417c-4260-90de-aa65d0000d78.jpeg audio/b7780b4d-5c68-482e-a3f4-aeabd6678df1.mp3,b7780b4d-5c68-482e-a3f4-aeabd6678df1,,v5,chirp-crow,complete,224.92,False,"bossa nova, nylon string guitar João Gilberto style syncopation, soft male baritone voice dry and conversational almost spoken, upright bass, brushed snare rim clicks, acoustic piano sparse jazz voicings 9ths 13ths, medium tempo 125bpm, 1960s analog recording mono, flute obligato countermelody, sophisticated harmony chromatic bass movement, quiet and intellectual atmosphere, Brazilian jazz, no reverb dry intimate sound, contemplative not romantic, Elenco Records aesthetic",,"[Verse 1] Eu não fui àquela festa em março Onde dizem que a Maria chorou Não li o livro que o Pedro me deu Com dedicatória que ele pensou por dois dias Não aprendi francês como prometi Nem voltei àquela praça em Botafogo Onde um velho vendia jornal E sabia o nome de todo mundo [Verse 2] Não telefonei pro meu pai naquele domingo Que era o último domingo Mas isso eu só soube depois E depois não serve pra nada Não escrevi a carta que ia explicar tudo Porque tudo não cabe em carta E carta não cabe no correio E o correio não cabe no mundo [Chorus] A lista das coisas que não fiz É mais longa que a vida E mais honesta que o currículo Que eu mostro por aí [Verse 3] Não parei pra olhar a reforma da esquina Que derrubou aquele azulejo antigo Que tinha um desenho de peixe Que ninguém sabia quem fez Não disse pra Ana que ela tava certa Quando disse que a gente se esconde Atrás de coisas pra fazer Pra não ver as coisas que a gente é [Flute Solo] [Verse 4] Não fiquei em silêncio quando devia E fiquei em silêncio quando não devia Que é o resumo de quase tudo Que deu errado nessa história Não plantei a árvore Não comi a manga do quintal do Jorge Não voltei àquele bar no Leblon Onde o garçom sabia meu pedido [Chorus] A lista das coisas que não fiz É mais longa que a vida E mais honesta que o currículo Que eu mostro por aí [Outro - spoken over guitar] E amanhã a lista cresce mais um dia E eu vou fingir de novo Que ainda tenho tempo",2026-02-16T03:45:50.319Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b7780b4d-5c68-482e-a3f4-aeabd6678df1.mp3,https://cdn2.suno.ai/image_b7780b4d-5c68-482e-a3f4-aeabd6678df1.jpeg,https://cdn2.suno.ai/image_large_b7780b4d-5c68-482e-a3f4-aeabd6678df1.jpeg audio/33764b91-9353-4ff9-aa22-332863e94823.mp3,33764b91-9353-4ff9-aa22-332863e94823,,v5,chirp-crow,complete,196.92,False,"bossa nova, nylon string guitar João Gilberto style syncopation, soft male baritone voice dry and conversational almost spoken, upright bass, brushed snare rim clicks, acoustic piano sparse jazz voicings 9ths 13ths, medium tempo 125bpm, 1960s analog recording mono, flute obligato countermelody, sophisticated harmony chromatic bass movement, quiet and intellectual atmosphere, Brazilian jazz, no reverb dry intimate sound, contemplative not romantic, Elenco Records aesthetic",,"[Verse 1] Eu não fui àquela festa em março Onde dizem que a Maria chorou Não li o livro que o Pedro me deu Com dedicatória que ele pensou por dois dias Não aprendi francês como prometi Nem voltei àquela praça em Botafogo Onde um velho vendia jornal E sabia o nome de todo mundo [Verse 2] Não telefonei pro meu pai naquele domingo Que era o último domingo Mas isso eu só soube depois E depois não serve pra nada Não escrevi a carta que ia explicar tudo Porque tudo não cabe em carta E carta não cabe no correio E o correio não cabe no mundo [Chorus] A lista das coisas que não fiz É mais longa que a vida E mais honesta que o currículo Que eu mostro por aí [Verse 3] Não parei pra olhar a reforma da esquina Que derrubou aquele azulejo antigo Que tinha um desenho de peixe Que ninguém sabia quem fez Não disse pra Ana que ela tava certa Quando disse que a gente se esconde Atrás de coisas pra fazer Pra não ver as coisas que a gente é [Flute Solo] [Verse 4] Não fiquei em silêncio quando devia E fiquei em silêncio quando não devia Que é o resumo de quase tudo Que deu errado nessa história Não plantei a árvore Não comi a manga do quintal do Jorge Não voltei àquele bar no Leblon Onde o garçom sabia meu pedido [Chorus] A lista das coisas que não fiz É mais longa que a vida E mais honesta que o currículo Que eu mostro por aí [Outro - spoken over guitar] E amanhã a lista cresce mais um dia E eu vou fingir de novo Que ainda tenho tempo",2026-02-16T03:45:50.319Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/33764b91-9353-4ff9-aa22-332863e94823.mp3,https://cdn2.suno.ai/image_33764b91-9353-4ff9-aa22-332863e94823.jpeg,https://cdn2.suno.ai/image_large_33764b91-9353-4ff9-aa22-332863e94823.jpeg audio/7349b921-49a7-4e54-858e-9a60d5215caf.mp3,7349b921-49a7-4e54-858e-9a60d5215caf,,v5,chirp-crow,complete,248.12,False,"[Verse 1] Tem uma rua que não tá no mapa Que só existe quando eu fecho os olhos Tem uma árvore que dá conselho E um banco que já guardou meus joelhos [Verse 2] Tem um relógio que parou às três De uma tarde que não terminou Um cachorro que sabe meu nome E uma sombra que nunca me largou [Chorus] A rua de dentro não tem saída E isso não é defeito É que tudo que importa de verdade Mora num lugar estreito [Piano Solo] [Verse 3] Eu volto sempre quando o mundo pesa Quando o barulho quer me convencer Que ser alguém é ter um endereço Mas eu sei que é só saber se ver [Chorus] A rua de dentro não tem saída E isso não é defeito [Outro] Mora num lugar estreito",,"[Verse 1] A manhã chega sem avisar Com cheiro de café e de quintal O jornal velho que ninguém vai ler Um gato dormindo no varal [Verse 2] A vizinha canta sem saber Que alguém escuta sua voz O mundo gira lá por fora Mas aqui somos só nós [Chorus] Deixa o silêncio ficar Ele também quer café Ele se senta e não fala Mas entende tudo de pé [Flute Solo] [Verse 3] A xícara vazia diz Que o tempo já passou Mas o café com silêncio Foi o melhor que o dia me deu [Outro] Foi o melhor que o dia me deu",2026-02-16T03:43:01.084Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7349b921-49a7-4e54-858e-9a60d5215caf.mp3,https://cdn2.suno.ai/image_7349b921-49a7-4e54-858e-9a60d5215caf.jpeg,https://cdn2.suno.ai/image_large_7349b921-49a7-4e54-858e-9a60d5215caf.jpeg audio/f84f3fee-fd31-4af2-b3c0-71c623198d0e.mp3,f84f3fee-fd31-4af2-b3c0-71c623198d0e,,v5,chirp-crow,complete,256.84,False,"[Verse 1] Tem uma rua que não tá no mapa Que só existe quando eu fecho os olhos Tem uma árvore que dá conselho E um banco que já guardou meus joelhos [Verse 2] Tem um relógio que parou às três De uma tarde que não terminou Um cachorro que sabe meu nome E uma sombra que nunca me largou [Chorus] A rua de dentro não tem saída E isso não é defeito É que tudo que importa de verdade Mora num lugar estreito [Piano Solo] [Verse 3] Eu volto sempre quando o mundo pesa Quando o barulho quer me convencer Que ser alguém é ter um endereço Mas eu sei que é só saber se ver [Chorus] A rua de dentro não tem saída E isso não é defeito [Outro] Mora num lugar estreito",,"[Verse 1] A manhã chega sem avisar Com cheiro de café e de quintal O jornal velho que ninguém vai ler Um gato dormindo no varal [Verse 2] A vizinha canta sem saber Que alguém escuta sua voz O mundo gira lá por fora Mas aqui somos só nós [Chorus] Deixa o silêncio ficar Ele também quer café Ele se senta e não fala Mas entende tudo de pé [Flute Solo] [Verse 3] A xícara vazia diz Que o tempo já passou Mas o café com silêncio Foi o melhor que o dia me deu [Outro] Foi o melhor que o dia me deu",2026-02-16T03:43:01.084Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f84f3fee-fd31-4af2-b3c0-71c623198d0e.mp3,https://cdn2.suno.ai/image_f84f3fee-fd31-4af2-b3c0-71c623198d0e.jpeg,https://cdn2.suno.ai/image_large_f84f3fee-fd31-4af2-b3c0-71c623198d0e.jpeg audio/eeda5bad-5a58-44c0-974e-e49554273e53.mp3,eeda5bad-5a58-44c0-974e-e49554273e53,,v5,chirp-crow,complete,124.64,False,"bossa nova, nylon acoustic guitar fingerpicking, soft female vocal warm and intimate, upright bass, brushed drums, acoustic piano sparse chords, medium tempo 120bpm, morning atmosphere, gentle flute melody in bridge, intimate analog recording, small ensemble, Rio de Janeiro 1960s sound, saudade, no effects dry vocal, jazz harmony extended chords",,"[Verse 1] A manhã chega sem avisar Com cheiro de café e de quintal O jornal velho que ninguém vai ler Um gato dormindo no varal [Verse 2] A vizinha canta sem saber Que alguém escuta sua voz O mundo gira lá por fora Mas aqui somos só nós [Chorus] Deixa o silêncio ficar Ele também quer café Ele se senta e não fala Mas entende tudo de pé [Flute Solo] [Verse 3] A xícara vazia diz Que o tempo já passou Mas o café com silêncio Foi o melhor que o dia me deu [Outro] Foi o melhor que o dia me deu",2026-02-16T03:39:25.938Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/eeda5bad-5a58-44c0-974e-e49554273e53.mp3,https://cdn2.suno.ai/image_eeda5bad-5a58-44c0-974e-e49554273e53.jpeg,https://cdn2.suno.ai/image_large_eeda5bad-5a58-44c0-974e-e49554273e53.jpeg audio/dd04c7ff-bdfc-4b8e-946e-cdfa6f676a59.mp3,dd04c7ff-bdfc-4b8e-946e-cdfa6f676a59,,v5,chirp-crow,complete,125.96,False,"bossa nova, nylon acoustic guitar fingerpicking, soft female vocal warm and intimate, upright bass, brushed drums, acoustic piano sparse chords, medium tempo 120bpm, morning atmosphere, gentle flute melody in bridge, intimate analog recording, small ensemble, Rio de Janeiro 1960s sound, saudade, no effects dry vocal, jazz harmony extended chords",,"[Verse 1] A manhã chega sem avisar Com cheiro de café e de quintal O jornal velho que ninguém vai ler Um gato dormindo no varal [Verse 2] A vizinha canta sem saber Que alguém escuta sua voz O mundo gira lá por fora Mas aqui somos só nós [Chorus] Deixa o silêncio ficar Ele também quer café Ele se senta e não fala Mas entende tudo de pé [Flute Solo] [Verse 3] A xícara vazia diz Que o tempo já passou Mas o café com silêncio Foi o melhor que o dia me deu [Outro] Foi o melhor que o dia me deu",2026-02-16T03:39:25.938Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/dd04c7ff-bdfc-4b8e-946e-cdfa6f676a59.mp3,https://cdn2.suno.ai/image_dd04c7ff-bdfc-4b8e-946e-cdfa6f676a59.jpeg,https://cdn2.suno.ai/image_large_dd04c7ff-bdfc-4b8e-946e-cdfa6f676a59.jpeg audio/aa2a8a08-5b30-4d2d-ae0a-830a3820ba52.mp3,aa2a8a08-5b30-4d2d-ae0a-830a3820ba52,,v5,chirp-crow,complete,141.32,True,"hyperdimensional bass music, sub-bass frequencies below 20hz, glitched wobble bass mutating every beat, granular synthesis vocal chops, time-stretched metallic impacts, polyrhythmic trap hi-hats at 32nd notes, tempo shifting 140 to 170 to 80 within sections, neural network generated sound design, bitcrushed alien transmissions, phase-modulated synths, riddim bass but pitched into microtonal scales, heavy sidechain compression pumping, anti-gravity drops, reversed reverb swells into silence then massive bass hit, industrial mechanical percussion, laser sound effects processed through distortion, vocoder alien speech fragments, crystalline arpeggios at impossible speed, sterile digital production, 808 sub tuned to quarter tones, half-time double-time switches, negative space silence as weapon, cyberpunk dystopian atmosphere, no human vocals, synthetic choir processed beyond recognition, sound design over melody, frequencies that feel physical, post-dubstep deconstructed, future bass on s",,,2026-02-16T03:27:37.755Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/aa2a8a08-5b30-4d2d-ae0a-830a3820ba52.mp3,https://cdn2.suno.ai/image_aa2a8a08-5b30-4d2d-ae0a-830a3820ba52.jpeg,https://cdn2.suno.ai/image_large_aa2a8a08-5b30-4d2d-ae0a-830a3820ba52.jpeg audio/4ce68200-e1b8-4464-adb9-76c484fcc89b.mp3,4ce68200-e1b8-4464-adb9-76c484fcc89b,,v5,chirp-crow,complete,174.44,True,"hyperdimensional bass music, sub-bass frequencies below 20hz, glitched wobble bass mutating every beat, granular synthesis vocal chops, time-stretched metallic impacts, polyrhythmic trap hi-hats at 32nd notes, tempo shifting 140 to 170 to 80 within sections, neural network generated sound design, bitcrushed alien transmissions, phase-modulated synths, riddim bass but pitched into microtonal scales, heavy sidechain compression pumping, anti-gravity drops, reversed reverb swells into silence then massive bass hit, industrial mechanical percussion, laser sound effects processed through distortion, vocoder alien speech fragments, crystalline arpeggios at impossible speed, sterile digital production, 808 sub tuned to quarter tones, half-time double-time switches, negative space silence as weapon, cyberpunk dystopian atmosphere, no human vocals, synthetic choir processed beyond recognition, sound design over melody, frequencies that feel physical, post-dubstep deconstructed, future bass on s",,,2026-02-16T03:27:37.755Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/4ce68200-e1b8-4464-adb9-76c484fcc89b.mp3,https://cdn2.suno.ai/image_4ce68200-e1b8-4464-adb9-76c484fcc89b.jpeg,https://cdn2.suno.ai/image_large_4ce68200-e1b8-4464-adb9-76c484fcc89b.jpeg audio/f0f90ca4-7dfe-4dff-97e4-f1e072c13721.mp3,f0f90ca4-7dfe-4dff-97e4-f1e072c13721,,v4.5-all,chirp-auk,complete,347.64,True,"jazz guitar trio, hollow body archtop guitar, chord melody style, dense voicings, Hammond B3 organ with bass pedals, driving drums ride cymbal, uptempo swing 200bpm, warm clean guitar tone no effects, walking bass on organ pedals, organ comping with Leslie speaker, fingerstyle guitar no pick, major third substitutions, chromatic third root movement, multi-tonic system, rapid ii-V chains in descending major thirds, cycle of major thirds modulation, sheets of sound harmony, constant structure chord movement, augmented scale symmetry, tritone substitutions stacked, harmonically dense improvisation, modal shifts every two beats, aggressive swing feel, burning tempo, energetic bebop drive, fast single note runs, relentless momentum, no vocals, analog warm recording, live jazz club energy",,,2026-02-16T02:51:15.583Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/f0f90ca4-7dfe-4dff-97e4-f1e072c13721.mp3,https://cdn2.suno.ai/image_f0f90ca4-7dfe-4dff-97e4-f1e072c13721.jpeg,https://cdn2.suno.ai/image_large_f0f90ca4-7dfe-4dff-97e4-f1e072c13721.jpeg audio/b26db3ec-4f7c-4ca7-91bd-0d7b9f57d7ec.mp3,b26db3ec-4f7c-4ca7-91bd-0d7b9f57d7ec,,v4.5-all,chirp-auk,complete,267.84,True,"jazz guitar trio, hollow body archtop guitar, chord melody style, dense voicings, Hammond B3 organ with bass pedals, driving drums ride cymbal, uptempo swing 200bpm, warm clean guitar tone no effects, walking bass on organ pedals, organ comping with Leslie speaker, fingerstyle guitar no pick, major third substitutions, chromatic third root movement, multi-tonic system, rapid ii-V chains in descending major thirds, cycle of major thirds modulation, sheets of sound harmony, constant structure chord movement, augmented scale symmetry, tritone substitutions stacked, harmonically dense improvisation, modal shifts every two beats, aggressive swing feel, burning tempo, energetic bebop drive, fast single note runs, relentless momentum, no vocals, analog warm recording, live jazz club energy",,,2026-02-16T02:51:15.583Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/b26db3ec-4f7c-4ca7-91bd-0d7b9f57d7ec.mp3,https://cdn2.suno.ai/image_b26db3ec-4f7c-4ca7-91bd-0d7b9f57d7ec.jpeg,https://cdn2.suno.ai/image_large_b26db3ec-4f7c-4ca7-91bd-0d7b9f57d7ec.jpeg audio/7f2374f7-6b79-493b-a131-ba2e4169199f.mp3,7f2374f7-6b79-493b-a131-ba2e4169199f,,v5,chirp-crow,complete,184.79997916666667,True,"jazz guitar trio, hollow body archtop guitar, chord melody style, dense voicings, Hammond B3 organ with bass pedals, driving drums ride cymbal, uptempo swing 200bpm, warm clean guitar tone no effects, walking bass on organ pedals, organ comping with Leslie speaker, fingerstyle guitar no pick, major third substitutions, chromatic third root movement, multi-tonic system, rapid ii-V chains in descending major thirds, cycle of major thirds modulation, sheets of sound harmony, constant structure chord movement, augmented scale symmetry, tritone substitutions stacked, harmonically dense improvisation, modal shifts every two beats, aggressive swing feel, burning tempo, energetic bebop drive, fast single note runs, relentless momentum, no vocals, analog warm recording, live jazz club energy",,,2026-02-16T02:51:15.517Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7f2374f7-6b79-493b-a131-ba2e4169199f.mp3,https://cdn2.suno.ai/image_7f2374f7-6b79-493b-a131-ba2e4169199f.jpeg,https://cdn2.suno.ai/image_large_7f2374f7-6b79-493b-a131-ba2e4169199f.jpeg audio/4b105da9-7ce7-4859-8d2b-5ffb07559d5a.mp3,4b105da9-7ce7-4859-8d2b-5ffb07559d5a,,v5,chirp-crow,complete,164.95997916666667,True,"jazz guitar trio, hollow body archtop guitar, chord melody style, dense voicings, Hammond B3 organ with bass pedals, driving drums ride cymbal, uptempo swing 200bpm, warm clean guitar tone no effects, walking bass on organ pedals, organ comping with Leslie speaker, fingerstyle guitar no pick, major third substitutions, chromatic third root movement, multi-tonic system, rapid ii-V chains in descending major thirds, cycle of major thirds modulation, sheets of sound harmony, constant structure chord movement, augmented scale symmetry, tritone substitutions stacked, harmonically dense improvisation, modal shifts every two beats, aggressive swing feel, burning tempo, energetic bebop drive, fast single note runs, relentless momentum, no vocals, analog warm recording, live jazz club energy",,,2026-02-16T02:51:15.517Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/4b105da9-7ce7-4859-8d2b-5ffb07559d5a.mp3,https://cdn2.suno.ai/image_4b105da9-7ce7-4859-8d2b-5ffb07559d5a.jpeg,https://cdn2.suno.ai/image_large_4b105da9-7ce7-4859-8d2b-5ffb07559d5a.jpeg audio/6be877cf-545f-45fb-bfbc-cd693a62a3a4.mp3,6be877cf-545f-45fb-bfbc-cd693a62a3a4,,v4.5-all,chirp-auk,complete,239.36,True,"jazz guitar trio, hollow body archtop guitar, chord melody style, dense voicings, Hammond B3 organ with bass pedals, brushed drums, medium swing tempo 130bpm, warm clean guitar tone no effects, walking bass on organ pedals, organ comping with Leslie speaker, sophisticated extended chords, 9ths 13ths altered dominants, fingerstyle guitar no pick, intimate small club sound, late night jazz, bebop influenced harmony, solo guitar improvisation over changes, no vocals, analog warm recording",,,2026-02-16T02:48:11.503Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/6be877cf-545f-45fb-bfbc-cd693a62a3a4.mp3,https://cdn2.suno.ai/image_6be877cf-545f-45fb-bfbc-cd693a62a3a4.jpeg,https://cdn2.suno.ai/image_large_6be877cf-545f-45fb-bfbc-cd693a62a3a4.jpeg audio/00a13cec-21c3-44cb-9687-8d32ba427c79.mp3,00a13cec-21c3-44cb-9687-8d32ba427c79,,v4.5-all,chirp-auk,complete,290.0,True,"jazz guitar trio, hollow body archtop guitar, chord melody style, dense voicings, Hammond B3 organ with bass pedals, brushed drums, medium swing tempo 130bpm, warm clean guitar tone no effects, walking bass on organ pedals, organ comping with Leslie speaker, sophisticated extended chords, 9ths 13ths altered dominants, fingerstyle guitar no pick, intimate small club sound, late night jazz, bebop influenced harmony, solo guitar improvisation over changes, no vocals, analog warm recording",,,2026-02-16T02:48:11.503Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/00a13cec-21c3-44cb-9687-8d32ba427c79.mp3,https://cdn2.suno.ai/image_00a13cec-21c3-44cb-9687-8d32ba427c79.jpeg,https://cdn2.suno.ai/image_large_00a13cec-21c3-44cb-9687-8d32ba427c79.jpeg audio/caad092c-6bce-4ca4-984a-0cb0fdb37022.mp3,caad092c-6bce-4ca4-984a-0cb0fdb37022,,v5,chirp-crow,complete,185.99997916666666,True,"jazz guitar trio, hollow body archtop guitar, chord melody style, dense voicings, Hammond B3 organ with bass pedals, brushed drums, medium swing tempo 130bpm, warm clean guitar tone no effects, walking bass on organ pedals, organ comping with Leslie speaker, sophisticated extended chords, 9ths 13ths altered dominants, fingerstyle guitar no pick, intimate small club sound, late night jazz, bebop influenced harmony, solo guitar improvisation over changes, no vocals, analog warm recording",,,2026-02-16T02:48:11.428Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/caad092c-6bce-4ca4-984a-0cb0fdb37022.mp3,https://cdn2.suno.ai/image_caad092c-6bce-4ca4-984a-0cb0fdb37022.jpeg,https://cdn2.suno.ai/image_large_caad092c-6bce-4ca4-984a-0cb0fdb37022.jpeg audio/9f40c40b-d50a-44bb-9c0a-e6420f1f4749.mp3,9f40c40b-d50a-44bb-9c0a-e6420f1f4749,,v5,chirp-crow,complete,197.47997916666668,True,"jazz guitar trio, hollow body archtop guitar, chord melody style, dense voicings, Hammond B3 organ with bass pedals, brushed drums, medium swing tempo 130bpm, warm clean guitar tone no effects, walking bass on organ pedals, organ comping with Leslie speaker, sophisticated extended chords, 9ths 13ths altered dominants, fingerstyle guitar no pick, intimate small club sound, late night jazz, bebop influenced harmony, solo guitar improvisation over changes, no vocals, analog warm recording",,,2026-02-16T02:48:11.428Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/9f40c40b-d50a-44bb-9c0a-e6420f1f4749.mp3,https://cdn2.suno.ai/image_9f40c40b-d50a-44bb-9c0a-e6420f1f4749.jpeg,https://cdn2.suno.ai/image_large_9f40c40b-d50a-44bb-9c0a-e6420f1f4749.jpeg audio/ab82726c-bbb5-413a-8855-51602c506f20.mp3,ab82726c-bbb5-413a-8855-51602c506f20,,v4.5-all,chirp-auk,complete,203.04,True,"hard bop jazz, 12-bar form, C minor, muted trumpet melody, walking upright bass, ride cymbal swing, piano comping, Solar jazz standar.medium-up tempo 160bpm, angular melodic line, ii-V-I chord movement, cycle of fourths harmony, clean trumpet tone, acoustic jazz quintet, 1950s blue note aesthetic, head-solos-head structure, trumpet solo then piano solo, no vocals, smoky jazz club. Guitar solo, guitar trio",,,2026-02-16T02:45:59.580Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ab82726c-bbb5-413a-8855-51602c506f20.mp3,https://cdn2.suno.ai/image_ab82726c-bbb5-413a-8855-51602c506f20.jpeg,https://cdn2.suno.ai/image_large_ab82726c-bbb5-413a-8855-51602c506f20.jpeg audio/a01f87de-7a4e-4468-b3bf-daba83259af6.mp3,a01f87de-7a4e-4468-b3bf-daba83259af6,,v4.5-all,chirp-auk,complete,243.56,True,"hard bop jazz, 12-bar form, C minor, muted trumpet melody, walking upright bass, ride cymbal swing, piano comping, Solar jazz standar.medium-up tempo 160bpm, angular melodic line, ii-V-I chord movement, cycle of fourths harmony, clean trumpet tone, acoustic jazz quintet, 1950s blue note aesthetic, head-solos-head structure, trumpet solo then piano solo, no vocals, smoky jazz club. Guitar solo, guitar trio",,,2026-02-16T02:45:59.580Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a01f87de-7a4e-4468-b3bf-daba83259af6.mp3,https://cdn2.suno.ai/image_a01f87de-7a4e-4468-b3bf-daba83259af6.jpeg,https://cdn2.suno.ai/image_large_a01f87de-7a4e-4468-b3bf-daba83259af6.jpeg audio/118b8e30-f6f2-4658-ae3a-d3346c51b0af.mp3,118b8e30-f6f2-4658-ae3a-d3346c51b0af,,v5,chirp-crow,complete,254.11997916666667,True,"hard bop jazz, 12-bar form, C minor, muted trumpet melody, walking upright bass, ride cymbal swing, piano comping, Solar jazz standar.medium-up tempo 160bpm, angular melodic line, ii-V-I chord movement, cycle of fourths harmony, clean trumpet tone, acoustic jazz quintet, 1950s blue note aesthetic, head-solos-head structure, trumpet solo then piano solo, no vocals, smoky jazz club. Guitar solo, guitar trio",,,2026-02-16T02:45:59.497Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/118b8e30-f6f2-4658-ae3a-d3346c51b0af.mp3,https://cdn2.suno.ai/image_118b8e30-f6f2-4658-ae3a-d3346c51b0af.jpeg,https://cdn2.suno.ai/image_large_118b8e30-f6f2-4658-ae3a-d3346c51b0af.jpeg audio/e8fcf78a-e843-4ca4-8733-f5e4bc0d178b.mp3,e8fcf78a-e843-4ca4-8733-f5e4bc0d178b,,v5,chirp-crow,complete,185.47997916666668,True,"hard bop jazz, 12-bar form, C minor, muted trumpet melody, walking upright bass, ride cymbal swing, piano comping, Solar jazz standar.medium-up tempo 160bpm, angular melodic line, ii-V-I chord movement, cycle of fourths harmony, clean trumpet tone, acoustic jazz quintet, 1950s blue note aesthetic, head-solos-head structure, trumpet solo then piano solo, no vocals, smoky jazz club. Guitar solo, guitar trio",,,2026-02-16T02:45:59.497Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/e8fcf78a-e843-4ca4-8733-f5e4bc0d178b.mp3,https://cdn2.suno.ai/image_e8fcf78a-e843-4ca4-8733-f5e4bc0d178b.jpeg,https://cdn2.suno.ai/image_large_e8fcf78a-e843-4ca4-8733-f5e4bc0d178b.jpeg audio/9d20c92c-819a-4b47-a0a8-2060598009d9.mp3,9d20c92c-819a-4b47-a0a8-2060598009d9,,v4.5-all,chirp-auk,complete,125.52,True,"hard bop jazz, 12-bar form, C minor, muted trumpet melody, walking upright bass, ride cymbal swing, piano comping, Solar jazz standar.medium-up tempo 160bpm, angular melodic line, ii-V-I chord movement, cycle of fourths harmony, clean trumpet tone, acoustic jazz quintet, 1950s blue note aesthetic, head-solos-head structure, trumpet solo then piano solo, no vocals, smoky jazz club",,,2026-02-16T02:42:20.726Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/9d20c92c-819a-4b47-a0a8-2060598009d9.mp3,https://cdn2.suno.ai/image_9d20c92c-819a-4b47-a0a8-2060598009d9.jpeg,https://cdn2.suno.ai/image_large_9d20c92c-819a-4b47-a0a8-2060598009d9.jpeg audio/16b7140d-1656-4b62-b966-08e312db720e.mp3,16b7140d-1656-4b62-b966-08e312db720e,,v4.5-all,chirp-auk,complete,219.52,True,"hard bop jazz, 12-bar form, C minor, muted trumpet melody, walking upright bass, ride cymbal swing, piano comping, Solar jazz standar.medium-up tempo 160bpm, angular melodic line, ii-V-I chord movement, cycle of fourths harmony, clean trumpet tone, acoustic jazz quintet, 1950s blue note aesthetic, head-solos-head structure, trumpet solo then piano solo, no vocals, smoky jazz club",,,2026-02-16T02:42:20.725Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/16b7140d-1656-4b62-b966-08e312db720e.mp3,https://cdn2.suno.ai/image_16b7140d-1656-4b62-b966-08e312db720e.jpeg,https://cdn2.suno.ai/image_large_16b7140d-1656-4b62-b966-08e312db720e.jpeg audio/2fee4fa2-4d39-4957-8812-520eabb18c49.mp3,2fee4fa2-4d39-4957-8812-520eabb18c49,,v5,chirp-crow,complete,213.43997916666666,True,"hard bop jazz, 12-bar form, C minor, muted trumpet melody, walking upright bass, ride cymbal swing, piano comping, Solar jazz standar.medium-up tempo 160bpm, angular melodic line, ii-V-I chord movement, cycle of fourths harmony, clean trumpet tone, acoustic jazz quintet, 1950s blue note aesthetic, head-solos-head structure, trumpet solo then piano solo, no vocals, smoky jazz club",,,2026-02-16T02:42:20.653Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/2fee4fa2-4d39-4957-8812-520eabb18c49.mp3,https://cdn2.suno.ai/image_2fee4fa2-4d39-4957-8812-520eabb18c49.jpeg,https://cdn2.suno.ai/image_large_2fee4fa2-4d39-4957-8812-520eabb18c49.jpeg audio/f7686add-2363-45b2-a818-e3ecea07b961.mp3,f7686add-2363-45b2-a818-e3ecea07b961,,v5,chirp-crow,complete,179.87997916666666,True,"hard bop jazz, 12-bar form, C minor, muted trumpet melody, walking upright bass, ride cymbal swing, piano comping, Solar jazz standar.medium-up tempo 160bpm, angular melodic line, ii-V-I chord movement, cycle of fourths harmony, clean trumpet tone, acoustic jazz quintet, 1950s blue note aesthetic, head-solos-head structure, trumpet solo then piano solo, no vocals, smoky jazz club",,,2026-02-16T02:42:20.653Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/f7686add-2363-45b2-a818-e3ecea07b961.mp3,https://cdn2.suno.ai/image_f7686add-2363-45b2-a818-e3ecea07b961.jpeg,https://cdn2.suno.ai/image_large_f7686add-2363-45b2-a818-e3ecea07b961.jpeg audio/ae1d1c53-81f1-4011-88f3-5f5d8baa6169.mp3,ae1d1c53-81f1-4011-88f3-5f5d8baa6169,,v4.5-all,chirp-auk,complete,182.16,False,"bossa nova, acoustic nylon guitar, soft brushed drums, upright bass, warm female vocal, João Gilberto style guitar picking, Tom Jobim harmonics, Rio de Janeiro 1960s, intimate, saudade, light piano chords, no percussion solo, smooth and melancholic",,"[Verse 1] A tarde cai sobre o mar E o sol vai se despedir Um barco lento a passar Sem pressa de ir ou vir [Verse 2] A brisa traz tua voz De um tempo que já passou O sal, a luz, nós dois E tudo que o mar levou [Chorus] Mas fica a canção Que a gente inventou No tom de um violão Que o vento guardou [Verse 3] A lua vem devagar Acende a noite sem cor E eu fico aqui a pensar Se a saudade também é amor [Chorus] Mas fica a canção Que a gente inventou No tom de um violão Que o vento guardou [Outro] E o mar... e o mar vai e vem Levando o que já não tem",2026-02-16T02:35:01.586Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ae1d1c53-81f1-4011-88f3-5f5d8baa6169.mp3,https://cdn2.suno.ai/image_ae1d1c53-81f1-4011-88f3-5f5d8baa6169.jpeg,https://cdn2.suno.ai/image_large_ae1d1c53-81f1-4011-88f3-5f5d8baa6169.jpeg audio/43264e67-a3c4-4cd3-81bc-b1f46795cb60.mp3,43264e67-a3c4-4cd3-81bc-b1f46795cb60,,v4.5-all,chirp-auk,complete,213.72,False,"bossa nova, acoustic nylon guitar, soft brushed drums, upright bass, warm female vocal, João Gilberto style guitar picking, Tom Jobim harmonics, Rio de Janeiro 1960s, intimate, saudade, light piano chords, no percussion solo, smooth and melancholic",,"[Verse 1] A tarde cai sobre o mar E o sol vai se despedir Um barco lento a passar Sem pressa de ir ou vir [Verse 2] A brisa traz tua voz De um tempo que já passou O sal, a luz, nós dois E tudo que o mar levou [Chorus] Mas fica a canção Que a gente inventou No tom de um violão Que o vento guardou [Verse 3] A lua vem devagar Acende a noite sem cor E eu fico aqui a pensar Se a saudade também é amor [Chorus] Mas fica a canção Que a gente inventou No tom de um violão Que o vento guardou [Outro] E o mar... e o mar vai e vem Levando o que já não tem",2026-02-16T02:35:01.586Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/43264e67-a3c4-4cd3-81bc-b1f46795cb60.mp3,https://cdn2.suno.ai/image_43264e67-a3c4-4cd3-81bc-b1f46795cb60.jpeg,https://cdn2.suno.ai/image_large_43264e67-a3c4-4cd3-81bc-b1f46795cb60.jpeg audio/79080b44-5e10-4721-8b24-049a2b251636.mp3,79080b44-5e10-4721-8b24-049a2b251636,,v5,chirp-crow,complete,113.99997916666666,False,"bossa nova, acoustic nylon guitar, soft brushed drums, upright bass, warm female vocal, João Gilberto style guitar picking, Tom Jobim harmonics, Rio de Janeiro 1960s, intimate, saudade, light piano chords, no percussion solo, smooth and melancholic",,"[Verse 1] A tarde cai sobre o mar E o sol vai se despedir Um barco lento a passar Sem pressa de ir ou vir [Verse 2] A brisa traz tua voz De um tempo que já passou O sal, a luz, nós dois E tudo que o mar levou [Chorus] Mas fica a canção Que a gente inventou No tom de um violão Que o vento guardou [Verse 3] A lua vem devagar Acende a noite sem cor E eu fico aqui a pensar Se a saudade também é amor [Chorus] Mas fica a canção Que a gente inventou No tom de um violão Que o vento guardou [Outro] E o mar... e o mar vai e vem Levando o que já não tem",2026-02-16T02:35:01.517Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/79080b44-5e10-4721-8b24-049a2b251636.mp3,https://cdn2.suno.ai/image_79080b44-5e10-4721-8b24-049a2b251636.jpeg,https://cdn2.suno.ai/image_large_79080b44-5e10-4721-8b24-049a2b251636.jpeg audio/79c22dd9-21f6-43c8-b254-519a21a1944d.mp3,79c22dd9-21f6-43c8-b254-519a21a1944d,,v5,chirp-crow,complete,147.63997916666668,False,"bossa nova, acoustic nylon guitar, soft brushed drums, upright bass, warm female vocal, João Gilberto style guitar picking, Tom Jobim harmonics, Rio de Janeiro 1960s, intimate, saudade, light piano chords, no percussion solo, smooth and melancholic",,"[Verse 1] A tarde cai sobre o mar E o sol vai se despedir Um barco lento a passar Sem pressa de ir ou vir [Verse 2] A brisa traz tua voz De um tempo que já passou O sal, a luz, nós dois E tudo que o mar levou [Chorus] Mas fica a canção Que a gente inventou No tom de um violão Que o vento guardou [Verse 3] A lua vem devagar Acende a noite sem cor E eu fico aqui a pensar Se a saudade também é amor [Chorus] Mas fica a canção Que a gente inventou No tom de um violão Que o vento guardou [Outro] E o mar... e o mar vai e vem Levando o que já não tem",2026-02-16T02:35:01.517Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/79c22dd9-21f6-43c8-b254-519a21a1944d.mp3,https://cdn2.suno.ai/image_79c22dd9-21f6-43c8-b254-519a21a1944d.jpeg,https://cdn2.suno.ai/image_large_79c22dd9-21f6-43c8-b254-519a21a1944d.jpeg audio/5f5b88f0-f7a2-4aa2-a65c-c6f178968d13.mp3,5f5b88f0-f7a2-4aa2-a65c-c6f178968d13,,v3.5,chirp-v3,complete,156.2,False,"reggae roots, hipnotics bassline, bright brass. jamaican reggae",,"[Intro] Yeah... Del Paz pa’l mundo Entre beats, cuchillos y sirenas Gery... el que cocina y se vuela [Verse 1] Deep house en los AirPods, callejón a media luz Mientras Gery corta sushi con katana y con su cruz Del barrio pero fino, con los platos y el beat Hace rolls como ritmos, y se escapa del gris [Instrumental] Tiene un plato en la mano y la compu en la otra Hace beats como el fuego que en la olla flota Fernet con jengibre, cultura en el vaso Y la poli buscando, pero nunca lo alcanzó [Instrumental] [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Verse 2] Tiene amigos en el under y en el sushi bar Toca teclas y cuchillos con estilo singular Produce en la sombra, cocina en silencio La yuta lo busca, pero Gery es incienso Él no grita, él flota con reverb y delay Es un chef del sonido y del taste gourmet No hay caretas, ni jueces, ni jaulas Gery vive libre en la noche sin pausa [Bridge] Beat suena lento, como sirena al pasar Pero Gery ya voló, nadie lo va a atrapar Entre vinilos, beats y sake La vida del barrio con estilo en el ataque [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Outro] Desde la Docta al sushi del mundo Gery camina en silencio profundo No lo atrapan, no lo entienden Pero el barrio lo siente... siempre presente",2025-05-27T23:26:10.199Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/5f5b88f0-f7a2-4aa2-a65c-c6f178968d13.mp3,https://cdn2.suno.ai/image_5f5b88f0-f7a2-4aa2-a65c-c6f178968d13.jpeg,https://cdn2.suno.ai/image_large_5f5b88f0-f7a2-4aa2-a65c-c6f178968d13.jpeg audio/69b45b5d-3c88-4bef-a386-a310d279b5ee.mp3,69b45b5d-3c88-4bef-a386-a310d279b5ee,,v3.5,chirp-v3,complete,207.08,False,"reggae roots, hipnotics bassline, bright brass. jamaican reggae",,"[Intro] Yeah... Del Paz pa’l mundo Entre beats, cuchillos y sirenas Gery... el que cocina y se vuela [Verse 1] Deep house en los AirPods, callejón a media luz Mientras Gery corta sushi con katana y con su cruz Del barrio pero fino, con los platos y el beat Hace rolls como ritmos, y se escapa del gris [Instrumental] Tiene un plato en la mano y la compu en la otra Hace beats como el fuego que en la olla flota Fernet con jengibre, cultura en el vaso Y la poli buscando, pero nunca lo alcanzó [Instrumental] [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Verse 2] Tiene amigos en el under y en el sushi bar Toca teclas y cuchillos con estilo singular Produce en la sombra, cocina en silencio La yuta lo busca, pero Gery es incienso Él no grita, él flota con reverb y delay Es un chef del sonido y del taste gourmet No hay caretas, ni jueces, ni jaulas Gery vive libre en la noche sin pausa [Bridge] Beat suena lento, como sirena al pasar Pero Gery ya voló, nadie lo va a atrapar Entre vinilos, beats y sake La vida del barrio con estilo en el ataque [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Outro] Desde la Docta al sushi del mundo Gery camina en silencio profundo No lo atrapan, no lo entienden Pero el barrio lo siente... siempre presente",2025-05-27T23:26:10.199Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/69b45b5d-3c88-4bef-a386-a310d279b5ee.mp3,https://cdn2.suno.ai/image_69b45b5d-3c88-4bef-a386-a310d279b5ee.jpeg,https://cdn2.suno.ai/image_large_69b45b5d-3c88-4bef-a386-a310d279b5ee.jpeg audio/cdef5b33-ffcf-41a6-9988-a342d1ce7042.mp3,cdef5b33-ffcf-41a6-9988-a342d1ce7042,,v3.5,chirp-v3,complete,175.12,False,"reggae roots, hipnotics bassline, bright brass. jamaican reggae",,"[Intro] Yeah... Del Paz pa’l mundo Entre beats, cuchillos y sirenas Gery... el que cocina y se vuela [Verse 1] Deep house en los AirPods, callejón a media luz Mientras Gery corta sushi con katana y con su cruz Del barrio pero fino, con los platos y el beat Hace rolls como ritmos, y se escapa del gris Tiene un plato en la mano y la compu en la otra Hace beats como el fuego que en la olla flota Fernet con jengibre, cultura en el vaso Y la poli buscando, pero nunca lo alcanzó [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Verse 2] Tiene amigos en el under y en el sushi bar Toca teclas y cuchillos con estilo singular Produce en la sombra, cocina en silencio La yuta lo busca, pero Gery es incienso Él no grita, él flota con reverb y delay Es un chef del sonido y del taste gourmet No hay caretas, ni jueces, ni jaulas Gery vive libre en la noche sin pausa [Bridge] Beat suena lento, como sirena al pasar Pero Gery ya voló, nadie lo va a atrapar Entre vinilos, beats y sake La vida del barrio con estilo en el ataque [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Outro] Desde la Docta al sushi del mundo Gery camina en silencio profundo No lo atrapan, no lo entienden Pero el barrio lo siente... siempre presente",2025-05-27T23:23:50.822Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/cdef5b33-ffcf-41a6-9988-a342d1ce7042.mp3,https://cdn2.suno.ai/image_cdef5b33-ffcf-41a6-9988-a342d1ce7042.jpeg,https://cdn2.suno.ai/image_large_cdef5b33-ffcf-41a6-9988-a342d1ce7042.jpeg audio/93ed1777-684e-4bba-9058-a64f938fad23.mp3,93ed1777-684e-4bba-9058-a64f938fad23,,v3.5,chirp-v3,complete,147.88,False,"reggae roots, hipnotics bassline, bright brass. jamaican reggae",,"[Intro] Yeah... Del Paz pa’l mundo Entre beats, cuchillos y sirenas Gery... el que cocina y se vuela [Verse 1] Deep house en los AirPods, callejón a media luz Mientras Gery corta sushi con katana y con su cruz Del barrio pero fino, con los platos y el beat Hace rolls como ritmos, y se escapa del gris Tiene un plato en la mano y la compu en la otra Hace beats como el fuego que en la olla flota Fernet con jengibre, cultura en el vaso Y la poli buscando, pero nunca lo alcanzó [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Verse 2] Tiene amigos en el under y en el sushi bar Toca teclas y cuchillos con estilo singular Produce en la sombra, cocina en silencio La yuta lo busca, pero Gery es incienso Él no grita, él flota con reverb y delay Es un chef del sonido y del taste gourmet No hay caretas, ni jueces, ni jaulas Gery vive libre en la noche sin pausa [Bridge] Beat suena lento, como sirena al pasar Pero Gery ya voló, nadie lo va a atrapar Entre vinilos, beats y sake La vida del barrio con estilo en el ataque [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Outro] Desde la Docta al sushi del mundo Gery camina en silencio profundo No lo atrapan, no lo entienden Pero el barrio lo siente... siempre presente",2025-05-27T23:23:50.822Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/93ed1777-684e-4bba-9058-a64f938fad23.mp3,https://cdn2.suno.ai/image_93ed1777-684e-4bba-9058-a64f938fad23.jpeg,https://cdn2.suno.ai/image_large_93ed1777-684e-4bba-9058-a64f938fad23.jpeg audio/430a093d-95ae-4acc-a280-c030fad3a640.mp3,430a093d-95ae-4acc-a280-c030fad3a640,,v3.5,chirp-v3,complete,128.76,False,"regga roots, hipnotics bassline, bright brass",,"[Intro] Yeah... Del Paz pa’l mundo Entre beats, cuchillos y sirenas Gery... el que cocina y se vuela [Verse 1] Deep house en los AirPods, callejón a media luz Mientras Gery corta sushi con katana y con su cruz Del barrio pero fino, con los platos y el beat Hace rolls como ritmos, y se escapa del gris Tiene un plato en la mano y la compu en la otra Hace beats como el fuego que en la olla flota Fernet con jengibre, cultura en el vaso Y la poli buscando, pero nunca lo alcanzó [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Verse 2] Tiene amigos en el under y en el sushi bar Toca teclas y cuchillos con estilo singular Produce en la sombra, cocina en silencio La yuta lo busca, pero Gery es incienso Él no grita, él flota con reverb y delay Es un chef del sonido y del taste gourmet No hay caretas, ni jueces, ni jaulas Gery vive libre en la noche sin pausa [Bridge] Beat suena lento, como sirena al pasar Pero Gery ya voló, nadie lo va a atrapar Entre vinilos, beats y sake La vida del barrio con estilo en el ataque [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Outro] Desde la Docta al sushi del mundo Gery camina en silencio profundo No lo atrapan, no lo entienden Pero el barrio lo siente... siempre presente",2025-05-27T23:23:00.845Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/430a093d-95ae-4acc-a280-c030fad3a640.mp3,https://cdn2.suno.ai/image_430a093d-95ae-4acc-a280-c030fad3a640.jpeg,https://cdn2.suno.ai/image_large_430a093d-95ae-4acc-a280-c030fad3a640.jpeg audio/e2538cd1-1fbb-4cca-9144-95e013d8475b.mp3,e2538cd1-1fbb-4cca-9144-95e013d8475b,,v3.5,chirp-v3,complete,126.52,False,"regga roots, hipnotics bassline, bright brass",,"[Intro] Yeah... Del Paz pa’l mundo Entre beats, cuchillos y sirenas Gery... el que cocina y se vuela [Verse 1] Deep house en los AirPods, callejón a media luz Mientras Gery corta sushi con katana y con su cruz Del barrio pero fino, con los platos y el beat Hace rolls como ritmos, y se escapa del gris Tiene un plato en la mano y la compu en la otra Hace beats como el fuego que en la olla flota Fernet con jengibre, cultura en el vaso Y la poli buscando, pero nunca lo alcanzó [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Verse 2] Tiene amigos en el under y en el sushi bar Toca teclas y cuchillos con estilo singular Produce en la sombra, cocina en silencio La yuta lo busca, pero Gery es incienso Él no grita, él flota con reverb y delay Es un chef del sonido y del taste gourmet No hay caretas, ni jueces, ni jaulas Gery vive libre en la noche sin pausa [Bridge] Beat suena lento, como sirena al pasar Pero Gery ya voló, nadie lo va a atrapar Entre vinilos, beats y sake La vida del barrio con estilo en el ataque [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Outro] Desde la Docta al sushi del mundo Gery camina en silencio profundo No lo atrapan, no lo entienden Pero el barrio lo siente... siempre presente",2025-05-27T23:23:00.845Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/e2538cd1-1fbb-4cca-9144-95e013d8475b.mp3,https://cdn2.suno.ai/image_e2538cd1-1fbb-4cca-9144-95e013d8475b.jpeg,https://cdn2.suno.ai/image_large_e2538cd1-1fbb-4cca-9144-95e013d8475b.jpeg audio/2243360a-d982-4f1c-b3bd-27f606b67194.mp3,2243360a-d982-4f1c-b3bd-27f606b67194,,v3.5,chirp-v3,complete,166.0,False,"Underground regga trap has a raw, gritty sound with distorted 808s that rumble deep. The kick is punchy and dirty, while snares are dry and sharp, often echoing like street noise. Hi-hats are fast, sy",,"[Intro] Yeah... Del Paz pa’l mundo Entre beats, cuchillos y sirenas Gery... el que cocina y se vuela [Verse 1] Deep house en los AirPods, callejón a media luz Mientras Gery corta sushi con katana y con su cruz Del barrio pero fino, con los platos y el beat Hace rolls como ritmos, y se escapa del gris Tiene un plato en la mano y la compu en la otra Hace beats como el fuego que en la olla flota Fernet con jengibre, cultura en el vaso Y la poli buscando, pero nunca lo alcanzó [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Verse 2] Tiene amigos en el under y en el sushi bar Toca teclas y cuchillos con estilo singular Produce en la sombra, cocina en silencio La yuta lo busca, pero Gery es incienso Él no grita, él flota con reverb y delay Es un chef del sonido y del taste gourmet No hay caretas, ni jueces, ni jaulas Gery vive libre en la noche sin pausa [Bridge] Beat suena lento, como sirena al pasar Pero Gery ya voló, nadie lo va a atrapar Entre vinilos, beats y sake La vida del barrio con estilo en el ataque [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Outro] Desde la Docta al sushi del mundo Gery camina en silencio profundo No lo atrapan, no lo entienden Pero el barrio lo siente... siempre presente",2025-05-27T23:20:45.952Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2243360a-d982-4f1c-b3bd-27f606b67194.mp3,https://cdn2.suno.ai/image_2243360a-d982-4f1c-b3bd-27f606b67194.jpeg,https://cdn2.suno.ai/image_large_2243360a-d982-4f1c-b3bd-27f606b67194.jpeg audio/61c30829-b9f5-440e-bd58-3f4cc1f35a9f.mp3,61c30829-b9f5-440e-bd58-3f4cc1f35a9f,,v3.5,chirp-v3,complete,162.0,False,"Underground regga trap has a raw, gritty sound with distorted 808s that rumble deep. The kick is punchy and dirty, while snares are dry and sharp, often echoing like street noise. Hi-hats are fast, sy",,"[Intro] Yeah... Del Paz pa’l mundo Entre beats, cuchillos y sirenas Gery... el que cocina y se vuela [Verse 1] Deep house en los AirPods, callejón a media luz Mientras Gery corta sushi con katana y con su cruz Del barrio pero fino, con los platos y el beat Hace rolls como ritmos, y se escapa del gris Tiene un plato en la mano y la compu en la otra Hace beats como el fuego que en la olla flota Fernet con jengibre, cultura en el vaso Y la poli buscando, pero nunca lo alcanzó [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Verse 2] Tiene amigos en el under y en el sushi bar Toca teclas y cuchillos con estilo singular Produce en la sombra, cocina en silencio La yuta lo busca, pero Gery es incienso Él no grita, él flota con reverb y delay Es un chef del sonido y del taste gourmet No hay caretas, ni jueces, ni jaulas Gery vive libre en la noche sin pausa [Bridge] Beat suena lento, como sirena al pasar Pero Gery ya voló, nadie lo va a atrapar Entre vinilos, beats y sake La vida del barrio con estilo en el ataque [Chorus] Gery no corre, él flota en la pista Mientras mezcla tracks, la sirena lo esquiva Cocinando arte, música y arroz En General Paz, él siempre fue la voz Trapero elegante, ninja de la esquina Con humo de soja, los pacos no atinan Gery escapa, no deja rastro Solo beats calientes y un flow que es astro [Outro] Desde la Docta al sushi del mundo Gery camina en silencio profundo No lo atrapan, no lo entienden Pero el barrio lo siente... siempre presente",2025-05-27T23:20:45.952Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/61c30829-b9f5-440e-bd58-3f4cc1f35a9f.mp3,https://cdn2.suno.ai/image_61c30829-b9f5-440e-bd58-3f4cc1f35a9f.jpeg,https://cdn2.suno.ai/image_large_61c30829-b9f5-440e-bd58-3f4cc1f35a9f.jpeg audio/8cf6fb52-9061-4d02-9d34-d38037810e1d.mp3,8cf6fb52-9061-4d02-9d34-d38037810e1d,,v3.5,chirp-v3,complete,142.28,False,"Underground Latin trap has a raw, gritty sound with distorted 808s that rumble deep. The kick is punchy and dirty, while snares are dry and sharp, often echoing like street noise. Hi-hats are fast, sy",,"[Intro] Yeah-eh Desde el corazón del Paz Con los pibes, con los míos ¡Gery! El Gangsta del barrio, perro Cordobita representando [Verse 1] En General Paz nací, ahí crecí, ahí mandé Donde el humo y la esquina saben quién es el rey Gery el Gangsta, con la Nike sin ley Los ratis me miran raro, pero nunca me tiré Mate amargo con los tranzas, fernet con los hermanos La yuta pasa en patrulla y nos ve con los fulanos Tatuajes del barrio, mirada que no engaña En la terraza suena trap y se mueve la montaña [Chorus] Gery, el Gangsta de barrio Paz Con los pibes quemando gas Cordobés con flow criminal De la Docta pa’l mundo real Gery, sin miedo y sin disfraz Con la cumbia de fondo y el trap En el Bondi o en el Supra flash Esto es Córdoba, mami, sin cash [Verse 2] Salgo del taller, la grasa en la remera Pero en la noche soy estrella en la escena No hay careta que me frene la condena Mi gente está firme aunque el sistema no suena Rimas picantes como locro en la plaza Y los parlantes retumban la amenaza Flow de gueto, con alma de la raza Le meto sin miedo, aunque el destino me cansa [Bridge] La vida me enseñó a no confiar en cualquiera Solo en los códigos y en la noche sincera En la placita, en la peatonal Los sueños se fuman, pero el fuego es real [Chorus] Gery, el Gangsta de barrio Paz Con los pibes quemando gas Cordobés con flow criminal De la Docta pa’l mundo real Gery, sin miedo y sin disfraz Con la cumbia de fondo y el trap En el Bondi o en el Supra flash Esto es Córdoba, mami, sin cash [Outro] Yeah... Gery el Gangsta, el que no se calla Del Paz pa'l mundo, no hay batalla Que me baje el tono, ni falla Esto es CBA, loco, y no se ensaya",2025-05-27T23:17:43.027Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/8cf6fb52-9061-4d02-9d34-d38037810e1d.mp3,https://cdn2.suno.ai/image_8cf6fb52-9061-4d02-9d34-d38037810e1d.jpeg,https://cdn2.suno.ai/image_large_8cf6fb52-9061-4d02-9d34-d38037810e1d.jpeg audio/7ff934c6-f36a-4f20-ba3f-29eeb78e1e91.mp3,7ff934c6-f36a-4f20-ba3f-29eeb78e1e91,,v3.5,chirp-v3,complete,136.0,False,"Underground Latin trap has a raw, gritty sound with distorted 808s that rumble deep. The kick is punchy and dirty, while snares are dry and sharp, often echoing like street noise. Hi-hats are fast, sy",,"[Intro] Yeah-eh Desde el corazón del Paz Con los pibes, con los míos ¡Gery! El Gangsta del barrio, perro Cordobita representando [Verse 1] En General Paz nací, ahí crecí, ahí mandé Donde el humo y la esquina saben quién es el rey Gery el Gangsta, con la Nike sin ley Los ratis me miran raro, pero nunca me tiré Mate amargo con los tranzas, fernet con los hermanos La yuta pasa en patrulla y nos ve con los fulanos Tatuajes del barrio, mirada que no engaña En la terraza suena trap y se mueve la montaña [Chorus] Gery, el Gangsta de barrio Paz Con los pibes quemando gas Cordobés con flow criminal De la Docta pa’l mundo real Gery, sin miedo y sin disfraz Con la cumbia de fondo y el trap En el Bondi o en el Supra flash Esto es Córdoba, mami, sin cash [Verse 2] Salgo del taller, la grasa en la remera Pero en la noche soy estrella en la escena No hay careta que me frene la condena Mi gente está firme aunque el sistema no suena Rimas picantes como locro en la plaza Y los parlantes retumban la amenaza Flow de gueto, con alma de la raza Le meto sin miedo, aunque el destino me cansa [Bridge] La vida me enseñó a no confiar en cualquiera Solo en los códigos y en la noche sincera En la placita, en la peatonal Los sueños se fuman, pero el fuego es real [Chorus] Gery, el Gangsta de barrio Paz Con los pibes quemando gas Cordobés con flow criminal De la Docta pa’l mundo real Gery, sin miedo y sin disfraz Con la cumbia de fondo y el trap En el Bondi o en el Supra flash Esto es Córdoba, mami, sin cash [Outro] Yeah... Gery el Gangsta, el que no se calla Del Paz pa'l mundo, no hay batalla Que me baje el tono, ni falla Esto es CBA, loco, y no se ensaya",2025-05-27T23:17:43.027Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/7ff934c6-f36a-4f20-ba3f-29eeb78e1e91.mp3,https://cdn2.suno.ai/image_7ff934c6-f36a-4f20-ba3f-29eeb78e1e91.jpeg,https://cdn2.suno.ai/image_large_7ff934c6-f36a-4f20-ba3f-29eeb78e1e91.jpeg audio/446a430f-2745-47c7-807f-d5b2c5dd55f4.mp3,446a430f-2745-47c7-807f-d5b2c5dd55f4,Los momentos perfectos,v4,chirp-v4,complete,144.48,False,"acoustic rock, jazzy, melancholy, organic, jazz, ballad","a depressive Radio Head style ballad with subtle psychedelic jazzy chords and organic sounds, melismatics melodies. Letra en español, acordes impresionistas y armonicas modernas, sintetizadores acido","[Verse] Diría que no tiene caso Llorar su barco naufragado Quien sabe cuánto pataleaba Igual, al carajo, ¿o no? [Verse 2] El mundo ya no es mi lugar Llamemos los negocios de mi parte Esperando la muerte de otra especie El tiempo para un nuevo desarrollo [Chorus] Ser nosotros Es un logro de la naturaleza Me gustaría compartirlo En una canción [Instrumental] [Bridge] A veces me gustaría poder explicarlo En una canción Todavía tenemos momentos perfectos [Instrumental]",2025-02-09T05:17:45.132Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/446a430f-2745-47c7-807f-d5b2c5dd55f4.mp3,https://cdn2.suno.ai/image_446a430f-2745-47c7-807f-d5b2c5dd55f4.jpeg,https://cdn2.suno.ai/image_large_446a430f-2745-47c7-807f-d5b2c5dd55f4.jpeg audio/bdbedfbc-1697-4090-a6b0-a89955f58092.mp3,bdbedfbc-1697-4090-a6b0-a89955f58092,Los momentos perfectos,v4,chirp-v4,complete,159.68,False,"acoustic rock, jazzy, melancholy, organic, jazz, ballad","a depressive Radio Head style ballad with subtle psychedelic jazzy chords and organic sounds, melismatics melodies. Letra en español, acordes impresionistas y armonicas modernas, sintetizadores acido","[Verse] Diría que no tiene caso Llorar su barco naufragado Quien sabe cuánto pataleaba Igual, al carajo, ¿o no? [Verse 2] El mundo ya no es mi lugar Llamemos los negocios de mi parte Esperando la muerte de otra especie El tiempo para un nuevo desarrollo [Chorus] Ser nosotros Es un logro de la naturaleza Me gustaría compartirlo En una canción [Instrumental] [Bridge] A veces me gustaría poder explicarlo En una canción Todavía tenemos momentos perfectos [Instrumental]",2025-02-09T05:17:45.132Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/bdbedfbc-1697-4090-a6b0-a89955f58092.mp3,https://cdn2.suno.ai/image_bdbedfbc-1697-4090-a6b0-a89955f58092.jpeg,https://cdn2.suno.ai/image_large_bdbedfbc-1697-4090-a6b0-a89955f58092.jpeg audio/86bd1a6c-a4b6-401d-84a6-6c7332f1fec3.mp3,86bd1a6c-a4b6-401d-84a6-6c7332f1fec3,Guarida,v4,chirp-v4,complete,209.96,False,"rock, psychedelic rock, subtle psychedelic, ballad, organic sounds","a depressive Radio Head style ballad with subtle psychedelic rock nuances and organic sounds, melismatics melodies. Letra en español, acordes impresionistas y armonicas modernas, sintetizadores acido","[Verse] Luego de no love Despertarme a solas Caminé al borde Resistiendo el mal No aguanté y fui a caer Increíble fue encontrar tu guarida [Chorus] Todo ahí sirve para sanar Es un hogar la guarida Todo ahí sirve para sanar Es un hogar tu guarida Guarida Guarida Guarida Guarida Guarida [Verse] Luego de esperar Tu guiño en vano Con mi muerte Salí al gran peligro No aguanté y fui a caer Increíble fue encontrar Tu guarida [Chorus] Todo ahí sirve para sanar Es un hogar la guarida Todo ahí sirve para sanar Un hogar la guarida Guarida Guarida Guarida Guarida Guarida",2025-02-09T05:14:41.158Z,3,0,False,False,False,False,False,https://cdn1.suno.ai/86bd1a6c-a4b6-401d-84a6-6c7332f1fec3.mp3,https://cdn2.suno.ai/image_86bd1a6c-a4b6-401d-84a6-6c7332f1fec3.jpeg,https://cdn2.suno.ai/image_large_86bd1a6c-a4b6-401d-84a6-6c7332f1fec3.jpeg audio/ed2e9bed-565d-4154-a69e-95b822cc4949.mp3,ed2e9bed-565d-4154-a69e-95b822cc4949,Guarida,v4,chirp-v4,complete,197.44,False,"rock, psychedelic rock, subtle psychedelic, ballad, organic sounds","a depressive Radio Head style ballad with subtle psychedelic rock nuances and organic sounds, melismatics melodies. Letra en español, acordes impresionistas y armonicas modernas, sintetizadores acido","[Verse] Luego de no love Despertarme a solas Caminé al borde Resistiendo el mal No aguanté y fui a caer Increíble fue encontrar tu guarida [Chorus] Todo ahí sirve para sanar Es un hogar la guarida Todo ahí sirve para sanar Es un hogar tu guarida Guarida Guarida Guarida Guarida Guarida [Verse] Luego de esperar Tu guiño en vano Con mi muerte Salí al gran peligro No aguanté y fui a caer Increíble fue encontrar Tu guarida [Chorus] Todo ahí sirve para sanar Es un hogar la guarida Todo ahí sirve para sanar Un hogar la guarida Guarida Guarida Guarida Guarida Guarida",2025-02-09T05:14:41.158Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/ed2e9bed-565d-4154-a69e-95b822cc4949.mp3,https://cdn2.suno.ai/image_ed2e9bed-565d-4154-a69e-95b822cc4949.jpeg,https://cdn2.suno.ai/image_large_ed2e9bed-565d-4154-a69e-95b822cc4949.jpeg audio/aebf7157-b8f9-4faa-8067-d59b7d8076f3.mp3,aebf7157-b8f9-4faa-8067-d59b7d8076f3,Rayo Desesperado,v4,chirp-v4,complete,218.2,False,"psychedelic rock, rock, subtle psychedelic rock, ballad, organic sounds","a depressive Radio Head style ballad with subtle psychedelic rock nuances and organic sounds, melismatics melodies. Letra en español","[Verse 1] Yo lo sufrí Y siempre lo supe Yo lo sufrí Y siempre lo supe Pero no quise verlo [Verse 2] Cortaste el cable Que me mantenía conectado La luz que alumbraba mi esperanza Manotea por mantenerse dios [Verse 3] No encontró Una respuesta Corta Intentando protegerme Desmenuzó mi conect Mi conexión [Verse 4] Rayo desesperado Oh Rayo desesperado Rayos desesperados [Bridge] Uh Uh Uh Uh [Chorus] Dios ¿Por qué esto a mí? Dios ¿Por qué esto a mí? Dios ¿Por qué esto a mí? Dios",2025-02-09T05:11:45.573Z,2,0,False,False,False,False,False,https://cdn1.suno.ai/aebf7157-b8f9-4faa-8067-d59b7d8076f3.mp3,https://cdn2.suno.ai/image_aebf7157-b8f9-4faa-8067-d59b7d8076f3.jpeg,https://cdn2.suno.ai/image_large_aebf7157-b8f9-4faa-8067-d59b7d8076f3.jpeg audio/5a4d1cf9-43a4-434f-8b0a-5bb356b3828f.mp3,5a4d1cf9-43a4-434f-8b0a-5bb356b3828f,Rayo Desesperado,v4,chirp-v4,complete,192.36,False,"psychedelic rock, rock, subtle psychedelic rock, ballad, organic sounds","a depressive Radio Head style ballad with subtle psychedelic rock nuances and organic sounds, melismatics melodies. Letra en español","[Verse 1] Yo lo sufrí Y siempre lo supe Yo lo sufrí Y siempre lo supe Pero no quise verlo [Verse 2] Cortaste el cable Que me mantenía conectado La luz que alumbraba mi esperanza Manotea por mantenerse dios [Verse 3] No encontró Una respuesta Corta Intentando protegerme Desmenuzó mi conect Mi conexión [Verse 4] Rayo desesperado Oh Rayo desesperado Rayos desesperados [Bridge] Uh Uh Uh Uh [Chorus] Dios ¿Por qué esto a mí? Dios ¿Por qué esto a mí? Dios ¿Por qué esto a mí? Dios",2025-02-09T05:11:45.573Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/5a4d1cf9-43a4-434f-8b0a-5bb356b3828f.mp3,https://cdn2.suno.ai/image_5a4d1cf9-43a4-434f-8b0a-5bb356b3828f.jpeg,https://cdn2.suno.ai/image_large_5a4d1cf9-43a4-434f-8b0a-5bb356b3828f.jpeg audio/adc75b4a-920b-43da-a6e6-9f13b0e8ee2e.mp3,adc75b4a-920b-43da-a6e6-9f13b0e8ee2e,"Sogni, d'inverno alle 3",v4,chirp-v4,complete,213.6,False,"psychedelic, melodic, ballad, psychedelic rock, rock","a depressive Radio Head style ballad with subtle psychedelic rock nuances and organic sounds, melismatics melodies","[Verse] Vedi I miei sogni Disegnati sul cuscino Quanto mi manchi? Vieni Dai cammina [Verse] Nel mio letto questa sera Trova un posto anche se c'è lei Quando ritorni? Ti prego Sorprendimi [Chorus] Accendiamoci Mi ricarichi Come (Sogno una vita con te) Vento Vediamoci Built to last [Verse] Giorni In cui vivo solamente Facendo finta che ci sei Non mi rispondi? Non riesco a crederci Fuori Nevicava così piano E mezzo mondo era già spento Cosa ci resta? [Chorus] Accendiamoci Mi carichi Come (Sogno una vita con te) Vento Vediamoci Built to last [Bridge] Sei fantastico Sogno un mondo con me Ragnatela nella testa Durable come alcol denaturato E mi piace tanto Quanto",2025-02-09T05:10:55.459Z,1,0,False,False,False,False,False,https://cdn1.suno.ai/adc75b4a-920b-43da-a6e6-9f13b0e8ee2e.mp3,https://cdn2.suno.ai/image_adc75b4a-920b-43da-a6e6-9f13b0e8ee2e.jpeg,https://cdn2.suno.ai/image_large_adc75b4a-920b-43da-a6e6-9f13b0e8ee2e.jpeg audio/f82d2824-3378-4d97-9f4d-854f4a9f46ed.mp3,f82d2824-3378-4d97-9f4d-854f4a9f46ed,"Sogni, d'inverno alle 3",v4,chirp-v4,complete,198.76,False,"psychedelic, melodic, ballad, psychedelic rock, rock","a depressive Radio Head style ballad with subtle psychedelic rock nuances and organic sounds, melismatics melodies","[Verse] Vedi I miei sogni Disegnati sul cuscino Quanto mi manchi? Vieni Dai cammina [Verse] Nel mio letto questa sera Trova un posto anche se c'è lei Quando ritorni? Ti prego Sorprendimi [Chorus] Accendiamoci Mi ricarichi Come (Sogno una vita con te) Vento Vediamoci Built to last [Verse] Giorni In cui vivo solamente Facendo finta che ci sei Non mi rispondi? Non riesco a crederci Fuori Nevicava così piano E mezzo mondo era già spento Cosa ci resta? [Chorus] Accendiamoci Mi carichi Come (Sogno una vita con te) Vento Vediamoci Built to last [Bridge] Sei fantastico Sogno un mondo con me Ragnatela nella testa Durable come alcol denaturato E mi piace tanto Quanto",2025-02-09T05:10:55.459Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f82d2824-3378-4d97-9f4d-854f4a9f46ed.mp3,https://cdn2.suno.ai/image_f82d2824-3378-4d97-9f4d-854f4a9f46ed.jpeg,https://cdn2.suno.ai/image_large_f82d2824-3378-4d97-9f4d-854f4a9f46ed.jpeg audio/0d325883-d017-4b06-80b5-0231b105604f.mp3,0d325883-d017-4b06-80b5-0231b105604f,Fading Echoes,v4,chirp-v4,complete,240.0,False,"subtle psychedelic rock, ballad, psychedelic rock, organic sounds, rock, depressive ballad",a depressive Radio Head style ballad with subtle psychedelic rock nuances and organic sounds,"[Verse] Grey clouds overhead all I see My shadow tangled in the dark Voices whisper ain’t nowhere to flee Lost track lost path seems so stark [Chorus] Echoes fading in the voidless sky Dreams disappear just like the mist Feel the cold hand passing by Time's a thief ain't nothing resist [Verse 2] Broken clocks and shattered glass Memories haunt me on this path Every step just seems to pass Without a trace swallowed by wrath [Chorus] Echoes fading in the voidless sky Dreams disappear just like the mist Feel the cold hand passing by Time's a thief ain't nothing resist [Bridge] Electric lights flicker then are gone Pulse of life a fleeting song Standing still as dawn turns to dusk Heartbeats heavy can't move along [Verse 3] Silent screams in a hollow room Curtains closed ain't no light From the shadows emerges doom Solitude my only plight",2025-02-09T05:07:50.748Z,1,0,True,False,False,False,False,https://cdn1.suno.ai/0d325883-d017-4b06-80b5-0231b105604f.mp3,https://cdn2.suno.ai/image_0d325883-d017-4b06-80b5-0231b105604f.jpeg,https://cdn2.suno.ai/image_large_0d325883-d017-4b06-80b5-0231b105604f.jpeg audio/f8dfe0ae-ee1e-406a-864b-2b1fca7a6c30.mp3,f8dfe0ae-ee1e-406a-864b-2b1fca7a6c30,Fading Echoes,v4,chirp-v4,complete,237.96,False,"subtle psychedelic rock, ballad, psychedelic rock, organic sounds, rock, depressive ballad",a depressive Radio Head style ballad with subtle psychedelic rock nuances and organic sounds,"[Verse] Grey clouds overhead all I see My shadow tangled in the dark Voices whisper ain’t nowhere to flee Lost track lost path seems so stark [Chorus] Echoes fading in the voidless sky Dreams disappear just like the mist Feel the cold hand passing by Time's a thief ain't nothing resist [Verse 2] Broken clocks and shattered glass Memories haunt me on this path Every step just seems to pass Without a trace swallowed by wrath [Chorus] Echoes fading in the voidless sky Dreams disappear just like the mist Feel the cold hand passing by Time's a thief ain't nothing resist [Bridge] Electric lights flicker then are gone Pulse of life a fleeting song Standing still as dawn turns to dusk Heartbeats heavy can't move along [Verse 3] Silent screams in a hollow room Curtains closed ain't no light From the shadows emerges doom Solitude my only plight",2025-02-09T05:07:50.748Z,1,0,True,False,False,False,False,https://cdn1.suno.ai/f8dfe0ae-ee1e-406a-864b-2b1fca7a6c30.mp3,https://cdn2.suno.ai/image_f8dfe0ae-ee1e-406a-864b-2b1fca7a6c30.jpeg,https://cdn2.suno.ai/image_large_f8dfe0ae-ee1e-406a-864b-2b1fca7a6c30.jpeg audio/cadfeec5-7c05-41e2-841f-5bda88617bde.mp3,cadfeec5-7c05-41e2-841f-5bda88617bde,DS_bachata_sensual_modern_zzkxf,v5.5,chirp-fenix,complete,93.6,False,"Bachata with steady romantic sway, 5/4 pulse layered subtly over the güira, requinto run through modular chorus shimmer, jazz-altered piano voicings, and a subliminal tampura drone threading the harmony. Verse sections should feel intimate and sparse, then open into a richer chorus lift with wider guitar wash and syncopated piano accents; a short bridge can thin to drone, güira, and single-note requinto before the final return. Close-mic percussion detail, airy vocal-space feel, warm and polished mix with a slightly dreamy sheen., jazz, bachata, drone","Bachata base + requinto pasado por chorus modulares, voicings jazz altered en piano, métrica 5/4 superpuesta en güira sutil, drone tampura subliminal, 4 min",[Instrumental],2026-05-24T16:34:33.489Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cadfeec5-7c05-41e2-841f-5bda88617bde.mp3,https://cdn2.suno.ai/image_cadfeec5-7c05-41e2-841f-5bda88617bde.jpeg,https://cdn2.suno.ai/image_large_cadfeec5-7c05-41e2-841f-5bda88617bde.jpeg audio/c0505bfe-871d-44e6-bcd8-807521add5ba.mp3,c0505bfe-871d-44e6-bcd8-807521add5ba,DS_bachata_sensual_modern_zzkxf,v5.5,chirp-fenix,complete,117.96,False,"Bachata with steady romantic sway, 5/4 pulse layered subtly over the güira, requinto run through modular chorus shimmer, jazz-altered piano voicings, and a subliminal tampura drone threading the harmony. Verse sections should feel intimate and sparse, then open into a richer chorus lift with wider guitar wash and syncopated piano accents; a short bridge can thin to drone, güira, and single-note requinto before the final return. Close-mic percussion detail, airy vocal-space feel, warm and polished mix with a slightly dreamy sheen., jazz, bachata, drone","Bachata base + requinto pasado por chorus modulares, voicings jazz altered en piano, métrica 5/4 superpuesta en güira sutil, drone tampura subliminal, 4 min",[Instrumental],2026-05-24T16:34:33.489Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c0505bfe-871d-44e6-bcd8-807521add5ba.mp3,https://cdn2.suno.ai/image_c0505bfe-871d-44e6-bcd8-807521add5ba.jpeg,https://cdn2.suno.ai/image_large_c0505bfe-871d-44e6-bcd8-807521add5ba.jpeg audio/cb3ad248-4946-4c91-9dba-4433a16afe7b.mp3,cb3ad248-4946-4c91-9dba-4433a16afe7b,async backoff,v5.5,chirp-fenix,complete,34.92,False," (async () => { const tok = await window.Clerk.session.getToken(); const todos = []; const sleep = ms => new Promise(r => setTimeout(r, ms)); let page = 0; let backoff = 3000; while (page < 500) { const r = await fetch(""https://studio-api.prod.suno.com/api/feed/v2?page="" + page, { headers: { ""authorization"": ""Bearer "" + tok } }); if (r.status === 429) { console.warn(""429 page "" + page + "" backoff "" + (backoff/1000) + ""s""); await sleep(backoff); backoff = Math.min(backoff * 2, 60000); continue; } if (!r.ok) { console.log(""stop status"", r.status, ""page"", page); break; } const j = await r.json(); const clips = j.clips || []; if (clips.length === 0) { console.log(""vacio en page"", page); break; } todos.push(...clips); backoff = 3000; if (page % 5 === 0) console.log(""page"", page, ""acumulado:"", todos.length); page++; await sleep(3000 + Math.random() * ",,no lyrics please,2026-05-24T16:34:30.800Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cb3ad248-4946-4c91-9dba-4433a16afe7b.mp3,https://cdn2.suno.ai/image_cb3ad248-4946-4c91-9dba-4433a16afe7b.jpeg,https://cdn2.suno.ai/image_large_cb3ad248-4946-4c91-9dba-4433a16afe7b.jpeg audio/82f114bb-11cd-45d1-93a7-6ee9a246b92c.mp3,82f114bb-11cd-45d1-93a7-6ee9a246b92c,async backoff,v5.5,chirp-fenix,complete,22.4,False," (async () => { const tok = await window.Clerk.session.getToken(); const todos = []; const sleep = ms => new Promise(r => setTimeout(r, ms)); let page = 0; let backoff = 3000; while (page < 500) { const r = await fetch(""https://studio-api.prod.suno.com/api/feed/v2?page="" + page, { headers: { ""authorization"": ""Bearer "" + tok } }); if (r.status === 429) { console.warn(""429 page "" + page + "" backoff "" + (backoff/1000) + ""s""); await sleep(backoff); backoff = Math.min(backoff * 2, 60000); continue; } if (!r.ok) { console.log(""stop status"", r.status, ""page"", page); break; } const j = await r.json(); const clips = j.clips || []; if (clips.length === 0) { console.log(""vacio en page"", page); break; } todos.push(...clips); backoff = 3000; if (page % 5 === 0) console.log(""page"", page, ""acumulado:"", todos.length); page++; await sleep(3000 + Math.random() * ",,no lyrics please,2026-05-24T16:34:30.800Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/82f114bb-11cd-45d1-93a7-6ee9a246b92c.mp3,https://cdn2.suno.ai/image_82f114bb-11cd-45d1-93a7-6ee9a246b92c.jpeg,https://cdn2.suno.ai/image_large_82f114bb-11cd-45d1-93a7-6ee9a246b92c.jpeg audio/e7d34f0c-83f2-43ed-8db9-dd7758d7ab7d.mp3,e7d34f0c-83f2-43ed-8db9-dd7758d7ab7d,DS_post_rock_atmospheric_zzhub,v5.5,chirp-fenix,complete,194.88,True,"Post-rock at 90 BPM with chiming electric delay walls, distorted bass swells, and patient drum crescendos; verse-like openings stay sparse with piano ghosts and washed pads, then layers thicken through arpeggiated guitars, tom-driven lifts, and a final cathartic surge. Soft stereo bloom, tape haze, wide cinematic mix, intimate low-end rumble., rock, electric, dynamic","Post-rock atmospheric build, 90 BPM, guitar electric delay walls, distorted bass, dynamic drum build, atmospheric pads, sparse piano, C minor modal, Montreal Constellation 2002 aesthetic, 8 minute crescendo development, instrumental",[Instrumental],2026-05-24T16:34:29.639Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e7d34f0c-83f2-43ed-8db9-dd7758d7ab7d.mp3,https://cdn2.suno.ai/image_e7d34f0c-83f2-43ed-8db9-dd7758d7ab7d.jpeg,https://cdn2.suno.ai/image_large_e7d34f0c-83f2-43ed-8db9-dd7758d7ab7d.jpeg audio/9dc5adf5-ac80-4bee-a426-e87c9f1ae173.mp3,9dc5adf5-ac80-4bee-a426-e87c9f1ae173,DS_post_rock_atmospheric_zzhub,v5.5,chirp-fenix,complete,158.88,True,"Post-rock at 90 BPM with chiming electric delay walls, distorted bass swells, and patient drum crescendos; verse-like openings stay sparse with piano ghosts and washed pads, then layers thicken through arpeggiated guitars, tom-driven lifts, and a final cathartic surge. Soft stereo bloom, tape haze, wide cinematic mix, intimate low-end rumble., rock, electric, dynamic","Post-rock atmospheric build, 90 BPM, guitar electric delay walls, distorted bass, dynamic drum build, atmospheric pads, sparse piano, C minor modal, Montreal Constellation 2002 aesthetic, 8 minute crescendo development, instrumental",[Instrumental],2026-05-24T16:34:29.639Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/9dc5adf5-ac80-4bee-a426-e87c9f1ae173.mp3,https://cdn2.suno.ai/image_9dc5adf5-ac80-4bee-a426-e87c9f1ae173.jpeg,https://cdn2.suno.ai/image_large_9dc5adf5-ac80-4bee-a426-e87c9f1ae173.jpeg audio/16833d0e-4f14-4462-b086-cce363c4e47f.mp3,16833d0e-4f14-4462-b086-cce363c4e47f,Subpulse Synapse,v5.5,chirp-fenix,complete,264.92,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T16:34:28.956Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/16833d0e-4f14-4462-b086-cce363c4e47f.mp3,https://cdn2.suno.ai/image_16833d0e-4f14-4462-b086-cce363c4e47f.jpeg,https://cdn2.suno.ai/image_large_16833d0e-4f14-4462-b086-cce363c4e47f.jpeg audio/851d1490-4925-4f7f-b8c9-ba7e8d67d0c7.mp3,851d1490-4925-4f7f-b8c9-ba7e8d67d0c7,Subpulse Synapse,v5.5,chirp-fenix,complete,210.48,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T16:34:28.956Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/851d1490-4925-4f7f-b8c9-ba7e8d67d0c7.mp3,https://cdn2.suno.ai/image_851d1490-4925-4f7f-b8c9-ba7e8d67d0c7.jpeg,https://cdn2.suno.ai/image_large_851d1490-4925-4f7f-b8c9-ba7e8d67d0c7.jpeg audio/8f079d7c-bdaf-4a14-8589-5869530448ea.mp3,8f079d7c-bdaf-4a14-8589-5869530448ea,DS_deep_house_melodic_emotional_zs5yp,v5.5,chirp-fenix,complete,209.88,True,"Melodic deep house at 122 BPM with a rolling four-on-the-floor kick, deep sub-bass, and an emotional analog lead over piano chords in F minor dorian; verse-like sections stay lean, then lift with lush pads and filtered vocal chops, a warmer breakdown, and a wide final drive. Breathy, spacious, polished mix with an Anjunadeep 2024 glow., deep, emotional, deep house, uplifting, vocal","Melodic deep house emotional, 122 BPM, emotional analog synth lead, deep sub-bass, melodic piano chord progression F minor dorian, 4-on-floor kick, lush atmospheric pads, filtered vocal samples, Anjunadeep 2024 aesthetic, 7 minute emotional uplifting groove, instrumental with vocal chops",[Instrumental],2026-05-24T16:28:47.471Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/8f079d7c-bdaf-4a14-8589-5869530448ea.mp3,https://cdn2.suno.ai/image_8f079d7c-bdaf-4a14-8589-5869530448ea.jpeg,https://cdn2.suno.ai/image_large_8f079d7c-bdaf-4a14-8589-5869530448ea.jpeg audio/e7fd642d-cd87-473a-a5fd-dd12885e4eaf.mp3,e7fd642d-cd87-473a-a5fd-dd12885e4eaf,DS_deep_house_melodic_emotional_zs5yp,v5.5,chirp-fenix,complete,163.4,True,"Melodic deep house at 122 BPM with a rolling four-on-the-floor kick, deep sub-bass, and an emotional analog lead over piano chords in F minor dorian; verse-like sections stay lean, then lift with lush pads and filtered vocal chops, a warmer breakdown, and a wide final drive. Breathy, spacious, polished mix with an Anjunadeep 2024 glow., deep, emotional, deep house, uplifting, vocal","Melodic deep house emotional, 122 BPM, emotional analog synth lead, deep sub-bass, melodic piano chord progression F minor dorian, 4-on-floor kick, lush atmospheric pads, filtered vocal samples, Anjunadeep 2024 aesthetic, 7 minute emotional uplifting groove, instrumental with vocal chops",[Instrumental],2026-05-24T16:28:47.471Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e7fd642d-cd87-473a-a5fd-dd12885e4eaf.mp3,https://cdn2.suno.ai/image_e7fd642d-cd87-473a-a5fd-dd12885e4eaf.jpeg,https://cdn2.suno.ai/image_large_e7fd642d-cd87-473a-a5fd-dd12885e4eaf.jpeg audio/8375a5e7-b207-4c87-8110-b77ca36e3984.mp3,8375a5e7-b207-4c87-8110-b77ca36e3984,DS_reggae_roots_classic_zs2vh,v5.5,chirp-fenix,complete,239.92,False,"Roots reggae, 78 BPM one-drop groove with deep bass, offbeat guitar skanks, rolling Hammond organ, and brass stabs; verse stays laid-back and spacious, pre-chorus lifts with tighter drum accents and rising harmony, chorus opens into chant-like group vocals and horn replies. Warm close-mic male lead, a few doubled lines, delay throws on the hook, tape hiss, vinyl crackle, and a rich analog mix with glowing low end., ska, roots reggae, pop rock, deep, rock, classic, reggae, warm, vocal, uplifting","Reggae roots classic 70s, 78 BPM, deep bass, one-drop drums, guitar skank offbeat, Hammond organ, horn brass section, warm male vocal lead, G major uplifting, Kingston 1976 aesthetic, 4 minute spiritual roots reggae","[Verse 1] Morning on Spanish Town Road Dust on my shoes, but my step feels gold Mama said, “Son, keep your head held high” When the river runs dry, still the palm trees rise [Verse 2] Hands on the rail by the bus stop line A child laughed loud like a church bell sign Old man smiled with a face full of sun Said, “The road gets long, but the light still comes” [Pre-Chorus] So I lift my eyes Past the zinc and stone Hear that mercy call Bringing me back home [Chorus] Jah keep me standing Jah keep me whole Jah keep me standing Right in my soul (keep me standing) Jah keep me standing Through the wind and rain (through the wind and rain) Jah keep me standing In your holy name [Verse 3] Green hills breathe where the sugar cane sleeps Drumbeat talking to the roots beneath Every hard road left a prayer in me Every scarline sings of a victory [Pre-Chorus] So I lift my voice Let the burden go If the night comes down Love will make me glow [Chorus] Jah keep me standing Jah keep me whole Jah keep me standing Right in my soul (keep me standing) Jah keep me standing Through the wind and rain (through the wind and rain) Jah keep me standing In your holy name [Bridge] When the towers shake and the water rise I’ll still hear freedom in the elders’ cries No chain can stay where the fire grows No dark can win where the good tree shows [Final Chorus] Jah keep me standing Jah keep me whole Jah keep me standing Right in my soul (keep me standing) Jah keep me standing Through the wind and rain (through the wind and rain) Jah keep me standing In your holy name",2026-05-24T16:28:43.544Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/8375a5e7-b207-4c87-8110-b77ca36e3984.mp3,https://cdn2.suno.ai/image_8375a5e7-b207-4c87-8110-b77ca36e3984.jpeg,https://cdn2.suno.ai/image_large_8375a5e7-b207-4c87-8110-b77ca36e3984.jpeg audio/7d8e5868-a82d-48ed-9d7e-ce037e861c04.mp3,7d8e5868-a82d-48ed-9d7e-ce037e861c04,DS_reggae_roots_classic_zs2vh,v5.5,chirp-fenix,complete,231.32,False,"Roots reggae, 78 BPM one-drop groove with deep bass, offbeat guitar skanks, rolling Hammond organ, and brass stabs; verse stays laid-back and spacious, pre-chorus lifts with tighter drum accents and rising harmony, chorus opens into chant-like group vocals and horn replies. Warm close-mic male lead, a few doubled lines, delay throws on the hook, tape hiss, vinyl crackle, and a rich analog mix with glowing low end., ska, roots reggae, pop rock, deep, rock, classic, reggae, warm, vocal, uplifting","Reggae roots classic 70s, 78 BPM, deep bass, one-drop drums, guitar skank offbeat, Hammond organ, horn brass section, warm male vocal lead, G major uplifting, Kingston 1976 aesthetic, 4 minute spiritual roots reggae","[Verse 1] Morning on Spanish Town Road Dust on my shoes, but my step feels gold Mama said, “Son, keep your head held high” When the river runs dry, still the palm trees rise [Verse 2] Hands on the rail by the bus stop line A child laughed loud like a church bell sign Old man smiled with a face full of sun Said, “The road gets long, but the light still comes” [Pre-Chorus] So I lift my eyes Past the zinc and stone Hear that mercy call Bringing me back home [Chorus] Jah keep me standing Jah keep me whole Jah keep me standing Right in my soul (keep me standing) Jah keep me standing Through the wind and rain (through the wind and rain) Jah keep me standing In your holy name [Verse 3] Green hills breathe where the sugar cane sleeps Drumbeat talking to the roots beneath Every hard road left a prayer in me Every scarline sings of a victory [Pre-Chorus] So I lift my voice Let the burden go If the night comes down Love will make me glow [Chorus] Jah keep me standing Jah keep me whole Jah keep me standing Right in my soul (keep me standing) Jah keep me standing Through the wind and rain (through the wind and rain) Jah keep me standing In your holy name [Bridge] When the towers shake and the water rise I’ll still hear freedom in the elders’ cries No chain can stay where the fire grows No dark can win where the good tree shows [Final Chorus] Jah keep me standing Jah keep me whole Jah keep me standing Right in my soul (keep me standing) Jah keep me standing Through the wind and rain (through the wind and rain) Jah keep me standing In your holy name",2026-05-24T16:28:43.544Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7d8e5868-a82d-48ed-9d7e-ce037e861c04.mp3,https://cdn2.suno.ai/image_7d8e5868-a82d-48ed-9d7e-ce037e861c04.jpeg,https://cdn2.suno.ai/image_large_7d8e5868-a82d-48ed-9d7e-ce037e861c04.jpeg audio/04254e12-3f27-4587-bd3b-3f81331e270e.mp3,04254e12-3f27-4587-bd3b-3f81331e270e,DS_americana_alt_country_zr6gs,v5.5,chirp-fenix,complete,278.4,False,"Americana alt-country, 95 BPM storytelling ballad with swung brushed drums, acoustic guitar fingerpicks, pedal steel sighs, upright bass walk, and fiddle fills; verse stays intimate and scene-driven, pre-chorus opens with rising harmony and a small snare lift, chorus lands on a wide singback hook with stacked male doubles, bridge drops to voice and guitar before the final chorus swells with fiddle countermelody and pedal steel glides. Warm close-mic male vocal, nostalgic but polished, bright rootsy mix with a spacious Nashville alternative sheen., ballad, country, warm, sophisticated, nostalgic, vocal, acoustic","Americana alt-country sophisticated, 95 BPM, acoustic guitar, pedal steel, upright bass, fiddle, warm male vocal, brushed drums, G major nostalgic, Nashville alternative 2023 aesthetic, 4 minute storytelling ballad","[Verse 1] You left your coffee ring On the Formica edge Beside the jar of screws And the cracked window ledge I found your note in blue ink Folded by the sink Said ""don't let the hound out"" Like I could even think [Pre-Chorus] I stood there with the keys Cold in my palm The house kept on breathing Like nothing was wrong Then the screen door hit And I heard that sound Of one small life Turning all the way around [Chorus] Gravel on my boots Dust on my name You took the back road I took the blame Gravel on my boots Red dirt truth I keep on walking Back to you [Verse 2] At the county fair You wore that green dress Bought a paper ring From the ring toss man You laughed when the ferris wheel Stopped in the rain Said ""this town is a rumor We can outrun it, babe"" [Pre-Chorus] But dreams get tired And tires do too The map got folded The way people do Still I hear your voice When the trucks roll south Like a song I can't Put my thumbprint down [Chorus] Gravel on my boots Dust on my name You took the back road I took the blame Gravel on my boots Red dirt truth I keep on walking Back to you [Bridge] Now the porch light hums Over empty chairs Your denim jacket's Still hanging there I touch the sleeve Like it'll answer me And the whole damn room Turns into memory [Chorus] Gravel on my boots Dust on my name You took the back road I took the blame Gravel on my boots Red dirt truth I keep on walking Back to you [Outro] If you ever come round Past the creek and bend You'll know by the tracks Where I've been Gravel on my boots And a half-lit view I keep on walking Back to you",2026-05-24T16:28:01.473Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/04254e12-3f27-4587-bd3b-3f81331e270e.mp3,https://cdn2.suno.ai/image_04254e12-3f27-4587-bd3b-3f81331e270e.jpeg,https://cdn2.suno.ai/image_large_04254e12-3f27-4587-bd3b-3f81331e270e.jpeg audio/0b9dd31d-0587-476d-bb77-46225ac297ba.mp3,0b9dd31d-0587-476d-bb77-46225ac297ba,DS_americana_alt_country_zr6gs,v5.5,chirp-fenix,complete,269.76,False,"Americana alt-country, 95 BPM storytelling ballad with swung brushed drums, acoustic guitar fingerpicks, pedal steel sighs, upright bass walk, and fiddle fills; verse stays intimate and scene-driven, pre-chorus opens with rising harmony and a small snare lift, chorus lands on a wide singback hook with stacked male doubles, bridge drops to voice and guitar before the final chorus swells with fiddle countermelody and pedal steel glides. Warm close-mic male vocal, nostalgic but polished, bright rootsy mix with a spacious Nashville alternative sheen., ballad, country, warm, sophisticated, nostalgic, vocal, acoustic","Americana alt-country sophisticated, 95 BPM, acoustic guitar, pedal steel, upright bass, fiddle, warm male vocal, brushed drums, G major nostalgic, Nashville alternative 2023 aesthetic, 4 minute storytelling ballad","[Verse 1] You left your coffee ring On the Formica edge Beside the jar of screws And the cracked window ledge I found your note in blue ink Folded by the sink Said ""don't let the hound out"" Like I could even think [Pre-Chorus] I stood there with the keys Cold in my palm The house kept on breathing Like nothing was wrong Then the screen door hit And I heard that sound Of one small life Turning all the way around [Chorus] Gravel on my boots Dust on my name You took the back road I took the blame Gravel on my boots Red dirt truth I keep on walking Back to you [Verse 2] At the county fair You wore that green dress Bought a paper ring From the ring toss man You laughed when the ferris wheel Stopped in the rain Said ""this town is a rumor We can outrun it, babe"" [Pre-Chorus] But dreams get tired And tires do too The map got folded The way people do Still I hear your voice When the trucks roll south Like a song I can't Put my thumbprint down [Chorus] Gravel on my boots Dust on my name You took the back road I took the blame Gravel on my boots Red dirt truth I keep on walking Back to you [Bridge] Now the porch light hums Over empty chairs Your denim jacket's Still hanging there I touch the sleeve Like it'll answer me And the whole damn room Turns into memory [Chorus] Gravel on my boots Dust on my name You took the back road I took the blame Gravel on my boots Red dirt truth I keep on walking Back to you [Outro] If you ever come round Past the creek and bend You'll know by the tracks Where I've been Gravel on my boots And a half-lit view I keep on walking Back to you",2026-05-24T16:28:01.473Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0b9dd31d-0587-476d-bb77-46225ac297ba.mp3,https://cdn2.suno.ai/image_0b9dd31d-0587-476d-bb77-46225ac297ba.jpeg,https://cdn2.suno.ai/image_large_0b9dd31d-0587-476d-bb77-46225ac297ba.jpeg audio/b9bbfbe8-b5f0-4d94-82cb-840de71059f9.mp3,b9bbfbe8-b5f0-4d94-82cb-840de71059f9,DS_pop_melodic_modern_zqhrw,v5.5,chirp-fenix,complete,149.76,False,"Neo-soul pop with a laid-back 92 BPM swing, humanized Dilla-style drums, and lush maj7#11 voicings riding an I-V-vi-IV core with subtle modal interchange. Verse keeps bass, Rhodes, and brushed kit intimate; pre-chorus chops a boom-bap sample into call-and-response fragments; bridge opens to kalimba and filtered harmony pads; final chorus blooms with stacked guitars. Warm, dusty, wide mix with soft transient bite., pop","Pop base + voicings maj7#11 sutiles sobre I-V-vi-IV, modal interchange sutil, drums humanizados Dilla, sample boom bap chopeado en pre-chorus, kalimba en bridge, 3 min",[Instrumental],2026-05-24T16:27:37.537Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b9bbfbe8-b5f0-4d94-82cb-840de71059f9.mp3,https://cdn2.suno.ai/image_b9bbfbe8-b5f0-4d94-82cb-840de71059f9.jpeg,https://cdn2.suno.ai/image_large_b9bbfbe8-b5f0-4d94-82cb-840de71059f9.jpeg audio/308e91ce-cece-40d8-ae1f-75f3223efb88.mp3,308e91ce-cece-40d8-ae1f-75f3223efb88,DS_pop_melodic_modern_zqhrw,v5.5,chirp-fenix,complete,94.64,False,"Neo-soul pop with a laid-back 92 BPM swing, humanized Dilla-style drums, and lush maj7#11 voicings riding an I-V-vi-IV core with subtle modal interchange. Verse keeps bass, Rhodes, and brushed kit intimate; pre-chorus chops a boom-bap sample into call-and-response fragments; bridge opens to kalimba and filtered harmony pads; final chorus blooms with stacked guitars. Warm, dusty, wide mix with soft transient bite., pop","Pop base + voicings maj7#11 sutiles sobre I-V-vi-IV, modal interchange sutil, drums humanizados Dilla, sample boom bap chopeado en pre-chorus, kalimba en bridge, 3 min",[Instrumental],2026-05-24T16:27:37.537Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/308e91ce-cece-40d8-ae1f-75f3223efb88.mp3,https://cdn2.suno.ai/image_308e91ce-cece-40d8-ae1f-75f3223efb88.jpeg,https://cdn2.suno.ai/image_large_308e91ce-cece-40d8-ae1f-75f3223efb88.jpeg audio/42b1b879-da65-4e23-8c7f-2675f1a11f5a.mp3,42b1b879-da65-4e23-8c7f-2675f1a11f5a,DS_world_fusion_modal_zpveb,v5.5,chirp-fenix,complete,199.2,True,"World fusion instrumental at a laid-back 95 BPM, built on modal pentatonic movement with sitar samples, tabla loops, Rhodes chords, warm bass, tenor saxophone phrases, vibraphone shimmer, and atmospheric pads. Intro starts sparse; middle section opens with sax and interlocking percussion; final lift adds denser Rhodes voicings and brighter vibraphone. Airy, polished, and immersive mix., world fusion, sophisticated, warm, saxophone","World fusion modal modern, 95 BPM, sitar samples, tabla loops, Rhodes piano, warm bass, tenor saxophone, vibraphone, atmospheric pads, modal pentatonic, sophisticated world fusion aesthetic, 6 minute spiritual instrumental",[Instrumental],2026-05-24T16:27:02.765Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/42b1b879-da65-4e23-8c7f-2675f1a11f5a.mp3,https://cdn2.suno.ai/image_42b1b879-da65-4e23-8c7f-2675f1a11f5a.jpeg,https://cdn2.suno.ai/image_large_42b1b879-da65-4e23-8c7f-2675f1a11f5a.jpeg audio/89389d5b-df9d-4a22-8764-61fde1ca64b7.mp3,89389d5b-df9d-4a22-8764-61fde1ca64b7,DS_world_fusion_modal_zpveb,v5.5,chirp-fenix,complete,223.76,True,"World fusion instrumental at a laid-back 95 BPM, built on modal pentatonic movement with sitar samples, tabla loops, Rhodes chords, warm bass, tenor saxophone phrases, vibraphone shimmer, and atmospheric pads. Intro starts sparse; middle section opens with sax and interlocking percussion; final lift adds denser Rhodes voicings and brighter vibraphone. Airy, polished, and immersive mix., world fusion, sophisticated, warm, saxophone","World fusion modal modern, 95 BPM, sitar samples, tabla loops, Rhodes piano, warm bass, tenor saxophone, vibraphone, atmospheric pads, modal pentatonic, sophisticated world fusion aesthetic, 6 minute spiritual instrumental",[Instrumental],2026-05-24T16:27:02.765Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/89389d5b-df9d-4a22-8764-61fde1ca64b7.mp3,https://cdn2.suno.ai/image_89389d5b-df9d-4a22-8764-61fde1ca64b7.jpeg,https://cdn2.suno.ai/image_large_89389d5b-df9d-4a22-8764-61fde1ca64b7.jpeg audio/c71e99f4-81d6-40ac-9f21-44518a034570.mp3,c71e99f4-81d6-40ac-9f21-44518a034570,DS_funk_classic_70s_zp1b7,v5.5,chirp-fenix,complete,132.0,True,"Funk classic 70s instrumental at 105 BPM, loose-swung pocket with wah-wah guitar riffs, slap bass pops, Clavinet chords, tight horn punches, humanized drums, and swirling Hammond organ. Intro opens with vinyl crackle and a filtered guitar tease; verses cycle the groove; breaks hit with horn stabs and drum fills; final pass adds extra organ and gang clap energy. Warm, gritty, tape-saturated, NYC basement feel., funky, classic, funk, groovy","Funk classic 70s instrumental, 105 BPM, wah-wah funk guitar, slap bass funk, Clavinet, tight horn section, humanized funk drums, Hammond organ, E minor groovy, NYC funk 1975 aesthetic, 6 minute funky instrumental groove",[Instrumental],2026-05-24T16:26:21.863Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c71e99f4-81d6-40ac-9f21-44518a034570.mp3,https://cdn2.suno.ai/image_c71e99f4-81d6-40ac-9f21-44518a034570.jpeg,https://cdn2.suno.ai/image_large_c71e99f4-81d6-40ac-9f21-44518a034570.jpeg audio/a4e737ed-6e52-412e-b65e-a628c27dc405.mp3,a4e737ed-6e52-412e-b65e-a628c27dc405,DS_funk_classic_70s_zp1b7,v5.5,chirp-fenix,complete,157.84,True,"Funk classic 70s instrumental at 105 BPM, loose-swung pocket with wah-wah guitar riffs, slap bass pops, Clavinet chords, tight horn punches, humanized drums, and swirling Hammond organ. Intro opens with vinyl crackle and a filtered guitar tease; verses cycle the groove; breaks hit with horn stabs and drum fills; final pass adds extra organ and gang clap energy. Warm, gritty, tape-saturated, NYC basement feel., funky, classic, funk, groovy","Funk classic 70s instrumental, 105 BPM, wah-wah funk guitar, slap bass funk, Clavinet, tight horn section, humanized funk drums, Hammond organ, E minor groovy, NYC funk 1975 aesthetic, 6 minute funky instrumental groove",[Instrumental],2026-05-24T16:26:21.863Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a4e737ed-6e52-412e-b65e-a628c27dc405.mp3,https://cdn2.suno.ai/image_a4e737ed-6e52-412e-b65e-a628c27dc405.jpeg,https://cdn2.suno.ai/image_large_a4e737ed-6e52-412e-b65e-a628c27dc405.jpeg audio/e0f172ea-9791-40e9-a744-47bd2d4c0e41.mp3,e0f172ea-9791-40e9-a744-47bd2d4c0e41,DS_lofi_hiphop_chillhop_zov4r,v5.5,chirp-fenix,complete,479.4,True,"Lo-fi hip hop chillhop at 80 BPM with swung dusty boom bap drums, warm sub-bass, jazzy piano chords in C major, Rhodes flourishes, and muted trumpet samples. Intro opens with vinyl crackle and rain field recordings; verse section cycles a small chord loop; middle section adds soft drum fills and tape wobble; final section thins to keys and rain. Intimate close-mic, dusty, mellow, and hazy., mellow, warm, hip hop, lo-fi, jazzy","Lo-fi hip hop chillhop, 80 BPM, jazzy piano chords C major, warm sub-bass, dusty boom bap drums, vinyl crackle, Rhodes piano, muted trumpet samples, rain field recordings, mellow study aesthetic, 3 minute instrumental",[Instrumental],2026-05-24T16:26:13.467Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e0f172ea-9791-40e9-a744-47bd2d4c0e41.mp3,https://cdn2.suno.ai/image_e0f172ea-9791-40e9-a744-47bd2d4c0e41.jpeg,https://cdn2.suno.ai/image_large_e0f172ea-9791-40e9-a744-47bd2d4c0e41.jpeg audio/bfc0a424-5a46-4a3d-ba69-0dda85c6777e.mp3,bfc0a424-5a46-4a3d-ba69-0dda85c6777e,DS_lofi_hiphop_chillhop_zov4r,v5.5,chirp-fenix,complete,113.88,True,"Lo-fi hip hop chillhop at 80 BPM with swung dusty boom bap drums, warm sub-bass, jazzy piano chords in C major, Rhodes flourishes, and muted trumpet samples. Intro opens with vinyl crackle and rain field recordings; verse section cycles a small chord loop; middle section adds soft drum fills and tape wobble; final section thins to keys and rain. Intimate close-mic, dusty, mellow, and hazy., mellow, warm, hip hop, lo-fi, jazzy","Lo-fi hip hop chillhop, 80 BPM, jazzy piano chords C major, warm sub-bass, dusty boom bap drums, vinyl crackle, Rhodes piano, muted trumpet samples, rain field recordings, mellow study aesthetic, 3 minute instrumental",[Instrumental],2026-05-24T16:26:13.467Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/bfc0a424-5a46-4a3d-ba69-0dda85c6777e.mp3,https://cdn2.suno.ai/image_bfc0a424-5a46-4a3d-ba69-0dda85c6777e.jpeg,https://cdn2.suno.ai/image_large_bfc0a424-5a46-4a3d-ba69-0dda85c6777e.jpeg audio/cb3b9053-2766-400a-a5b1-6419a30b9687.mp3,cb3b9053-2766-400a-a5b1-6419a30b9687,Plato de Hierro,v5.5,chirp-fenix,complete,197.24,False," (async () => { const tok = await window.Clerk.session.getToken(); const todos = []; const sleep = ms => new Promise(r => setTimeout(r, ms)); let page = 0; let backoff = 3000; while (page < 500) { const r = await fetch(""https://studio-api.prod.suno.com/api/feed/v2?page="" + page, { headers: { ""authorization"": ""Bearer "" + tok } }); if (r.status === 429) { console.warn(""429 page "" + page + "" backoff "" + (backoff/1000) + ""s""); await sleep(backoff); backoff = Math.min(backoff * 2, 60000); continue; } if (!r.ok) { console.log(""stop status"", r.status, ""page"", page); break; } const j = await r.json(); const clips = j.clips || []; if (clips.length === 0) { console.log(""vacio en page"", page); break; } todos.push(...clips); backoff = 3000; if (page % 5 === 0) console.log(""page"", page, ""acumulado:"", todos.length); page++; await sleep(3000 + Math.random() * ",,no lyrics please,2026-05-24T16:25:23.458Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cb3b9053-2766-400a-a5b1-6419a30b9687.mp3,https://cdn2.suno.ai/image_cb3b9053-2766-400a-a5b1-6419a30b9687.jpeg,https://cdn2.suno.ai/image_large_cb3b9053-2766-400a-a5b1-6419a30b9687.jpeg audio/a6c8c716-a56d-4b7a-83d8-99f1080e151b.mp3,a6c8c716-a56d-4b7a-83d8-99f1080e151b,Plato de Hierro,v5.5,chirp-fenix,complete,77.2,False," (async () => { const tok = await window.Clerk.session.getToken(); const todos = []; const sleep = ms => new Promise(r => setTimeout(r, ms)); let page = 0; let backoff = 3000; while (page < 500) { const r = await fetch(""https://studio-api.prod.suno.com/api/feed/v2?page="" + page, { headers: { ""authorization"": ""Bearer "" + tok } }); if (r.status === 429) { console.warn(""429 page "" + page + "" backoff "" + (backoff/1000) + ""s""); await sleep(backoff); backoff = Math.min(backoff * 2, 60000); continue; } if (!r.ok) { console.log(""stop status"", r.status, ""page"", page); break; } const j = await r.json(); const clips = j.clips || []; if (clips.length === 0) { console.log(""vacio en page"", page); break; } todos.push(...clips); backoff = 3000; if (page % 5 === 0) console.log(""page"", page, ""acumulado:"", todos.length); page++; await sleep(3000 + Math.random() * ",,no lyrics please,2026-05-24T16:25:23.458Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a6c8c716-a56d-4b7a-83d8-99f1080e151b.mp3,https://cdn2.suno.ai/image_a6c8c716-a56d-4b7a-83d8-99f1080e151b.jpeg,https://cdn2.suno.ai/image_large_a6c8c716-a56d-4b7a-83d8-99f1080e151b.jpeg audio/72786a18-e63b-4796-9602-e1ac818817d8.mp3,72786a18-e63b-4796-9602-e1ac818817d8,DS_ethio_jazz_modal_znq3n,v5.5,chirp-fenix,complete,189.04,True,"Ethio-jazz at 100 BPM with a modal pentatonic groove, brushed drums, walking upright bass, vibraphone lead, tenor sax replies, Hammond organ pads, and modal piano comping. Intro opens spare and dusty; verses bloom into interlocking horn phrases; middle section slips to organ-and-bass vamps; final stretch widens with vibraphone sparkle and sax climbs. Warm analog, tape-worn, Addis Ababa 1972 glow., jazz, saxophone","Ethio-jazz modal pentatonic, 100 BPM, vibraphone lead Ethiopian pentatonic mode, tenor saxophone, walking upright bass, brushed drums, Hammond organ, modal piano, Addis Ababa 1972 aesthetic, 7 minute exotic modal groove, instrumental",[Instrumental],2026-05-24T16:25:20.227Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/72786a18-e63b-4796-9602-e1ac818817d8.mp3,https://cdn2.suno.ai/image_72786a18-e63b-4796-9602-e1ac818817d8.jpeg,https://cdn2.suno.ai/image_large_72786a18-e63b-4796-9602-e1ac818817d8.jpeg audio/5cb72d58-3db4-47d0-982a-8ecd4e667d8a.mp3,5cb72d58-3db4-47d0-982a-8ecd4e667d8a,DS_ethio_jazz_modal_znq3n,v5.5,chirp-fenix,complete,196.8,True,"Ethio-jazz at 100 BPM with a modal pentatonic groove, brushed drums, walking upright bass, vibraphone lead, tenor sax replies, Hammond organ pads, and modal piano comping. Intro opens spare and dusty; verses bloom into interlocking horn phrases; middle section slips to organ-and-bass vamps; final stretch widens with vibraphone sparkle and sax climbs. Warm analog, tape-worn, Addis Ababa 1972 glow., jazz, saxophone","Ethio-jazz modal pentatonic, 100 BPM, vibraphone lead Ethiopian pentatonic mode, tenor saxophone, walking upright bass, brushed drums, Hammond organ, modal piano, Addis Ababa 1972 aesthetic, 7 minute exotic modal groove, instrumental",[Instrumental],2026-05-24T16:25:20.227Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5cb72d58-3db4-47d0-982a-8ecd4e667d8a.mp3,https://cdn2.suno.ai/image_5cb72d58-3db4-47d0-982a-8ecd4e667d8a.jpeg,https://cdn2.suno.ai/image_large_5cb72d58-3db4-47d0-982a-8ecd4e667d8a.jpeg audio/920e1a0d-e346-40e9-9c1e-4c3f4af01510.mp3,920e1a0d-e346-40e9-9c1e-4c3f4af01510,DS_punjabi_diaspora_pop_znlg4,v5.5,chirp-fenix,complete,167.2,False,"Jazz-fusion hip-hop with Punjabi folk base in 7/8 polyrhythm, tabla-forward groove, modal interchange inspired by raga colors, and walking Moog bass locking the pulse. Verse section rides drone tambura and chopped boom-bap samples; breakdown opens to sparse tabla and bass; lift adds altered jazz voicings and hand-played fills. Wide, dusty, warm, and sharply detailed mix., punjabi, jazz, drone","Punjabi base + tabla + polirritmia 7/8, voicings jazz altered, walking bass Moog, modal interchange raga-jazz, drone tampura, samples boom bap chopeados, 4 min",[Instrumental],2026-05-24T16:25:14.814Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/920e1a0d-e346-40e9-9c1e-4c3f4af01510.mp3,https://cdn2.suno.ai/image_920e1a0d-e346-40e9-9c1e-4c3f4af01510.jpeg,https://cdn2.suno.ai/image_large_920e1a0d-e346-40e9-9c1e-4c3f4af01510.jpeg audio/f5534ef9-3241-4a86-9ee2-790be565cc05.mp3,f5534ef9-3241-4a86-9ee2-790be565cc05,DS_punjabi_diaspora_pop_znlg4,v5.5,chirp-fenix,complete,177.64,False,"Jazz-fusion hip-hop with Punjabi folk base in 7/8 polyrhythm, tabla-forward groove, modal interchange inspired by raga colors, and walking Moog bass locking the pulse. Verse section rides drone tambura and chopped boom-bap samples; breakdown opens to sparse tabla and bass; lift adds altered jazz voicings and hand-played fills. Wide, dusty, warm, and sharply detailed mix., punjabi, jazz, drone","Punjabi base + tabla + polirritmia 7/8, voicings jazz altered, walking bass Moog, modal interchange raga-jazz, drone tampura, samples boom bap chopeados, 4 min",[Instrumental],2026-05-24T16:25:14.814Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f5534ef9-3241-4a86-9ee2-790be565cc05.mp3,https://cdn2.suno.ai/image_f5534ef9-3241-4a86-9ee2-790be565cc05.jpeg,https://cdn2.suno.ai/image_large_f5534ef9-3241-4a86-9ee2-790be565cc05.jpeg audio/6e8c5953-785a-402a-a4ba-eb6ddb5411c5.mp3,6e8c5953-785a-402a-a4ba-eb6ddb5411c5,**Sidechain Skylight**,v5.5,chirp-fenix,complete,208.76,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T16:25:11.370Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6e8c5953-785a-402a-a4ba-eb6ddb5411c5.mp3,https://cdn2.suno.ai/image_6e8c5953-785a-402a-a4ba-eb6ddb5411c5.jpeg,https://cdn2.suno.ai/image_large_6e8c5953-785a-402a-a4ba-eb6ddb5411c5.jpeg audio/069e991b-5c20-4954-a8f1-f453cbf3ed9b.mp3,069e991b-5c20-4954-a8f1-f453cbf3ed9b,**Sidechain Skylight**,v5.5,chirp-fenix,complete,217.48,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T16:25:11.370Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/069e991b-5c20-4954-a8f1-f453cbf3ed9b.mp3,https://cdn2.suno.ai/image_069e991b-5c20-4954-a8f1-f453cbf3ed9b.jpeg,https://cdn2.suno.ai/image_large_069e991b-5c20-4954-a8f1-f453cbf3ed9b.jpeg audio/2c60d32b-713f-4821-84fe-639d4974921d.mp3,2c60d32b-713f-4821-84fe-639d4974921d,DS_boom_bap_90s_east_coast_03tpr,v5.5,chirp-fenix,complete,139.4,True,"Boom bap East Coast hip-hop instrumental at 90 BPM with dusty SP-1200 drums, chopped soul sample flips, upright bass chops, scratched vocal FX, heavy vinyl crackle, and sharp horn stabs in A minor; verse section stays bare with drums, bass, and a warped chop, then a hook pass adds punchier snares and brass hits, breakdown strips to crackle and a filtered sample, final pass brings in extra scratches and layered horn punches. Gritty close-up mix, hard-hitting and worn-in like a 1994 NYC basement tape., soul, scratch","Boom bap 90s East Coast instrumental, 90 BPM, SP-1200 dusty drums, chopped soul samples, upright bass chops, scratch FX, heavy vinyl crackle, horn stabs, A minor gritty, NYC 1994 aesthetic, 4 minute head-nod instrumental",[Instrumental],2026-05-24T16:37:51.450Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2c60d32b-713f-4821-84fe-639d4974921d.mp3,https://cdn2.suno.ai/image_2c60d32b-713f-4821-84fe-639d4974921d.jpeg,https://cdn2.suno.ai/image_large_2c60d32b-713f-4821-84fe-639d4974921d.jpeg audio/6be2c06d-55d8-47ac-9455-06656bba5dec.mp3,6be2c06d-55d8-47ac-9455-06656bba5dec,DS_boom_bap_90s_east_coast_03tpr,v5.5,chirp-fenix,complete,86.64,True,"Boom bap East Coast hip-hop instrumental at 90 BPM with dusty SP-1200 drums, chopped soul sample flips, upright bass chops, scratched vocal FX, heavy vinyl crackle, and sharp horn stabs in A minor; verse section stays bare with drums, bass, and a warped chop, then a hook pass adds punchier snares and brass hits, breakdown strips to crackle and a filtered sample, final pass brings in extra scratches and layered horn punches. Gritty close-up mix, hard-hitting and worn-in like a 1994 NYC basement tape., soul, scratch","Boom bap 90s East Coast instrumental, 90 BPM, SP-1200 dusty drums, chopped soul samples, upright bass chops, scratch FX, heavy vinyl crackle, horn stabs, A minor gritty, NYC 1994 aesthetic, 4 minute head-nod instrumental",[Instrumental],2026-05-24T16:37:51.450Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6be2c06d-55d8-47ac-9455-06656bba5dec.mp3,https://cdn2.suno.ai/image_6be2c06d-55d8-47ac-9455-06656bba5dec.jpeg,https://cdn2.suno.ai/image_large_6be2c06d-55d8-47ac-9455-06656bba5dec.jpeg audio/7bd731cd-ad3a-4c73-bfc5-7524d74cc33a.mp3,7bd731cd-ad3a-4c73-bfc5-7524d74cc33a,DS_ambient_modern_classical_035sc,v5.5,chirp-fenix,complete,219.6,True,"Ambient modern classical, 75 BPM, contemplative and pulse-like; verse-like openings begin with solo felt piano and field recordings, then strings bloom in layered swells, pre-chorus-like tension comes from filtered pads and soft electronics, and the central movement widens into warm sustained harmonies before receding to piano and distant room tone. Intimate close-mic mix, lush wide strings, airy cinematic glow., warm, ambient, modern classical","Ambient modern classical piano, 75 BPM, contemplative piano, lush string sections, atmospheric pads, subtle electronics, field recordings, A minor introspective, Berlin modern classical 2022 aesthetic, 6 minute warm cinematic instrumental",[Instrumental],2026-05-24T16:37:20.916Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7bd731cd-ad3a-4c73-bfc5-7524d74cc33a.mp3,https://cdn2.suno.ai/image_7bd731cd-ad3a-4c73-bfc5-7524d74cc33a.jpeg,https://cdn2.suno.ai/image_large_7bd731cd-ad3a-4c73-bfc5-7524d74cc33a.jpeg audio/cdc6a355-e7c5-4a1d-91e4-ad87059a2f79.mp3,cdc6a355-e7c5-4a1d-91e4-ad87059a2f79,DS_ambient_modern_classical_035sc,v5.5,chirp-fenix,complete,164.48,True,"Ambient modern classical, 75 BPM, contemplative and pulse-like; verse-like openings begin with solo felt piano and field recordings, then strings bloom in layered swells, pre-chorus-like tension comes from filtered pads and soft electronics, and the central movement widens into warm sustained harmonies before receding to piano and distant room tone. Intimate close-mic mix, lush wide strings, airy cinematic glow., warm, ambient, modern classical","Ambient modern classical piano, 75 BPM, contemplative piano, lush string sections, atmospheric pads, subtle electronics, field recordings, A minor introspective, Berlin modern classical 2022 aesthetic, 6 minute warm cinematic instrumental",[Instrumental],2026-05-24T16:37:20.916Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cdc6a355-e7c5-4a1d-91e4-ad87059a2f79.mp3,https://cdn2.suno.ai/image_cdc6a355-e7c5-4a1d-91e4-ad87059a2f79.jpeg,https://cdn2.suno.ai/image_large_cdc6a355-e7c5-4a1d-91e4-ad87059a2f79.jpeg audio/e1a089a3-3fea-45f3-94e1-ca01a3fd384c.mp3,e1a089a3-3fea-45f3-94e1-ca01a3fd384c,DS_deep_tech_house_02xb0,v5.5,chirp-fenix,complete,176.52,True,"Deep tech house at 126 BPM with a tight four-on-the-floor kick, groovy deep sub-bass, short chopped vocal hooks, filtered F minor chord stabs, and crisp shakers. Verse-like intro rides drums and bass; a mid-track breakdown thins to filtered chords and reverse swells; the drop returns with punchier subs, extra percussion, and vocal chop callouts. Bright, club-ready, and wide in the mix., groovy, vocal, tech house, deep tech house, deep","Deep tech house clubby, 126 BPM, tight kick, groovy deep sub-bass, short vocal sample chops, filtered chord stabs F minor, shakers, UK tech house 2024 aesthetic, 7 minute rolling club groove, instrumental with vocal chops",[Instrumental],2026-05-24T16:37:09.696Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e1a089a3-3fea-45f3-94e1-ca01a3fd384c.mp3,https://cdn2.suno.ai/image_e1a089a3-3fea-45f3-94e1-ca01a3fd384c.jpeg,https://cdn2.suno.ai/image_large_e1a089a3-3fea-45f3-94e1-ca01a3fd384c.jpeg audio/b36548aa-f30a-467e-907a-8ec6affcacc7.mp3,b36548aa-f30a-467e-907a-8ec6affcacc7,DS_deep_tech_house_02xb0,v5.5,chirp-fenix,complete,192.12,True,"Deep tech house at 126 BPM with a tight four-on-the-floor kick, groovy deep sub-bass, short chopped vocal hooks, filtered F minor chord stabs, and crisp shakers. Verse-like intro rides drums and bass; a mid-track breakdown thins to filtered chords and reverse swells; the drop returns with punchier subs, extra percussion, and vocal chop callouts. Bright, club-ready, and wide in the mix., groovy, vocal, tech house, deep tech house, deep","Deep tech house clubby, 126 BPM, tight kick, groovy deep sub-bass, short vocal sample chops, filtered chord stabs F minor, shakers, UK tech house 2024 aesthetic, 7 minute rolling club groove, instrumental with vocal chops",[Instrumental],2026-05-24T16:37:09.696Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b36548aa-f30a-467e-907a-8ec6affcacc7.mp3,https://cdn2.suno.ai/image_b36548aa-f30a-467e-907a-8ec6affcacc7.jpeg,https://cdn2.suno.ai/image_large_b36548aa-f30a-467e-907a-8ec6affcacc7.jpeg audio/429a7948-40ba-4ac8-854b-335724fae71f.mp3,429a7948-40ba-4ac8-854b-335724fae71f,DS_post_rock_atmospheric_026at,v5.5,chirp-fenix,complete,178.76,True,"Post-rock at 90 BPM with delayed electric guitar walls, distorted bass, and patient drum builds; verse-like opening stays sparse with piano fragments and distant pads, then layers bloom section by section into a long crescendo. Add bowed-texture swells, reversed guitar lifts, and tape hiss transitions. Wide, dusky mix with a raw Montreal 2002 indie-cinema feel., rock, dynamic, electric","Post-rock atmospheric build, 90 BPM, guitar electric delay walls, distorted bass, dynamic drum build, atmospheric pads, sparse piano, C minor modal, Montreal Constellation 2002 aesthetic, 8 minute crescendo development, instrumental",[Instrumental],2026-05-24T16:36:34.445Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/429a7948-40ba-4ac8-854b-335724fae71f.mp3,https://cdn2.suno.ai/image_429a7948-40ba-4ac8-854b-335724fae71f.jpeg,https://cdn2.suno.ai/image_large_429a7948-40ba-4ac8-854b-335724fae71f.jpeg audio/3fe6eb7e-2029-4040-abc9-55e9c0d8f41e.mp3,3fe6eb7e-2029-4040-abc9-55e9c0d8f41e,DS_post_rock_atmospheric_026at,v5.5,chirp-fenix,complete,194.84,True,"Post-rock at 90 BPM with delayed electric guitar walls, distorted bass, and patient drum builds; verse-like opening stays sparse with piano fragments and distant pads, then layers bloom section by section into a long crescendo. Add bowed-texture swells, reversed guitar lifts, and tape hiss transitions. Wide, dusky mix with a raw Montreal 2002 indie-cinema feel., rock, dynamic, electric","Post-rock atmospheric build, 90 BPM, guitar electric delay walls, distorted bass, dynamic drum build, atmospheric pads, sparse piano, C minor modal, Montreal Constellation 2002 aesthetic, 8 minute crescendo development, instrumental",[Instrumental],2026-05-24T16:36:34.445Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/3fe6eb7e-2029-4040-abc9-55e9c0d8f41e.mp3,https://cdn2.suno.ai/image_3fe6eb7e-2029-4040-abc9-55e9c0d8f41e.jpeg,https://cdn2.suno.ai/image_large_3fe6eb7e-2029-4040-abc9-55e9c0d8f41e.jpeg audio/4b0cf0fe-1077-4538-91db-1e252da6be3c.mp3,4b0cf0fe-1077-4538-91db-1e252da6be3c,DS_ambient_cinematic_orchestral_021nx,v5.5,chirp-fenix,complete,199.36,True,"Ambient cinematic orchestral with a 75 BPM pulse, lush string sections, piano lead theme, atmospheric pads, subtle percussion, soft brass swells, choir samples, and a C minor emotional arc; verse-like passages breathe with sparse piano and suspended strings, then layers widen into rising brass and choir-led peaks; dynamic build moves from intimate opening to towering final swell; airy reverb tails, reversed string swells, distant chimes, and deep low-end blooms; wide, polished, film-score mix with intimate front detail and expansive orchestral depth, dynamic, orchestral, emotional, ambient, theme, soft","Ambient cinematic orchestral, 75 BPM, lush string sections, piano lead theme, atmospheric pads, subtle percussion, soft brass swells, choir samples, C minor emotional, film score aesthetic, 5 minute epic dynamic build, no vocals instrumental",[Instrumental],2026-05-24T16:36:28.481Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4b0cf0fe-1077-4538-91db-1e252da6be3c.mp3,https://cdn2.suno.ai/image_4b0cf0fe-1077-4538-91db-1e252da6be3c.jpeg,https://cdn2.suno.ai/image_large_4b0cf0fe-1077-4538-91db-1e252da6be3c.jpeg audio/16470f1a-ceea-4cc7-933b-049fa8ca4f36.mp3,16470f1a-ceea-4cc7-933b-049fa8ca4f36,DS_ambient_cinematic_orchestral_021nx,v5.5,chirp-fenix,complete,183.4,True,"Ambient cinematic orchestral with a 75 BPM pulse, lush string sections, piano lead theme, atmospheric pads, subtle percussion, soft brass swells, choir samples, and a C minor emotional arc; verse-like passages breathe with sparse piano and suspended strings, then layers widen into rising brass and choir-led peaks; dynamic build moves from intimate opening to towering final swell; airy reverb tails, reversed string swells, distant chimes, and deep low-end blooms; wide, polished, film-score mix with intimate front detail and expansive orchestral depth, dynamic, orchestral, emotional, ambient, theme, soft","Ambient cinematic orchestral, 75 BPM, lush string sections, piano lead theme, atmospheric pads, subtle percussion, soft brass swells, choir samples, C minor emotional, film score aesthetic, 5 minute epic dynamic build, no vocals instrumental",[Instrumental],2026-05-24T16:36:28.481Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/16470f1a-ceea-4cc7-933b-049fa8ca4f36.mp3,https://cdn2.suno.ai/image_16470f1a-ceea-4cc7-933b-049fa8ca4f36.jpeg,https://cdn2.suno.ai/image_large_16470f1a-ceea-4cc7-933b-049fa8ca4f36.jpeg audio/a1c62844-c0d3-4ddc-8afb-85da713a10f8.mp3,a1c62844-c0d3-4ddc-8afb-85da713a10f8,DS_downtempo_chill_00vzv,v5.5,chirp-fenix,complete,199.64,True,"Downtempo chillout lounge at 95 BPM with humanized swung drums, warm sub-bass, Rhodes chords in F major, airy pads, tenor sax samples, and vibraphone dusting the top. Intro opens with vinyl hiss and filtered Rhodes; the groove settles into a relaxed verse-like bed, then widens with sax phrases and shimmered bells. Wide, glossy, sun-faded mix, saxophone, sophisticated, lounge, warm, downtempo","Downtempo chillout lounge, 95 BPM, humanized chillout drums, warm sub-bass, Rhodes piano F major, atmospheric pads, tenor saxophone samples, vibraphone textures, Ibiza chillout 2002 aesthetic, 7 minute relaxed sophisticated groove, instrumental",[Instrumental],2026-05-24T16:35:34.804Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a1c62844-c0d3-4ddc-8afb-85da713a10f8.mp3,https://cdn2.suno.ai/image_a1c62844-c0d3-4ddc-8afb-85da713a10f8.jpeg,https://cdn2.suno.ai/image_large_a1c62844-c0d3-4ddc-8afb-85da713a10f8.jpeg audio/bcadf7ee-9bb1-4cf0-ac4d-ce136c5cb1a7.mp3,bcadf7ee-9bb1-4cf0-ac4d-ce136c5cb1a7,DS_downtempo_chill_00vzv,v5.5,chirp-fenix,complete,57.08,True,"Downtempo chillout lounge at 95 BPM with humanized swung drums, warm sub-bass, Rhodes chords in F major, airy pads, tenor sax samples, and vibraphone dusting the top. Intro opens with vinyl hiss and filtered Rhodes; the groove settles into a relaxed verse-like bed, then widens with sax phrases and shimmered bells. Wide, glossy, sun-faded mix, saxophone, sophisticated, lounge, warm, downtempo","Downtempo chillout lounge, 95 BPM, humanized chillout drums, warm sub-bass, Rhodes piano F major, atmospheric pads, tenor saxophone samples, vibraphone textures, Ibiza chillout 2002 aesthetic, 7 minute relaxed sophisticated groove, instrumental",[Instrumental],2026-05-24T16:35:34.804Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/bcadf7ee-9bb1-4cf0-ac4d-ce136c5cb1a7.mp3,https://cdn2.suno.ai/image_bcadf7ee-9bb1-4cf0-ac4d-ce136c5cb1a7.jpeg,https://cdn2.suno.ai/image_large_bcadf7ee-9bb1-4cf0-ac4d-ce136c5cb1a7.jpeg audio/fc9eb8df-5e84-45b4-a987-6ee8f55c5940.mp3,fc9eb8df-5e84-45b4-a987-6ee8f55c5940,DS_trip_hop_bristol_00qlj,v5.5,chirp-fenix,complete,243.52,False,"Trip-hop downtempo with swung 90 BPM boom-bap drums, chopped soul stabs, deep sub-bass, and haunted Rhodes chords in A minor; verse sits low and smoky, pre-chorus opens with filtered sample slices and snare ghosts, chorus lands on a tight half-time hook with stacked alto doubles, and the bridge strips to vinyl crackle, bass throb, and breathy ad-libs before the final lift. Heavy tape haze, wide low end, intimate close-mic female vocal, dusty and cinematic mix., moody, deep, vocal, downtempo, soul","Trip-hop Bristol downtempo, 90 BPM, chopped soul samples, deep sub-bass, dusty boom bap drums, moody Rhodes piano A minor, heavy vinyl crackle, smoky female alto vocal, Bristol 1996 aesthetic, 5 minute noir nocturnal track","[Verse 1] I left my coat on the chair By the milk crate and the ashtray Your note on the window glass Still wet from the rain you chased You said meet me by the cut Where the ferries turn to shadows I watched the water take Every lie you left behind [Pre-Chorus] And the room went dim Like it knew my name The walls leaned close When you said my name [Chorus] Come back, come back Don’t leave me here Come back, come back I can hear you near Come back, come back Like the low tide pulls Come back, come back And the night cracks open [Verse 2] I found your ring in the sink Next to a glass and a cold match The telephone blinked once Then went quiet in the dark Down by the station steps Your laugh was a broken coin I held my breath too long Now the cold sits in my throat [Pre-Chorus] And the room went dim Like it knew my name The walls leaned close When you said my name [Chorus] Come back, come back Don’t leave me here Come back, come back I can hear you near Come back, come back Like the low tide pulls Come back, come back And the night cracks open [Bridge] If I walk that road Will you turn around? If I call your ghost Will you make a sound? All this smoke and gold All this battered pain I keep your shadow Like a stain [Chorus] Come back, come back Don’t leave me here Come back, come back I can hear you near Come back, come back Like the low tide pulls Come back, come back And the night cracks open",2026-05-24T16:35:29.678Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/fc9eb8df-5e84-45b4-a987-6ee8f55c5940.mp3,https://cdn2.suno.ai/image_fc9eb8df-5e84-45b4-a987-6ee8f55c5940.jpeg,https://cdn2.suno.ai/image_large_fc9eb8df-5e84-45b4-a987-6ee8f55c5940.jpeg audio/f5673e9b-afd1-4bc4-adfd-a9772f73b14d.mp3,f5673e9b-afd1-4bc4-adfd-a9772f73b14d,DS_trip_hop_bristol_00qlj,v5.5,chirp-fenix,complete,232.92,False,"Trip-hop downtempo with swung 90 BPM boom-bap drums, chopped soul stabs, deep sub-bass, and haunted Rhodes chords in A minor; verse sits low and smoky, pre-chorus opens with filtered sample slices and snare ghosts, chorus lands on a tight half-time hook with stacked alto doubles, and the bridge strips to vinyl crackle, bass throb, and breathy ad-libs before the final lift. Heavy tape haze, wide low end, intimate close-mic female vocal, dusty and cinematic mix., moody, deep, vocal, downtempo, soul","Trip-hop Bristol downtempo, 90 BPM, chopped soul samples, deep sub-bass, dusty boom bap drums, moody Rhodes piano A minor, heavy vinyl crackle, smoky female alto vocal, Bristol 1996 aesthetic, 5 minute noir nocturnal track","[Verse 1] I left my coat on the chair By the milk crate and the ashtray Your note on the window glass Still wet from the rain you chased You said meet me by the cut Where the ferries turn to shadows I watched the water take Every lie you left behind [Pre-Chorus] And the room went dim Like it knew my name The walls leaned close When you said my name [Chorus] Come back, come back Don’t leave me here Come back, come back I can hear you near Come back, come back Like the low tide pulls Come back, come back And the night cracks open [Verse 2] I found your ring in the sink Next to a glass and a cold match The telephone blinked once Then went quiet in the dark Down by the station steps Your laugh was a broken coin I held my breath too long Now the cold sits in my throat [Pre-Chorus] And the room went dim Like it knew my name The walls leaned close When you said my name [Chorus] Come back, come back Don’t leave me here Come back, come back I can hear you near Come back, come back Like the low tide pulls Come back, come back And the night cracks open [Bridge] If I walk that road Will you turn around? If I call your ghost Will you make a sound? All this smoke and gold All this battered pain I keep your shadow Like a stain [Chorus] Come back, come back Don’t leave me here Come back, come back I can hear you near Come back, come back Like the low tide pulls Come back, come back And the night cracks open",2026-05-24T16:35:29.678Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f5673e9b-afd1-4bc4-adfd-a9772f73b14d.mp3,https://cdn2.suno.ai/image_f5673e9b-afd1-4bc4-adfd-a9772f73b14d.jpeg,https://cdn2.suno.ai/image_large_f5673e9b-afd1-4bc4-adfd-a9772f73b14d.jpeg audio/6ff84ce1-29cc-47d4-bcb6-0b6b2e2c318f.mp3,6ff84ce1-29cc-47d4-bcb6-0b6b2e2c318f,DS_reggaeton_modern_dembow_1f4mz,v5.5,chirp-fenix,complete,124.92,False,"Reggaeton fused with a subtle 7/8 against 4/4 dembow groove; verse rides sparse kicks, claves, and maj7#11 stabs, pre-chorus flips into Dilla-style swung drums and syncopated fills, chorus opens with filtered Count Basie big-band brass hits, and the drop blooms into forest-psy sub-bass. Tenor sax outro with vinyl dust, risers, reverse swells, and crisp punchy mix., big band","Reggaetón base + polirritmia 7/8 contra dembow 4/4 sutil, voicings maj7#11 en stabs, big band Count Basie filtered en choruses, sub-bass forest psy en drop, drums Dilla en pre-chorus, solo de saxo tenor en outro, 3:30 min",[Instrumental],2026-05-24T17:14:38.494Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6ff84ce1-29cc-47d4-bcb6-0b6b2e2c318f.mp3,https://cdn2.suno.ai/image_6ff84ce1-29cc-47d4-bcb6-0b6b2e2c318f.jpeg,https://cdn2.suno.ai/image_large_6ff84ce1-29cc-47d4-bcb6-0b6b2e2c318f.jpeg audio/de3a7f0c-3d7a-404d-8059-3ee37cf8fcfd.mp3,de3a7f0c-3d7a-404d-8059-3ee37cf8fcfd,DS_reggaeton_modern_dembow_1f4mz,v5.5,chirp-fenix,complete,129.56,False,"Reggaeton fused with a subtle 7/8 against 4/4 dembow groove; verse rides sparse kicks, claves, and maj7#11 stabs, pre-chorus flips into Dilla-style swung drums and syncopated fills, chorus opens with filtered Count Basie big-band brass hits, and the drop blooms into forest-psy sub-bass. Tenor sax outro with vinyl dust, risers, reverse swells, and crisp punchy mix., big band","Reggaetón base + polirritmia 7/8 contra dembow 4/4 sutil, voicings maj7#11 en stabs, big band Count Basie filtered en choruses, sub-bass forest psy en drop, drums Dilla en pre-chorus, solo de saxo tenor en outro, 3:30 min",[Instrumental],2026-05-24T17:14:38.494Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/de3a7f0c-3d7a-404d-8059-3ee37cf8fcfd.mp3,https://cdn2.suno.ai/image_de3a7f0c-3d7a-404d-8059-3ee37cf8fcfd.jpeg,https://cdn2.suno.ai/image_large_de3a7f0c-3d7a-404d-8059-3ee37cf8fcfd.jpeg audio/4df60572-8021-4825-81fe-449072a36556.mp3,4df60572-8021-4825-81fe-449072a36556,DS_deep_dubstep_140_1dqq1,v5.5,chirp-fenix,complete,239.88,True,"Dubstep, 140 BPM, half-time and spacious with weighty sub-bass drops, sparse snare ghosts, dub-chord stabs in G minor, and slow-moving atmospheric pads; intro opens with field recordings and filtered low-end haze, verse section stretches into restrained bass pulses, break section widens with delayed chords and tape-worn echoes, final movement brings deeper sub swells and tiny vocal shards. Dark, immersive, deep-mix and wide, vocal, dub, dubstep, deep","Deep dubstep meditative, 140 BPM, weighty deep sub-bass, sparse half-time drums, dub atmospheric pads, delayed chords G minor, subtle vocal samples, field recordings, South London 2012 deep dubstep aesthetic, 7 minute meditative spacious instrumental",[Instrumental],2026-05-24T17:13:34.491Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4df60572-8021-4825-81fe-449072a36556.mp3,https://cdn2.suno.ai/image_4df60572-8021-4825-81fe-449072a36556.jpeg,https://cdn2.suno.ai/image_large_4df60572-8021-4825-81fe-449072a36556.jpeg audio/592157c0-d586-41e1-ac0b-ea07e4e7a4b9.mp3,592157c0-d586-41e1-ac0b-ea07e4e7a4b9,DS_deep_dubstep_140_1dqq1,v5.5,chirp-fenix,complete,244.44,True,"Dubstep, 140 BPM, half-time and spacious with weighty sub-bass drops, sparse snare ghosts, dub-chord stabs in G minor, and slow-moving atmospheric pads; intro opens with field recordings and filtered low-end haze, verse section stretches into restrained bass pulses, break section widens with delayed chords and tape-worn echoes, final movement brings deeper sub swells and tiny vocal shards. Dark, immersive, deep-mix and wide, vocal, dub, dubstep, deep","Deep dubstep meditative, 140 BPM, weighty deep sub-bass, sparse half-time drums, dub atmospheric pads, delayed chords G minor, subtle vocal samples, field recordings, South London 2012 deep dubstep aesthetic, 7 minute meditative spacious instrumental",[Instrumental],2026-05-24T17:13:34.491Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/592157c0-d586-41e1-ac0b-ea07e4e7a4b9.mp3,https://cdn2.suno.ai/image_592157c0-d586-41e1-ac0b-ea07e4e7a4b9.jpeg,https://cdn2.suno.ai/image_large_592157c0-d586-41e1-ac0b-ea07e4e7a4b9.jpeg audio/d88e8e46-209e-4607-8374-200ae6fde287.mp3,d88e8e46-209e-4607-8374-200ae6fde287,DS_ambient_drone_dark_1d7z4,v5.5,chirp-fenix,complete,229.84,True,"Dark ambient drone with a suspended, tempo-free pulse and deep D minor bass bloom; long-form evolution from near-silent low hiss into thick analog pad clouds. Subtle metallic FX drift in and out, with heavy tape saturation and slow filter motion. Sparse in the first half, denser by layers later, then recedes into an almost-empty coda. Wide, murky, and cinema-sized., deep, dark ambient, ambient, drone, slow","Ambient drone dark, no tempo, deep drone bass D minor, dark analog pads, subtle metallic FX, heavy tape saturation, no melody, Berlin dark ambient aesthetic, 12 minute slow evolution, no vocals instrumental",[Instrumental],2026-05-24T17:13:09.826Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d88e8e46-209e-4607-8374-200ae6fde287.mp3,https://cdn2.suno.ai/image_d88e8e46-209e-4607-8374-200ae6fde287.jpeg,https://cdn2.suno.ai/image_large_d88e8e46-209e-4607-8374-200ae6fde287.jpeg audio/6510b5df-8ea1-4cb3-87e4-ccf2988e1840.mp3,6510b5df-8ea1-4cb3-87e4-ccf2988e1840,DS_ambient_drone_dark_1d7z4,v5.5,chirp-fenix,complete,221.56,True,"Dark ambient drone with a suspended, tempo-free pulse and deep D minor bass bloom; long-form evolution from near-silent low hiss into thick analog pad clouds. Subtle metallic FX drift in and out, with heavy tape saturation and slow filter motion. Sparse in the first half, denser by layers later, then recedes into an almost-empty coda. Wide, murky, and cinema-sized., deep, dark ambient, ambient, drone, slow","Ambient drone dark, no tempo, deep drone bass D minor, dark analog pads, subtle metallic FX, heavy tape saturation, no melody, Berlin dark ambient aesthetic, 12 minute slow evolution, no vocals instrumental",[Instrumental],2026-05-24T17:13:09.826Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6510b5df-8ea1-4cb3-87e4-ccf2988e1840.mp3,https://cdn2.suno.ai/image_6510b5df-8ea1-4cb3-87e4-ccf2988e1840.jpeg,https://cdn2.suno.ai/image_large_6510b5df-8ea1-4cb3-87e4-ccf2988e1840.jpeg audio/b64a3698-8711-4235-b3c8-67c740c51ace.mp3,b64a3698-8711-4235-b3c8-67c740c51ace,DS_rocksteady_jamaican_1ciie,v5.5,chirp-fenix,complete,221.16,False,"Rocksteady with a slow 85 BPM sway, deep walking bass and one-drop drums, Hammond organ skanking behind a soulful horn line and clipped guitar upstrokes; verse stays lean with bass, drums, and organ, pre-chorus opens with horn swells and harmony lift, chorus lands on full brass hits and stacked gang responses. Lead male Jamaican vocal close-mic and grainy, with double-tracked hooks, delay throws, tape hiss, and a warm dusty Kingston 1967 mix., rock, reggae, ska, warm, pop rock, soulful, soul, deep, vocal","Rocksteady Jamaican 60s, 85 BPM, deep walking bass, one-drop drums, Hammond organ, soul horn section, guitar skank, male Jamaican vocal, G major warm, Kingston 1967 aesthetic, 3:30 minute soulful vintage rocksteady","[Verse 1] Morning on the corner, sun on the zinc You rock that walk and make me think Dust on the road, breeze in the palm Your smile come through and keep me calm [Pre-Chorus] Step by step, you draw me near Sweet like rum, clear and clear Every word you say Send my hard blues away [Chorus] Kingston corner, stay with me Kingston corner, let me be Hold me close, make it true Kingston corner, I want you (kingston corner) [Verse 2] White shirt clean, skirt wave low You pass one look and the whole place glow Old radio sing from the window frame But your voice hit hard like a brand-new flame [Pre-Chorus] Step by step, you draw me near Sweet like rum, clear and clear Every word you say Send my hard blues away [Chorus] Kingston corner, stay with me Kingston corner, let me be Hold me close, make it true Kingston corner, I want you (kingston corner) [Bridge] If the night run long, I wait right here If the road get rough, I hold you near No fancy talk, no pretty lie Just your hand in mine till the moon sail by [Final Chorus] Kingston corner, stay with me Kingston corner, let me be Hold me close, make it true Kingston corner, I want you Kingston corner, stay with me Kingston corner, set me free Hold me close, make it true Kingston corner, I want you (kingston corner)",2026-05-24T17:12:36.468Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b64a3698-8711-4235-b3c8-67c740c51ace.mp3,https://cdn2.suno.ai/image_b64a3698-8711-4235-b3c8-67c740c51ace.jpeg,https://cdn2.suno.ai/image_large_b64a3698-8711-4235-b3c8-67c740c51ace.jpeg audio/472d9c75-d629-49d3-a235-e03f2c2c8312.mp3,472d9c75-d629-49d3-a235-e03f2c2c8312,DS_rocksteady_jamaican_1ciie,v5.5,chirp-fenix,complete,239.2,False,"Rocksteady with a slow 85 BPM sway, deep walking bass and one-drop drums, Hammond organ skanking behind a soulful horn line and clipped guitar upstrokes; verse stays lean with bass, drums, and organ, pre-chorus opens with horn swells and harmony lift, chorus lands on full brass hits and stacked gang responses. Lead male Jamaican vocal close-mic and grainy, with double-tracked hooks, delay throws, tape hiss, and a warm dusty Kingston 1967 mix., rock, reggae, ska, warm, pop rock, soulful, soul, deep, vocal","Rocksteady Jamaican 60s, 85 BPM, deep walking bass, one-drop drums, Hammond organ, soul horn section, guitar skank, male Jamaican vocal, G major warm, Kingston 1967 aesthetic, 3:30 minute soulful vintage rocksteady","[Verse 1] Morning on the corner, sun on the zinc You rock that walk and make me think Dust on the road, breeze in the palm Your smile come through and keep me calm [Pre-Chorus] Step by step, you draw me near Sweet like rum, clear and clear Every word you say Send my hard blues away [Chorus] Kingston corner, stay with me Kingston corner, let me be Hold me close, make it true Kingston corner, I want you (kingston corner) [Verse 2] White shirt clean, skirt wave low You pass one look and the whole place glow Old radio sing from the window frame But your voice hit hard like a brand-new flame [Pre-Chorus] Step by step, you draw me near Sweet like rum, clear and clear Every word you say Send my hard blues away [Chorus] Kingston corner, stay with me Kingston corner, let me be Hold me close, make it true Kingston corner, I want you (kingston corner) [Bridge] If the night run long, I wait right here If the road get rough, I hold you near No fancy talk, no pretty lie Just your hand in mine till the moon sail by [Final Chorus] Kingston corner, stay with me Kingston corner, let me be Hold me close, make it true Kingston corner, I want you Kingston corner, stay with me Kingston corner, set me free Hold me close, make it true Kingston corner, I want you (kingston corner)",2026-05-24T17:12:36.468Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/472d9c75-d629-49d3-a235-e03f2c2c8312.mp3,https://cdn2.suno.ai/image_472d9c75-d629-49d3-a235-e03f2c2c8312.jpeg,https://cdn2.suno.ai/image_large_472d9c75-d629-49d3-a235-e03f2c2c8312.jpeg audio/5118c100-2a25-470f-80dd-86a22882725f.mp3,5118c100-2a25-470f-80dd-86a22882725f,DS_country_pop_modern_wallen_1bzzl,v5.5,chirp-fenix,complete,141.28,False,"Country-hip-hop with laid-back Dilla-chopped drums, dusty bass, and a twangy slide guitar pushed through subtle modular acid 303 motion; verse sections stay sparse and groove-heavy, pre-choruses bloom into altered jazz harmony, and the outro opens into a smoky tenor sax solo. Subliminal Indian tampura drone threads underneath the whole track. Wide, warm, and analog-grit polished with crisp transient punch., country, drone, jazz","Country base + slide guitar pasada por modular acid 303 sutil, armonía jazz altered en pre-choruses, drums boom bap Dilla chopeados, drone tampura indostaní subliminal, solos saxo tenor en outro, 4 min",[Instrumental],2026-05-24T17:12:12.506Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5118c100-2a25-470f-80dd-86a22882725f.mp3,https://cdn2.suno.ai/image_5118c100-2a25-470f-80dd-86a22882725f.jpeg,https://cdn2.suno.ai/image_large_5118c100-2a25-470f-80dd-86a22882725f.jpeg audio/48ccb42c-3835-4a1f-be82-bda3b07bfa4b.mp3,48ccb42c-3835-4a1f-be82-bda3b07bfa4b,DS_country_pop_modern_wallen_1bzzl,v5.5,chirp-fenix,complete,183.0,False,"Country-hip-hop with laid-back Dilla-chopped drums, dusty bass, and a twangy slide guitar pushed through subtle modular acid 303 motion; verse sections stay sparse and groove-heavy, pre-choruses bloom into altered jazz harmony, and the outro opens into a smoky tenor sax solo. Subliminal Indian tampura drone threads underneath the whole track. Wide, warm, and analog-grit polished with crisp transient punch., country, drone, jazz","Country base + slide guitar pasada por modular acid 303 sutil, armonía jazz altered en pre-choruses, drums boom bap Dilla chopeados, drone tampura indostaní subliminal, solos saxo tenor en outro, 4 min",[Instrumental],2026-05-24T17:12:12.506Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/48ccb42c-3835-4a1f-be82-bda3b07bfa4b.mp3,https://cdn2.suno.ai/image_48ccb42c-3835-4a1f-be82-bda3b07bfa4b.jpeg,https://cdn2.suno.ai/image_large_48ccb42c-3835-4a1f-be82-bda3b07bfa4b.jpeg audio/4d63e6f0-86f6-40e6-8296-664e1abc474b.mp3,4d63e6f0-86f6-40e6-8296-664e1abc474b,DS_americana_alt_country_1b4cl,v5.5,chirp-fenix,complete,307.96,False,"Americana alt-country ballad with a 95 BPM sway, brushed drums, acoustic guitar, pedal steel, upright bass, and fiddle in G major; verse one stays intimate and spare, verse two adds harmony and soft fiddle answers, pre-chorus opens the room with rising steel, chorus lands warm and wide with stacked male doubles and a small gang vocal on the hook, bridge drops to voice and guitar before the final chorus lifts with fuller bass and fiddle filigree. Warm close-mic male vocal, tasteful doubles, short delay throws on key lines, dusty-but-polished mix with a modern Nashville edge, nostalgic, acoustic, country, warm, vocal, ballad, sophisticated","Americana alt-country sophisticated, 95 BPM, acoustic guitar, pedal steel, upright bass, fiddle, warm male vocal, brushed drums, G major nostalgic, Nashville alternative 2023 aesthetic, 4 minute storytelling ballad","[Verse 1] I found your note in the glovebox seam Folded small in a gas station receipt You wrote, “Take the long way home” So I did, with the windows low Three counties gone by dusk A church lot, a tractor, a rusted-up truck Your old ring still in my change tray Tapping time like it knew your name [Pre-Chorus] And the sky went copper Over the soybean rows I almost turned around there But the road said, “Go” [Chorus] Meet me at the Blue Map Motel Meet me where the old signs fell You left a room key on my soul Blue Map Motel, let me go (Blue Map Motel) (Blue Map Motel) [Verse 2] There’s a scratch on the mirror frame From that night you laughed and said my name The ice machine coughed once down the hall And your boots made a careful call Now I buy two coffees out of habit One for me and one for what we had in it The girl at the counter knows my face She asks if I’m still stuck in place [Pre-Chorus] And the rain on the windshield Made a soft white noise I heard your voice in it Like a back porch boy [Chorus] Meet me at the Blue Map Motel Meet me where the old signs fell You left a room key on my soul Blue Map Motel, let me go (Blue Map Motel) (Blue Map Motel) [Bridge] Maybe love is just a county line A little white lie that takes its time Maybe I kept the hurt alive Just to have one thing that still feels mine So I passed that exit sign And the night bent slow around my truck If you ever come back this way I’ll be here, but I won’t be stuck [Chorus] Meet me at the Blue Map Motel Meet me where the old signs fell You left a room key on my soul Blue Map Motel, let me go Meet me at the Blue Map Motel Meet me where the old signs fell You left a room key on my soul Blue Map Motel, let me go (Blue Map Motel) (Blue Map Motel)",2026-05-24T17:11:31.620Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4d63e6f0-86f6-40e6-8296-664e1abc474b.mp3,https://cdn2.suno.ai/image_4d63e6f0-86f6-40e6-8296-664e1abc474b.jpeg,https://cdn2.suno.ai/image_large_4d63e6f0-86f6-40e6-8296-664e1abc474b.jpeg audio/c2e054bb-b42f-4ccd-8580-2474a2ba2285.mp3,c2e054bb-b42f-4ccd-8580-2474a2ba2285,DS_americana_alt_country_1b4cl,v5.5,chirp-fenix,complete,289.8,False,"Americana alt-country ballad with a 95 BPM sway, brushed drums, acoustic guitar, pedal steel, upright bass, and fiddle in G major; verse one stays intimate and spare, verse two adds harmony and soft fiddle answers, pre-chorus opens the room with rising steel, chorus lands warm and wide with stacked male doubles and a small gang vocal on the hook, bridge drops to voice and guitar before the final chorus lifts with fuller bass and fiddle filigree. Warm close-mic male vocal, tasteful doubles, short delay throws on key lines, dusty-but-polished mix with a modern Nashville edge, nostalgic, acoustic, country, warm, vocal, ballad, sophisticated","Americana alt-country sophisticated, 95 BPM, acoustic guitar, pedal steel, upright bass, fiddle, warm male vocal, brushed drums, G major nostalgic, Nashville alternative 2023 aesthetic, 4 minute storytelling ballad","[Verse 1] I found your note in the glovebox seam Folded small in a gas station receipt You wrote, “Take the long way home” So I did, with the windows low Three counties gone by dusk A church lot, a tractor, a rusted-up truck Your old ring still in my change tray Tapping time like it knew your name [Pre-Chorus] And the sky went copper Over the soybean rows I almost turned around there But the road said, “Go” [Chorus] Meet me at the Blue Map Motel Meet me where the old signs fell You left a room key on my soul Blue Map Motel, let me go (Blue Map Motel) (Blue Map Motel) [Verse 2] There’s a scratch on the mirror frame From that night you laughed and said my name The ice machine coughed once down the hall And your boots made a careful call Now I buy two coffees out of habit One for me and one for what we had in it The girl at the counter knows my face She asks if I’m still stuck in place [Pre-Chorus] And the rain on the windshield Made a soft white noise I heard your voice in it Like a back porch boy [Chorus] Meet me at the Blue Map Motel Meet me where the old signs fell You left a room key on my soul Blue Map Motel, let me go (Blue Map Motel) (Blue Map Motel) [Bridge] Maybe love is just a county line A little white lie that takes its time Maybe I kept the hurt alive Just to have one thing that still feels mine So I passed that exit sign And the night bent slow around my truck If you ever come back this way I’ll be here, but I won’t be stuck [Chorus] Meet me at the Blue Map Motel Meet me where the old signs fell You left a room key on my soul Blue Map Motel, let me go Meet me at the Blue Map Motel Meet me where the old signs fell You left a room key on my soul Blue Map Motel, let me go (Blue Map Motel) (Blue Map Motel)",2026-05-24T17:11:31.620Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c2e054bb-b42f-4ccd-8580-2474a2ba2285.mp3,https://cdn2.suno.ai/image_c2e054bb-b42f-4ccd-8580-2474a2ba2285.jpeg,https://cdn2.suno.ai/image_large_c2e054bb-b42f-4ccd-8580-2474a2ba2285.jpeg audio/1ee464e1-bd53-4896-9572-7c6c1b319f29.mp3,1ee464e1-bd53-4896-9572-7c6c1b319f29,DS_afro_tech_house_1ah78,v5.5,chirp-fenix,complete,239.92,True,"Afro tech house at 125 BPM with a deep log drum pulse, tight tech kick, polyrhythmic shakers, and African tribal percussion locked into a rolling F minor dorian groove; verse feel stays sparse and hypnotic, then layers warm pads and subtle Yoruba vocal chops in the break, before the drop returns with thicker drum pressure. Crisp low end, wide atmospherics, and a South African club sheen, driving and immersive., deep, vocal, tech house, warm","Afro tech house, 125 BPM, log drum bass, tight tech kick, African tribal percussion, warm pads, subtle Yoruba vocal chops, polyrhythmic shakers, F minor dorian, South African afro tech aesthetic, 7 minute tribal deep groove, instrumental with vocal chops",[Instrumental],2026-05-24T17:11:01.553Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/1ee464e1-bd53-4896-9572-7c6c1b319f29.mp3,https://cdn2.suno.ai/image_1ee464e1-bd53-4896-9572-7c6c1b319f29.jpeg,https://cdn2.suno.ai/image_large_1ee464e1-bd53-4896-9572-7c6c1b319f29.jpeg audio/08f51d4c-31aa-470d-9191-e5705899b8ea.mp3,08f51d4c-31aa-470d-9191-e5705899b8ea,DS_afro_tech_house_1ah78,v5.5,chirp-fenix,complete,216.88,True,"Afro tech house at 125 BPM with a deep log drum pulse, tight tech kick, polyrhythmic shakers, and African tribal percussion locked into a rolling F minor dorian groove; verse feel stays sparse and hypnotic, then layers warm pads and subtle Yoruba vocal chops in the break, before the drop returns with thicker drum pressure. Crisp low end, wide atmospherics, and a South African club sheen, driving and immersive., deep, vocal, tech house, warm","Afro tech house, 125 BPM, log drum bass, tight tech kick, African tribal percussion, warm pads, subtle Yoruba vocal chops, polyrhythmic shakers, F minor dorian, South African afro tech aesthetic, 7 minute tribal deep groove, instrumental with vocal chops",[Instrumental],2026-05-24T17:11:01.553Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/08f51d4c-31aa-470d-9191-e5705899b8ea.mp3,https://cdn2.suno.ai/image_08f51d4c-31aa-470d-9191-e5705899b8ea.jpeg,https://cdn2.suno.ai/image_large_08f51d4c-31aa-470d-9191-e5705899b8ea.jpeg audio/92b3e945-b9fa-4d2a-a793-f9f2683e2ebc.mp3,92b3e945-b9fa-4d2a-a793-f9f2683e2ebc,DS_soukous_congolese_19sip,v5.5,chirp-fenix,complete,51.2,False,"Soukous, 130 BPM, fast-picked guitar-led dance groove with sebene drums, walking bass, interlocking rhythm guitars, bright horn accents, and a long melodic guitar solo arc; verse-like openings of sparse guitar and bass, then layers of percussion and horns build into extended sebene breaks, a mid-track guitar feature, and a final lift with full-band drive; close forward guitar focus with airy group textures, sharp stereo picking, punchy hand-percussion transients, and a warm vintage 1985 Kinshasa mix, bright and propulsive, uplifting, soukous","Soukous Congolese guitar-driven, 130 BPM, fast picking lead guitar, rhythm guitar, walking bass groove, sebene drums, horn section, G major danceable, Kinshasa 1985 aesthetic, 6 minute uplifting African groove with extended guitar solo",[Instrumental],2026-05-24T17:10:29.930Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/92b3e945-b9fa-4d2a-a793-f9f2683e2ebc.mp3,https://cdn2.suno.ai/image_92b3e945-b9fa-4d2a-a793-f9f2683e2ebc.jpeg,https://cdn2.suno.ai/image_large_92b3e945-b9fa-4d2a-a793-f9f2683e2ebc.jpeg audio/7d7ff9dd-5fa0-4591-8ef8-381836cf650f.mp3,7d7ff9dd-5fa0-4591-8ef8-381836cf650f,DS_soukous_congolese_19sip,v5.5,chirp-fenix,complete,182.16,False,"Soukous, 130 BPM, fast-picked guitar-led dance groove with sebene drums, walking bass, interlocking rhythm guitars, bright horn accents, and a long melodic guitar solo arc; verse-like openings of sparse guitar and bass, then layers of percussion and horns build into extended sebene breaks, a mid-track guitar feature, and a final lift with full-band drive; close forward guitar focus with airy group textures, sharp stereo picking, punchy hand-percussion transients, and a warm vintage 1985 Kinshasa mix, bright and propulsive, uplifting, soukous","Soukous Congolese guitar-driven, 130 BPM, fast picking lead guitar, rhythm guitar, walking bass groove, sebene drums, horn section, G major danceable, Kinshasa 1985 aesthetic, 6 minute uplifting African groove with extended guitar solo",[Instrumental],2026-05-24T17:10:29.930Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7d7ff9dd-5fa0-4591-8ef8-381836cf650f.mp3,https://cdn2.suno.ai/image_7d7ff9dd-5fa0-4591-8ef8-381836cf650f.jpeg,https://cdn2.suno.ai/image_large_7d7ff9dd-5fa0-4591-8ef8-381836cf650f.jpeg audio/eda3cd13-a1c3-4272-9226-20280055c679.mp3,eda3cd13-a1c3-4272-9226-20280055c679,DS_bossa_nova_classic_18rsm,v5.5,chirp-fenix,complete,186.52,False,"Bossa nova classic at 85 BPM with fingerpicked nylon guitar, soft brushed drums, walking upright bass, and sparse F major piano; verse stays close and conversational, pre-chorus opens with a breathy lift, chorus lands on a gentle repeated phrase, and the bridge turns more fragile before the final return. Male vocal stays intimate and dry in the verses, with light double-tracking on the hook, subtle harmony tails, and a few delayed ad-libs. Vinyl texture, room tone, and soft brush swells between sections; warm, narrow, and lovingly vintage with a Rio 1962 feel., classic, bossa nova, soft, ballad, vocal","Bossa nova classic intimate, 85 BPM, fingerpicked nylon guitar, soft brushed drums, walking upright bass, soft Portuguese vocal male, sparse piano F major, Rio 1962 aesthetic, 4 minute intimate Brazilian ballad","[Verse 1] Você chegou sem falar E meu peito já sabia Trazia o sal no olhar E a tarde toda vazia No copo, o fim do dia Na mesa, o seu chapéu [Pre-Chorus] E eu fiquei tão perto De cair no seu céu Seu jeito me puxa Me chama pra mais perto [Chorus] Fica mais um pouco Fica aqui comigo Fica mais um pouco Meu mundo é contigo Fica mais um pouco Só pra eu te olhar [Verse 2] Na varanda, a luz morria E o bonde subia lento Seu cabelo escorria Como um rio no vento Minha mão nem insistia Já sabia onde parar [Pre-Chorus] E eu fiquei tão perto De dizer o que senti Mas seu riso me corta E me deixa assim [Chorus] Fica mais um pouco Fica aqui comigo Fica mais um pouco Meu mundo é contigo Fica mais um pouco Só pra eu te olhar [Bridge] Se você for embora Leva a minha calma Mas deixa essa hora Dormindo na alma Que eu guardo seu nome No fundo do mar [Chorus] Fica mais um pouco Fica aqui comigo Fica mais um pouco Meu mundo é contigo Fica mais um pouco Só pra eu te olhar",2026-05-24T17:09:41.875Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/eda3cd13-a1c3-4272-9226-20280055c679.mp3,https://cdn2.suno.ai/image_eda3cd13-a1c3-4272-9226-20280055c679.jpeg,https://cdn2.suno.ai/image_large_eda3cd13-a1c3-4272-9226-20280055c679.jpeg audio/37418c75-0e0c-44fb-8f0e-d2b48de179d1.mp3,37418c75-0e0c-44fb-8f0e-d2b48de179d1,DS_bossa_nova_classic_18rsm,v5.5,chirp-fenix,complete,178.32,False,"Bossa nova classic at 85 BPM with fingerpicked nylon guitar, soft brushed drums, walking upright bass, and sparse F major piano; verse stays close and conversational, pre-chorus opens with a breathy lift, chorus lands on a gentle repeated phrase, and the bridge turns more fragile before the final return. Male vocal stays intimate and dry in the verses, with light double-tracking on the hook, subtle harmony tails, and a few delayed ad-libs. Vinyl texture, room tone, and soft brush swells between sections; warm, narrow, and lovingly vintage with a Rio 1962 feel., classic, bossa nova, soft, ballad, vocal","Bossa nova classic intimate, 85 BPM, fingerpicked nylon guitar, soft brushed drums, walking upright bass, soft Portuguese vocal male, sparse piano F major, Rio 1962 aesthetic, 4 minute intimate Brazilian ballad","[Verse 1] Você chegou sem falar E meu peito já sabia Trazia o sal no olhar E a tarde toda vazia No copo, o fim do dia Na mesa, o seu chapéu [Pre-Chorus] E eu fiquei tão perto De cair no seu céu Seu jeito me puxa Me chama pra mais perto [Chorus] Fica mais um pouco Fica aqui comigo Fica mais um pouco Meu mundo é contigo Fica mais um pouco Só pra eu te olhar [Verse 2] Na varanda, a luz morria E o bonde subia lento Seu cabelo escorria Como um rio no vento Minha mão nem insistia Já sabia onde parar [Pre-Chorus] E eu fiquei tão perto De dizer o que senti Mas seu riso me corta E me deixa assim [Chorus] Fica mais um pouco Fica aqui comigo Fica mais um pouco Meu mundo é contigo Fica mais um pouco Só pra eu te olhar [Bridge] Se você for embora Leva a minha calma Mas deixa essa hora Dormindo na alma Que eu guardo seu nome No fundo do mar [Chorus] Fica mais um pouco Fica aqui comigo Fica mais um pouco Meu mundo é contigo Fica mais um pouco Só pra eu te olhar",2026-05-24T17:09:41.875Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/37418c75-0e0c-44fb-8f0e-d2b48de179d1.mp3,https://cdn2.suno.ai/image_37418c75-0e0c-44fb-8f0e-d2b48de179d1.jpeg,https://cdn2.suno.ai/image_large_37418c75-0e0c-44fb-8f0e-d2b48de179d1.jpeg audio/4e3cdde1-40ba-4a85-8abd-b798ce1820f2.mp3,4e3cdde1-40ba-4a85-8abd-b798ce1820f2,Vinyl Subpulse,v5.5,chirp-fenix,complete,218.72,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:09:38.673Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4e3cdde1-40ba-4a85-8abd-b798ce1820f2.mp3,https://cdn2.suno.ai/image_4e3cdde1-40ba-4a85-8abd-b798ce1820f2.jpeg,https://cdn2.suno.ai/image_large_4e3cdde1-40ba-4a85-8abd-b798ce1820f2.jpeg audio/5f90e27a-3ea7-4edf-9d53-bc51e1f1def0.mp3,5f90e27a-3ea7-4edf-9d53-bc51e1f1def0,Vinyl Subpulse,v5.5,chirp-fenix,complete,239.88,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:09:38.673Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5f90e27a-3ea7-4edf-9d53-bc51e1f1def0.mp3,https://cdn2.suno.ai/image_5f90e27a-3ea7-4edf-9d53-bc51e1f1def0.jpeg,https://cdn2.suno.ai/image_large_5f90e27a-3ea7-4edf-9d53-bc51e1f1def0.jpeg audio/bb8ffd69-c3e1-4c91-9154-7937271af5be.mp3,bb8ffd69-c3e1-4c91-9154-7937271af5be,DS_reggaeton_modern_dembow_18p5o,v5.5,chirp-fenix,complete,158.4,False,"Reggaeton with a 7/8 polyrhythm against a subtle 4/4 dembow; verse rides sparse percussion and maj7#11 stabs, pre-chorus shifts into J Dilla-style swung drums, chorus opens with filtered big-band Count Basie brass hits, and the drop blooms into sub-heavy psy-forest bass. Tenor sax takes the outro. Bright, punchy, wide mix with crisp low-end, big band","Reggaetón base + polirritmia 7/8 contra dembow 4/4 sutil, voicings maj7#11 en stabs, big band Count Basie filtered en choruses, sub-bass forest psy en drop, drums Dilla en pre-chorus, solo de saxo tenor en outro, 3:30 min",[Instrumental],2026-05-24T17:09:38.574Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/bb8ffd69-c3e1-4c91-9154-7937271af5be.mp3,https://cdn2.suno.ai/image_bb8ffd69-c3e1-4c91-9154-7937271af5be.jpeg,https://cdn2.suno.ai/image_large_bb8ffd69-c3e1-4c91-9154-7937271af5be.jpeg audio/9a42dc26-c045-44da-bcba-1f16637af119.mp3,9a42dc26-c045-44da-bcba-1f16637af119,DS_reggaeton_modern_dembow_18p5o,v5.5,chirp-fenix,complete,134.08,False,"Reggaeton with a 7/8 polyrhythm against a subtle 4/4 dembow; verse rides sparse percussion and maj7#11 stabs, pre-chorus shifts into J Dilla-style swung drums, chorus opens with filtered big-band Count Basie brass hits, and the drop blooms into sub-heavy psy-forest bass. Tenor sax takes the outro. Bright, punchy, wide mix with crisp low-end, big band","Reggaetón base + polirritmia 7/8 contra dembow 4/4 sutil, voicings maj7#11 en stabs, big band Count Basie filtered en choruses, sub-bass forest psy en drop, drums Dilla en pre-chorus, solo de saxo tenor en outro, 3:30 min",[Instrumental],2026-05-24T17:09:38.574Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/9a42dc26-c045-44da-bcba-1f16637af119.mp3,https://cdn2.suno.ai/image_9a42dc26-c045-44da-bcba-1f16637af119.jpeg,https://cdn2.suno.ai/image_large_9a42dc26-c045-44da-bcba-1f16637af119.jpeg audio/367db283-2830-4143-8f23-04d27c16edfa.mp3,367db283-2830-4143-8f23-04d27c16edfa,DS_dnb_jazz_step_14y4t,v5.5,chirp-fenix,complete,214.92,True,"Jazz step drum and bass instrumental, 172 BPM with an amen break driving swung, syncopated drums; verse-like sections ride walking upright bass and Rhodes chords in B flat minor Dorian, the midsection opens for a tenor sax solo over brushed snare layers and muted trumpet samples, then the drop returns with chopped break edits and filter sweeps. Faded tape warmth, crackle, and wide room reverb give a London 1996 club-jazz glow, polished yet dusty, intimate and cinematic., saxophone, sophisticated, drum and bass, jazz","Jazz step drum and bass instrumental, 172 BPM, amen break, walking upright bass, Rhodes piano chord progression Bb minor dorian, tenor saxophone solo, muted trumpet samples, layered brushed snares, London 1996 aesthetic, 7 minute sophisticated jazz dnb, instrumental",[Instrumental],2026-05-24T17:06:43.471Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/367db283-2830-4143-8f23-04d27c16edfa.mp3,https://cdn2.suno.ai/image_367db283-2830-4143-8f23-04d27c16edfa.jpeg,https://cdn2.suno.ai/image_large_367db283-2830-4143-8f23-04d27c16edfa.jpeg audio/5fdfb1fb-bc03-48a3-9ee9-59800f48fcb8.mp3,5fdfb1fb-bc03-48a3-9ee9-59800f48fcb8,DS_dnb_jazz_step_14y4t,v5.5,chirp-fenix,complete,209.8,True,"Jazz step drum and bass instrumental, 172 BPM with an amen break driving swung, syncopated drums; verse-like sections ride walking upright bass and Rhodes chords in B flat minor Dorian, the midsection opens for a tenor sax solo over brushed snare layers and muted trumpet samples, then the drop returns with chopped break edits and filter sweeps. Faded tape warmth, crackle, and wide room reverb give a London 1996 club-jazz glow, polished yet dusty, intimate and cinematic., saxophone, sophisticated, drum and bass, jazz","Jazz step drum and bass instrumental, 172 BPM, amen break, walking upright bass, Rhodes piano chord progression Bb minor dorian, tenor saxophone solo, muted trumpet samples, layered brushed snares, London 1996 aesthetic, 7 minute sophisticated jazz dnb, instrumental",[Instrumental],2026-05-24T17:06:43.471Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5fdfb1fb-bc03-48a3-9ee9-59800f48fcb8.mp3,https://cdn2.suno.ai/image_5fdfb1fb-bc03-48a3-9ee9-59800f48fcb8.jpeg,https://cdn2.suno.ai/image_large_5fdfb1fb-bc03-48a3-9ee9-59800f48fcb8.jpeg audio/b8c25b46-8964-4cdc-aa15-0f5eb3348b25.mp3,b8c25b46-8964-4cdc-aa15-0f5eb3348b25,DS_melodic_techno_italian_14nbx,v5.5,chirp-fenix,complete,194.8,True,"Melodic techno, 122 BPM, Italian club pulse with cinematic analog synth leads, deep sub-bass, modular arpeggios, soft washed pads, and tribal percussion; verse-like intro rides restrained kick and drifting motifs, the main lift opens with layered arps and emotional lead phrasing, breakdown strips to pads, filtered noise, and a lone motif before the rebuild, then final stretch adds wider drums and soaring lead variations. Close, polished synth focus with glossy low end, wide stereo bloom, subtle tape grit, and dramatic club energy., techno, emotional, soft, deep","Melodic techno Italian style, 122 BPM, cinematic analog synth leads, deep sub-bass, modular arpeggios, soft pads, tribal percussion, F minor dorian emotional, Diynamic 2024 aesthetic, 7 minute development with breakdown, instrumental",[Instrumental],2026-05-24T17:06:29.553Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b8c25b46-8964-4cdc-aa15-0f5eb3348b25.mp3,https://cdn2.suno.ai/image_b8c25b46-8964-4cdc-aa15-0f5eb3348b25.jpeg,https://cdn2.suno.ai/image_large_b8c25b46-8964-4cdc-aa15-0f5eb3348b25.jpeg audio/fcaad693-eb5e-42ad-becf-5076df3ed4b4.mp3,fcaad693-eb5e-42ad-becf-5076df3ed4b4,DS_melodic_techno_italian_14nbx,v5.5,chirp-fenix,complete,192.56,True,"Melodic techno, 122 BPM, Italian club pulse with cinematic analog synth leads, deep sub-bass, modular arpeggios, soft washed pads, and tribal percussion; verse-like intro rides restrained kick and drifting motifs, the main lift opens with layered arps and emotional lead phrasing, breakdown strips to pads, filtered noise, and a lone motif before the rebuild, then final stretch adds wider drums and soaring lead variations. Close, polished synth focus with glossy low end, wide stereo bloom, subtle tape grit, and dramatic club energy., techno, emotional, soft, deep","Melodic techno Italian style, 122 BPM, cinematic analog synth leads, deep sub-bass, modular arpeggios, soft pads, tribal percussion, F minor dorian emotional, Diynamic 2024 aesthetic, 7 minute development with breakdown, instrumental",[Instrumental],2026-05-24T17:06:29.553Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/fcaad693-eb5e-42ad-becf-5076df3ed4b4.mp3,https://cdn2.suno.ai/image_fcaad693-eb5e-42ad-becf-5076df3ed4b4.jpeg,https://cdn2.suno.ai/image_large_fcaad693-eb5e-42ad-becf-5076df3ed4b4.jpeg audio/7b2a9554-a4dd-4a96-9401-9eaa7682a3c3.mp3,7b2a9554-a4dd-4a96-9401-9eaa7682a3c3,DS_nu_jazz_modern_13kr3,v5.5,chirp-fenix,complete,214.48,True,"Nu-jazz electronic groove at 110 BPM with humanized drums, walking upright bass, Rhodes piano in Bb minor modal colors, muted trumpet samples, tenor saxophone solo phrases, and atmospheric synths; verse keeps it lean and smoky, middle section opens for a sax-led lift, then a broken-down bridge brings Rhodes and bass forward before the final return. Close, tasteful lead lines with a few delayed trumpet stabs, subtle vinyl texture, soft filter sweeps into transitions, and a warm dusty mix with elegant low-end bounce., electronic, saxophone, sophisticated, jazz","Nu-jazz electronic modern, 110 BPM, humanized electronic drums, upright bass walking, Rhodes piano Bb minor modal, muted trumpet samples, tenor saxophone solo, atmospheric synths, Compost Records 2003 aesthetic, 6 minute sophisticated jazz-electronic groove, instrumental",[Instrumental],2026-05-24T17:05:39.557Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7b2a9554-a4dd-4a96-9401-9eaa7682a3c3.mp3,https://cdn2.suno.ai/image_7b2a9554-a4dd-4a96-9401-9eaa7682a3c3.jpeg,https://cdn2.suno.ai/image_large_7b2a9554-a4dd-4a96-9401-9eaa7682a3c3.jpeg audio/eb73ad90-d16c-4337-b5f8-f649289a0611.mp3,eb73ad90-d16c-4337-b5f8-f649289a0611,DS_nu_jazz_modern_13kr3,v5.5,chirp-fenix,complete,224.4,True,"Nu-jazz electronic groove at 110 BPM with humanized drums, walking upright bass, Rhodes piano in Bb minor modal colors, muted trumpet samples, tenor saxophone solo phrases, and atmospheric synths; verse keeps it lean and smoky, middle section opens for a sax-led lift, then a broken-down bridge brings Rhodes and bass forward before the final return. Close, tasteful lead lines with a few delayed trumpet stabs, subtle vinyl texture, soft filter sweeps into transitions, and a warm dusty mix with elegant low-end bounce., electronic, saxophone, sophisticated, jazz","Nu-jazz electronic modern, 110 BPM, humanized electronic drums, upright bass walking, Rhodes piano Bb minor modal, muted trumpet samples, tenor saxophone solo, atmospheric synths, Compost Records 2003 aesthetic, 6 minute sophisticated jazz-electronic groove, instrumental",[Instrumental],2026-05-24T17:05:39.557Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/eb73ad90-d16c-4337-b5f8-f649289a0611.mp3,https://cdn2.suno.ai/image_eb73ad90-d16c-4337-b5f8-f649289a0611.jpeg,https://cdn2.suno.ai/image_large_eb73ad90-d16c-4337-b5f8-f649289a0611.jpeg audio/d93d4c8c-91b0-495e-b1a0-f3ea2c250b21.mp3,d93d4c8c-91b0-495e-b1a0-f3ea2c250b21,DS_psytrance_goa_oldschool_1328e,v5.5,chirp-fenix,complete,252.8,True,"Goa trance, oldschool 1996 vibe at 140 BPM with hypnotic analog arpeggios in a JX-3P style, raw resonant 303 bassline, tribal tom pulses, ethnic flute phrases, and warm tape-saturated texture in E dorian. Intro starts with distant drone and hand-drum pattern; middle sections thicken with stacked arp layers; peak breaks into flute call motifs, then returns with full acid drive. Wide, glowing, vintage-mystic mix., goa trance, raw, warm, bassline","Goa trance 1996 oldschool, 140 BPM analog arpeggios Roland JX style, raw 303 bassline, tribal toms, ethnic flute samples, tape saturation warm, dorian E minor mode, 8 minute mystical development, no vocals instrumental",[Instrumental],2026-05-24T17:05:15.915Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d93d4c8c-91b0-495e-b1a0-f3ea2c250b21.mp3,https://cdn2.suno.ai/image_d93d4c8c-91b0-495e-b1a0-f3ea2c250b21.jpeg,https://cdn2.suno.ai/image_large_d93d4c8c-91b0-495e-b1a0-f3ea2c250b21.jpeg audio/d555f908-b34c-40fe-90d5-5b03b45f3cb3.mp3,d555f908-b34c-40fe-90d5-5b03b45f3cb3,DS_psytrance_goa_oldschool_1328e,v5.5,chirp-fenix,complete,244.68,True,"Goa trance, oldschool 1996 vibe at 140 BPM with hypnotic analog arpeggios in a JX-3P style, raw resonant 303 bassline, tribal tom pulses, ethnic flute phrases, and warm tape-saturated texture in E dorian. Intro starts with distant drone and hand-drum pattern; middle sections thicken with stacked arp layers; peak breaks into flute call motifs, then returns with full acid drive. Wide, glowing, vintage-mystic mix., goa trance, raw, warm, bassline","Goa trance 1996 oldschool, 140 BPM analog arpeggios Roland JX style, raw 303 bassline, tribal toms, ethnic flute samples, tape saturation warm, dorian E minor mode, 8 minute mystical development, no vocals instrumental",[Instrumental],2026-05-24T17:05:15.915Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d555f908-b34c-40fe-90d5-5b03b45f3cb3.mp3,https://cdn2.suno.ai/image_d555f908-b34c-40fe-90d5-5b03b45f3cb3.jpeg,https://cdn2.suno.ai/image_large_d555f908-b34c-40fe-90d5-5b03b45f3cb3.jpeg audio/2dd7b8e0-2cc2-4b67-b722-d1468658ec4b.mp3,2dd7b8e0-2cc2-4b67-b722-d1468658ec4b,DS_dnb_neurofunk_dark_124a9,v5.5,chirp-fenix,complete,210.68,True,"Neurofunk drum and bass at 176 BPM with technical half-time pressure, distorted reese bass, hyper-detailed drum programming, metallic FX, dark synth pads, and chromatic G minor stabs; breakdowns narrow to sub pulses and fractured percussion, then drops explode with snarling bass layers and stuttering fills, with a final third that keeps mutating the groove. Glitchy risers, reversed impacts, and grated transitions. Dark, precise, futuristic mix with cold Czech club tension., complex, drum and bass, neurofunk","Neurofunk drum and bass technical, 176 BPM, distorted reese bass, complex drum programming, metallic FX, dark synth pads, chromatic stabs G minor, intense futuristic mood, Czech neurofunk aesthetic, 5 minute drop and breakdown structure, instrumental",[Instrumental],2026-05-24T17:04:31.461Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2dd7b8e0-2cc2-4b67-b722-d1468658ec4b.mp3,https://cdn2.suno.ai/image_2dd7b8e0-2cc2-4b67-b722-d1468658ec4b.jpeg,https://cdn2.suno.ai/image_large_2dd7b8e0-2cc2-4b67-b722-d1468658ec4b.jpeg audio/e209d20f-1dfc-4780-a728-772edd8f4ac9.mp3,e209d20f-1dfc-4780-a728-772edd8f4ac9,DS_dnb_neurofunk_dark_124a9,v5.5,chirp-fenix,complete,212.12,True,"Neurofunk drum and bass at 176 BPM with technical half-time pressure, distorted reese bass, hyper-detailed drum programming, metallic FX, dark synth pads, and chromatic G minor stabs; breakdowns narrow to sub pulses and fractured percussion, then drops explode with snarling bass layers and stuttering fills, with a final third that keeps mutating the groove. Glitchy risers, reversed impacts, and grated transitions. Dark, precise, futuristic mix with cold Czech club tension., complex, drum and bass, neurofunk","Neurofunk drum and bass technical, 176 BPM, distorted reese bass, complex drum programming, metallic FX, dark synth pads, chromatic stabs G minor, intense futuristic mood, Czech neurofunk aesthetic, 5 minute drop and breakdown structure, instrumental",[Instrumental],2026-05-24T17:04:31.461Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e209d20f-1dfc-4780-a728-772edd8f4ac9.mp3,https://cdn2.suno.ai/image_e209d20f-1dfc-4780-a728-772edd8f4ac9.jpeg,https://cdn2.suno.ai/image_large_e209d20f-1dfc-4780-a728-772edd8f4ac9.jpeg audio/5db757a2-c5b1-430a-b776-03f7ebe3af93.mp3,5db757a2-c5b1-430a-b776-03f7ebe3af93,DS_lounge_exotica_60s_11th0,v5.5,chirp-fenix,complete,174.0,True,"Lounge exotica, mid-tempo 95 BPM with swung brushed drums, upright bass, vibraphone lead, exotica hand percussion, sparse F major piano, and muted trumpet colors. Intro opens with brushed kit and bass; verse-like A section adds vibraphone phrases; middle section widens with trumpet stabs and piano fills; final section slips back to bare bass and mallet shimmer. Warm tape hiss, close room mics, smoky vintage mix., exotica, lounge","Lounge exotica 60s vintage, 95 BPM, vibraphone lead, upright bass, brushed drums, exotica percussion, sparse piano F major, subtle muted trumpet, California 1962 lounge aesthetic, 4 minute smoky relaxed track, instrumental",[Instrumental],2026-05-24T17:04:17.565Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5db757a2-c5b1-430a-b776-03f7ebe3af93.mp3,https://cdn2.suno.ai/image_5db757a2-c5b1-430a-b776-03f7ebe3af93.jpeg,https://cdn2.suno.ai/image_large_5db757a2-c5b1-430a-b776-03f7ebe3af93.jpeg audio/c3f135c6-3e56-47d7-b336-c42efe3adab1.mp3,c3f135c6-3e56-47d7-b336-c42efe3adab1,DS_lounge_exotica_60s_11th0,v5.5,chirp-fenix,complete,147.88,True,"Lounge exotica, mid-tempo 95 BPM with swung brushed drums, upright bass, vibraphone lead, exotica hand percussion, sparse F major piano, and muted trumpet colors. Intro opens with brushed kit and bass; verse-like A section adds vibraphone phrases; middle section widens with trumpet stabs and piano fills; final section slips back to bare bass and mallet shimmer. Warm tape hiss, close room mics, smoky vintage mix., exotica, lounge","Lounge exotica 60s vintage, 95 BPM, vibraphone lead, upright bass, brushed drums, exotica percussion, sparse piano F major, subtle muted trumpet, California 1962 lounge aesthetic, 4 minute smoky relaxed track, instrumental",[Instrumental],2026-05-24T17:04:17.565Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c3f135c6-3e56-47d7-b336-c42efe3adab1.mp3,https://cdn2.suno.ai/image_c3f135c6-3e56-47d7-b336-c42efe3adab1.jpeg,https://cdn2.suno.ai/image_large_c3f135c6-3e56-47d7-b336-c42efe3adab1.jpeg audio/5323680f-a342-4297-8745-326475d1f610.mp3,5323680f-a342-4297-8745-326475d1f610,DS_boom_bap_90s_east_coast_1137c,v5.5,chirp-fenix,complete,97.56,True,"Boom bap 90s East Coast instrumental at 90 BPM with swung SP-1200 dusty drums, chopped soul loops, upright bass chops, scratch FX, heavy vinyl crackle, and sharp horn stabs; verse section stays sample-led and skeletal, mid-break opens with filtered horns and loop switch-ups, final pass layers extra drum hits and bass accents for a grimy head-nod arc. Close, gritty texture with punchy low end and worn-tape warmth., scratch, soul","Boom bap 90s East Coast instrumental, 90 BPM, SP-1200 dusty drums, chopped soul samples, upright bass chops, scratch FX, heavy vinyl crackle, horn stabs, A minor gritty, NYC 1994 aesthetic, 4 minute head-nod instrumental",[Instrumental],2026-05-24T17:03:43.500Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5323680f-a342-4297-8745-326475d1f610.mp3,https://cdn2.suno.ai/image_5323680f-a342-4297-8745-326475d1f610.jpeg,https://cdn2.suno.ai/image_large_5323680f-a342-4297-8745-326475d1f610.jpeg audio/79e09ca2-4e88-4daa-90fd-dd5af746b6a7.mp3,79e09ca2-4e88-4daa-90fd-dd5af746b6a7,DS_boom_bap_90s_east_coast_1137c,v5.5,chirp-fenix,complete,97.04,True,"Boom bap 90s East Coast instrumental at 90 BPM with swung SP-1200 dusty drums, chopped soul loops, upright bass chops, scratch FX, heavy vinyl crackle, and sharp horn stabs; verse section stays sample-led and skeletal, mid-break opens with filtered horns and loop switch-ups, final pass layers extra drum hits and bass accents for a grimy head-nod arc. Close, gritty texture with punchy low end and worn-tape warmth., scratch, soul","Boom bap 90s East Coast instrumental, 90 BPM, SP-1200 dusty drums, chopped soul samples, upright bass chops, scratch FX, heavy vinyl crackle, horn stabs, A minor gritty, NYC 1994 aesthetic, 4 minute head-nod instrumental",[Instrumental],2026-05-24T17:03:43.500Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/79e09ca2-4e88-4daa-90fd-dd5af746b6a7.mp3,https://cdn2.suno.ai/image_79e09ca2-4e88-4daa-90fd-dd5af746b6a7.jpeg,https://cdn2.suno.ai/image_large_79e09ca2-4e88-4daa-90fd-dd5af746b6a7.jpeg audio/cae3e632-7618-41e9-ac3b-a43888cde507.mp3,cae3e632-7618-41e9-ac3b-a43888cde507,DS_classical_piano_romantic_short_10fnr,v5.5,chirp-fenix,complete,144.76,True,"Romantic solo piano, 85 BPM with rubato phrasing in C minor; expressive European classical tradition, intimate and melancholic. Verse-like opening leans on sparse left-hand tolling; a middle section lifts into wider arpeggios and sighing cadences; final reprise returns softer and more fragile. Recorded close-mic with natural pedal bloom, gentle room resonance, and a few poised pauses that feel like held breath. Warm, detailed, and emotionally immediate., romantic, emotional","Romantic piano solo short form, 85 BPM, solo expressive piano with rubato, C minor melancholic, European romantic tradition aesthetic, 4 minute intimate emotional piano piece, no vocals instrumental",[Instrumental],2026-05-24T17:03:12.932Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cae3e632-7618-41e9-ac3b-a43888cde507.mp3,https://cdn2.suno.ai/image_cae3e632-7618-41e9-ac3b-a43888cde507.jpeg,https://cdn2.suno.ai/image_large_cae3e632-7618-41e9-ac3b-a43888cde507.jpeg audio/60f95b89-2b81-4af6-84d5-692935122505.mp3,60f95b89-2b81-4af6-84d5-692935122505,DS_classical_piano_romantic_short_10fnr,v5.5,chirp-fenix,complete,134.4,True,"Romantic solo piano, 85 BPM with rubato phrasing in C minor; expressive European classical tradition, intimate and melancholic. Verse-like opening leans on sparse left-hand tolling; a middle section lifts into wider arpeggios and sighing cadences; final reprise returns softer and more fragile. Recorded close-mic with natural pedal bloom, gentle room resonance, and a few poised pauses that feel like held breath. Warm, detailed, and emotionally immediate., romantic, emotional","Romantic piano solo short form, 85 BPM, solo expressive piano with rubato, C minor melancholic, European romantic tradition aesthetic, 4 minute intimate emotional piano piece, no vocals instrumental",[Instrumental],2026-05-24T17:03:12.932Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/60f95b89-2b81-4af6-84d5-692935122505.mp3,https://cdn2.suno.ai/image_60f95b89-2b81-4af6-84d5-692935122505.jpeg,https://cdn2.suno.ai/image_large_60f95b89-2b81-4af6-84d5-692935122505.jpeg audio/b047d20a-aca5-4836-9fab-25118188f6eb.mp3,b047d20a-aca5-4836-9fab-25118188f6eb,Vinyl Pulse,v5.5,chirp-fenix,complete,211.92,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:02:46.464Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b047d20a-aca5-4836-9fab-25118188f6eb.mp3,https://cdn2.suno.ai/image_b047d20a-aca5-4836-9fab-25118188f6eb.jpeg,https://cdn2.suno.ai/image_large_b047d20a-aca5-4836-9fab-25118188f6eb.jpeg audio/6b98e503-6d22-47d7-80d6-2173d7feb79a.mp3,6b98e503-6d22-47d7-80d6-2173d7feb79a,Vinyl Pulse,v5.5,chirp-fenix,complete,479.4,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:02:46.464Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6b98e503-6d22-47d7-80d6-2173d7feb79a.mp3,https://cdn2.suno.ai/image_6b98e503-6d22-47d7-80d6-2173d7feb79a.jpeg,https://cdn2.suno.ai/image_large_6b98e503-6d22-47d7-80d6-2173d7feb79a.jpeg audio/0f6f7143-db80-407b-9352-a482bc8bf501.mp3,0f6f7143-db80-407b-9352-a482bc8bf501,DS_jazz_fusion_70s_accesible_0zk4d,v5.5,chirp-fenix,complete,204.44,True,"Jazz fusion, mid-tempo 115 BPM with a 1970s CTI Records glide; relaxed but syncopated groove on fusion drums with rim shots, electric jazz bass, Rhodes chords, clean electric guitar, and a Moog lead in D minor modal. Verse rides the Rhodes and bass; breaks open for guitar lines; final sections widen with layered synths and tight drum fills. Close, glossy analog mix, warm and upscale, with tape-sheen sparkle and roomy low end., sophisticated, electric, clean, jazz fusion, jazz bass","Jazz fusion 70s accessible, 115 BPM, Rhodes electric piano, Moog synth lead, electric jazz bass, fusion drums with rim shots, clean electric guitar, D minor modal, CTI Records 1974 aesthetic, 7 minute sophisticated fusion groove, instrumental",[Instrumental],2026-05-24T17:02:32.082Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0f6f7143-db80-407b-9352-a482bc8bf501.mp3,https://cdn2.suno.ai/image_0f6f7143-db80-407b-9352-a482bc8bf501.jpeg,https://cdn2.suno.ai/image_large_0f6f7143-db80-407b-9352-a482bc8bf501.jpeg audio/5ecfec2d-e8fe-4ae4-b2a2-82e12326d34a.mp3,5ecfec2d-e8fe-4ae4-b2a2-82e12326d34a,DS_jazz_fusion_70s_accesible_0zk4d,v5.5,chirp-fenix,complete,203.64,True,"Jazz fusion, mid-tempo 115 BPM with a 1970s CTI Records glide; relaxed but syncopated groove on fusion drums with rim shots, electric jazz bass, Rhodes chords, clean electric guitar, and a Moog lead in D minor modal. Verse rides the Rhodes and bass; breaks open for guitar lines; final sections widen with layered synths and tight drum fills. Close, glossy analog mix, warm and upscale, with tape-sheen sparkle and roomy low end., sophisticated, electric, clean, jazz fusion, jazz bass","Jazz fusion 70s accessible, 115 BPM, Rhodes electric piano, Moog synth lead, electric jazz bass, fusion drums with rim shots, clean electric guitar, D minor modal, CTI Records 1974 aesthetic, 7 minute sophisticated fusion groove, instrumental",[Instrumental],2026-05-24T17:02:32.082Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5ecfec2d-e8fe-4ae4-b2a2-82e12326d34a.mp3,https://cdn2.suno.ai/image_5ecfec2d-e8fe-4ae4-b2a2-82e12326d34a.jpeg,https://cdn2.suno.ai/image_large_5ecfec2d-e8fe-4ae4-b2a2-82e12326d34a.jpeg audio/96662872-816e-4382-ba6c-6ce3edf4a867.mp3,96662872-816e-4382-ba6c-6ce3edf4a867,Vinyl Haze Breath,v5.5,chirp-fenix,complete,113.68,False,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,no lyrics please,2026-05-24T17:02:31.597Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/96662872-816e-4382-ba6c-6ce3edf4a867.mp3,https://cdn2.suno.ai/image_96662872-816e-4382-ba6c-6ce3edf4a867.jpeg,https://cdn2.suno.ai/image_large_96662872-816e-4382-ba6c-6ce3edf4a867.jpeg audio/c43aa251-4337-445d-81f9-6aa6edca6db4.mp3,c43aa251-4337-445d-81f9-6aa6edca6db4,Vinyl Haze Breath,v5.5,chirp-fenix,complete,148.52,False,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,no lyrics please,2026-05-24T17:02:31.597Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c43aa251-4337-445d-81f9-6aa6edca6db4.mp3,https://cdn2.suno.ai/image_c43aa251-4337-445d-81f9-6aa6edca6db4.jpeg,https://cdn2.suno.ai/image_large_c43aa251-4337-445d-81f9-6aa6edca6db4.jpeg audio/13bc18dd-f257-4891-b13a-45aa68d410b4.mp3,13bc18dd-f257-4891-b13a-45aa68d410b4,DS_afrobeat_modern_sax_solo_0skwr,v5.5,chirp-fenix,complete,194.52,True,"Afrobeat instrumental at 110 BPM with polyrhythmic congas, West African funk guitar, deep bass groove, Hammond organ swells, and an extended tenor sax lead over F minor Yoruba pentatonic colors. Verse sections rotate sparse guitar and bass; breakdown opens to hand drums and organ; climax brings subtle horn stabs and sax improvisation. Long-take feel, punchy low end, warm live room mix with Brooklyn revival polish., deep, afrobeat, saxophone, funk","Modern afrobeat instrumental sax-driven, 110 BPM, extended tenor saxophone lead, polyrhythmic congas, West African funk guitar, deep bass groove, Hammond organ, subtle horn section, F minor Yoruba pentatonic modal, Brooklyn afrobeat revival 2022 aesthetic, 8 minute polyrhythmic spiritual groove, instrumental",[Instrumental],2026-05-24T16:57:06.897Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/13bc18dd-f257-4891-b13a-45aa68d410b4.mp3,https://cdn2.suno.ai/image_13bc18dd-f257-4891-b13a-45aa68d410b4.jpeg,https://cdn2.suno.ai/image_large_13bc18dd-f257-4891-b13a-45aa68d410b4.jpeg audio/2dbcb598-e69c-4f0a-a4b9-528cd52599b0.mp3,2dbcb598-e69c-4f0a-a4b9-528cd52599b0,DS_afrobeat_modern_sax_solo_0skwr,v5.5,chirp-fenix,complete,211.6,True,"Afrobeat instrumental at 110 BPM with polyrhythmic congas, West African funk guitar, deep bass groove, Hammond organ swells, and an extended tenor sax lead over F minor Yoruba pentatonic colors. Verse sections rotate sparse guitar and bass; breakdown opens to hand drums and organ; climax brings subtle horn stabs and sax improvisation. Long-take feel, punchy low end, warm live room mix with Brooklyn revival polish., deep, afrobeat, saxophone, funk","Modern afrobeat instrumental sax-driven, 110 BPM, extended tenor saxophone lead, polyrhythmic congas, West African funk guitar, deep bass groove, Hammond organ, subtle horn section, F minor Yoruba pentatonic modal, Brooklyn afrobeat revival 2022 aesthetic, 8 minute polyrhythmic spiritual groove, instrumental",[Instrumental],2026-05-24T16:57:06.897Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2dbcb598-e69c-4f0a-a4b9-528cd52599b0.mp3,https://cdn2.suno.ai/image_2dbcb598-e69c-4f0a-a4b9-528cd52599b0.jpeg,https://cdn2.suno.ai/image_large_2dbcb598-e69c-4f0a-a4b9-528cd52599b0.jpeg audio/4404f1f7-2e88-456a-8300-061fd89f3605.mp3,4404f1f7-2e88-456a-8300-061fd89f3605,DS_synthwave_outrun_0qztd,v5.5,chirp-fenix,complete,177.68,True,"Synthwave outrun at 100 BPM with a driving four-on-the-floor pulse, arpeggiated minor bassline, analog lead climbs, gated reverb snare, warm pads, and DX7 electric piano shimmer. Verse-like sections start sparse with bass and pulse; mid-build adds stacked arps and toms; final lift opens into wide leads and soaring pad chords. Crisp, glossy, cinematic mix with retro punch, neon-bloom highs, and deep sub glow., uplifting, electric, bassline, nostalgic, warm","Synthwave outrun nostalgic 80s, 100 BPM, analog synth lead, gated reverb snare, arpeggiated bassline A minor, warm pads, FM DX7 electric piano, 1985 production aesthetic, 4 minute cinematic uplifting instrumental",[Instrumental],2026-05-24T16:55:52.538Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4404f1f7-2e88-456a-8300-061fd89f3605.mp3,https://cdn2.suno.ai/image_4404f1f7-2e88-456a-8300-061fd89f3605.jpeg,https://cdn2.suno.ai/image_large_4404f1f7-2e88-456a-8300-061fd89f3605.jpeg audio/c631dd02-1ee6-497b-a0bc-d4a7972408f8.mp3,c631dd02-1ee6-497b-a0bc-d4a7972408f8,DS_synthwave_outrun_0qztd,v5.5,chirp-fenix,complete,127.16,True,"Synthwave outrun at 100 BPM with a driving four-on-the-floor pulse, arpeggiated minor bassline, analog lead climbs, gated reverb snare, warm pads, and DX7 electric piano shimmer. Verse-like sections start sparse with bass and pulse; mid-build adds stacked arps and toms; final lift opens into wide leads and soaring pad chords. Crisp, glossy, cinematic mix with retro punch, neon-bloom highs, and deep sub glow., uplifting, electric, bassline, nostalgic, warm","Synthwave outrun nostalgic 80s, 100 BPM, analog synth lead, gated reverb snare, arpeggiated bassline A minor, warm pads, FM DX7 electric piano, 1985 production aesthetic, 4 minute cinematic uplifting instrumental",[Instrumental],2026-05-24T16:55:52.538Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c631dd02-1ee6-497b-a0bc-d4a7972408f8.mp3,https://cdn2.suno.ai/image_c631dd02-1ee6-497b-a0bc-d4a7972408f8.jpeg,https://cdn2.suno.ai/image_large_c631dd02-1ee6-497b-a0bc-d4a7972408f8.jpeg audio/716becd4-525a-43af-83c0-0d0cccaf4f37.mp3,716becd4-525a-43af-83c0-0d0cccaf4f37,DS_drum_funk_breaks_0pqar,v5.5,chirp-fenix,complete,175.36,True,"UK big beat with chopped funk breaks at 120 BPM, swung and syncopated; verse groove stays raw with dusty drums, wah guitar chops, funk bass loops, and vinyl crackle, then each drop opens into horn stabs, scratch FX, and wider percussion. Breakdowns mute to bass and filtered samples before slam-back choruses. Bright, punchy, analog-dusty mix with heavy sidechain pump., breaks, groovy, funk, scratch, funky, big beat","Funk breaks instrumental, 120 BPM, chopped funk breaks, wah guitar samples, horn stabs, funk bass samples, scratch FX, vinyl crackle, E minor groovy, UK big beat 1996 aesthetic, 5 minute funky energetic instrumental",[Instrumental],2026-05-24T16:54:54.305Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/716becd4-525a-43af-83c0-0d0cccaf4f37.mp3,https://cdn2.suno.ai/image_716becd4-525a-43af-83c0-0d0cccaf4f37.jpeg,https://cdn2.suno.ai/image_large_716becd4-525a-43af-83c0-0d0cccaf4f37.jpeg audio/0aa6013f-187f-40e8-acb4-cb5cd583eed8.mp3,0aa6013f-187f-40e8-acb4-cb5cd583eed8,DS_drum_funk_breaks_0pqar,v5.5,chirp-fenix,complete,175.92,True,"UK big beat with chopped funk breaks at 120 BPM, swung and syncopated; verse groove stays raw with dusty drums, wah guitar chops, funk bass loops, and vinyl crackle, then each drop opens into horn stabs, scratch FX, and wider percussion. Breakdowns mute to bass and filtered samples before slam-back choruses. Bright, punchy, analog-dusty mix with heavy sidechain pump., breaks, groovy, funk, scratch, funky, big beat","Funk breaks instrumental, 120 BPM, chopped funk breaks, wah guitar samples, horn stabs, funk bass samples, scratch FX, vinyl crackle, E minor groovy, UK big beat 1996 aesthetic, 5 minute funky energetic instrumental",[Instrumental],2026-05-24T16:54:54.305Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0aa6013f-187f-40e8-acb4-cb5cd583eed8.mp3,https://cdn2.suno.ai/image_0aa6013f-187f-40e8-acb4-cb5cd583eed8.jpeg,https://cdn2.suno.ai/image_large_0aa6013f-187f-40e8-acb4-cb5cd583eed8.jpeg audio/2cb5b268-a8d6-4297-b2da-b2488461e317.mp3,2cb5b268-a8d6-4297-b2da-b2488461e317,DS_hyperpop_modern_0odom,v5.5,chirp-fenix,complete,168.72,False,"Hyperpop with glitchy 7/8 cross-rhythms, elastic tempo-feel, and changing internal phrasing; verse rides chopped boom-bap samples and sub-bass forest pulses, pre-chorus narrows to pitched vocal shards and snare stutters, chorus opens with stacked pitch-shifted lead, brighter synth spikes, and a short chantable anchor. Vocals alternate crisp close-mic lines with octave-doubled hook bursts, throw delays on key words, reversed swells into section turns, and tiny filtered ear-candy hits between phrases. Bright, saturated, and punchy with a surreal low-end bloom., vocal, hyperpop","Hyperpop base + polirritmia 7/8 cross, vocal pitch-shift, sub-bass forest psy, samples boom bap chopeados, métrica cambiante intra-tema, 2:30 min","[Verse 1] Pisé barro, traje relámpagos, mi sombra baila fuera del compás. Ocho dientes mordiéndome el pulso, pero yo sigo, no me van a atar. La rama cruje, yo cambio de cara, tu voz se parte en cristal y sal. Traigo el pecho lleno de chispas, y un mapa roto para volver atrás. [Pre-Chorus] Mírame bien, ya no soy igual. Uno, dos, tres, me vuelvo a doblar. Sube la señal, cae el umbral, y en el borde del bosque me vuelvo a encontrar. [Chorus] Bosque en siete, bosque en siete (bo-bosque en siete) Gira mi nombre, cambia la piel (bo-bosque en siete) Bosque en siete, bosque en siete yo caigo bien Si me pierdo, vuelvo a nacer vuelvo a nacer [Verse 2] Corto los samples, los dejo en mi boca, suenan como huesos de un carnaval. Tu promesa vino en tres pedazos, yo la cosí con hambre y señal. Hay luciérnagas dentro del pecho, pegan al vidrio de mi ansiedad. Cada salto me cambia la cara, cada silencio me da más gana. [Pre-Chorus] Mírame bien, ya no soy igual. Uno, dos, tres, me vuelvo a doblar. Sube la señal, cae el umbral, y en el borde del bosque me vuelvo a encontrar. [Chorus] Bosque en siete, bosque en siete (bo-bosque en siete) Gira mi nombre, cambia la piel (bo-bosque en siete) Bosque en siete, bosque en siete yo caigo bien Si me pierdo, vuelvo a nacer vuelvo a nacer [Bridge] Ahora hablo en dos voces, una huye, otra va. Se rompe la ruta, pero nace el azar. Si me llamas, contesto desde otro lugar, con la boca en pedazos y el corazón lunar. [Chorus] Bosque en siete, bosque en siete (bo-bosque en siete) Gira mi nombre, cambia la piel (bo-bosque en siete) Bosque en siete, bosque en siete yo caigo bien Si me pierdo, vuelvo a nacer vuelvo a nacer",2026-05-24T16:53:51.287Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2cb5b268-a8d6-4297-b2da-b2488461e317.mp3,https://cdn2.suno.ai/image_2cb5b268-a8d6-4297-b2da-b2488461e317.jpeg,https://cdn2.suno.ai/image_large_2cb5b268-a8d6-4297-b2da-b2488461e317.jpeg audio/277ee5aa-ebe5-4817-855b-ab9591291f8a.mp3,277ee5aa-ebe5-4817-855b-ab9591291f8a,DS_hyperpop_modern_0odom,v5.5,chirp-fenix,complete,168.8,False,"Hyperpop with glitchy 7/8 cross-rhythms, elastic tempo-feel, and changing internal phrasing; verse rides chopped boom-bap samples and sub-bass forest pulses, pre-chorus narrows to pitched vocal shards and snare stutters, chorus opens with stacked pitch-shifted lead, brighter synth spikes, and a short chantable anchor. Vocals alternate crisp close-mic lines with octave-doubled hook bursts, throw delays on key words, reversed swells into section turns, and tiny filtered ear-candy hits between phrases. Bright, saturated, and punchy with a surreal low-end bloom., vocal, hyperpop","Hyperpop base + polirritmia 7/8 cross, vocal pitch-shift, sub-bass forest psy, samples boom bap chopeados, métrica cambiante intra-tema, 2:30 min","[Verse 1] Pisé barro, traje relámpagos, mi sombra baila fuera del compás. Ocho dientes mordiéndome el pulso, pero yo sigo, no me van a atar. La rama cruje, yo cambio de cara, tu voz se parte en cristal y sal. Traigo el pecho lleno de chispas, y un mapa roto para volver atrás. [Pre-Chorus] Mírame bien, ya no soy igual. Uno, dos, tres, me vuelvo a doblar. Sube la señal, cae el umbral, y en el borde del bosque me vuelvo a encontrar. [Chorus] Bosque en siete, bosque en siete (bo-bosque en siete) Gira mi nombre, cambia la piel (bo-bosque en siete) Bosque en siete, bosque en siete yo caigo bien Si me pierdo, vuelvo a nacer vuelvo a nacer [Verse 2] Corto los samples, los dejo en mi boca, suenan como huesos de un carnaval. Tu promesa vino en tres pedazos, yo la cosí con hambre y señal. Hay luciérnagas dentro del pecho, pegan al vidrio de mi ansiedad. Cada salto me cambia la cara, cada silencio me da más gana. [Pre-Chorus] Mírame bien, ya no soy igual. Uno, dos, tres, me vuelvo a doblar. Sube la señal, cae el umbral, y en el borde del bosque me vuelvo a encontrar. [Chorus] Bosque en siete, bosque en siete (bo-bosque en siete) Gira mi nombre, cambia la piel (bo-bosque en siete) Bosque en siete, bosque en siete yo caigo bien Si me pierdo, vuelvo a nacer vuelvo a nacer [Bridge] Ahora hablo en dos voces, una huye, otra va. Se rompe la ruta, pero nace el azar. Si me llamas, contesto desde otro lugar, con la boca en pedazos y el corazón lunar. [Chorus] Bosque en siete, bosque en siete (bo-bosque en siete) Gira mi nombre, cambia la piel (bo-bosque en siete) Bosque en siete, bosque en siete yo caigo bien Si me pierdo, vuelvo a nacer vuelvo a nacer",2026-05-24T16:53:51.287Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/277ee5aa-ebe5-4817-855b-ab9591291f8a.mp3,https://cdn2.suno.ai/image_277ee5aa-ebe5-4817-855b-ab9591291f8a.jpeg,https://cdn2.suno.ai/image_large_277ee5aa-ebe5-4817-855b-ab9591291f8a.jpeg audio/a93db307-3a1f-4f18-913f-21c6f1163414.mp3,a93db307-3a1f-4f18-913f-21c6f1163414,DS_latin_pop_femenino_modern_0mu4d,v5.5,chirp-fenix,complete,212.4,False,"Latin pop with bachata-merengue fusion, swung and humanized Dilla-style drums, lush altered jazz chords, ethio-jazz sample textures, and a glossy dance-floor pulse; verse stays light with nylon guitar and muted percussion, pre-chorus lifts with congas, bass turns more active, and chorus opens into a singable, percussive hook. Bridge filters into gospel-style group vocals with chopped harmonies, reverse swells, and a brief instrumental turn from horn stabs to airy keys. Warm wide mix with crisp top end, intimate lead vocal, stacked doubles on the hook, and short delay throws on key phrases., jazz, merengue, gospel, bachata, latin pop","Latin pop base + bachata-merengue fusion, jazz altered chords, samples ethio-jazz, drums Dilla humanizados, coros gospel filtered en bridge, 4 min","[Verse 1] Te vi pasar bajo el maguey con esa calma de no querer yo iba de largo, tú me frenaste con una mirada me desarmaste La calle olía a canela y sal y el tamborito empezó a hablar tu risa subió por el callejón como un secreto de mi corazón [Pre-Chorus] Y ahora dime qué va a pasar si te acercas, me voy a quedar tu boca dice ven y mi cuerpo dice también [Chorus] Quédate aquí quédate aquí si tú te vas, me faltas a mí Quédate aquí quédate aquí báilame lento, no digas que sí [Verse 2] La noche cae sobre el balcón tú con tu jean, yo con la canción la luna llena mordió el cristal y el bajo empujó lo sentimental Traes en la piel un mapa del mar yo traigo ganas de naufragar si me sonríes, pierdo la razón y se me sale todo el corazón [Pre-Chorus] Y ahora dime qué va a pasar si te acercas, me voy a quedar tu boca dice ven y mi cuerpo dice también [Chorus] Quédate aquí quédate aquí si tú te vas, me faltas a mí Quédate aquí quédate aquí báilame lento, no digas que sí [Bridge] (Oh, quédate) (Oh, quédate) siempre vuelve la voz del barrio (Oh, quédate) (Oh, quédate) cuando tiembla el mundo a mi lado Tu nombre cae como lluvia en flor me limpia el miedo, me cambia la voz y en este instante, sin condición se abre la puerta del corazón [Chorus] Quédate aquí quédate aquí si tú te vas, me faltas a mí Quédate aquí quédate aquí báilame lento, no digas que sí [Outro] Quédate aquí quédate aquí hasta que amanezca en mí",2026-05-24T16:52:39.253Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a93db307-3a1f-4f18-913f-21c6f1163414.mp3,https://cdn2.suno.ai/image_a93db307-3a1f-4f18-913f-21c6f1163414.jpeg,https://cdn2.suno.ai/image_large_a93db307-3a1f-4f18-913f-21c6f1163414.jpeg audio/60343353-1030-4756-b7df-73e65227ab36.mp3,60343353-1030-4756-b7df-73e65227ab36,DS_latin_pop_femenino_modern_0mu4d,v5.5,chirp-fenix,complete,237.2,False,"Latin pop with bachata-merengue fusion, swung and humanized Dilla-style drums, lush altered jazz chords, ethio-jazz sample textures, and a glossy dance-floor pulse; verse stays light with nylon guitar and muted percussion, pre-chorus lifts with congas, bass turns more active, and chorus opens into a singable, percussive hook. Bridge filters into gospel-style group vocals with chopped harmonies, reverse swells, and a brief instrumental turn from horn stabs to airy keys. Warm wide mix with crisp top end, intimate lead vocal, stacked doubles on the hook, and short delay throws on key phrases., jazz, merengue, gospel, bachata, latin pop","Latin pop base + bachata-merengue fusion, jazz altered chords, samples ethio-jazz, drums Dilla humanizados, coros gospel filtered en bridge, 4 min","[Verse 1] Te vi pasar bajo el maguey con esa calma de no querer yo iba de largo, tú me frenaste con una mirada me desarmaste La calle olía a canela y sal y el tamborito empezó a hablar tu risa subió por el callejón como un secreto de mi corazón [Pre-Chorus] Y ahora dime qué va a pasar si te acercas, me voy a quedar tu boca dice ven y mi cuerpo dice también [Chorus] Quédate aquí quédate aquí si tú te vas, me faltas a mí Quédate aquí quédate aquí báilame lento, no digas que sí [Verse 2] La noche cae sobre el balcón tú con tu jean, yo con la canción la luna llena mordió el cristal y el bajo empujó lo sentimental Traes en la piel un mapa del mar yo traigo ganas de naufragar si me sonríes, pierdo la razón y se me sale todo el corazón [Pre-Chorus] Y ahora dime qué va a pasar si te acercas, me voy a quedar tu boca dice ven y mi cuerpo dice también [Chorus] Quédate aquí quédate aquí si tú te vas, me faltas a mí Quédate aquí quédate aquí báilame lento, no digas que sí [Bridge] (Oh, quédate) (Oh, quédate) siempre vuelve la voz del barrio (Oh, quédate) (Oh, quédate) cuando tiembla el mundo a mi lado Tu nombre cae como lluvia en flor me limpia el miedo, me cambia la voz y en este instante, sin condición se abre la puerta del corazón [Chorus] Quédate aquí quédate aquí si tú te vas, me faltas a mí Quédate aquí quédate aquí báilame lento, no digas que sí [Outro] Quédate aquí quédate aquí hasta que amanezca en mí",2026-05-24T16:52:39.253Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/60343353-1030-4756-b7df-73e65227ab36.mp3,https://cdn2.suno.ai/image_60343353-1030-4756-b7df-73e65227ab36.jpeg,https://cdn2.suno.ai/image_large_60343353-1030-4756-b7df-73e65227ab36.jpeg audio/a31cfe09-9ea1-46ce-a9d7-8d3662667235.mp3,a31cfe09-9ea1-46ce-a9d7-8d3662667235,DS_lofi_hiphop_chillhop_0lfz4,v5.5,chirp-fenix,complete,128.16,True,"Lo-fi hip hop chillhop at 80 BPM with swung dusty boom-bap drums, warm sub-bass, jazzy C major piano voicings, Rhodes comping, muted trumpet chops, and rain field recordings. Intro opens with vinyl crackle and filtered piano; verses ride sparse drums and bass; midsection adds fuller Rhodes layers; final pass softens into chopped trumpet echoes. Intimate, dusty, late-night study-room mix., warm, jazzy, lo-fi, hip hop, mellow","Lo-fi hip hop chillhop, 80 BPM, jazzy piano chords C major, warm sub-bass, dusty boom bap drums, vinyl crackle, Rhodes piano, muted trumpet samples, rain field recordings, mellow study aesthetic, 3 minute instrumental",[Instrumental],2026-05-24T16:51:33.808Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a31cfe09-9ea1-46ce-a9d7-8d3662667235.mp3,https://cdn2.suno.ai/image_a31cfe09-9ea1-46ce-a9d7-8d3662667235.jpeg,https://cdn2.suno.ai/image_large_a31cfe09-9ea1-46ce-a9d7-8d3662667235.jpeg audio/a399b992-3b25-4684-9880-11f0ad01466b.mp3,a399b992-3b25-4684-9880-11f0ad01466b,DS_lofi_hiphop_chillhop_0lfz4,v5.5,chirp-fenix,complete,147.08,True,"Lo-fi hip hop chillhop at 80 BPM with swung dusty boom-bap drums, warm sub-bass, jazzy C major piano voicings, Rhodes comping, muted trumpet chops, and rain field recordings. Intro opens with vinyl crackle and filtered piano; verses ride sparse drums and bass; midsection adds fuller Rhodes layers; final pass softens into chopped trumpet echoes. Intimate, dusty, late-night study-room mix., warm, jazzy, lo-fi, hip hop, mellow","Lo-fi hip hop chillhop, 80 BPM, jazzy piano chords C major, warm sub-bass, dusty boom bap drums, vinyl crackle, Rhodes piano, muted trumpet samples, rain field recordings, mellow study aesthetic, 3 minute instrumental",[Instrumental],2026-05-24T16:51:33.808Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a399b992-3b25-4684-9880-11f0ad01466b.mp3,https://cdn2.suno.ai/image_a399b992-3b25-4684-9880-11f0ad01466b.jpeg,https://cdn2.suno.ai/image_large_a399b992-3b25-4684-9880-11f0ad01466b.jpeg audio/d6f856eb-c16d-4d79-82ae-0509743392e1.mp3,d6f856eb-c16d-4d79-82ae-0509743392e1,DS_uk_garage_2step_0k7zk,v5.5,chirp-fenix,complete,172.92,True,"UK garage 2-step at 135 BPM with syncopated shuffled drums, smooth sub-bass, Rhodes piano chords in C minor, pitched vocal chops, and shuffled claps; verse-like sections thin to kick, hat skitter, and Rhodes stabs, then the groove opens with fuller bass and chopped hook fragments. Add vinyl crackle, reverse swells, and tiny delay throws. Bright, glossy, late-night London 1999 sheen., smooth, vocal, uk garage, classic","UK garage 2-step classic, 135 BPM, syncopated shuffled drums, smooth sub-bass, Rhodes piano chords C minor, pitched vocal chops, shuffled claps, London 1999 aesthetic, 5 minute bouncy groove, instrumental with vocal chops",[Instrumental],2026-05-24T16:50:36.630Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d6f856eb-c16d-4d79-82ae-0509743392e1.mp3,https://cdn2.suno.ai/image_d6f856eb-c16d-4d79-82ae-0509743392e1.jpeg,https://cdn2.suno.ai/image_large_d6f856eb-c16d-4d79-82ae-0509743392e1.jpeg audio/6be937e3-1305-40fe-b970-63842265ca1c.mp3,6be937e3-1305-40fe-b970-63842265ca1c,DS_uk_garage_2step_0k7zk,v5.5,chirp-fenix,complete,189.48,True,"UK garage 2-step at 135 BPM with syncopated shuffled drums, smooth sub-bass, Rhodes piano chords in C minor, pitched vocal chops, and shuffled claps; verse-like sections thin to kick, hat skitter, and Rhodes stabs, then the groove opens with fuller bass and chopped hook fragments. Add vinyl crackle, reverse swells, and tiny delay throws. Bright, glossy, late-night London 1999 sheen., smooth, vocal, uk garage, classic","UK garage 2-step classic, 135 BPM, syncopated shuffled drums, smooth sub-bass, Rhodes piano chords C minor, pitched vocal chops, shuffled claps, London 1999 aesthetic, 5 minute bouncy groove, instrumental with vocal chops",[Instrumental],2026-05-24T16:50:36.630Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6be937e3-1305-40fe-b970-63842265ca1c.mp3,https://cdn2.suno.ai/image_6be937e3-1305-40fe-b970-63842265ca1c.jpeg,https://cdn2.suno.ai/image_large_6be937e3-1305-40fe-b970-63842265ca1c.jpeg audio/1ad64265-0f9f-4feb-b04b-46618c6efeb6.mp3,1ad64265-0f9f-4feb-b04b-46618c6efeb6,DS_nu_disco_modern_0j4mr,v5.5,chirp-fenix,complete,159.92,True,"Nu-disco with a modern 116 BPM funk groove, wah guitar riffs, slap bass, filtered disco strings, Rhodes chords in C major, cowbell and reverb claps; verse-arrangement energy evolves through subtle filter sweeps, string lifts, and drum breaks, then opens into wider breakdowns and a bigger final drive. Chopped vocal textures act as hook accents, with short delay throws, tape-stop flips, and risers into each return. Bright, glossy, club-ready mix with punchy low end and sparkling top., funk, vocal, uplifting, disco","Nu-disco modern, 116 BPM, funk wah guitar, slap bass groove, filtered disco strings, Rhodes piano chords C major, cowbell, claps with reverb, Defected Records 2024 aesthetic, 6 minute uplifting groove, instrumental with vocal chops",[Instrumental],2026-05-24T16:49:45.477Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/1ad64265-0f9f-4feb-b04b-46618c6efeb6.mp3,https://cdn2.suno.ai/image_1ad64265-0f9f-4feb-b04b-46618c6efeb6.jpeg,https://cdn2.suno.ai/image_large_1ad64265-0f9f-4feb-b04b-46618c6efeb6.jpeg audio/a536c1d8-a955-459c-bee7-62efbc60a582.mp3,a536c1d8-a955-459c-bee7-62efbc60a582,DS_nu_disco_modern_0j4mr,v5.5,chirp-fenix,complete,50.12,True,"Nu-disco with a modern 116 BPM funk groove, wah guitar riffs, slap bass, filtered disco strings, Rhodes chords in C major, cowbell and reverb claps; verse-arrangement energy evolves through subtle filter sweeps, string lifts, and drum breaks, then opens into wider breakdowns and a bigger final drive. Chopped vocal textures act as hook accents, with short delay throws, tape-stop flips, and risers into each return. Bright, glossy, club-ready mix with punchy low end and sparkling top., funk, vocal, uplifting, disco","Nu-disco modern, 116 BPM, funk wah guitar, slap bass groove, filtered disco strings, Rhodes piano chords C major, cowbell, claps with reverb, Defected Records 2024 aesthetic, 6 minute uplifting groove, instrumental with vocal chops",[Instrumental],2026-05-24T16:49:45.477Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a536c1d8-a955-459c-bee7-62efbc60a582.mp3,https://cdn2.suno.ai/image_a536c1d8-a955-459c-bee7-62efbc60a582.jpeg,https://cdn2.suno.ai/image_large_a536c1d8-a955-459c-bee7-62efbc60a582.jpeg audio/52b6f8e3-508a-4318-8bd1-1a55b75b863c.mp3,52b6f8e3-508a-4318-8bd1-1a55b75b863c,vinyl-haze subpulse,v5.5,chirp-fenix,complete,177.92,False,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,no lyrics please,2026-05-24T16:48:44.800Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/52b6f8e3-508a-4318-8bd1-1a55b75b863c.mp3,https://cdn2.suno.ai/image_52b6f8e3-508a-4318-8bd1-1a55b75b863c.jpeg,https://cdn2.suno.ai/image_large_52b6f8e3-508a-4318-8bd1-1a55b75b863c.jpeg audio/7b684afc-39c0-4a7a-93bb-16fb33db0490.mp3,7b684afc-39c0-4a7a-93bb-16fb33db0490,vinyl-haze subpulse,v5.5,chirp-fenix,complete,199.84,False,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,no lyrics please,2026-05-24T16:48:44.800Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7b684afc-39c0-4a7a-93bb-16fb33db0490.mp3,https://cdn2.suno.ai/image_7b684afc-39c0-4a7a-93bb-16fb33db0490.jpeg,https://cdn2.suno.ai/image_large_7b684afc-39c0-4a7a-93bb-16fb33db0490.jpeg audio/f3263bed-fdfe-4fd6-838f-e1a114a62d62.mp3,f3263bed-fdfe-4fd6-838f-e1a114a62d62,DS_detroit_techno_soul_0htas,v5.5,chirp-fenix,complete,479.4,True,"Detroit techno with soulful sample chops at 124 BPM, interlocking 909 and 808 percussion, Rhodes piano stabs, chopped soul vocal fragments, and a warm Moog bassline in Dorian F minor; verse-like intro starts sparse and dusty, mid-track layers brushed snares and syncopated claps, then a breakdown opens the chords before the final groove locks hard. Vocal sample flickers, reverse swells, tape hiss, and filtered risers add motion; punchy, gritty, deep, and warehouse-wide., vocal, soul, detroit techno, warm, bassline","Detroit techno with soul samples, 124 BPM, 909 and 808 layered, Rhodes piano chops, chopped soul vocal samples, Moog warm bassline, brushed snares, dorian F minor, 7 minute groove development, Submerge 1998 aesthetic, instrumental with vocal sample chops",[Instrumental],2026-05-24T16:48:44.554Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f3263bed-fdfe-4fd6-838f-e1a114a62d62.mp3,https://cdn2.suno.ai/image_f3263bed-fdfe-4fd6-838f-e1a114a62d62.jpeg,https://cdn2.suno.ai/image_large_f3263bed-fdfe-4fd6-838f-e1a114a62d62.jpeg audio/1bb9d29e-c555-48f0-a399-0b667369a049.mp3,1bb9d29e-c555-48f0-a399-0b667369a049,DS_detroit_techno_soul_0htas,v5.5,chirp-fenix,complete,215.8,True,"Detroit techno with soulful sample chops at 124 BPM, interlocking 909 and 808 percussion, Rhodes piano stabs, chopped soul vocal fragments, and a warm Moog bassline in Dorian F minor; verse-like intro starts sparse and dusty, mid-track layers brushed snares and syncopated claps, then a breakdown opens the chords before the final groove locks hard. Vocal sample flickers, reverse swells, tape hiss, and filtered risers add motion; punchy, gritty, deep, and warehouse-wide., vocal, soul, detroit techno, warm, bassline","Detroit techno with soul samples, 124 BPM, 909 and 808 layered, Rhodes piano chops, chopped soul vocal samples, Moog warm bassline, brushed snares, dorian F minor, 7 minute groove development, Submerge 1998 aesthetic, instrumental with vocal sample chops",[Instrumental],2026-05-24T16:48:44.554Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/1bb9d29e-c555-48f0-a399-0b667369a049.mp3,https://cdn2.suno.ai/image_1bb9d29e-c555-48f0-a399-0b667369a049.jpeg,https://cdn2.suno.ai/image_large_1bb9d29e-c555-48f0-a399-0b667369a049.jpeg audio/80c89e58-a494-4175-ab79-0073b1c2041d.mp3,80c89e58-a494-4175-ab79-0073b1c2041d,Subway Lullaby,v5.5,chirp-fenix,complete,254.84,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T16:48:39.253Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/80c89e58-a494-4175-ab79-0073b1c2041d.mp3,https://cdn2.suno.ai/image_80c89e58-a494-4175-ab79-0073b1c2041d.jpeg,https://cdn2.suno.ai/image_large_80c89e58-a494-4175-ab79-0073b1c2041d.jpeg audio/6714badd-7175-447d-8608-8199d8f1b256.mp3,6714badd-7175-447d-8608-8199d8f1b256,Subway Lullaby,v5.5,chirp-fenix,complete,284.84,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T16:48:39.253Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6714badd-7175-447d-8608-8199d8f1b256.mp3,https://cdn2.suno.ai/image_6714badd-7175-447d-8608-8199d8f1b256.jpeg,https://cdn2.suno.ai/image_large_6714badd-7175-447d-8608-8199d8f1b256.jpeg audio/beb50a3f-9121-4e5d-a5aa-8c41998bed17.mp3,beb50a3f-9121-4e5d-a5aa-8c41998bed17,DS_neoclassical_modern_short_3cyj1,v5.5,chirp-fenix,complete,149.12,True,"Neoclassical modern minimalist at 80 BPM with solo piano, tender string swells, atmospheric pads, and subtle field recordings; verse-like opening stays bare with repeating right-hand figures and soft pedal haze, middle section widens into long cello tones and glassy harmonics, final stretch returns to intimate piano with a quiet lift. Warm, spacious, cinematic Berlin modern classical mix, close-mic piano and soft room bloom., warm, neoclassical, modern classical","Neoclassical modern minimalist, 80 BPM, solo piano with subtle string sections, atmospheric pads, subtle field recordings, C major introspective, Berlin modern classical 2020 aesthetic, 4 minute warm cinematic piece, no vocals instrumental",[Instrumental],2026-05-24T18:08:56.711Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/beb50a3f-9121-4e5d-a5aa-8c41998bed17.mp3,https://cdn2.suno.ai/image_beb50a3f-9121-4e5d-a5aa-8c41998bed17.jpeg,https://cdn2.suno.ai/image_large_beb50a3f-9121-4e5d-a5aa-8c41998bed17.jpeg audio/70bfe53d-42f3-4413-a76e-284eec123a67.mp3,70bfe53d-42f3-4413-a76e-284eec123a67,DS_neoclassical_modern_short_3cyj1,v5.5,chirp-fenix,complete,182.2,True,"Neoclassical modern minimalist at 80 BPM with solo piano, tender string swells, atmospheric pads, and subtle field recordings; verse-like opening stays bare with repeating right-hand figures and soft pedal haze, middle section widens into long cello tones and glassy harmonics, final stretch returns to intimate piano with a quiet lift. Warm, spacious, cinematic Berlin modern classical mix, close-mic piano and soft room bloom., warm, neoclassical, modern classical","Neoclassical modern minimalist, 80 BPM, solo piano with subtle string sections, atmospheric pads, subtle field recordings, C major introspective, Berlin modern classical 2020 aesthetic, 4 minute warm cinematic piece, no vocals instrumental",[Instrumental],2026-05-24T18:08:56.711Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/70bfe53d-42f3-4413-a76e-284eec123a67.mp3,https://cdn2.suno.ai/image_70bfe53d-42f3-4413-a76e-284eec123a67.jpeg,https://cdn2.suno.ai/image_large_70bfe53d-42f3-4413-a76e-284eec123a67.jpeg audio/58ce6190-a3fa-4f69-a533-c7c6ac111886.mp3,58ce6190-a3fa-4f69-a533-c7c6ac111886,DS_latin_jazz_afrocuban_3bo8p,v5.5,chirp-fenix,complete,184.24,True,"Latin jazz Afro-Cuban at 125 BPM, driving tumbao and tight 6/8-to-4/4 cross-rhythm energy; verse-like vamp opens on piano montuno, upright bass, congas, and timbales, then trumpet section stabs answer the piano; midsection opens into tenor sax and trumpet solos over shifting percussion breaks; final return stacks brass hits and open conga chatter. Warm, analog, gritty, wide club mix with a smoky 1975 NYC sheen., latin jazz, saxophone","Latin jazz Afro-Cuban, 125 BPM, piano montuno F minor, congas, timbales, trumpet section, tenor saxophone solo, upright bass tumbao, NYC 1975 aesthetic, 7 minute energetic Afro-Cuban groove with extended solos, instrumental",[Instrumental],2026-05-24T18:07:57.022Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/58ce6190-a3fa-4f69-a533-c7c6ac111886.mp3,https://cdn2.suno.ai/image_58ce6190-a3fa-4f69-a533-c7c6ac111886.jpeg,https://cdn2.suno.ai/image_large_58ce6190-a3fa-4f69-a533-c7c6ac111886.jpeg audio/029ac549-4eaf-4e60-a65a-b4c40beb34c7.mp3,029ac549-4eaf-4e60-a65a-b4c40beb34c7,DS_latin_jazz_afrocuban_3bo8p,v5.5,chirp-fenix,complete,205.76,True,"Latin jazz Afro-Cuban at 125 BPM, driving tumbao and tight 6/8-to-4/4 cross-rhythm energy; verse-like vamp opens on piano montuno, upright bass, congas, and timbales, then trumpet section stabs answer the piano; midsection opens into tenor sax and trumpet solos over shifting percussion breaks; final return stacks brass hits and open conga chatter. Warm, analog, gritty, wide club mix with a smoky 1975 NYC sheen., latin jazz, saxophone","Latin jazz Afro-Cuban, 125 BPM, piano montuno F minor, congas, timbales, trumpet section, tenor saxophone solo, upright bass tumbao, NYC 1975 aesthetic, 7 minute energetic Afro-Cuban groove with extended solos, instrumental",[Instrumental],2026-05-24T18:07:57.022Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/029ac549-4eaf-4e60-a65a-b4c40beb34c7.mp3,https://cdn2.suno.ai/image_029ac549-4eaf-4e60-a65a-b4c40beb34c7.jpeg,https://cdn2.suno.ai/image_large_029ac549-4eaf-4e60-a65a-b4c40beb34c7.jpeg audio/2dde4995-87d7-4eb5-a83d-721b4a30c9d5.mp3,2dde4995-87d7-4eb5-a83d-721b4a30c9d5,DS_jungle_oldschool_ragga_39p95,v5.5,chirp-fenix,complete,180.88,True,"Jungle with oldschool ragga influence at 165 BPM, chopped raw amen break, sub-bass rumble, ragga vocal sample chops, dub sirens, A minor pads, and a dusty London 1994 underground feel; verse-feel sections ride bare drums and sub, midtrack breaks open for siren calls and chopped chants, then the drop returns with tighter edits and heavier pressure. Rough, wide, tape-worn mix, energetic and bass-heavy., raw, vocal, dub, jungle","Jungle oldschool ragga influence, 165 BPM, chopped raw amen break, sub-bass rumble, ragga vocal sample chops, dub sirens, A minor minor key pads, London 1994 aesthetic, 5 minute energetic underground, instrumental with vocal chops",[Instrumental],2026-05-24T18:06:35.573Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2dde4995-87d7-4eb5-a83d-721b4a30c9d5.mp3,https://cdn2.suno.ai/image_2dde4995-87d7-4eb5-a83d-721b4a30c9d5.jpeg,https://cdn2.suno.ai/image_large_2dde4995-87d7-4eb5-a83d-721b4a30c9d5.jpeg audio/a11b6971-a069-464a-aeec-a6a08ef06c59.mp3,a11b6971-a069-464a-aeec-a6a08ef06c59,DS_jungle_oldschool_ragga_39p95,v5.5,chirp-fenix,complete,175.24,True,"Jungle with oldschool ragga influence at 165 BPM, chopped raw amen break, sub-bass rumble, ragga vocal sample chops, dub sirens, A minor pads, and a dusty London 1994 underground feel; verse-feel sections ride bare drums and sub, midtrack breaks open for siren calls and chopped chants, then the drop returns with tighter edits and heavier pressure. Rough, wide, tape-worn mix, energetic and bass-heavy., raw, vocal, dub, jungle","Jungle oldschool ragga influence, 165 BPM, chopped raw amen break, sub-bass rumble, ragga vocal sample chops, dub sirens, A minor minor key pads, London 1994 aesthetic, 5 minute energetic underground, instrumental with vocal chops",[Instrumental],2026-05-24T18:06:35.572Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a11b6971-a069-464a-aeec-a6a08ef06c59.mp3,https://cdn2.suno.ai/image_a11b6971-a069-464a-aeec-a6a08ef06c59.jpeg,https://cdn2.suno.ai/image_large_a11b6971-a069-464a-aeec-a6a08ef06c59.jpeg audio/ebd781c1-0384-41f2-9128-ce852c48bd3c.mp3,ebd781c1-0384-41f2-9128-ce852c48bd3c,DS_lofi_hiphop_chillhop_383dj,v5.5,chirp-fenix,complete,143.76,True,"Lo-fi hip hop chillhop at 80 BPM with swung boom bap drums, warm sub-bass, jazzy C major piano voicings, Rhodes comping, and muted trumpet chops; intro opens on vinyl crackle and rain field recordings, verse-like sections thin to drums and bass, middle adds brushed chords and chopped horn replies, final passage widens with extra tape wobble and sidechain bloom. Dusty, intimate, study-room mix., jazzy, mellow, hip hop, lo-fi, warm","Lo-fi hip hop chillhop, 80 BPM, jazzy piano chords C major, warm sub-bass, dusty boom bap drums, vinyl crackle, Rhodes piano, muted trumpet samples, rain field recordings, mellow study aesthetic, 3 minute instrumental",[Instrumental],2026-05-24T18:05:09.649Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/ebd781c1-0384-41f2-9128-ce852c48bd3c.mp3,https://cdn2.suno.ai/image_ebd781c1-0384-41f2-9128-ce852c48bd3c.jpeg,https://cdn2.suno.ai/image_large_ebd781c1-0384-41f2-9128-ce852c48bd3c.jpeg audio/f937cbd2-d420-4eea-95bf-e8ae6655c02d.mp3,f937cbd2-d420-4eea-95bf-e8ae6655c02d,DS_lofi_hiphop_chillhop_383dj,v5.5,chirp-fenix,complete,131.52,True,"Lo-fi hip hop chillhop at 80 BPM with swung boom bap drums, warm sub-bass, jazzy C major piano voicings, Rhodes comping, and muted trumpet chops; intro opens on vinyl crackle and rain field recordings, verse-like sections thin to drums and bass, middle adds brushed chords and chopped horn replies, final passage widens with extra tape wobble and sidechain bloom. Dusty, intimate, study-room mix., jazzy, mellow, hip hop, lo-fi, warm","Lo-fi hip hop chillhop, 80 BPM, jazzy piano chords C major, warm sub-bass, dusty boom bap drums, vinyl crackle, Rhodes piano, muted trumpet samples, rain field recordings, mellow study aesthetic, 3 minute instrumental",[Instrumental],2026-05-24T18:05:09.649Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f937cbd2-d420-4eea-95bf-e8ae6655c02d.mp3,https://cdn2.suno.ai/image_f937cbd2-d420-4eea-95bf-e8ae6655c02d.jpeg,https://cdn2.suno.ai/image_large_f937cbd2-d420-4eea-95bf-e8ae6655c02d.jpeg audio/f947c1fd-488d-4e50-84ab-4990d0438e72.mp3,f947c1fd-488d-4e50-84ab-4990d0438e72,DS_post_rock_dreamy_instrumental_36pzu,v5.5,chirp-fenix,complete,169.8,True,"Post-rock instrumental with 95 BPM dreamy pulse, tremolo-picked clean guitars over atmospheric pads, humanized drums that bloom from soft build to soaring lift, melodic bass, warm sparse piano in F major, UK post-rock 2018 aesthetic, wide cinematic mix with intimate room depth, gentle risers, reversed swells, and glowing delay trails, soft, clean, warm, rock, uplifting","Post-rock dreamy instrumental, 95 BPM, tremolo picked clean guitar, atmospheric pads, humanized drums with soft build, melodic bass, warm sparse piano F major, UK post-rock 2018 aesthetic, 6 minute uplifting cinematic instrumental",[Instrumental],2026-05-24T18:04:05.508Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f947c1fd-488d-4e50-84ab-4990d0438e72.mp3,https://cdn2.suno.ai/image_f947c1fd-488d-4e50-84ab-4990d0438e72.jpeg,https://cdn2.suno.ai/image_large_f947c1fd-488d-4e50-84ab-4990d0438e72.jpeg audio/951f4fcb-5682-45a8-b9bf-a8b3a9104281.mp3,951f4fcb-5682-45a8-b9bf-a8b3a9104281,DS_post_rock_dreamy_instrumental_36pzu,v5.5,chirp-fenix,complete,196.24,True,"Post-rock instrumental with 95 BPM dreamy pulse, tremolo-picked clean guitars over atmospheric pads, humanized drums that bloom from soft build to soaring lift, melodic bass, warm sparse piano in F major, UK post-rock 2018 aesthetic, wide cinematic mix with intimate room depth, gentle risers, reversed swells, and glowing delay trails, soft, clean, warm, rock, uplifting","Post-rock dreamy instrumental, 95 BPM, tremolo picked clean guitar, atmospheric pads, humanized drums with soft build, melodic bass, warm sparse piano F major, UK post-rock 2018 aesthetic, 6 minute uplifting cinematic instrumental",[Instrumental],2026-05-24T18:04:05.508Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/951f4fcb-5682-45a8-b9bf-a8b3a9104281.mp3,https://cdn2.suno.ai/image_951f4fcb-5682-45a8-b9bf-a8b3a9104281.jpeg,https://cdn2.suno.ai/image_large_951f4fcb-5682-45a8-b9bf-a8b3a9104281.jpeg audio/cffb8581-5c61-4d9d-b7fc-ff1d01b6586c.mp3,cffb8581-5c61-4d9d-b7fc-ff1d01b6586c,DS_world_fusion_modal_34zhs,v5.5,chirp-fenix,complete,257.32,True,"World fusion instrumental at 95 BPM with modal pentatonic harmony, swinging tabla loops, sitar samples, Rhodes comping, warm bass, tenor sax lines, vibraphone shimmer, and atmospheric pads; verse-like sections rotate sparse motifs, mid-song break opens for sax and drone, final movement layers thicker tabla and gliding sitar. Wide, glossy, cinematic mix with intimate room tone., saxophone, world fusion, sophisticated, warm","World fusion modal modern, 95 BPM, sitar samples, tabla loops, Rhodes piano, warm bass, tenor saxophone, vibraphone, atmospheric pads, modal pentatonic, sophisticated world fusion aesthetic, 6 minute spiritual instrumental",[Instrumental],2026-05-24T18:02:44.510Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cffb8581-5c61-4d9d-b7fc-ff1d01b6586c.mp3,https://cdn2.suno.ai/image_cffb8581-5c61-4d9d-b7fc-ff1d01b6586c.jpeg,https://cdn2.suno.ai/image_large_cffb8581-5c61-4d9d-b7fc-ff1d01b6586c.jpeg audio/6adc36b0-3d2b-47b2-b35c-f2d16a04e0ba.mp3,6adc36b0-3d2b-47b2-b35c-f2d16a04e0ba,DS_world_fusion_modal_34zhs,v5.5,chirp-fenix,complete,479.4,True,"World fusion instrumental at 95 BPM with modal pentatonic harmony, swinging tabla loops, sitar samples, Rhodes comping, warm bass, tenor sax lines, vibraphone shimmer, and atmospheric pads; verse-like sections rotate sparse motifs, mid-song break opens for sax and drone, final movement layers thicker tabla and gliding sitar. Wide, glossy, cinematic mix with intimate room tone., saxophone, world fusion, sophisticated, warm","World fusion modal modern, 95 BPM, sitar samples, tabla loops, Rhodes piano, warm bass, tenor saxophone, vibraphone, atmospheric pads, modal pentatonic, sophisticated world fusion aesthetic, 6 minute spiritual instrumental",[Instrumental],2026-05-24T18:02:44.510Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6adc36b0-3d2b-47b2-b35c-f2d16a04e0ba.mp3,https://cdn2.suno.ai/image_6adc36b0-3d2b-47b2-b35c-f2d16a04e0ba.jpeg,https://cdn2.suno.ai/image_large_6adc36b0-3d2b-47b2-b35c-f2d16a04e0ba.jpeg audio/0fb1b3aa-0192-4d8c-a641-73415a870c6d.mp3,0fb1b3aa-0192-4d8c-a641-73415a870c6d,DS_country_pop_modern_wallen_33i9a,v5.5,chirp-fenix,complete,136.36,False,"Country-fusion with dusty boom-bap swing, laid-back half-time drums and chopped Dilla-style accents; verse sections ride brushed acoustic strums and steel guitar, pre-choruses open into altered jazz chords, and the main theme returns with subtle modular acid 303 flickers. Keep a subliminal tampura drone under the bed, then let tenor sax sing the outro over a widening, cinematic mix with close, warm mids and crisp transients., drone, jazz, country","Country base + slide guitar pasada por modular acid 303 sutil, armonía jazz altered en pre-choruses, drums boom bap Dilla chopeados, drone tampura indostaní subliminal, solos saxo tenor en outro, 4 min",[Instrumental],2026-05-24T18:01:35.552Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0fb1b3aa-0192-4d8c-a641-73415a870c6d.mp3,https://cdn2.suno.ai/image_0fb1b3aa-0192-4d8c-a641-73415a870c6d.jpeg,https://cdn2.suno.ai/image_large_0fb1b3aa-0192-4d8c-a641-73415a870c6d.jpeg audio/6947e154-8919-4d51-bf0f-024fbe1847d7.mp3,6947e154-8919-4d51-bf0f-024fbe1847d7,DS_country_pop_modern_wallen_33i9a,v5.5,chirp-fenix,complete,178.8,False,"Country-fusion with dusty boom-bap swing, laid-back half-time drums and chopped Dilla-style accents; verse sections ride brushed acoustic strums and steel guitar, pre-choruses open into altered jazz chords, and the main theme returns with subtle modular acid 303 flickers. Keep a subliminal tampura drone under the bed, then let tenor sax sing the outro over a widening, cinematic mix with close, warm mids and crisp transients., drone, jazz, country","Country base + slide guitar pasada por modular acid 303 sutil, armonía jazz altered en pre-choruses, drums boom bap Dilla chopeados, drone tampura indostaní subliminal, solos saxo tenor en outro, 4 min",[Instrumental],2026-05-24T18:01:35.552Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/6947e154-8919-4d51-bf0f-024fbe1847d7.mp3,https://cdn2.suno.ai/image_6947e154-8919-4d51-bf0f-024fbe1847d7.jpeg,https://cdn2.suno.ai/image_large_6947e154-8919-4d51-bf0f-024fbe1847d7.jpeg audio/ef9eac38-3e73-4ea5-a310-68950db0a53e.mp3,ef9eac38-3e73-4ea5-a310-68950db0a53e,DS_ambient_psybient_orgánico_32gg2,v5.5,chirp-fenix,complete,44.72,True,"Psybient ambient with a 90 BPM pulse, evolving analog pads and a subtle bass drone under soft tribal percussion, didgeridoo samples, and layered field recordings; intro starts with distant air and granular textures, verse-like sections widen with modal A minor haze, mid-track break swirls in reversed FX and filtered echoes, final stretch blooms with warm pad overtones. Wide, immersive, organic-digital mix with gentle stereo movement., soft, ambient, warm, drone, didgeridoo","Psybient ambient psychedelic, 90 BPM, evolving analog pads, didgeridoo samples, soft tribal percussion, field recordings, subtle bass drone, atmospheric FX, A minor modal, Israeli chill scene aesthetic, 10 minute meditative warm development, no vocals instrumental",[Instrumental],2026-05-24T18:00:46.543Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/ef9eac38-3e73-4ea5-a310-68950db0a53e.mp3,https://cdn2.suno.ai/image_ef9eac38-3e73-4ea5-a310-68950db0a53e.jpeg,https://cdn2.suno.ai/image_large_ef9eac38-3e73-4ea5-a310-68950db0a53e.jpeg audio/a05f3a58-2720-4d5c-bd37-b7d5b9f9340f.mp3,a05f3a58-2720-4d5c-bd37-b7d5b9f9340f,DS_ambient_psybient_orgánico_32gg2,v5.5,chirp-fenix,complete,479.4,True,"Psybient ambient with a 90 BPM pulse, evolving analog pads and a subtle bass drone under soft tribal percussion, didgeridoo samples, and layered field recordings; intro starts with distant air and granular textures, verse-like sections widen with modal A minor haze, mid-track break swirls in reversed FX and filtered echoes, final stretch blooms with warm pad overtones. Wide, immersive, organic-digital mix with gentle stereo movement., soft, ambient, warm, drone, didgeridoo","Psybient ambient psychedelic, 90 BPM, evolving analog pads, didgeridoo samples, soft tribal percussion, field recordings, subtle bass drone, atmospheric FX, A minor modal, Israeli chill scene aesthetic, 10 minute meditative warm development, no vocals instrumental",[Instrumental],2026-05-24T18:00:46.543Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a05f3a58-2720-4d5c-bd37-b7d5b9f9340f.mp3,https://cdn2.suno.ai/image_a05f3a58-2720-4d5c-bd37-b7d5b9f9340f.jpeg,https://cdn2.suno.ai/image_large_a05f3a58-2720-4d5c-bd37-b7d5b9f9340f.jpeg audio/2bcf4af7-27eb-46aa-aeaa-dbfc73c4030c.mp3,2bcf4af7-27eb-46aa-aeaa-dbfc73c4030c,DS_post_rock_atmospheric_31kt1,v5.5,chirp-fenix,complete,238.4,True,"Post-rock instrumental at 90 BPM with modal C minor tension, guitar delay walls that swell and fracture, distorted bass holding the low floor, dynamic drums moving from brushes to tom-heavy lift, atmospheric pads and sparse piano figures. Verse-like sections stay hushed; mid-build layers stack; final crescendo opens wide. Wide, grainy, cinematic mix with analog bloom, tape haze, and long decay tails., dynamic, rock, electric","Post-rock atmospheric build, 90 BPM, guitar electric delay walls, distorted bass, dynamic drum build, atmospheric pads, sparse piano, C minor modal, Montreal Constellation 2002 aesthetic, 8 minute crescendo development, instrumental",[Instrumental],2026-05-24T18:00:05.538Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/2bcf4af7-27eb-46aa-aeaa-dbfc73c4030c.mp3,https://cdn2.suno.ai/image_2bcf4af7-27eb-46aa-aeaa-dbfc73c4030c.jpeg,https://cdn2.suno.ai/image_large_2bcf4af7-27eb-46aa-aeaa-dbfc73c4030c.jpeg audio/f42d7c8a-3782-4033-a0fd-0b06bdd3a477.mp3,f42d7c8a-3782-4033-a0fd-0b06bdd3a477,DS_post_rock_atmospheric_31kt1,v5.5,chirp-fenix,complete,213.6,True,"Post-rock instrumental at 90 BPM with modal C minor tension, guitar delay walls that swell and fracture, distorted bass holding the low floor, dynamic drums moving from brushes to tom-heavy lift, atmospheric pads and sparse piano figures. Verse-like sections stay hushed; mid-build layers stack; final crescendo opens wide. Wide, grainy, cinematic mix with analog bloom, tape haze, and long decay tails., dynamic, rock, electric","Post-rock atmospheric build, 90 BPM, guitar electric delay walls, distorted bass, dynamic drum build, atmospheric pads, sparse piano, C minor modal, Montreal Constellation 2002 aesthetic, 8 minute crescendo development, instrumental",[Instrumental],2026-05-24T18:00:05.538Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f42d7c8a-3782-4033-a0fd-0b06bdd3a477.mp3,https://cdn2.suno.ai/image_f42d7c8a-3782-4033-a0fd-0b06bdd3a477.jpeg,https://cdn2.suno.ai/image_large_f42d7c8a-3782-4033-a0fd-0b06bdd3a477.jpeg audio/3175876a-ee44-4f41-ba8e-906116aa7f4e.mp3,3175876a-ee44-4f41-ba8e-906116aa7f4e,DS_plugg_pluggnb_30nkq,v5.5,chirp-fenix,complete,120.84,False,"Plugg-leaning jazz fusion instrumental with swung, humanized Dilla-style drums, ghosted snares, and sub-bass swells that breathe like a forest pulse; verse section runs on modal-minor voicings with altered #11 chords, pre-drop strips to filtered keys and sub, chorus opens into wider harmony and brighter top-line synth glow. Reverse swells, vinyl crackle, and short risers bridge each turn. Intimate, smoky, and low-end heavy with a wide, glossy mix., jazz","Plugg base + voicings jazz altered #11, modal interchange en menor, sub-bass forest psy LFO, drums Dilla humanizados, 2:30 min",[Instrumental],2026-05-24T17:59:22.751Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/3175876a-ee44-4f41-ba8e-906116aa7f4e.mp3,https://cdn2.suno.ai/image_3175876a-ee44-4f41-ba8e-906116aa7f4e.jpeg,https://cdn2.suno.ai/image_large_3175876a-ee44-4f41-ba8e-906116aa7f4e.jpeg audio/7e7218fe-5926-4bf2-8aa9-654ecd93434e.mp3,7e7218fe-5926-4bf2-8aa9-654ecd93434e,DS_plugg_pluggnb_30nkq,v5.5,chirp-fenix,complete,134.88,False,"Plugg-leaning jazz fusion instrumental with swung, humanized Dilla-style drums, ghosted snares, and sub-bass swells that breathe like a forest pulse; verse section runs on modal-minor voicings with altered #11 chords, pre-drop strips to filtered keys and sub, chorus opens into wider harmony and brighter top-line synth glow. Reverse swells, vinyl crackle, and short risers bridge each turn. Intimate, smoky, and low-end heavy with a wide, glossy mix., jazz","Plugg base + voicings jazz altered #11, modal interchange en menor, sub-bass forest psy LFO, drums Dilla humanizados, 2:30 min",[Instrumental],2026-05-24T17:59:22.751Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7e7218fe-5926-4bf2-8aa9-654ecd93434e.mp3,https://cdn2.suno.ai/image_7e7218fe-5926-4bf2-8aa9-654ecd93434e.jpeg,https://cdn2.suno.ai/image_large_7e7218fe-5926-4bf2-8aa9-654ecd93434e.jpeg audio/fda8f988-a5eb-4244-9aa2-66b85afa33ce.mp3,fda8f988-a5eb-4244-9aa2-66b85afa33ce,Breath-Signal Pulse,v5.5,chirp-fenix,complete,228.48,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:59:22.619Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/fda8f988-a5eb-4244-9aa2-66b85afa33ce.mp3,https://cdn2.suno.ai/image_fda8f988-a5eb-4244-9aa2-66b85afa33ce.jpeg,https://cdn2.suno.ai/image_large_fda8f988-a5eb-4244-9aa2-66b85afa33ce.jpeg audio/67bea3f8-e700-4fe8-b7c2-cc58ce0d7a92.mp3,67bea3f8-e700-4fe8-b7c2-cc58ce0d7a92,Breath-Signal Pulse,v5.5,chirp-fenix,complete,242.56,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:59:22.619Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/67bea3f8-e700-4fe8-b7c2-cc58ce0d7a92.mp3,https://cdn2.suno.ai/image_67bea3f8-e700-4fe8-b7c2-cc58ce0d7a92.jpeg,https://cdn2.suno.ai/image_large_67bea3f8-e700-4fe8-b7c2-cc58ce0d7a92.jpeg audio/b2dbd53a-97bc-4132-ab8a-46eaafb06698.mp3,b2dbd53a-97bc-4132-ab8a-46eaafb06698,DS_detroit_techno_hypnotic_minimal_2yx4j,v5.5,chirp-fenix,complete,479.4,True,"Minimal techno, 130 BPM, hypnotic trance-state groove with tight 4-on-the-floor 808 kick and a single repeating G minor bassline; intro opens bare with kick, bass, and a faint modular pulse, verse-like build slowly adds evolving hi-hat micro-variations and dry squelch blips, midsection strips back to kick and sub before the drop returns denser with filtered FX sweeps, final stretch layers metallic ticks and long-resonant room bloom. Sparse solo vocal textures absent; ear candy comes from tiny filter opens, reverse swells, and occasional pinged delay tails. Dark, physical, wide, and glossy-club mix., bassline, hypnotic, trance, minimal, minimal techno","Hypnotic minimal techno, 130 BPM, tight 808 kick, single repeating bassline G minor, subtle hi-hat patterns evolving, modular synth squelch, FX sweeps minimal, Berghain 2024 aesthetic, 8 minute trance-state development, no vocals instrumental",[Instrumental],2026-05-24T17:58:01.526Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b2dbd53a-97bc-4132-ab8a-46eaafb06698.mp3,https://cdn2.suno.ai/image_b2dbd53a-97bc-4132-ab8a-46eaafb06698.jpeg,https://cdn2.suno.ai/image_large_b2dbd53a-97bc-4132-ab8a-46eaafb06698.jpeg audio/0599b3a0-7823-4adf-841f-0b3dbebc5d00.mp3,0599b3a0-7823-4adf-841f-0b3dbebc5d00,DS_detroit_techno_hypnotic_minimal_2yx4j,v5.5,chirp-fenix,complete,92.6,True,"Minimal techno, 130 BPM, hypnotic trance-state groove with tight 4-on-the-floor 808 kick and a single repeating G minor bassline; intro opens bare with kick, bass, and a faint modular pulse, verse-like build slowly adds evolving hi-hat micro-variations and dry squelch blips, midsection strips back to kick and sub before the drop returns denser with filtered FX sweeps, final stretch layers metallic ticks and long-resonant room bloom. Sparse solo vocal textures absent; ear candy comes from tiny filter opens, reverse swells, and occasional pinged delay tails. Dark, physical, wide, and glossy-club mix., bassline, hypnotic, trance, minimal, minimal techno","Hypnotic minimal techno, 130 BPM, tight 808 kick, single repeating bassline G minor, subtle hi-hat patterns evolving, modular synth squelch, FX sweeps minimal, Berghain 2024 aesthetic, 8 minute trance-state development, no vocals instrumental",[Instrumental],2026-05-24T17:58:01.525Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0599b3a0-7823-4adf-841f-0b3dbebc5d00.mp3,https://cdn2.suno.ai/image_0599b3a0-7823-4adf-841f-0b3dbebc5d00.jpeg,https://cdn2.suno.ai/image_large_0599b3a0-7823-4adf-841f-0b3dbebc5d00.jpeg audio/71680b58-11e9-46ae-8708-97e1ae92f2aa.mp3,71680b58-11e9-46ae-8708-97e1ae92f2aa,DS_melodic_techno_italian_2y1hn,v5.5,chirp-fenix,complete,246.84,True,"Melodic techno, 122 BPM, Italian club pulse with driving four-on-the-floor kick, swung tribal percussion, deep sub-bass, modular arpeggios, soft pad beds, and cinematic analog lead phrases in F minor dorian. Verse section opens sparse and hypnotic; breakdown pulls to pads and filtered arps; final lift blooms with stacked lead motifs and wide tension. Glossy, emotional, warehouse-wide mix with crisp low end and warm analog shine., techno, deep, soft, emotional","Melodic techno Italian style, 122 BPM, cinematic analog synth leads, deep sub-bass, modular arpeggios, soft pads, tribal percussion, F minor dorian emotional, Diynamic 2024 aesthetic, 7 minute development with breakdown, instrumental",[Instrumental],2026-05-24T17:57:20.514Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/71680b58-11e9-46ae-8708-97e1ae92f2aa.mp3,https://cdn2.suno.ai/image_71680b58-11e9-46ae-8708-97e1ae92f2aa.jpeg,https://cdn2.suno.ai/image_large_71680b58-11e9-46ae-8708-97e1ae92f2aa.jpeg audio/653cebaa-be38-4b16-979f-6d11d8375c2f.mp3,653cebaa-be38-4b16-979f-6d11d8375c2f,DS_melodic_techno_italian_2y1hn,v5.5,chirp-fenix,complete,244.8,True,"Melodic techno, 122 BPM, Italian club pulse with driving four-on-the-floor kick, swung tribal percussion, deep sub-bass, modular arpeggios, soft pad beds, and cinematic analog lead phrases in F minor dorian. Verse section opens sparse and hypnotic; breakdown pulls to pads and filtered arps; final lift blooms with stacked lead motifs and wide tension. Glossy, emotional, warehouse-wide mix with crisp low end and warm analog shine., techno, deep, soft, emotional","Melodic techno Italian style, 122 BPM, cinematic analog synth leads, deep sub-bass, modular arpeggios, soft pads, tribal percussion, F minor dorian emotional, Diynamic 2024 aesthetic, 7 minute development with breakdown, instrumental",[Instrumental],2026-05-24T17:57:20.514Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/653cebaa-be38-4b16-979f-6d11d8375c2f.mp3,https://cdn2.suno.ai/image_653cebaa-be38-4b16-979f-6d11d8375c2f.jpeg,https://cdn2.suno.ai/image_large_653cebaa-be38-4b16-979f-6d11d8375c2f.jpeg audio/dad3ca52-6d11-4b15-b58b-c2cf8fcc0167.mp3,dad3ca52-6d11-4b15-b58b-c2cf8fcc0167,DS_edm_future_bass_2x52y,v5.5,chirp-fenix,complete,479.4,True,"Progressive psytrance with future-bass lift and 7/8 rhythmic tension; 32-bar build cycles into a long form, staying hypnotic instead of dropping hard. Arrangement opens with sub-bass pulses and jazz-fusion altered voicings, then layers chopped soul-sax resamples and Dilla-style swing accents, midsection widens with brighter chord stacks and arpeggiated synth runs, final pass thickens with sidechained pads and forest-like low-end movement. Processed sax phrases get granular repeats and tape-smeared tails, with airy risers, reversed swells, and filter blooms between phrases. Wide, glossy, kinetic mix with deep subterranean weight., progressive psytrance, soul, jazz fusion","Future bass base + build-up progressive psytrance 32 bars, voicings jazz fusion altered, samples saxo soul resampleados Dilla, sub-bass forest psy, métrica 7/8, 4 min sin drop pochoclo",[Instrumental],2026-05-24T17:56:39.258Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/dad3ca52-6d11-4b15-b58b-c2cf8fcc0167.mp3,https://cdn2.suno.ai/image_dad3ca52-6d11-4b15-b58b-c2cf8fcc0167.jpeg,https://cdn2.suno.ai/image_large_dad3ca52-6d11-4b15-b58b-c2cf8fcc0167.jpeg audio/1bbeb519-cf85-4fb1-a6e9-a5347555b756.mp3,1bbeb519-cf85-4fb1-a6e9-a5347555b756,DS_edm_future_bass_2x52y,v5.5,chirp-fenix,complete,248.96,True,"Progressive psytrance with future-bass lift and 7/8 rhythmic tension; 32-bar build cycles into a long form, staying hypnotic instead of dropping hard. Arrangement opens with sub-bass pulses and jazz-fusion altered voicings, then layers chopped soul-sax resamples and Dilla-style swing accents, midsection widens with brighter chord stacks and arpeggiated synth runs, final pass thickens with sidechained pads and forest-like low-end movement. Processed sax phrases get granular repeats and tape-smeared tails, with airy risers, reversed swells, and filter blooms between phrases. Wide, glossy, kinetic mix with deep subterranean weight., progressive psytrance, soul, jazz fusion","Future bass base + build-up progressive psytrance 32 bars, voicings jazz fusion altered, samples saxo soul resampleados Dilla, sub-bass forest psy, métrica 7/8, 4 min sin drop pochoclo",[Instrumental],2026-05-24T17:56:39.258Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/1bbeb519-cf85-4fb1-a6e9-a5347555b756.mp3,https://cdn2.suno.ai/image_1bbeb519-cf85-4fb1-a6e9-a5347555b756.jpeg,https://cdn2.suno.ai/image_large_1bbeb519-cf85-4fb1-a6e9-a5347555b756.jpeg audio/3b0fa6ea-e7dd-4432-8688-4fbd864039c0.mp3,3b0fa6ea-e7dd-4432-8688-4fbd864039c0,DS_afro_house_global_2vx3n,v5.5,chirp-fenix,complete,247.8,False,"Afro house with rolling percussive drive, swung shakers, and a hypnotic 11/8 overlay that blooms every 32 bars; breakdown opens into jazz-tinged altered chord pads and filtered gospel vocal samples, then the peak drops a forest-psy sub-bass with wide congas and clipped hand percussion. Extended 7-minute arc, warm club mix with deep low-end pressure and glossy top sheen., jazz, gospel","Afro house base + jazz altered chord pads en breakdown, polirritmia 11/8 superpuesta cada 32 bars, samples vocales gospel filtered, sub-bass forest psy en peak, 7 min extended",[Instrumental],2026-05-24T17:55:41.577Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/3b0fa6ea-e7dd-4432-8688-4fbd864039c0.mp3,https://cdn2.suno.ai/image_3b0fa6ea-e7dd-4432-8688-4fbd864039c0.jpeg,https://cdn2.suno.ai/image_large_3b0fa6ea-e7dd-4432-8688-4fbd864039c0.jpeg audio/dc66ecca-8ba8-47c7-99c1-48c15f12efd9.mp3,dc66ecca-8ba8-47c7-99c1-48c15f12efd9,DS_afro_house_global_2vx3n,v5.5,chirp-fenix,complete,232.4,False,"Afro house with rolling percussive drive, swung shakers, and a hypnotic 11/8 overlay that blooms every 32 bars; breakdown opens into jazz-tinged altered chord pads and filtered gospel vocal samples, then the peak drops a forest-psy sub-bass with wide congas and clipped hand percussion. Extended 7-minute arc, warm club mix with deep low-end pressure and glossy top sheen., jazz, gospel","Afro house base + jazz altered chord pads en breakdown, polirritmia 11/8 superpuesta cada 32 bars, samples vocales gospel filtered, sub-bass forest psy en peak, 7 min extended",[Instrumental],2026-05-24T17:55:41.577Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/dc66ecca-8ba8-47c7-99c1-48c15f12efd9.mp3,https://cdn2.suno.ai/image_dc66ecca-8ba8-47c7-99c1-48c15f12efd9.jpeg,https://cdn2.suno.ai/image_large_dc66ecca-8ba8-47c7-99c1-48c15f12efd9.jpeg audio/d18c6861-06d0-44c0-8807-8aa1e224379d.mp3,d18c6861-06d0-44c0-8807-8aa1e224379d,DS_kpop_crossover_modern_2uf36,v5.5,chirp-fenix,complete,194.2,False,"K-pop dance-pop with a 7/8 pulse rubbing against a slick 4/4 backbeat; verse stays crisp and staccato with syncopated handclaps, chopped synth plucks, and jazzy altered chords, pre-chorus widens into stacked harmonies and rising toms, chorus lands on big band brass stabs and a sing-back hook, bridge turns hazy with sitar phrases and a modal shift, final chorus opens huge. Bright, glossy, wide mix with punchy low end and shimmering vocal layers., jazz, big band, k-pop","K-pop base + polirritmia 7/8 contra 4/4 sutil, voicings jazz altered, modal interchange psicodélico Kevin Parker, sub-bass Goa en drop, big band stabs en chorus, sitar indostaní en bridge, 3:00 min","[Verse 1] You call my name, I lean in Seven steps, then I spin Your eyes say go, I obey Blue smoke in my head today Half-step smile, poisoned sweet You drag my heart offbeat I taste the night on your tongue Then the whole room comes undone [Pre-Chorus] Count me in, count me out I like it when the floor shakes now Your hands talk, my pulse talks back Falling fast on a bent-up track [Chorus] Twelve and seven Pull me closer Twelve and seven Make it over We fall, we rise We bend the sky Twelve and seven Stay with me tonight [Verse 2] Gold on your lids, cold on your grin You turn the lock, I let you in Every look is a hidden key Every touch rewrites me My mind goes soft, then razor-sharp We move like sparks in the dark I chase the break, you chase the flame Same sweet chaos, different name [Pre-Chorus] Count me in, count me out I like it when the floor shakes now Your hands talk, my pulse talks back Falling fast on a bent-up track [Chorus] Twelve and seven Pull me closer Twelve and seven Make it over We fall, we rise We bend the sky Twelve and seven Stay with me tonight [Bridge] Sitar cries through the haze Lost in a violet maze Old worlds bloom in your stare I forget how to be scared [Breakdown] One, two, three, four Seven pulls me more One, two, three, four Stay right here [Final Chorus] Twelve and seven Pull me closer Twelve and seven Make it over We fall, we rise We bend the sky Twelve and seven Stay with me tonight Twelve and seven Hold me longer Twelve and seven Make me stronger We fall, we rise We bend the sky Twelve and seven Stay with me tonight",2026-05-24T17:54:36.393Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d18c6861-06d0-44c0-8807-8aa1e224379d.mp3,https://cdn2.suno.ai/image_d18c6861-06d0-44c0-8807-8aa1e224379d.jpeg,https://cdn2.suno.ai/image_large_d18c6861-06d0-44c0-8807-8aa1e224379d.jpeg audio/88472813-06e2-4078-980f-228ffb54dae2.mp3,88472813-06e2-4078-980f-228ffb54dae2,DS_kpop_crossover_modern_2uf36,v5.5,chirp-fenix,complete,188.12,False,"K-pop dance-pop with a 7/8 pulse rubbing against a slick 4/4 backbeat; verse stays crisp and staccato with syncopated handclaps, chopped synth plucks, and jazzy altered chords, pre-chorus widens into stacked harmonies and rising toms, chorus lands on big band brass stabs and a sing-back hook, bridge turns hazy with sitar phrases and a modal shift, final chorus opens huge. Bright, glossy, wide mix with punchy low end and shimmering vocal layers., jazz, big band, k-pop","K-pop base + polirritmia 7/8 contra 4/4 sutil, voicings jazz altered, modal interchange psicodélico Kevin Parker, sub-bass Goa en drop, big band stabs en chorus, sitar indostaní en bridge, 3:00 min","[Verse 1] You call my name, I lean in Seven steps, then I spin Your eyes say go, I obey Blue smoke in my head today Half-step smile, poisoned sweet You drag my heart offbeat I taste the night on your tongue Then the whole room comes undone [Pre-Chorus] Count me in, count me out I like it when the floor shakes now Your hands talk, my pulse talks back Falling fast on a bent-up track [Chorus] Twelve and seven Pull me closer Twelve and seven Make it over We fall, we rise We bend the sky Twelve and seven Stay with me tonight [Verse 2] Gold on your lids, cold on your grin You turn the lock, I let you in Every look is a hidden key Every touch rewrites me My mind goes soft, then razor-sharp We move like sparks in the dark I chase the break, you chase the flame Same sweet chaos, different name [Pre-Chorus] Count me in, count me out I like it when the floor shakes now Your hands talk, my pulse talks back Falling fast on a bent-up track [Chorus] Twelve and seven Pull me closer Twelve and seven Make it over We fall, we rise We bend the sky Twelve and seven Stay with me tonight [Bridge] Sitar cries through the haze Lost in a violet maze Old worlds bloom in your stare I forget how to be scared [Breakdown] One, two, three, four Seven pulls me more One, two, three, four Stay right here [Final Chorus] Twelve and seven Pull me closer Twelve and seven Make it over We fall, we rise We bend the sky Twelve and seven Stay with me tonight Twelve and seven Hold me longer Twelve and seven Make me stronger We fall, we rise We bend the sky Twelve and seven Stay with me tonight",2026-05-24T17:54:36.393Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/88472813-06e2-4078-980f-228ffb54dae2.mp3,https://cdn2.suno.ai/image_88472813-06e2-4078-980f-228ffb54dae2.jpeg,https://cdn2.suno.ai/image_large_88472813-06e2-4078-980f-228ffb54dae2.jpeg audio/238a2e41-c30d-475a-a2f8-d24276688816.mp3,238a2e41-c30d-475a-a2f8-d24276688816,DS_classical_baroque_short_2tflf,v5.5,chirp-fenix,complete,159.92,True,"Baroque instrumental, 100 BPM, in elegant D major with harpsichord-led counterpoint, baroque string ensemble, violin solo, cello continuo, and baroque flute. The opening presents a graceful theme, the middle develops with imitative exchanges and a brighter violin flourish, then a poised recap and courtly coda. Ornamented solo lines, light echoing room tails, soft bow noise, crisp antique articulation, luminous and polished mix., cello, baroque, violin, harpsichord","Baroque instrumental short form, 100 BPM, harpsichord, baroque string ensemble, violin solo, cello continuo, baroque flute, D major elegant, European baroque tradition aesthetic, 4 minute structured baroque piece, no vocals instrumental",[Instrumental],2026-05-24T17:53:45.533Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/238a2e41-c30d-475a-a2f8-d24276688816.mp3,https://cdn2.suno.ai/image_238a2e41-c30d-475a-a2f8-d24276688816.jpeg,https://cdn2.suno.ai/image_large_238a2e41-c30d-475a-a2f8-d24276688816.jpeg audio/c4e40b2c-883a-4e92-a93a-9cdff771dbb7.mp3,c4e40b2c-883a-4e92-a93a-9cdff771dbb7,DS_classical_baroque_short_2tflf,v5.5,chirp-fenix,complete,185.0,True,"Baroque instrumental, 100 BPM, in elegant D major with harpsichord-led counterpoint, baroque string ensemble, violin solo, cello continuo, and baroque flute. The opening presents a graceful theme, the middle develops with imitative exchanges and a brighter violin flourish, then a poised recap and courtly coda. Ornamented solo lines, light echoing room tails, soft bow noise, crisp antique articulation, luminous and polished mix., cello, baroque, violin, harpsichord","Baroque instrumental short form, 100 BPM, harpsichord, baroque string ensemble, violin solo, cello continuo, baroque flute, D major elegant, European baroque tradition aesthetic, 4 minute structured baroque piece, no vocals instrumental",[Instrumental],2026-05-24T17:53:45.533Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c4e40b2c-883a-4e92-a93a-9cdff771dbb7.mp3,https://cdn2.suno.ai/image_c4e40b2c-883a-4e92-a93a-9cdff771dbb7.jpeg,https://cdn2.suno.ai/image_large_c4e40b2c-883a-4e92-a93a-9cdff771dbb7.jpeg audio/51096268-9566-48db-9d08-26ac2a5306ff.mp3,51096268-9566-48db-9d08-26ac2a5306ff,DS_afrobeat_fela_inspired_2sjz5,v5.5,chirp-fenix,complete,191.96,True,"Afrobeat, mid-tempo 115 BPM with locked polyrhythms, talking drums, congas, deep bass vamps, West African funk guitar, Hammond organ swells, and a horn section led by tenor sax, alto sax, and trumpet. Verse sections cycle sparse; breaks open for drum calls; long middle features extended sax solo. Warm analog mix, dusty, spacious, Lagos 1975 vibe., deep, funk, saxophone, classic, afrobeat","Afrobeat Lagos classic extended, 115 BPM, talking drums, horn section with tenor saxophone alto saxophone trumpet, polyrhythmic congas, West African funk guitar, deep bass groove, Hammond organ, Yoruba pentatonic F minor modal, Lagos 1975 aesthetic, 10 minute polyrhythmic groove with extended sax solo, instrumental",[Instrumental],2026-05-24T17:53:04.539Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/51096268-9566-48db-9d08-26ac2a5306ff.mp3,https://cdn2.suno.ai/image_51096268-9566-48db-9d08-26ac2a5306ff.jpeg,https://cdn2.suno.ai/image_large_51096268-9566-48db-9d08-26ac2a5306ff.jpeg audio/0f02db48-bdb6-4f2c-956c-16c71a1fbc51.mp3,0f02db48-bdb6-4f2c-956c-16c71a1fbc51,DS_afrobeat_fela_inspired_2sjz5,v5.5,chirp-fenix,complete,174.28,True,"Afrobeat, mid-tempo 115 BPM with locked polyrhythms, talking drums, congas, deep bass vamps, West African funk guitar, Hammond organ swells, and a horn section led by tenor sax, alto sax, and trumpet. Verse sections cycle sparse; breaks open for drum calls; long middle features extended sax solo. Warm analog mix, dusty, spacious, Lagos 1975 vibe., deep, funk, saxophone, classic, afrobeat","Afrobeat Lagos classic extended, 115 BPM, talking drums, horn section with tenor saxophone alto saxophone trumpet, polyrhythmic congas, West African funk guitar, deep bass groove, Hammond organ, Yoruba pentatonic F minor modal, Lagos 1975 aesthetic, 10 minute polyrhythmic groove with extended sax solo, instrumental",[Instrumental],2026-05-24T17:53:04.539Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0f02db48-bdb6-4f2c-956c-16c71a1fbc51.mp3,https://cdn2.suno.ai/image_0f02db48-bdb6-4f2c-956c-16c71a1fbc51.jpeg,https://cdn2.suno.ai/image_large_0f02db48-bdb6-4f2c-956c-16c71a1fbc51.jpeg audio/621a209a-c7be-4b84-a516-23290410fd6b.mp3,621a209a-c7be-4b84-a516-23290410fd6b,DS_lounge_exotica_60s_2r7cm,v5.5,chirp-fenix,complete,174.0,True,"Lounge exotica with a 95 BPM swaying pulse, brushed drums, upright bass, vibraphone lead, exotica percussion, sparse F major piano, and a subtle muted trumpet; verse-like sections rotate between vibraphone and bass, a lean middle break opens to brushed drums plus piano filigree, then the final pass adds trumpet echo and fuller percussion. Gentle tape flutter, brushed snare swells, and warm room ambience. Smoky, intimate, vintage California lounge mix with soft saturation and rounded low end., lounge, exotica","Lounge exotica 60s vintage, 95 BPM, vibraphone lead, upright bass, brushed drums, exotica percussion, sparse piano F major, subtle muted trumpet, California 1962 lounge aesthetic, 4 minute smoky relaxed track, instrumental",[Instrumental],2026-05-24T17:52:01.883Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/621a209a-c7be-4b84-a516-23290410fd6b.mp3,https://cdn2.suno.ai/image_621a209a-c7be-4b84-a516-23290410fd6b.jpeg,https://cdn2.suno.ai/image_large_621a209a-c7be-4b84-a516-23290410fd6b.jpeg audio/097c3ee3-c161-48c9-8458-a7ec6fda6fd9.mp3,097c3ee3-c161-48c9-8458-a7ec6fda6fd9,DS_lounge_exotica_60s_2r7cm,v5.5,chirp-fenix,complete,133.72,True,"Lounge exotica with a 95 BPM swaying pulse, brushed drums, upright bass, vibraphone lead, exotica percussion, sparse F major piano, and a subtle muted trumpet; verse-like sections rotate between vibraphone and bass, a lean middle break opens to brushed drums plus piano filigree, then the final pass adds trumpet echo and fuller percussion. Gentle tape flutter, brushed snare swells, and warm room ambience. Smoky, intimate, vintage California lounge mix with soft saturation and rounded low end., lounge, exotica","Lounge exotica 60s vintage, 95 BPM, vibraphone lead, upright bass, brushed drums, exotica percussion, sparse piano F major, subtle muted trumpet, California 1962 lounge aesthetic, 4 minute smoky relaxed track, instrumental",[Instrumental],2026-05-24T17:52:01.883Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/097c3ee3-c161-48c9-8458-a7ec6fda6fd9.mp3,https://cdn2.suno.ai/image_097c3ee3-c161-48c9-8458-a7ec6fda6fd9.jpeg,https://cdn2.suno.ai/image_large_097c3ee3-c161-48c9-8458-a7ec6fda6fd9.jpeg audio/4dc76353-e910-4d79-b4ca-958a26bb5cf4.mp3,4dc76353-e910-4d79-b4ca-958a26bb5cf4,DS_minimal_house_microhouse_2pvic,v5.5,chirp-fenix,complete,124.72,True,"Minimal microhouse at 124 BPM with clicky drum machine patterns, deep sub-bass pulses, tiny shuffled shakers, and fractured glitch textures over filtered F minor pads. Intro starts stripped and dry; midsection adds chopped stutters and ghost percussion; breakdown collapses to sub and grainy echoes, then rebuilds into a hypnotic long-form groove. Close, crisp, dry mix with club-ready low end and shimmering top detail., minimal, deep, microhouse, vocal, hypnotic","Minimal microhouse glitchy, 124 BPM, minimal click drums, deep sub-bass, glitchy textures, subtle vocal chops, filtered pads F minor, shakers, Berlin Kompakt 2005 aesthetic, 7 minute hypnotic minimal groove, instrumental",[Instrumental],2026-05-24T17:50:59.980Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4dc76353-e910-4d79-b4ca-958a26bb5cf4.mp3,https://cdn2.suno.ai/image_4dc76353-e910-4d79-b4ca-958a26bb5cf4.jpeg,https://cdn2.suno.ai/image_large_4dc76353-e910-4d79-b4ca-958a26bb5cf4.jpeg audio/dc1d1802-955f-4e74-899e-62728dcc10b5.mp3,dc1d1802-955f-4e74-899e-62728dcc10b5,DS_minimal_house_microhouse_2pvic,v5.5,chirp-fenix,complete,201.0,True,"Minimal microhouse at 124 BPM with clicky drum machine patterns, deep sub-bass pulses, tiny shuffled shakers, and fractured glitch textures over filtered F minor pads. Intro starts stripped and dry; midsection adds chopped stutters and ghost percussion; breakdown collapses to sub and grainy echoes, then rebuilds into a hypnotic long-form groove. Close, crisp, dry mix with club-ready low end and shimmering top detail., minimal, deep, microhouse, vocal, hypnotic","Minimal microhouse glitchy, 124 BPM, minimal click drums, deep sub-bass, glitchy textures, subtle vocal chops, filtered pads F minor, shakers, Berlin Kompakt 2005 aesthetic, 7 minute hypnotic minimal groove, instrumental",[Instrumental],2026-05-24T17:50:59.980Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/dc1d1802-955f-4e74-899e-62728dcc10b5.mp3,https://cdn2.suno.ai/image_dc1d1802-955f-4e74-899e-62728dcc10b5.jpeg,https://cdn2.suno.ai/image_large_dc1d1802-955f-4e74-899e-62728dcc10b5.jpeg audio/32681354-a231-4afe-a5e4-d6b626efd5ac.mp3,32681354-a231-4afe-a5e4-d6b626efd5ac,DS_amapiano_vocal_pop_2odq0,v5.5,chirp-fenix,complete,206.52,False,"Amapiano with jazzy altered chords and sharp #11 voicings, log drum pulse, and a subtle 11/8 overlay that turns every 16 bars; verse sections stay dry and spacious, then the groove opens with pad lifts and chord extensions, while the drop folds in soft Dilla-style vocal chops and a low Indian tampura drone. Wide, glossy, club-ready mix with deep sub weight., drone, vocal, jazz","Amapiano base + jazz altered chords #11 en pads, log drum + métrica 11/8 superpuesta cada 16 bars, vocal chops Dilla-style sutiles, drone tampura indostaní en mezcla baja, 4:30 min",[Instrumental],2026-05-24T17:49:49.811Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/32681354-a231-4afe-a5e4-d6b626efd5ac.mp3,https://cdn2.suno.ai/image_32681354-a231-4afe-a5e4-d6b626efd5ac.jpeg,https://cdn2.suno.ai/image_large_32681354-a231-4afe-a5e4-d6b626efd5ac.jpeg audio/d3d87b09-6be6-4048-9254-cbf40060fabd.mp3,d3d87b09-6be6-4048-9254-cbf40060fabd,DS_amapiano_vocal_pop_2odq0,v5.5,chirp-fenix,complete,222.48,False,"Amapiano with jazzy altered chords and sharp #11 voicings, log drum pulse, and a subtle 11/8 overlay that turns every 16 bars; verse sections stay dry and spacious, then the groove opens with pad lifts and chord extensions, while the drop folds in soft Dilla-style vocal chops and a low Indian tampura drone. Wide, glossy, club-ready mix with deep sub weight., drone, vocal, jazz","Amapiano base + jazz altered chords #11 en pads, log drum + métrica 11/8 superpuesta cada 16 bars, vocal chops Dilla-style sutiles, drone tampura indostaní en mezcla baja, 4:30 min",[Instrumental],2026-05-24T17:49:49.811Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d3d87b09-6be6-4048-9254-cbf40060fabd.mp3,https://cdn2.suno.ai/image_d3d87b09-6be6-4048-9254-cbf40060fabd.jpeg,https://cdn2.suno.ai/image_large_d3d87b09-6be6-4048-9254-cbf40060fabd.jpeg audio/f771b880-ac66-4624-b6a5-6736f72da1a1.mp3,f771b880-ac66-4624-b6a5-6736f72da1a1,**Sub-bass Orchard**,v5.5,chirp-fenix,complete,224.76,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:49:47.766Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f771b880-ac66-4624-b6a5-6736f72da1a1.mp3,https://cdn2.suno.ai/image_f771b880-ac66-4624-b6a5-6736f72da1a1.jpeg,https://cdn2.suno.ai/image_large_f771b880-ac66-4624-b6a5-6736f72da1a1.jpeg audio/b7fcc815-0c23-4257-bcb9-ddf28be7d98c.mp3,b7fcc815-0c23-4257-bcb9-ddf28be7d98c,**Sub-bass Orchard**,v5.5,chirp-fenix,complete,223.52,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:49:47.766Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/b7fcc815-0c23-4257-bcb9-ddf28be7d98c.mp3,https://cdn2.suno.ai/image_b7fcc815-0c23-4257-bcb9-ddf28be7d98c.jpeg,https://cdn2.suno.ai/image_large_b7fcc815-0c23-4257-bcb9-ddf28be7d98c.jpeg audio/cfaa01f2-5e14-4ac1-941a-440d2ea32c7b.mp3,cfaa01f2-5e14-4ac1-941a-440d2ea32c7b,DS_soulful_house_garage_21qoj,v5.5,chirp-fenix,complete,234.84,False,"Soulful house garage with a steady 124 BPM four-on-the-floor pulse, swung 909 drums, warm rolling bass, Hammond organ swells, gospel piano chords in F major, lush string pads, and Paradise Garage energy; verse rides a sparse groove with alto lead and tight response phrases, pre-chorus strips to piano and claps while the harmony opens, chorus lifts with full organ, bass, and stacked gospel doubles; bridge pulls back to pad haze and a filtered bass pulse before the final chorus blooms; intimate close-mic lead, airy background doubles, short delay throws on key lines, vinyl crackle and reversed swells into each drop, bright punchy club mix with a warm analog glow, vocal, gospel, uplifting, soulful, warm","Soulful house garage New Jersey, 124 BPM, Hammond organ, gospel piano chords F major, soulful alto vocal lead, warm bass, 909 drums, lush string pads, Paradise Garage aesthetic, 7 minute uplifting groove with vocal","[Intro] Oh, mm Come on Mm-mm [Verse 1] I walked in heavy You pulled me light Hands in the air Like morning over night My heart was folded Like a letter kept too long Then you said my name And the room came strong [Pre-Chorus] Take me up Take me higher Lift this weight Feed the fire I can feel My feet let go One more step And I’m gone [Chorus] Falling into light Falling into light Hold me in your love Hold me in your love We rise tonight We rise tonight (Falling into light) [Verse 2] Old fears talking From the back of my mind But your touch is steady And your timing is kind Every scar I carry Starts to loosen in the air I was barely breathing Now I’m dancing over there [Pre-Chorus] Take me up Take me higher Lift this weight Feed the fire I can feel My feet let go One more step And I’m gone [Chorus] Falling into light Falling into light Hold me in your love Hold me in your love We rise tonight We rise tonight (Falling into light) [Bridge] If I lose my way Pull me back again If the night gets loud Be my breath, amen I was built for this I was made to shine Now I’m open wide And it feels divine [Chorus] Falling into light Falling into light Hold me in your love Hold me in your love We rise tonight We rise tonight (Falling into light)",2026-05-24T17:32:13.506Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cfaa01f2-5e14-4ac1-941a-440d2ea32c7b.mp3,https://cdn2.suno.ai/image_cfaa01f2-5e14-4ac1-941a-440d2ea32c7b.jpeg,https://cdn2.suno.ai/image_large_cfaa01f2-5e14-4ac1-941a-440d2ea32c7b.jpeg audio/633d5b7d-b96e-4387-ba67-97659dc5473d.mp3,633d5b7d-b96e-4387-ba67-97659dc5473d,DS_soulful_house_garage_21qoj,v5.5,chirp-fenix,complete,252.12,False,"Soulful house garage with a steady 124 BPM four-on-the-floor pulse, swung 909 drums, warm rolling bass, Hammond organ swells, gospel piano chords in F major, lush string pads, and Paradise Garage energy; verse rides a sparse groove with alto lead and tight response phrases, pre-chorus strips to piano and claps while the harmony opens, chorus lifts with full organ, bass, and stacked gospel doubles; bridge pulls back to pad haze and a filtered bass pulse before the final chorus blooms; intimate close-mic lead, airy background doubles, short delay throws on key lines, vinyl crackle and reversed swells into each drop, bright punchy club mix with a warm analog glow, vocal, gospel, uplifting, soulful, warm","Soulful house garage New Jersey, 124 BPM, Hammond organ, gospel piano chords F major, soulful alto vocal lead, warm bass, 909 drums, lush string pads, Paradise Garage aesthetic, 7 minute uplifting groove with vocal","[Intro] Oh, mm Come on Mm-mm [Verse 1] I walked in heavy You pulled me light Hands in the air Like morning over night My heart was folded Like a letter kept too long Then you said my name And the room came strong [Pre-Chorus] Take me up Take me higher Lift this weight Feed the fire I can feel My feet let go One more step And I’m gone [Chorus] Falling into light Falling into light Hold me in your love Hold me in your love We rise tonight We rise tonight (Falling into light) [Verse 2] Old fears talking From the back of my mind But your touch is steady And your timing is kind Every scar I carry Starts to loosen in the air I was barely breathing Now I’m dancing over there [Pre-Chorus] Take me up Take me higher Lift this weight Feed the fire I can feel My feet let go One more step And I’m gone [Chorus] Falling into light Falling into light Hold me in your love Hold me in your love We rise tonight We rise tonight (Falling into light) [Bridge] If I lose my way Pull me back again If the night gets loud Be my breath, amen I was built for this I was made to shine Now I’m open wide And it feels divine [Chorus] Falling into light Falling into light Hold me in your love Hold me in your love We rise tonight We rise tonight (Falling into light)",2026-05-24T17:32:13.506Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/633d5b7d-b96e-4387-ba67-97659dc5473d.mp3,https://cdn2.suno.ai/image_633d5b7d-b96e-4387-ba67-97659dc5473d.jpeg,https://cdn2.suno.ai/image_large_633d5b7d-b96e-4387-ba67-97659dc5473d.jpeg audio/377e383a-9700-4bfc-88e6-3e7c8ec03195.mp3,377e383a-9700-4bfc-88e6-3e7c8ec03195,DS_trap_latino_modern_20pn7,v5.5,chirp-fenix,complete,162.72,False,"Latin trap with cross-cut 7/8 hi-hats, jazz-altered pad voicings, ethio-jazz samples, and forest psy sub-bass; verse sections stay sparse with dry kicks, clipped snaps, and filtered thumb piano, pre-drop builds with reversed swells and percussion fills, bridge opens for a tenor sax solo, final section adds thicker bass and bright rim counterlines. Dark, spacious, and glossy with sharp low-end punch., jazz","Trap latino base + voicings jazz altered en pads, métrica 7/8 cruzada en hi-hats, samples ethio-jazz, sub-bass forest psy, solo saxo tenor en bridge, 3:30 min",[Instrumental],2026-05-24T17:31:25.474Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/377e383a-9700-4bfc-88e6-3e7c8ec03195.mp3,https://cdn2.suno.ai/image_377e383a-9700-4bfc-88e6-3e7c8ec03195.jpeg,https://cdn2.suno.ai/image_large_377e383a-9700-4bfc-88e6-3e7c8ec03195.jpeg audio/8aaf2012-eeae-4761-938e-594cc1574aea.mp3,8aaf2012-eeae-4761-938e-594cc1574aea,DS_trap_latino_modern_20pn7,v5.5,chirp-fenix,complete,178.2,False,"Latin trap with cross-cut 7/8 hi-hats, jazz-altered pad voicings, ethio-jazz samples, and forest psy sub-bass; verse sections stay sparse with dry kicks, clipped snaps, and filtered thumb piano, pre-drop builds with reversed swells and percussion fills, bridge opens for a tenor sax solo, final section adds thicker bass and bright rim counterlines. Dark, spacious, and glossy with sharp low-end punch., jazz","Trap latino base + voicings jazz altered en pads, métrica 7/8 cruzada en hi-hats, samples ethio-jazz, sub-bass forest psy, solo saxo tenor en bridge, 3:30 min",[Instrumental],2026-05-24T17:31:25.474Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/8aaf2012-eeae-4761-938e-594cc1574aea.mp3,https://cdn2.suno.ai/image_8aaf2012-eeae-4761-938e-594cc1574aea.jpeg,https://cdn2.suno.ai/image_large_8aaf2012-eeae-4761-938e-594cc1574aea.jpeg audio/5e428263-f713-4bdc-81cc-2a3ccc3484b1.mp3,5e428263-f713-4bdc-81cc-2a3ccc3484b1,DS_jazz_funk_70s_1zapu,v5.5,chirp-fenix,complete,179.92,True,"Jazz funk with a 115 BPM swagger, syncopated slap bass, humanized fusion drums, Rhodes comping, funky Clavinet stabs, wah guitar flicks, and tight horn punches; verse loops ride the pocket, the middle opens to Rhodes and guitar conversation, then the horns return with brighter riffs and doubled hits. Dusty CTI-style warmth, live-room bounce, wide stereo, buttery low end, crisp top., groovy, electric, jazz, funky, jazz funk, funk","Jazz funk 70s instrumental, 115 BPM, Rhodes electric piano, funky Clavinet, wah guitar, slap bass, humanized fusion drums, tight horn section, F minor modal, NYC CTI Records 1974 aesthetic, 6 minute groovy jazz-funk groove, instrumental",[Instrumental],2026-05-24T17:30:19.713Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5e428263-f713-4bdc-81cc-2a3ccc3484b1.mp3,https://cdn2.suno.ai/image_5e428263-f713-4bdc-81cc-2a3ccc3484b1.jpeg,https://cdn2.suno.ai/image_large_5e428263-f713-4bdc-81cc-2a3ccc3484b1.jpeg audio/8c81c621-44c0-4b83-bc2b-e1be478cac08.mp3,8c81c621-44c0-4b83-bc2b-e1be478cac08,DS_jazz_funk_70s_1zapu,v5.5,chirp-fenix,complete,199.72,True,"Jazz funk with a 115 BPM swagger, syncopated slap bass, humanized fusion drums, Rhodes comping, funky Clavinet stabs, wah guitar flicks, and tight horn punches; verse loops ride the pocket, the middle opens to Rhodes and guitar conversation, then the horns return with brighter riffs and doubled hits. Dusty CTI-style warmth, live-room bounce, wide stereo, buttery low end, crisp top., groovy, electric, jazz, funky, jazz funk, funk","Jazz funk 70s instrumental, 115 BPM, Rhodes electric piano, funky Clavinet, wah guitar, slap bass, humanized fusion drums, tight horn section, F minor modal, NYC CTI Records 1974 aesthetic, 6 minute groovy jazz-funk groove, instrumental",[Instrumental],2026-05-24T17:30:19.713Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/8c81c621-44c0-4b83-bc2b-e1be478cac08.mp3,https://cdn2.suno.ai/image_8c81c621-44c0-4b83-bc2b-e1be478cac08.jpeg,https://cdn2.suno.ai/image_large_8c81c621-44c0-4b83-bc2b-e1be478cac08.jpeg audio/a47385d9-a75f-46ee-9f53-41fced47c7e8.mp3,a47385d9-a75f-46ee-9f53-41fced47c7e8,DS_boom_bap_dilla_humanized_1xxc2,v5.5,chirp-fenix,complete,160.52,True,"Boom bap instrumental with a humanized 88 BPM swing, loose MPC drums pushed slightly off-grid, and a Detroit soul pulse. Verse rides Rhodes chords in F major with warm Moog bass and dusty vinyl crackle; midsection drops to a filtered drum break and vocal chop motif; final stretch opens with wider chords and heavier tape saturation. Intimate, warm, and textured., soul, warm, soulful, vocal","Humanized boom bap Detroit beat scene, 88 BPM, MPC drums swung off-grid feel, Rhodes piano chord progression F major, warm Moog bass, soul vocal chops, vinyl crackle, tape saturation, 4 minute soulful instrumental",[Instrumental],2026-05-24T17:29:15.468Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/a47385d9-a75f-46ee-9f53-41fced47c7e8.mp3,https://cdn2.suno.ai/image_a47385d9-a75f-46ee-9f53-41fced47c7e8.jpeg,https://cdn2.suno.ai/image_large_a47385d9-a75f-46ee-9f53-41fced47c7e8.jpeg audio/88ba427e-15cf-4dfa-8b78-b92434fa59a9.mp3,88ba427e-15cf-4dfa-8b78-b92434fa59a9,DS_boom_bap_dilla_humanized_1xxc2,v5.5,chirp-fenix,complete,132.28,True,"Boom bap instrumental with a humanized 88 BPM swing, loose MPC drums pushed slightly off-grid, and a Detroit soul pulse. Verse rides Rhodes chords in F major with warm Moog bass and dusty vinyl crackle; midsection drops to a filtered drum break and vocal chop motif; final stretch opens with wider chords and heavier tape saturation. Intimate, warm, and textured., soul, warm, soulful, vocal","Humanized boom bap Detroit beat scene, 88 BPM, MPC drums swung off-grid feel, Rhodes piano chord progression F major, warm Moog bass, soul vocal chops, vinyl crackle, tape saturation, 4 minute soulful instrumental",[Instrumental],2026-05-24T17:29:15.468Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/88ba427e-15cf-4dfa-8b78-b92434fa59a9.mp3,https://cdn2.suno.ai/image_88ba427e-15cf-4dfa-8b78-b92434fa59a9.jpeg,https://cdn2.suno.ai/image_large_88ba427e-15cf-4dfa-8b78-b92434fa59a9.jpeg audio/ab38a915-dbb1-4a6d-a887-4206bc00c087.mp3,ab38a915-dbb1-4a6d-a887-4206bc00c087,DS_ethio_jazz_modal_1wym2,v5.5,chirp-fenix,complete,174.2,True,"Ethio-jazz, 100 BPM modal pentatonic groove with vibraphone lead, tenor sax phrases, walking upright bass, brushed drums, Hammond organ, and modal piano; verse section opens sparse with bass, brushes, and vibraphone, then sax answers in longer lines; middle section thickens with organ swell and piano comping; final section lifts with vibraphone octaves and tighter drum chatter. Warm dusty analog mix, Addis Ababa 1972 club feel, intimate and sun-faded., saxophone, jazz","Ethio-jazz modal pentatonic, 100 BPM, vibraphone lead Ethiopian pentatonic mode, tenor saxophone, walking upright bass, brushed drums, Hammond organ, modal piano, Addis Ababa 1972 aesthetic, 7 minute exotic modal groove, instrumental",[Instrumental],2026-05-24T17:28:30.463Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/ab38a915-dbb1-4a6d-a887-4206bc00c087.mp3,https://cdn2.suno.ai/image_ab38a915-dbb1-4a6d-a887-4206bc00c087.jpeg,https://cdn2.suno.ai/image_large_ab38a915-dbb1-4a6d-a887-4206bc00c087.jpeg audio/75fe4a45-93e0-4fa6-b4c5-4b27d4d03c24.mp3,75fe4a45-93e0-4fa6-b4c5-4b27d4d03c24,DS_ethio_jazz_modal_1wym2,v5.5,chirp-fenix,complete,244.08,True,"Ethio-jazz, 100 BPM modal pentatonic groove with vibraphone lead, tenor sax phrases, walking upright bass, brushed drums, Hammond organ, and modal piano; verse section opens sparse with bass, brushes, and vibraphone, then sax answers in longer lines; middle section thickens with organ swell and piano comping; final section lifts with vibraphone octaves and tighter drum chatter. Warm dusty analog mix, Addis Ababa 1972 club feel, intimate and sun-faded., saxophone, jazz","Ethio-jazz modal pentatonic, 100 BPM, vibraphone lead Ethiopian pentatonic mode, tenor saxophone, walking upright bass, brushed drums, Hammond organ, modal piano, Addis Ababa 1972 aesthetic, 7 minute exotic modal groove, instrumental",[Instrumental],2026-05-24T17:28:30.462Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/75fe4a45-93e0-4fa6-b4c5-4b27d4d03c24.mp3,https://cdn2.suno.ai/image_75fe4a45-93e0-4fa6-b4c5-4b27d4d03c24.jpeg,https://cdn2.suno.ai/image_large_75fe4a45-93e0-4fa6-b4c5-4b27d4d03c24.jpeg audio/788e44d7-697c-43b2-82e1-0e57e49cebb3.mp3,788e44d7-697c-43b2-82e1-0e57e49cebb3,DS_country_trap_crossover_1w0nu,v5.5,chirp-fenix,complete,214.84,False,"Country-trap with swung 5/4 tension and heavy 808 sub-bass under crosspicked banjo; verses ride sparse drums, chopped soul samples, and roomy handclaps, pre-chorus opens with filtered bass and a rising banjo figure, choruses hit with big band stabs and stacked gang hooks. Bridge brings harmonica and Indian sitar color. Bright, punchy, gritty mix with close-mic lead and short delay throws., big band, soul, country","Country-trap base + banjo cruzado con 808 sub-bass forest psy, métrica 5/4 intermitente, samples soul boom bap chopeados, big band stabs en choruses, harmonica + sitar indostaní en bridge, 3:30 min","[Verse 1] Llegué con polvo en la bota y la frente llena de sol tu mensaje quedó doblado en el asiento del tractor Dicen que vivo al borde que no sé pedir perdón pero guardo tu nombre como un fósforo en el cajón Cinco pasos y me pierdo en la curva del lote gris si me llaman por mi sangre yo respondo: sigo aquí [Pre-Chorus] Y se me va la noche encima Y se me va pero no me quita [Chorus] Corral de humo, corral de humo mírame volver Corral de humo, corral de humo no me vuelvo a perder Corral de humo, corral de humo tú me haces correr Corral de humo, corral de humo y me dejas caer [Verse 2] Traigo barro en la camisa y un silbido por andar la ciudad me dio promesas que no supo sostener Tú me miras como lluvia sobre chapa y algodón yo te sigo entre la reja como un perro en el camión Si me parto, tú lo sabes no me pidas de rodar yo nací pa' los caminos y pa' un beso al regresar [Pre-Chorus] Y se me va la rabia encima Y se me va cuando me miras [Chorus] Corral de humo, corral de humo mírame volver Corral de humo, corral de humo no me vuelvo a perder Corral de humo, corral de humo tú me haces correr Corral de humo, corral de humo y me dejas caer [Bridge] Sopla la armónica sobre tu voz canta el sitar en mi motor Tú dices “ven” yo digo “voy” si abres la mano me quedo hoy [Final Chorus] Corral de humo, corral de humo mírame volver Corral de humo, corral de humo no me vuelvo a perder Corral de humo, corral de humo tú me haces correr Corral de humo, corral de humo y me dejas caer",2026-05-24T17:27:46.541Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/788e44d7-697c-43b2-82e1-0e57e49cebb3.mp3,https://cdn2.suno.ai/image_788e44d7-697c-43b2-82e1-0e57e49cebb3.jpeg,https://cdn2.suno.ai/image_large_788e44d7-697c-43b2-82e1-0e57e49cebb3.jpeg audio/3d7d79dd-2e12-4fcc-93a3-29d6f0c865b7.mp3,3d7d79dd-2e12-4fcc-93a3-29d6f0c865b7,DS_country_trap_crossover_1w0nu,v5.5,chirp-fenix,complete,211.32,False,"Country-trap with swung 5/4 tension and heavy 808 sub-bass under crosspicked banjo; verses ride sparse drums, chopped soul samples, and roomy handclaps, pre-chorus opens with filtered bass and a rising banjo figure, choruses hit with big band stabs and stacked gang hooks. Bridge brings harmonica and Indian sitar color. Bright, punchy, gritty mix with close-mic lead and short delay throws., big band, soul, country","Country-trap base + banjo cruzado con 808 sub-bass forest psy, métrica 5/4 intermitente, samples soul boom bap chopeados, big band stabs en choruses, harmonica + sitar indostaní en bridge, 3:30 min","[Verse 1] Llegué con polvo en la bota y la frente llena de sol tu mensaje quedó doblado en el asiento del tractor Dicen que vivo al borde que no sé pedir perdón pero guardo tu nombre como un fósforo en el cajón Cinco pasos y me pierdo en la curva del lote gris si me llaman por mi sangre yo respondo: sigo aquí [Pre-Chorus] Y se me va la noche encima Y se me va pero no me quita [Chorus] Corral de humo, corral de humo mírame volver Corral de humo, corral de humo no me vuelvo a perder Corral de humo, corral de humo tú me haces correr Corral de humo, corral de humo y me dejas caer [Verse 2] Traigo barro en la camisa y un silbido por andar la ciudad me dio promesas que no supo sostener Tú me miras como lluvia sobre chapa y algodón yo te sigo entre la reja como un perro en el camión Si me parto, tú lo sabes no me pidas de rodar yo nací pa' los caminos y pa' un beso al regresar [Pre-Chorus] Y se me va la rabia encima Y se me va cuando me miras [Chorus] Corral de humo, corral de humo mírame volver Corral de humo, corral de humo no me vuelvo a perder Corral de humo, corral de humo tú me haces correr Corral de humo, corral de humo y me dejas caer [Bridge] Sopla la armónica sobre tu voz canta el sitar en mi motor Tú dices “ven” yo digo “voy” si abres la mano me quedo hoy [Final Chorus] Corral de humo, corral de humo mírame volver Corral de humo, corral de humo no me vuelvo a perder Corral de humo, corral de humo tú me haces correr Corral de humo, corral de humo y me dejas caer",2026-05-24T17:27:46.541Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/3d7d79dd-2e12-4fcc-93a3-29d6f0c865b7.mp3,https://cdn2.suno.ai/image_3d7d79dd-2e12-4fcc-93a3-29d6f0c865b7.jpeg,https://cdn2.suno.ai/image_large_3d7d79dd-2e12-4fcc-93a3-29d6f0c865b7.jpeg audio/39b37ce8-c0f2-47c3-bd82-bf3c1f39fc01.mp3,39b37ce8-c0f2-47c3-bd82-bf3c1f39fc01,DS_corridos_tumbados_1uhvm,v5.5,chirp-fenix,complete,215.92,False,"Corridos with tololoche pulse and trap drums, laid over ranchera cadences, subtle jazz altered chords, and modal interchange; verse rides dry storytelling with close-mic male vocals and sparse doubles, pre-chorus opens into stacked R&B harmonies, chorus lands on a chantable gang-vocal hook. Bansuri solo blooms in the bridge. Ear candy: reversed swells, thumbed string squeaks, filtered cymbal lifts. Mix is warm, gritty, and modern-wide., r&b, hip hop, alternative r&b, soul, jazz, ranchera, contemporary","Corridos base + tololoche + trap drums subtle, jazz altered chords sobre cadencia ranchera, modal interchange tipo Frank Ocean en pre-choruses, solo de bansuri indostaní en bridge, 3:30 min","[Verse 1] Traigo polvo en el sombrero y cuentas por pagar la troca va temblando por la vereda del mezcal Tu mensaje en la pantalla me dejó de plan dices que me extrañas pero no te vi llamar [Pre-Chorus] Y se me dobla el pecho cuando dices “ven” la luna va de lado y yo también No me vendas promesas si no van a caer que ya conozco el filo de tu querer [Chorus] Bajo la ceiba me vuelvo a perder Bajo la ceiba te quiero volver Dime si vienes o me dejas ir Bajo la ceiba me muero por ti [Verse 2] En la mesa hay dos vasos y uno sigue igual tu perfume en la camisa no me deja respirar Yo cargué con la sombra de tu adiós brutal y aun así me quiebro cuando te da por regresar [Pre-Chorus] Y se me dobla el pecho cuando dices “ven” la luna va de lado y yo también No me vendas promesas si no van a caer que ya conozco el filo de tu querer [Chorus] Bajo la ceiba me vuelvo a perder Bajo la ceiba te quiero volver Dime si vienes o me dejas ir Bajo la ceiba me muero por ti [Bridge] Sopla el bansuri sobre mi dolor abre una herida y me cambia la voz Si tú me nombras voy a responder aunque me cueste volver a caer [Chorus] Bajo la ceiba me vuelvo a perder Bajo la ceiba te quiero volver Dime si vienes o me dejas ir Bajo la ceiba me muero por ti",2026-05-24T17:26:35.536Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/39b37ce8-c0f2-47c3-bd82-bf3c1f39fc01.mp3,https://cdn2.suno.ai/image_39b37ce8-c0f2-47c3-bd82-bf3c1f39fc01.jpeg,https://cdn2.suno.ai/image_large_39b37ce8-c0f2-47c3-bd82-bf3c1f39fc01.jpeg audio/f98ccd45-8a5f-4d90-b0f3-756841c13086.mp3,f98ccd45-8a5f-4d90-b0f3-756841c13086,DS_corridos_tumbados_1uhvm,v5.5,chirp-fenix,complete,220.64,False,"Corridos with tololoche pulse and trap drums, laid over ranchera cadences, subtle jazz altered chords, and modal interchange; verse rides dry storytelling with close-mic male vocals and sparse doubles, pre-chorus opens into stacked R&B harmonies, chorus lands on a chantable gang-vocal hook. Bansuri solo blooms in the bridge. Ear candy: reversed swells, thumbed string squeaks, filtered cymbal lifts. Mix is warm, gritty, and modern-wide., r&b, hip hop, alternative r&b, soul, jazz, ranchera, contemporary","Corridos base + tololoche + trap drums subtle, jazz altered chords sobre cadencia ranchera, modal interchange tipo Frank Ocean en pre-choruses, solo de bansuri indostaní en bridge, 3:30 min","[Verse 1] Traigo polvo en el sombrero y cuentas por pagar la troca va temblando por la vereda del mezcal Tu mensaje en la pantalla me dejó de plan dices que me extrañas pero no te vi llamar [Pre-Chorus] Y se me dobla el pecho cuando dices “ven” la luna va de lado y yo también No me vendas promesas si no van a caer que ya conozco el filo de tu querer [Chorus] Bajo la ceiba me vuelvo a perder Bajo la ceiba te quiero volver Dime si vienes o me dejas ir Bajo la ceiba me muero por ti [Verse 2] En la mesa hay dos vasos y uno sigue igual tu perfume en la camisa no me deja respirar Yo cargué con la sombra de tu adiós brutal y aun así me quiebro cuando te da por regresar [Pre-Chorus] Y se me dobla el pecho cuando dices “ven” la luna va de lado y yo también No me vendas promesas si no van a caer que ya conozco el filo de tu querer [Chorus] Bajo la ceiba me vuelvo a perder Bajo la ceiba te quiero volver Dime si vienes o me dejas ir Bajo la ceiba me muero por ti [Bridge] Sopla el bansuri sobre mi dolor abre una herida y me cambia la voz Si tú me nombras voy a responder aunque me cueste volver a caer [Chorus] Bajo la ceiba me vuelvo a perder Bajo la ceiba te quiero volver Dime si vienes o me dejas ir Bajo la ceiba me muero por ti",2026-05-24T17:26:35.536Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/f98ccd45-8a5f-4d90-b0f3-756841c13086.mp3,https://cdn2.suno.ai/image_f98ccd45-8a5f-4d90-b0f3-756841c13086.jpeg,https://cdn2.suno.ai/image_large_f98ccd45-8a5f-4d90-b0f3-756841c13086.jpeg audio/1ba7dabf-2ace-464d-845e-2fa60e1052dc.mp3,1ba7dabf-2ace-464d-845e-2fa60e1052dc,DS_dancehall_modern_radio_1t26j,v5.5,chirp-fenix,complete,153.4,False,"dancehall jazz hybrid at a mid tempo bounce with 3 against 4 cross rhythm dilla leaning drums and caribbean modal interchange intro rides the tampura drone and hammond voicings verse sections stay lean with bass rim clicks and organ pre drop layers in big band stabs and brass answers main sections hit with syncopated Reggae, Ska, Rock, Pop Rock sub pushes and horn punches wide warm and punchy mix big band dancehall jazz drone","Dancehall base + voicings jazz altered en organ Hammond, polirritmia 3-contra-4, modal interchange caribeño-jazz, big band stabs, drums Dilla, drone tampura subliminal, 3:30 min",[Instrumental],2026-05-24T17:25:28.496Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/1ba7dabf-2ace-464d-845e-2fa60e1052dc.mp3,https://cdn2.suno.ai/image_1ba7dabf-2ace-464d-845e-2fa60e1052dc.jpeg,https://cdn2.suno.ai/image_large_1ba7dabf-2ace-464d-845e-2fa60e1052dc.jpeg audio/000e9817-0d24-4142-9856-feba509af2e3.mp3,000e9817-0d24-4142-9856-feba509af2e3,DS_dancehall_modern_radio_1t26j,v5.5,chirp-fenix,complete,149.44,False,"dancehall jazz hybrid at a mid tempo bounce with 3 against 4 cross rhythm dilla leaning drums and caribbean modal interchange intro rides the tampura drone and hammond voicings verse sections stay lean with bass rim clicks and organ pre drop layers in big band stabs and brass answers main sections hit with syncopated Reggae, Ska, Rock, Pop Rock sub pushes and horn punches wide warm and punchy mix big band dancehall jazz drone","Dancehall base + voicings jazz altered en organ Hammond, polirritmia 3-contra-4, modal interchange caribeño-jazz, big band stabs, drums Dilla, drone tampura subliminal, 3:30 min",[Instrumental],2026-05-24T17:25:28.496Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/000e9817-0d24-4142-9856-feba509af2e3.mp3,https://cdn2.suno.ai/image_000e9817-0d24-4142-9856-feba509af2e3.jpeg,https://cdn2.suno.ai/image_large_000e9817-0d24-4142-9856-feba509af2e3.jpeg audio/16e7bdcc-e19d-4197-b01a-edb345f7ebc9.mp3,16e7bdcc-e19d-4197-b01a-edb345f7ebc9,DS_trap_modern_heavy_808_1rtfg,v5.5,chirp-fenix,complete,122.96,True,"Trap instrumental, 145 BPM half-time with heavy tuned 808s, rolling triplet hats, layered snare claps, and dark synth lead motifs over F# minor piano stabs. Intro opens sparse with filtered keys and sub rumble; verse sections thump with tight drums and a moody bell counterline; the drop widens with octave bass, rim accents, and rapid hat rolls; breakdown strips to piano and distant texture before the final surge. Gritty, modern Atlanta 2024 sound, heavy and cinematic.","Trap modern heavy 808 instrumental, 145 BPM half-time feel, heavy tuned 808 bass, rolling triplet hi-hats, layered snare clap, dark synth lead, piano chord stabs F# minor, Atlanta 2024 aesthetic, 3 minute dark energetic instrumental",[Instrumental],2026-05-24T17:24:30.502Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/16e7bdcc-e19d-4197-b01a-edb345f7ebc9.mp3,https://cdn2.suno.ai/image_16e7bdcc-e19d-4197-b01a-edb345f7ebc9.jpeg,https://cdn2.suno.ai/image_large_16e7bdcc-e19d-4197-b01a-edb345f7ebc9.jpeg audio/e0b28b4c-050b-46a7-a803-469d06b12ee3.mp3,e0b28b4c-050b-46a7-a803-469d06b12ee3,DS_trap_modern_heavy_808_1rtfg,v5.5,chirp-fenix,complete,103.04,True,"Trap instrumental, 145 BPM half-time with heavy tuned 808s, rolling triplet hats, layered snare claps, and dark synth lead motifs over F# minor piano stabs. Intro opens sparse with filtered keys and sub rumble; verse sections thump with tight drums and a moody bell counterline; the drop widens with octave bass, rim accents, and rapid hat rolls; breakdown strips to piano and distant texture before the final surge. Gritty, modern Atlanta 2024 sound, heavy and cinematic.","Trap modern heavy 808 instrumental, 145 BPM half-time feel, heavy tuned 808 bass, rolling triplet hi-hats, layered snare clap, dark synth lead, piano chord stabs F# minor, Atlanta 2024 aesthetic, 3 minute dark energetic instrumental",[Instrumental],2026-05-24T17:24:30.502Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e0b28b4c-050b-46a7-a803-469d06b12ee3.mp3,https://cdn2.suno.ai/image_e0b28b4c-050b-46a7-a803-469d06b12ee3.jpeg,https://cdn2.suno.ai/image_large_e0b28b4c-050b-46a7-a803-469d06b12ee3.jpeg audio/62f45395-8218-46c7-9350-b6dbcaebf796.mp3,62f45395-8218-46c7-9350-b6dbcaebf796,DS_synthpop_nostalgia_y2k_1q8gg,v5.5,chirp-fenix,complete,154.0,False,"Synthpop with modular Goa-tinged analog synths, a subtle 5/4 hi-hat polyrhythm, jazz-altered pad voicings, lo-fi vinyl crackle, and a chopped boom-bap sample driving the groove. Verse sections stay minimal with bass, hats, and a filtered arpeggio; pre-drop builds through resonant sweeps and tape-stop flickers; chorus opens wide with stacked leads and thicker chords. Clean but gritty mix, bright top end with dusty midrange., lo-fi, jazz, synthpop","Synthpop base + sintetizadores analógicos modulares Goa, polirritmia 5/4 en hi-hats sutil, voicings jazz altered en pads, crujidos vinilo lo-fi, sample boom bap chopeado, 3:30 min",[Instrumental],2026-05-24T17:23:16.758Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/62f45395-8218-46c7-9350-b6dbcaebf796.mp3,https://cdn2.suno.ai/image_62f45395-8218-46c7-9350-b6dbcaebf796.jpeg,https://cdn2.suno.ai/image_large_62f45395-8218-46c7-9350-b6dbcaebf796.jpeg audio/c01039f6-2e79-4d54-86ca-7a19e6930401.mp3,c01039f6-2e79-4d54-86ca-7a19e6930401,DS_synthpop_nostalgia_y2k_1q8gg,v5.5,chirp-fenix,complete,182.72,False,"Synthpop with modular Goa-tinged analog synths, a subtle 5/4 hi-hat polyrhythm, jazz-altered pad voicings, lo-fi vinyl crackle, and a chopped boom-bap sample driving the groove. Verse sections stay minimal with bass, hats, and a filtered arpeggio; pre-drop builds through resonant sweeps and tape-stop flickers; chorus opens wide with stacked leads and thicker chords. Clean but gritty mix, bright top end with dusty midrange., lo-fi, jazz, synthpop","Synthpop base + sintetizadores analógicos modulares Goa, polirritmia 5/4 en hi-hats sutil, voicings jazz altered en pads, crujidos vinilo lo-fi, sample boom bap chopeado, 3:30 min",[Instrumental],2026-05-24T17:23:16.758Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/c01039f6-2e79-4d54-86ca-7a19e6930401.mp3,https://cdn2.suno.ai/image_c01039f6-2e79-4d54-86ca-7a19e6930401.jpeg,https://cdn2.suno.ai/image_large_c01039f6-2e79-4d54-86ca-7a19e6930401.jpeg audio/eea035c8-2e77-4ceb-852a-f0c7f61fe4f6.mp3,eea035c8-2e77-4ceb-852a-f0c7f61fe4f6,Synesthesia Concrete,v5.5,chirp-fenix,complete,254.96,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:23:16.481Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/eea035c8-2e77-4ceb-852a-f0c7f61fe4f6.mp3,https://cdn2.suno.ai/image_eea035c8-2e77-4ceb-852a-f0c7f61fe4f6.jpeg,https://cdn2.suno.ai/image_large_eea035c8-2e77-4ceb-852a-f0c7f61fe4f6.jpeg audio/931275e4-23fa-4bef-b3f7-e24250986686.mp3,931275e4-23fa-4bef-b3f7-e24250986686,Synesthesia Concrete,v5.5,chirp-fenix,complete,243.0,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient",,,2026-05-24T17:23:16.481Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/931275e4-23fa-4bef-b3f7-e24250986686.mp3,https://cdn2.suno.ai/image_931275e4-23fa-4bef-b3f7-e24250986686.jpeg,https://cdn2.suno.ai/image_large_931275e4-23fa-4bef-b3f7-e24250986686.jpeg audio/812244ab-74f0-4bfd-8927-dd56e55ec29b.mp3,812244ab-74f0-4bfd-8927-dd56e55ec29b,DS_soul_classic_motown_5dif1,v5.5,chirp-fenix,complete,219.96,False,"Soul classic Motown with a 100 BPM backbeat, groovy bass, Hammond organ, gospel piano, tambourine, and bright horn brass hits; verse stays warm and intimate with tight rhythm section, pre-chorus lifts with stacked harmonies and handclaps, chorus opens wide with call-and-response ad-libs and soaring female lead, bridge strips to organ and piano before final brass lift. Soulful female vocal lead, close-mic verses, group vocals on the hook, tape-slight warmth, punchy and glowing mix with Detroit 1967 shine., warm, soulful, soul, gospel, classic, motown, uplifting, groovy, vocal","Soul classic Motown era, 100 BPM, Hammond organ, gospel piano, tambourine, horn brass section, groovy bass, soulful female vocal lead, Bb major uplifting, Detroit Motown 1967 aesthetic, 4 minute warm soulful track","[Verse 1] You came in through my hard times Like Sunday in my bones Put your name on my silence Made this broken place a home [Verse 2] I seen the rain on my window I seen the bills stack high But when you reach for my hand, babe Baby, I remember why [Pre-Chorus] Oh, you turn my fear to fire You turn my doubt around One look from you, darling And I’m never coming down [Chorus] Hold my hand, hold my hand We can make it, yes we can Hold my hand, hold my hand Till this whole wide world feels grand Hold my hand, hold my hand I’m still standing where I stand Hold my hand, hold my hand Love got us, yes it can [Verse 3] Mama said keep on moving Even when the road runs long You were the light in the doorway You were the note in my song [Pre-Chorus] Oh, you turn my fear to fire You turn my doubt around One look from you, darling And I’m never coming down [Chorus] Hold my hand, hold my hand We can make it, yes we can Hold my hand, hold my hand Till this whole wide world feels grand Hold my hand, hold my hand I’m still standing where I stand Hold my hand, hold my hand Love got us, yes it can [Bridge] When the night got heavy You stayed right by my side No matter what came crashing You never let me hide [Chorus] Hold my hand, hold my hand We can make it, yes we can Hold my hand, hold my hand Till this whole wide world feels grand Hold my hand, hold my hand I’m still standing where I stand Hold my hand, hold my hand Love got us, yes it can",2026-05-24T19:05:22.003Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/812244ab-74f0-4bfd-8927-dd56e55ec29b.mp3,https://cdn2.suno.ai/image_812244ab-74f0-4bfd-8927-dd56e55ec29b.jpeg,https://cdn2.suno.ai/image_large_812244ab-74f0-4bfd-8927-dd56e55ec29b.jpeg audio/5b54fba0-dd31-4919-b87d-e704013cbf2c.mp3,5b54fba0-dd31-4919-b87d-e704013cbf2c,DS_detroit_techno_soul_599mz,v5.5,chirp-fenix,complete,214.88,True,"Detroit techno, 124 BPM, four-on-the-floor with swung 909 hats and a weighty 808 undercurrent; verse-like groove phases add Rhodes piano chops, chopped soul vocal stabs, and brushed snares over a warm Moog bassline; mid-track breakdown strips to kick, filtered samples, and room hiss before the final lift returns with extra syncopation and brighter chords; airy sample glue, short tape echoes, and risers into each change; deep, warm, and dusty with a Submerge 1998 warehouse feel, warm, vocal, soul, bassline, detroit techno","Detroit techno with soul samples, 124 BPM, 909 and 808 layered, Rhodes piano chops, chopped soul vocal samples, Moog warm bassline, brushed snares, dorian F minor, 7 minute groove development, Submerge 1998 aesthetic, instrumental with vocal sample chops",[Instrumental],2026-05-24T19:02:04.485Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5b54fba0-dd31-4919-b87d-e704013cbf2c.mp3,https://cdn2.suno.ai/image_5b54fba0-dd31-4919-b87d-e704013cbf2c.jpeg,https://cdn2.suno.ai/image_large_5b54fba0-dd31-4919-b87d-e704013cbf2c.jpeg audio/cfb71a5d-1594-448a-8254-bc6e892df907.mp3,cfb71a5d-1594-448a-8254-bc6e892df907,DS_detroit_techno_soul_599mz,v5.5,chirp-fenix,complete,479.4,True,"Detroit techno, 124 BPM, four-on-the-floor with swung 909 hats and a weighty 808 undercurrent; verse-like groove phases add Rhodes piano chops, chopped soul vocal stabs, and brushed snares over a warm Moog bassline; mid-track breakdown strips to kick, filtered samples, and room hiss before the final lift returns with extra syncopation and brighter chords; airy sample glue, short tape echoes, and risers into each change; deep, warm, and dusty with a Submerge 1998 warehouse feel, warm, vocal, soul, bassline, detroit techno","Detroit techno with soul samples, 124 BPM, 909 and 808 layered, Rhodes piano chops, chopped soul vocal samples, Moog warm bassline, brushed snares, dorian F minor, 7 minute groove development, Submerge 1998 aesthetic, instrumental with vocal sample chops",[Instrumental],2026-05-24T19:02:04.485Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/cfb71a5d-1594-448a-8254-bc6e892df907.mp3,https://cdn2.suno.ai/image_cfb71a5d-1594-448a-8254-bc6e892df907.jpeg,https://cdn2.suno.ai/image_large_cfb71a5d-1594-448a-8254-bc6e892df907.jpeg audio/8ef14939-efbc-447d-b84d-d61090b5823a.mp3,8ef14939-efbc-447d-b84d-d61090b5823a,DS_latin_jazz_afrocuban_54xrt,v5.5,chirp-fenix,complete,204.88,True,"Latin jazz / Afro-Cuban at 125 BPM with locked piano montuno in F minor, congas, timbales, trumpet section punches, and upright bass tumbao driving a long celebratory groove. Intro opens with drum handoffs and piano vamp; head returns with brass hits, then extended tenor sax and piano solos trade over montuno variations. Bright, smoky, analog 1970s NYC mix with warm room depth and crisp percussion sparkle., saxophone, latin jazz","Latin jazz Afro-Cuban, 125 BPM, piano montuno F minor, congas, timbales, trumpet section, tenor saxophone solo, upright bass tumbao, NYC 1975 aesthetic, 7 minute energetic Afro-Cuban groove with extended solos, instrumental",[Instrumental],2026-05-24T18:58:42.840Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/8ef14939-efbc-447d-b84d-d61090b5823a.mp3,https://cdn2.suno.ai/image_8ef14939-efbc-447d-b84d-d61090b5823a.jpeg,https://cdn2.suno.ai/image_large_8ef14939-efbc-447d-b84d-d61090b5823a.jpeg audio/05eb9e4e-dbb9-43be-ba7b-b32b5874a81e.mp3,05eb9e4e-dbb9-43be-ba7b-b32b5874a81e,DS_latin_jazz_afrocuban_54xrt,v5.5,chirp-fenix,complete,192.6,True,"Latin jazz / Afro-Cuban at 125 BPM with locked piano montuno in F minor, congas, timbales, trumpet section punches, and upright bass tumbao driving a long celebratory groove. Intro opens with drum handoffs and piano vamp; head returns with brass hits, then extended tenor sax and piano solos trade over montuno variations. Bright, smoky, analog 1970s NYC mix with warm room depth and crisp percussion sparkle., saxophone, latin jazz","Latin jazz Afro-Cuban, 125 BPM, piano montuno F minor, congas, timbales, trumpet section, tenor saxophone solo, upright bass tumbao, NYC 1975 aesthetic, 7 minute energetic Afro-Cuban groove with extended solos, instrumental",[Instrumental],2026-05-24T18:58:42.840Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/05eb9e4e-dbb9-43be-ba7b-b32b5874a81e.mp3,https://cdn2.suno.ai/image_05eb9e4e-dbb9-43be-ba7b-b32b5874a81e.jpeg,https://cdn2.suno.ai/image_large_05eb9e4e-dbb9-43be-ba7b-b32b5874a81e.jpeg audio/65e762d8-270c-4cfa-8ec4-63a03f03563a.mp3,65e762d8-270c-4cfa-8ec4-63a03f03563a,DS_synthwave_outrun_50zsu,v5.5,chirp-fenix,complete,148.92,True,"Synthwave outrun at 100 BPM with a driving four-on-the-floor pulse and arpeggiated A minor bass; verse feels like cruising on steady pulses, pre-chorus opens into rising filter sweeps, and the chorus blooms with analog lead, warm pads, and DX7 electric piano. Gated snare snaps, tape hiss, neon-tinted delay tails, wide cinematic mix, glossy and nostalgic., electric, bassline, nostalgic, warm, uplifting","Synthwave outrun nostalgic 80s, 100 BPM, analog synth lead, gated reverb snare, arpeggiated bassline A minor, warm pads, FM DX7 electric piano, 1985 production aesthetic, 4 minute cinematic uplifting instrumental",[Instrumental],2026-05-24T18:55:37.579Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/65e762d8-270c-4cfa-8ec4-63a03f03563a.mp3,https://cdn2.suno.ai/image_65e762d8-270c-4cfa-8ec4-63a03f03563a.jpeg,https://cdn2.suno.ai/image_large_65e762d8-270c-4cfa-8ec4-63a03f03563a.jpeg audio/ea63d77c-98e0-42e1-821c-310d79612596.mp3,ea63d77c-98e0-42e1-821c-310d79612596,DS_synthwave_outrun_50zsu,v5.5,chirp-fenix,complete,129.2,True,"Synthwave outrun at 100 BPM with a driving four-on-the-floor pulse and arpeggiated A minor bass; verse feels like cruising on steady pulses, pre-chorus opens into rising filter sweeps, and the chorus blooms with analog lead, warm pads, and DX7 electric piano. Gated snare snaps, tape hiss, neon-tinted delay tails, wide cinematic mix, glossy and nostalgic., electric, bassline, nostalgic, warm, uplifting","Synthwave outrun nostalgic 80s, 100 BPM, analog synth lead, gated reverb snare, arpeggiated bassline A minor, warm pads, FM DX7 electric piano, 1985 production aesthetic, 4 minute cinematic uplifting instrumental",[Instrumental],2026-05-24T18:55:37.579Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/ea63d77c-98e0-42e1-821c-310d79612596.mp3,https://cdn2.suno.ai/image_ea63d77c-98e0-42e1-821c-310d79612596.jpeg,https://cdn2.suno.ai/image_large_ea63d77c-98e0-42e1-821c-310d79612596.jpeg audio/3f809d0c-23ba-471b-925f-b51f56ec3dda.mp3,3f809d0c-23ba-471b-925f-b51f56ec3dda,DS_chicago_house_deep_4w33s,v5.5,chirp-fenix,complete,479.4,True,"Chicago deep house, 122 BPM, swung jackin' groove with 909 and 707 drums, deep sub-bass, Rhodes minor-dorian chords, filtered soulful vocal chops, warm string pads, and a long 7-minute club arrangement. Intro starts with dusty drums and low-pass keys; midsection opens with brighter chord stabs and chopped voices; breakdown strips to pads and bass, then final lift adds handclaps and shimmering ride. Vintage 1988 Trax Records feel, warm, punchy, and tape-worn., deep house, deep, warm, vocal, soulful","Chicago deep house oldschool, 122 BPM, 909 and 707 drums, deep sub-bass, Rhodes piano chord progression A minor dorian, filtered soulful vocal samples, warm string pads, Trax Records 1988 aesthetic, 7 minute groove, instrumental with vocal chops",[Instrumental],2026-05-24T18:51:49.603Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/3f809d0c-23ba-471b-925f-b51f56ec3dda.mp3,https://cdn2.suno.ai/image_3f809d0c-23ba-471b-925f-b51f56ec3dda.jpeg,https://cdn2.suno.ai/image_large_3f809d0c-23ba-471b-925f-b51f56ec3dda.jpeg audio/7da69238-43af-4b1d-af2d-d6e75095dbdc.mp3,7da69238-43af-4b1d-af2d-d6e75095dbdc,DS_chicago_house_deep_4w33s,v5.5,chirp-fenix,complete,213.32,True,"Chicago deep house, 122 BPM, swung jackin' groove with 909 and 707 drums, deep sub-bass, Rhodes minor-dorian chords, filtered soulful vocal chops, warm string pads, and a long 7-minute club arrangement. Intro starts with dusty drums and low-pass keys; midsection opens with brighter chord stabs and chopped voices; breakdown strips to pads and bass, then final lift adds handclaps and shimmering ride. Vintage 1988 Trax Records feel, warm, punchy, and tape-worn., deep house, deep, warm, vocal, soulful","Chicago deep house oldschool, 122 BPM, 909 and 707 drums, deep sub-bass, Rhodes piano chord progression A minor dorian, filtered soulful vocal samples, warm string pads, Trax Records 1988 aesthetic, 7 minute groove, instrumental with vocal chops",[Instrumental],2026-05-24T18:51:49.603Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/7da69238-43af-4b1d-af2d-d6e75095dbdc.mp3,https://cdn2.suno.ai/image_7da69238-43af-4b1d-af2d-d6e75095dbdc.jpeg,https://cdn2.suno.ai/image_large_7da69238-43af-4b1d-af2d-d6e75095dbdc.jpeg audio/d0737302-f61a-437a-aa96-abbb204437a5.mp3,d0737302-f61a-437a-aa96-abbb204437a5,DS_jazz_fusion_70s_accesible_4qyox,v5.5,chirp-fenix,complete,203.52,True,"Jazz fusion, 115 BPM, with a 70s CTI Records 1974 sheen, modal D minor groove, Rhodes electric piano comping against a singing Moog lead, electric jazz bass locking the pocket, fusion drums with crisp rim shots, and clean electric guitar fills. Verse rides the vamp, mid-break opens to a guitar-Moog conversation, final stretch widens with extra percussion. Bright, polished, widescreen mix with warm analog gloss., clean, jazz bass, electric, jazz fusion, sophisticated","Jazz fusion 70s accessible, 115 BPM, Rhodes electric piano, Moog synth lead, electric jazz bass, fusion drums with rim shots, clean electric guitar, D minor modal, CTI Records 1974 aesthetic, 7 minute sophisticated fusion groove, instrumental",[Instrumental],2026-05-24T18:47:50.463Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/d0737302-f61a-437a-aa96-abbb204437a5.mp3,https://cdn2.suno.ai/image_d0737302-f61a-437a-aa96-abbb204437a5.jpeg,https://cdn2.suno.ai/image_large_d0737302-f61a-437a-aa96-abbb204437a5.jpeg audio/e5eb32c8-273e-4f36-aa8a-e67534863d50.mp3,e5eb32c8-273e-4f36-aa8a-e67534863d50,DS_jazz_fusion_70s_accesible_4qyox,v5.5,chirp-fenix,complete,193.08,True,"Jazz fusion, 115 BPM, with a 70s CTI Records 1974 sheen, modal D minor groove, Rhodes electric piano comping against a singing Moog lead, electric jazz bass locking the pocket, fusion drums with crisp rim shots, and clean electric guitar fills. Verse rides the vamp, mid-break opens to a guitar-Moog conversation, final stretch widens with extra percussion. Bright, polished, widescreen mix with warm analog gloss., clean, jazz bass, electric, jazz fusion, sophisticated","Jazz fusion 70s accessible, 115 BPM, Rhodes electric piano, Moog synth lead, electric jazz bass, fusion drums with rim shots, clean electric guitar, D minor modal, CTI Records 1974 aesthetic, 7 minute sophisticated fusion groove, instrumental",[Instrumental],2026-05-24T18:47:50.463Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/e5eb32c8-273e-4f36-aa8a-e67534863d50.mp3,https://cdn2.suno.ai/image_e5eb32c8-273e-4f36-aa8a-e67534863d50.jpeg,https://cdn2.suno.ai/image_large_e5eb32c8-273e-4f36-aa8a-e67534863d50.jpeg audio/05257899-95e9-48e0-9345-adb9a5ff9477.mp3,05257899-95e9-48e0-9345-adb9a5ff9477,DS_afrobeat_modern_sax_solo_4hsfn,v5.5,chirp-fenix,complete,214.0,True,"Afrobeat instrumental at 110 BPM with polyrhythmic congas, deep pocket bass, West African funk guitar, Hammond organ swells, and an extended tenor sax lead in F minor Yoruba pentatonic colors. Verse-like sections stay groove-forward; a breakdown thins to drums and bass; the return brings subtle horn punches and bigger sax improv. Close, warm, punchy mix with tape grit, hand percussion detail, and roomy club depth., deep, afrobeat, saxophone, funk","Modern afrobeat instrumental sax-driven, 110 BPM, extended tenor saxophone lead, polyrhythmic congas, West African funk guitar, deep bass groove, Hammond organ, subtle horn section, F minor Yoruba pentatonic modal, Brooklyn afrobeat revival 2022 aesthetic, 8 minute polyrhythmic spiritual groove, instrumental",[Instrumental],2026-05-24T18:40:54.341Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/05257899-95e9-48e0-9345-adb9a5ff9477.mp3,https://cdn2.suno.ai/image_05257899-95e9-48e0-9345-adb9a5ff9477.jpeg,https://cdn2.suno.ai/image_large_05257899-95e9-48e0-9345-adb9a5ff9477.jpeg audio/4af4e758-f9f8-418e-abc8-0d3fdb2333c1.mp3,4af4e758-f9f8-418e-abc8-0d3fdb2333c1,DS_afrobeat_modern_sax_solo_4hsfn,v5.5,chirp-fenix,complete,214.16,True,"Afrobeat instrumental at 110 BPM with polyrhythmic congas, deep pocket bass, West African funk guitar, Hammond organ swells, and an extended tenor sax lead in F minor Yoruba pentatonic colors. Verse-like sections stay groove-forward; a breakdown thins to drums and bass; the return brings subtle horn punches and bigger sax improv. Close, warm, punchy mix with tape grit, hand percussion detail, and roomy club depth., deep, afrobeat, saxophone, funk","Modern afrobeat instrumental sax-driven, 110 BPM, extended tenor saxophone lead, polyrhythmic congas, West African funk guitar, deep bass groove, Hammond organ, subtle horn section, F minor Yoruba pentatonic modal, Brooklyn afrobeat revival 2022 aesthetic, 8 minute polyrhythmic spiritual groove, instrumental",[Instrumental],2026-05-24T18:40:54.341Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/4af4e758-f9f8-418e-abc8-0d3fdb2333c1.mp3,https://cdn2.suno.ai/image_4af4e758-f9f8-418e-abc8-0d3fdb2333c1.jpeg,https://cdn2.suno.ai/image_large_4af4e758-f9f8-418e-abc8-0d3fdb2333c1.jpeg audio/14701fa0-007e-4a37-97d6-48592369cc4a.mp3,14701fa0-007e-4a37-97d6-48592369cc4a,DS_future_soul_modern_4e7sy,v5.5,chirp-fenix,complete,224.4,False,"Future soul, modern experimental groove at 90 BPM with warm synth pads, off-grid humanized drums, and a rounded bass synth locked to an F# minor modal center. Verse sections stay roomy with vibraphone shimmer and soft trumpet phrases; the chorus opens with stacked vocal harmony pulses and wider chords; the bridge thins to pad haze and trumpet fragments before the final lift. Lush, intimate, Melbourne-night mix with glossy low end and tactile mids., warm, experimental, soul, vocal","Future soul modern experimental, 90 BPM, warm synth pads, off-grid humanized drums, warm bass synth, layered vocal harmonies, muted trumpet, vibraphone textures, F# minor modal, Melbourne scene aesthetic, 5 minute lush groove",[Instrumental],2026-05-24T18:37:54.836Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/14701fa0-007e-4a37-97d6-48592369cc4a.mp3,https://cdn2.suno.ai/image_14701fa0-007e-4a37-97d6-48592369cc4a.jpeg,https://cdn2.suno.ai/image_large_14701fa0-007e-4a37-97d6-48592369cc4a.jpeg audio/5f2d8eac-da2e-46fc-9900-5ad563ced602.mp3,5f2d8eac-da2e-46fc-9900-5ad563ced602,DS_future_soul_modern_4e7sy,v5.5,chirp-fenix,complete,203.6,False,"Future soul, modern experimental groove at 90 BPM with warm synth pads, off-grid humanized drums, and a rounded bass synth locked to an F# minor modal center. Verse sections stay roomy with vibraphone shimmer and soft trumpet phrases; the chorus opens with stacked vocal harmony pulses and wider chords; the bridge thins to pad haze and trumpet fragments before the final lift. Lush, intimate, Melbourne-night mix with glossy low end and tactile mids., warm, experimental, soul, vocal","Future soul modern experimental, 90 BPM, warm synth pads, off-grid humanized drums, warm bass synth, layered vocal harmonies, muted trumpet, vibraphone textures, F# minor modal, Melbourne scene aesthetic, 5 minute lush groove",[Instrumental],2026-05-24T18:37:54.836Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/5f2d8eac-da2e-46fc-9900-5ad563ced602.mp3,https://cdn2.suno.ai/image_5f2d8eac-da2e-46fc-9900-5ad563ced602.jpeg,https://cdn2.suno.ai/image_large_5f2d8eac-da2e-46fc-9900-5ad563ced602.jpeg audio/ccb38c7f-6609-43a7-9a8b-d396f4652eb9.mp3,ccb38c7f-6609-43a7-9a8b-d396f4652eb9,DS_phonk_drift_brazilian_4akjs,v5.5,chirp-fenix,complete,113.52,True,"Brazilian phonk at 150 BPM with swung, aggressive drift momentum and hard punchy kicks under distorted 808s, phonk cowbells, and chopped Memphis vocal shards. Verse sections stay lean with just drums, bass, and a grim D minor synth lead; the drop opens wider with extra distortion and quick stop-start accents. Use risers, reverse swells, and tire-screech fills into each transition. Bright, heavy, and filthy-low mix., vocal","Brazilian phonk drift aesthetic, 150 BPM, distorted 808 bass, phonk cowbells, chopped Memphis vocal samples, dark synth lead D minor, punchy kick, drift car aesthetic, 2:30 minute aggressive underground instrumental",[Instrumental],2026-05-24T18:35:05.687Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/ccb38c7f-6609-43a7-9a8b-d396f4652eb9.mp3,https://cdn2.suno.ai/image_ccb38c7f-6609-43a7-9a8b-d396f4652eb9.jpeg,https://cdn2.suno.ai/image_large_ccb38c7f-6609-43a7-9a8b-d396f4652eb9.jpeg audio/17973d17-9be6-4534-9daa-562ed94f5ea0.mp3,17973d17-9be6-4534-9daa-562ed94f5ea0,DS_phonk_drift_brazilian_4akjs,v5.5,chirp-fenix,complete,76.48,True,"Brazilian phonk at 150 BPM with swung, aggressive drift momentum and hard punchy kicks under distorted 808s, phonk cowbells, and chopped Memphis vocal shards. Verse sections stay lean with just drums, bass, and a grim D minor synth lead; the drop opens wider with extra distortion and quick stop-start accents. Use risers, reverse swells, and tire-screech fills into each transition. Bright, heavy, and filthy-low mix., vocal","Brazilian phonk drift aesthetic, 150 BPM, distorted 808 bass, phonk cowbells, chopped Memphis vocal samples, dark synth lead D minor, punchy kick, drift car aesthetic, 2:30 minute aggressive underground instrumental",[Instrumental],2026-05-24T18:35:05.687Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/17973d17-9be6-4534-9daa-562ed94f5ea0.mp3,https://cdn2.suno.ai/image_17973d17-9be6-4534-9daa-562ed94f5ea0.jpeg,https://cdn2.suno.ai/image_large_17973d17-9be6-4534-9daa-562ed94f5ea0.jpeg audio/0d0f91a5-6263-407a-b15f-1909cd2ec2c1.mp3,0d0f91a5-6263-407a-b15f-1909cd2ec2c1,**Tape Lullaby**,v5.5,chirp-fenix,complete,174.96,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient.dub techno flavor ",,,2026-05-24T18:11:44.795Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/0d0f91a5-6263-407a-b15f-1909cd2ec2c1.mp3,https://cdn2.suno.ai/image_0d0f91a5-6263-407a-b15f-1909cd2ec2c1.jpeg,https://cdn2.suno.ai/image_large_0d0f91a5-6263-407a-b15f-1909cd2ec2c1.jpeg audio/1f98f794-7498-4fa7-9b6f-bb6fab33a561.mp3,1f98f794-7498-4fa7-9b6f-bb6fab33a561,**Tape Lullaby**,v5.5,chirp-fenix,complete,229.44,True,"Ambient techno with meditative 110 BPM pulse, soft analog pads, filtered 909 kick under a deep slow sub-bass, field recordings, long tape delay, and evolving FX; verse-like sections bloom slowly into thicker layers, then recede into a more stripped, suspended middle before a final expansion, Sparse breathy vocal-like textures are treated as synth ghosts, with reversed swells, distant chimes, vinyl haze, and subtle sidechain movement, Wide, dusty, hypnotic mix with early-90s Warp-style atmosphere and patient, immersive depth, deep, soft, slow, techno, ambient.dub techno flavor ",,,2026-05-24T18:11:44.795Z,0,0,False,False,False,False,False,https://cdn1.suno.ai/1f98f794-7498-4fa7-9b6f-bb6fab33a561.mp3,https://cdn2.suno.ai/image_1f98f794-7498-4fa7-9b6f-bb6fab33a561.jpeg,https://cdn2.suno.ai/image_large_1f98f794-7498-4fa7-9b6f-bb6fab33a561.jpeg